Practice Test

Half right

Question 1 of 51

2026 Practice Test A English, question 11
Passage The Best Laid Plans of Ravens

The Best Laid Plans of Ravens

In Edgar Allan Poe’s poem “The Raven,” a raven visits a lonely man’s home and responds to the man’s pleading questions with only the word “nevermore.” The poem’s narrator interprets the word as a prediction of doom for his future. A talking, prophetic raven may seem to be the wild imaginings of the poet, but a new study published in the journal Science hints that one particular idea behind the poem might not be as far-fetched as it seems. For most of human history, people assumed that animals do not understand the passage of time in the same way people do. Some people believed that animals might remember events from the past and that instinct might drive them to make preparations in order to guarantee survival, but most people did not think that animals had the ability to plan. At Lund University in Sweden, researchers argue that ravens may be able to think ahead and even plan for the future.

It can be difficult to test an animal’s ability to plan because human observers must be certain they are not mistaking instinctual behavior for intentional planning. For example, many animals hoard food so that they will not run out later, but scientists who study animals would not call hoarding a decision to plan for the future. This action is merely instinctual. Cognitive scientists argue that in order for an animal’s behavior to qualify as preparing for the future, the animal must use specific decision-making skills to solve a problem.

To avoid mistaking instinctual behavior for evidence of decision-making, the Lund University researchers designed two experiments to test ravens’ ability to plan. Ravens belong to the corvid family, a group of birds known for their intelligence. A study in 2007 showed that corvids have the tendency to save only certain types of food, which suggests that they are planning for the future rather than acting on instinct. In order to investigate that theory, the researchers had to design experiments that would achieve results that could not be explained by an instinctual behavior of food hoarding. Therefore, the ravens were taught two behaviors that they do not normally perform in the wild.

For the first experiment, the researchers showed the birds how to use a small stone to open a box and get treats. Once the ravens learned the behavior, the researchers presented the birds with four stones. Only one stone was the right size to open the box. The birds learned to select that stone and set it aside until the researchers presented the box. The second experiment involved bartering. A researcher would trade the ravens a large treat for a bottle cap. Later, the researchers presented the ravens with a group of items, including small treats and the bottle cap. The ravens chose the bottle cap over the treats and waited for the original researcher to trade with them again so that they could get more treats. In both experiments, the ravens waited patiently for up to seventeen hours for the researcher to return.

The results of these experiments are exciting, but more evidence needs to be gathered before scientists can fully conclude that ravens can plan for the future. Some scientists argue that the ravens might be choosing the stone and bottle cap because the ravens have been trained to do so, not necessarily because the ravens are thinking ahead. Regardless, like other recent advances in animal science, these experiments show that ravens could be much smarter than first believed, and scientists now believe that ravens do actually think about their own future.

Question

How does paragraph 5 fit into the overall structure of the passage and contribute to the development of ideas?

  • AIt introduces a problem with the results of the study at Lund University, suggesting that some scientists believe that further research will not lead to a clear answer.
  • BIt summarizes the final steps of the study at Lund University, emphasizing the difficulties researchers had in differentiating between true planning and practiced actions.
  • CIt provides a conclusion to the information about the Lund University study, indicating that some scientists think further research is needed in order to prove the idea.
  • DIt lists the effects of the study at Lund University, implying that researchers should have designed experiments that better differentiated between planning and instinct.
Show the answer

Correct answer: C

The question asks how paragraph 5 fits into the overall structure of the passage and contributes to the development of ideas.

A. Incorrect. While paragraph 5 states that “more evidence needs to be gathered before scientists can fully conclude that ravens can plan for the future,” this statement suggests that more research is needed, not that the results of the Lund University study are problematic.

B. Incorrect. Paragraph 5 does not discuss steps of the study or emphasize difficulties in determining whether the behaviors shown in the study were planned or practiced; instead it simply suggests that more study is required to make such a determination.

C. CORRECT. Paragraph 5 notes that some doubt remains (“Some scientists argue that the ravens might be choosing the stone and bottle cap because the ravens have been trained to do so, not necessarily because the ravens are thinking ahead”) and that more experimentation is needed; the author concludes that there is reason to believe the originally stated theory that ravens are quite smart and can give thought to how future events may affect them.

D. Incorrect. Paragraph 5 does not list the effects of the study or criticize the experiment for not differentiating between planning and instinct. The paragraph explains why the results of the experiments are not conclusive and emphasizes that more research is needed.

Question analysis

This text-structure question asks how the last paragraph of the article “The Best Laid Plans of Ravens” fits into the passage and develops its ideas. Students must see what that paragraph does once the experiments have been described. Each long choice names a role and then adds a claim, so a choice can begin well and end wrong.

NYS standards
  • 7R5 structure and genre features
  • 7R8 evaluating arguments and claims
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Explaining the role of a final paragraph is regular grade 7 structure work. The choices are long, though, and each pairs a role with a claim about scientists’ views, so both halves must be checked against a paragraph that mixes doubt with enthusiasm.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
What makes it hard
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 11, 599 words; question and choices: about grade 15, 121 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Paragraph 5 makes three moves, excitement, doubt and a hopeful conclusion, and each wrong choice builds on one of them and then goes too far. Students who notice the doubt but read past “before scientists can fully conclude” pick the claim that research will never settle the question. Summing up the paragraph before reading the choices, and then checking the second half of each, is what earns the point.

  1. A very close wrong answer moderate Choosing the answer

    The choice about a problem with the results matches the right one in its first half, a doubt raised in paragraph 5, and differs only in claiming that more research will not give a clear answer. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. How, not what moderate Working it out

    The question asks what paragraph 5 does in the article, closing the account of the Lund study, so students must name its role rather than repeat its caution about training. (Anderson & Krathwohl, 2001)

  3. A lot to read minor Understanding the question

    The choices run 24 to 28 words, and each pairs a role with a second claim about what scientists or researchers think or did, so both halves of every choice have to be checked. (Kintsch, 1998; Gorin & Embretson, 2006; Freedle & Kostin, 1993)

Strategy: Sum up paragraph 5 in one sentence of your own, then check both parts of each choice, the job it names and the idea it attributes to scientists, against that summary.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks about structure: what job paragraph 5 does in the article. Each choice has two parts, a job and an idea about scientists. Both parts must be right.

  2. See where paragraph 5 sits

    Paragraphs 3 and 4 describe the Lund University experiments. Paragraph 5 is the last paragraph. It comes after the whole study has been described. So it is the place where the author sums up what the study means.

  3. Read what paragraph 5 says

    It opens: “The results of these experiments are exciting, but more evidence needs to be gathered before scientists can fully conclude that ravens can plan for the future.” Next, it says some scientists think the ravens may just be trained. Then it says “Regardless,” the experiments show ravens “could be much smarter than first believed.” Regardless means “even so.”

  4. Put the paragraph in your words

    Paragraph 5 wraps up the study. The results are exciting but not proven yet. More research is needed to be sure. A conclusion is the ending part that sums things up. So paragraph 5 is the conclusion to the study, and it says more evidence is needed.

  5. Check each choice

    • A does not fit. Paragraph 5 does raise a doubt. But it never says more research will fail to give a clear answer.
    • B does not fit. Paragraph 5 describes no steps of the study.
    • C fits. It wraps up the study and says more research is needed.
    • D does not fit. It lists no effects and blames no one. The author calls the results “exciting.”
  6. Choose the answer

    Paragraph 5 ends the story of the study and calls for more evidence. So the answer is C.

Why this answer and not the closest wrong one

A is the closest wrong choice, because its first half is right: paragraph 5 raises a doubt. But A says more research will not lead to a clear answer. The paragraph says more evidence is needed “before scientists can fully conclude,” so research is the way to an answer. C says this.

The original DOE question
Question 11 as shown on the DOE’s digital test, page 16 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test A English, page 16, question 11.
The passage “The Best Laid Plans of Ravens” as printed (page 12)The passage “The Best Laid Plans of Ravens” as printed on page 12 of the DOE handbook.

Question 2 of 51

2026 Practice Test A English, question 30
Passage Excerpt from “The Spirit of the Herd”

Excerpt from “The Spirit of the Herd”

by Dallas Lore Sharp

In this excerpt, published in 1914, author and professor Dallas Lore Sharp describes a summer cattle roundup in Oregon. The heat and dust had been relentless for three days. The cowboys were exhausted, and the cattle were restless. The ranch boss, Wade, had led the drive to a watering place, only to find it empty.

Along with the wagon had come the fresh horses—one of them being Peroxide Jim, a supple, powerful, clean-limbed buckskin, a horse, I think, that had as fine and intelligent an animal-face as any creature I ever saw. Wade had been saving this horse for emergency work. And why should he not have been saved fresh for just such a need as this? Are there not superior horses as well as superior men—a Peroxide Jim to complement a Wade?

The horse knew the cattle business and knew his rider perfectly; and though there was nothing like sentiment about the boss of the P Ranch riders, his faith in Peroxide Jim was complete. . . .

The desert, where the herd was camped, was one of the highest of a series of tablelands, or benches; it lay as level as a floor, rimmed by sheer rock, from which there was a drop to the bench of sage below. The herd when overtaken by the dusk had been headed for a pass descending to the next lower bench, but was now halted within a mile of the rim rock on the east, where there was a perpendicular fall of about three hundred feet. . . .

In the taut silence of the stirless desert night, with the tension of the herd at the snapping-point, any quick, unwonted sight or sound would stampede them. The sneezing of a horse, the flare of a match, would be enough to send the whole four thousand headlong—blind, frenzied, trampling—till spent and scattered over the plain.

And so, as he rode, Wade began to sing. The rider ahead of him took up the air and passed it on until, above the stepping stir of the hoofs rose the faint voices of the men, and all the herd was bound about by the slow plaintive measures of some old song. It was not to soothe their savage breasts that the riders sang to the cattle, but rather to preempt the dreaded silence, to relieve the tension, and so to prevent the shock of any sudden startling noise.

So they sang and rode and the night wore on to one o’clock, when Wade, coming up on the rim-rock side, felt a cool breeze fan his face, and caught a breath of fresh, moist wind with the taste of water in it.

He checked his horse instantly, listening as the wind swept past him over the cattle. But they must already have smelled it, for they had ceased their milling, the whole herd standing motionless, the indistinct forms close to him in the dark showing their bald faces lifted to drink the sweet wet breath that came over the rim. Then they started on again, but faster, and with a rumbling now from their hoarse throats that tightened Wade’s grip on the reins.

The sound seemed to come out of the earth, a low, rumbling mumble, as dark as the night and as wide as the plain, a thick, inarticulate bellow that stood every rider stiff in his stirrups. . . .

Then the breeze caught the dust and carried it back from the gray-coated, ghostly shapes, and Wade saw that the animals were still moving in a circle. He must keep them going. He touched his horse to ride on with them, when across the black sky flashed a vivid streak of lightning.

There was a snort from the steers, a quick clap of horns and hoofs from far within the herd, a tremor of the plain, a roar, a surging mass—and Wade was riding the flank of a wild stampede. Before him, behind him, beside him, pressing hard upon his horse, galloped the frenzied steers, and beyond them a multitude borne on, and bearing him on, by the heave of the galloping herd.

Wade was riding for his life. He knew it. His horse knew it. He was riding to turn the herd, too, back from the rim, as the horse also knew. The cattle were after water—water-mad—ready to go over the precipice to get it, carrying horse and rider with them. Wade was the only rider between the herd and the rim. It was black as death. He could see nothing in the sage, could scarcely discern the pounding, panting shadows at his side. He knew that he was being borne toward the rim, how fast he could not tell, but he knew by the swish of the brush against his tapaderos and the plunging of the horse that the ground was growing stonier, that they were nearing the rocks.

To outrun the herd was his only chance for life. If he could come up with the leaders he might not only escape, but even stand a chance of heading them off upon the plain and saving the herd. There were cattle still ahead of him; how many, what part of them all, he could not make out in the dark. But the horse knew. The reins hung on his straight neck, where his rider had dropped them, as, yelling and firing over the wild herd, he had given this horse the race to win, to lose.

They were riding the rim. Close on their left bore down the flank of the herd, and on their right, under their very feet, was a precipice, so close that they felt its blackness—its three hundred feet of fall! . . .

. . . Then Wade found himself racing neck and neck with a big white steer, which the horse, with marvelous instinct, seemed to pick out from a bunch, and to cling to, forcing him gradually ahead, till, cutting him free from the bunch entirely, he bore him off into the swishing sage.

The steers coming on close behind followed their leader, and in, after them, swung others. The tide was turning from the rim. More and more were veering, and within a short time the whole herd, bearing off from the cliffs, was pounding over the open plains.

Whose race was it? It was Peroxide Jim’s, according to Wade, for not by word or by touch of hand or knee had the horse been directed in the run. From the flash of the lightning the horse had taken the bit, had covered an indescribably perilous path at top speed, had outrun the herd and turned it from the edge of the rim rock, without a false step or a tremor of fear.

From “The Spirit of the Herd” by Dallas Lore Sharp—Public Domain

tablelands: plateaus, flat areas of land sharply elevated from the surrounding area
tapaderos: leather covers for stirrups

Question

Paragraphs 1–2 contribute to the development of the central idea of the excerpt by

  • Arevealing the respect Wade had for his horse.
  • Bemphasizing Wade’s high expectations of his horse and himself.
  • Cindicating that Wade and his horse understood the cattle business.
  • Ddemonstrating Wade’s ability to gauge a horse’s competence.
Show the answer

Correct answer: A

The question asks how paragraphs 1–2 contribute to the development of the central idea of the excerpt.

A. CORRECT. The description of Peroxide Jim in paragraph 1 indicates that the horse was a fine animal (“Along with the wagon had come the fresh horses—one of them being Peroxide Jim, a supple, powerful, clean-limbed buckskin, a horse, I think, that had as fine and intelligent an animal-face as any creature I ever saw” [paragraph 1]). The statement in paragraph 2 that Wade’s “faith in Peroxide Jim was complete” supports the central idea of the excerpt that Wade believed in Peroxide Jim’s abilities even before the horse turned the herd and saved the cattle.

B. Incorrect. Paragraphs 1–2 do not emphasize Wade’s high expectations for himself, nor are these expectations a central idea of the excerpt. The narrator expresses a high opinion of Wade’s abilities in his comparison of Peroxide Jim and Wade, referring to the horse as a “complement” (paragraph 1) for Wade; however, Wade showed complete trust in the horse’s ability to save the herd without his help, as evidenced by Wade dropping the reins to allow the horse to control the situation (paragraph 12).

C. Incorrect. The paragraphs refer to Peroxide Jim’s ability to handle cattle; in fact, paragraph 2 says that “the horse knew the cattle business.” It can be inferred that Wade had this knowledge as well, but this idea is not the focus of paragraphs 1–2 and is not the central idea of the excerpt.

D. Incorrect. Wade’s ability to judge a horse’s competence is not a central idea of the excerpt. The event described in the text is proof that Wade knew how to judge a horse’s ability: Wade trusted Peroxide Jim, and Peroxide Jim did not let him down. The option puts the focus on Wade and one of his strengths, when the central idea and focus of the excerpt is Peroxide Jim’s abilities and strengths, not Wade’s.

Question analysis

This central-idea question asks how the first two paragraphs of “The Spirit of the Herd,” which introduce the buckskin horse Peroxide Jim and the ranch boss Wade, contribute to the excerpt’s central idea. Students connect these opening details to the story of the stampede that follows. The narrator’s old-fashioned rhetorical questions can make the paragraphs’ point hard to pin down.

NYS standards
  • 7R5 structure and genre features
  • 7R2 theme or central idea
Grade level
Grade 8 reading and task
Compared with grade 7
At grade 7 Explaining how opening paragraphs build a central idea is typical grade 7 work. The two paragraphs are short, but the narrator’s rhetorical questions and old-fashioned phrasing must be decoded, and the central idea must come from the rest of the excerpt.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
What makes it hard
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 8, 1160 words; question and choices: about grade 9, 48 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The opening paragraphs talk about both Wade and his horse, so every choice can find a foothold in them. The question turns on the excerpt as a whole, which ends by giving the race to Peroxide Jim, and only Wade’s regard for the horse points toward that ending. Students lose the point by picking a skill of Wade’s own, which his trust only implies, or by repeating “knew the cattle business,” a line said of the horse alone.

  1. Reading between the lines moderate Working it out

    Respect is never named; it must be read from Wade “saving this horse for emergency work” and from his “faith in Peroxide Jim” being “complete” in paragraph 2. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. How, not what moderate Working it out

    The question asks how two opening paragraphs serve the excerpt’s central idea, so students must know where the story ends, with the race credited to the horse, before judging them. (Anderson & Krathwohl, 2001)

  3. Complex sentences minor Understanding the question

    Paragraph 1 makes its point through two old-fashioned rhetorical questions, beginning “And why should he not” and “Are there not superior horses,” whose answers students must supply. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

Strategy: Restate paragraphs 1 and 2 in plain words, decide what the excerpt as a whole is mainly about, and pick the option that links the two.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Word match: Repeats striking words or phrases from the text, so it looks supported, but its meaning does not fit the question.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks how paragraphs 1 and 2 help build the central idea. The central idea is the most important idea of the whole excerpt. So first find the central idea. Then see how the opening leads to it.

  2. Find the central idea

    The excerpt ends in paragraph 16: “Whose race was it? It was Peroxide Jim’s, according to Wade.” The horse saved the herd on his own, and Wade gives him the credit. The central idea is that Peroxide Jim is a remarkable horse who earns Wade’s trust.

  3. Read paragraphs 1 and 2

    Paragraph 1 says “Wade had been saving this horse for emergency work.” Paragraph 2 says “though there was nothing like sentiment about the boss of the P Ranch riders, his faith in Peroxide Jim was complete.”

  4. Work out what they show

    Sentiment means soft, tender feelings. Wade was a tough boss, not a soft one. Faith means trust. Even so, he trusted this horse completely. Saving the horse for the hardest jobs shows the same respect. The rest of the excerpt proves that respect was deserved.

  5. Check each choice

    • A fits. The paragraphs show how much Wade respected his horse.
    • B does not fit. They never say what Wade expects of himself.
    • C does not fit. “The horse knew the cattle business” is said about the horse, and it is only background.
    • D does not fit. His trust may hint that he judges horses well. But the paragraphs show faith in one horse, and the excerpt is about what that horse does.
  6. Choose the answer

    The opening shows Wade’s respect, and the ending shows the horse deserved it. So the answer is A.

Why this answer and not the closest wrong one

D is the closest wrong choice. Wade’s trust does hint that he knows good horses. But paragraphs 1 and 2 show his faith in one horse, not a skill at judging horses. The excerpt is about that horse. Wade’s respect points straight to the end, where he gives the race to Peroxide Jim. That is A.

The original DOE question
Question 30 as shown on the DOE’s digital test, page 43 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test A English, page 43, question 30.
The passage “Excerpt from “The Spirit of the Herd”” as printed (page 41)The passage “Excerpt from “The Spirit of the Herd”” as printed on page 41 of the DOE handbook.

Question 3 of 51

2026 Practice Test A English, question 43
Passage The Benefits of Indoor Plants

The Benefits of Indoor Plants

(1) In an age of endless media content, it is easy to see why people might prefer to stay inside. (2) According to a study sponsored by the Environmental Protection Agency, Americans spend an average of 87 percent of their time indoors. (3) Scientists say that this separation between people and nature puts people at risk for physical and psychological issues.

(4) During the process of photosynthesis, plants convert carbon dioxide into oxygen and remove many harmful toxins from the air. (5) Spending prolonged periods of time indoors, away from plants, deprives people of these benefits. (6) Air that is not regularly detoxified can lead to a condition known as sick building syndrome. (7) This disorder first came to light in the 1970s when many office workers in the United States began to complain of unexplained flu-like symptoms. (8) Researchers determined the cause to be volatile organic compounds, or VOCs. (9) VOCs are harmful chemicals that are emitted by everyday objects such as carpet, furniture, cleaning products, and computers. (10) The NASA Clean Air Study found a simple way to remove a significant number of VOCs within a 24-hour period: add plants to indoor spaces.

(11) Adding plants to indoor spaces has psychological benefits too. (12) Research has long linked time spent in natural environments with increased energy and feelings of contentment. (13) While being outdoors is an excellent option for improving a person’s mental health, recent research has indicated that encountering natural elements while indoors can also help. (14) To experience the maximum benefit of natural elements, experts suggest placing at least one live plant per 100 square feet of home or office space.

(15) Connecting with nature, even just by being near an indoor plant, is a significant factor in a person’s well-being. (16) Sitting in front of an electronic screen all day isn’t natural, and today’s workers need to get up and get outdoors. (17) Richard Ryan, a psychology professor at the University of Rochester, puts it this way: “Nature is something within which we flourish, so having it be more a part of our lives is critical, especially when we live and work in built environments.”

Question

Which sentence should follow sentence 3 to best introduce the topic of the passage?

  • APlacing plants in homes and offices can provide a healthy bridge between nature and the indoors.
  • BIt is important for people to realize that they need to spend more time near plants, whether indoors or out in nature.
  • CFor their personal health and well-being, people need to spend more time outdoors or bring the outdoors in.
  • DIndividuals with little connection to nature can experience illness, depression, and higher levels of stress.
Show the answer

Correct answer: A

The question asks which sentence should follow sentence 3 to best introduce the topic of the passage.

A. CORRECT. The sentence introduces the overall topic by previewing the main ideas in the passage. It introduces the connection between natural elements and well-being (“a healthy bridge”) and sets up the main argument of the passage (“Placing plants in homes and offices” can increase people’s well-being).

B. Incorrect. Although sentence 3 mentions the connection between “people and nature,” this sentence references the importance of spending time near plants while both indoors and outdoors. However, the passage focuses specifically on the benefits of having indoor plants.

C. Incorrect: Though the sentence describes a reason why indoor plants are important (“For [people’s] personal health and well-being”), the topic of the passage is related to the need for indoor plants, not the need for people to spend more time outdoors.

D. Incorrect. While the sentence refers to how time away from nature can affect health and well-being, the vague wording (“little connection to nature”) makes this sentence too broad to introduce the topic of the passage, and thus, it should not follow sentence 3.

Question analysis

This revising question works with the four-paragraph passage “The Benefits of Indoor Plants” and asks which sentence should follow sentence 3 to introduce the passage's topic. The opening paragraph ends on the health risks of time spent away from nature, and every choice continues that thought in some way, so students must judge which one prepares a reader for what the passage goes on to cover.

NYS standards
  • 7W2a introducing and organizing a topic
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Introducing a topic so that it previews what follows is a grade 7 writing standard, practised often in class. The passage is short and plainly worded, and the choices differ in focus rather than in grammar, typical grade 7 revision.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from the whole text
Reading level
Passage: about grade 12, 346 words; question and choices: about grade 9, 84 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The first paragraph ends on a problem, and all four choices continue it plausibly, so the decision is about scope. The passage is about plants indoors, and the near miss offers outdoor time as an equal remedy, while another widens the subject to plants anywhere and a third simply restates the danger. Students who skim the topic sentences of the later paragraphs before choosing see that only an indoor solution introduces what follows.

  1. A very close wrong answer moderate Choosing the answer

    The choice ending “or bring the outdoors in” sounds like the key's “bridge between nature and the indoors,” but it adds spending more time outdoors, a remedy the passage does not develop. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. Evidence in several places moderate Working it out

    The topic only emerges from the later paragraphs: plants cleaning indoor air in sentences 4–10, their psychological benefits in 11–14, and nature brought indoors in 15–17. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  3. How sentences fit together minor Working it out

    The new sentence must follow sentence 3's warning about “separation between people and nature” and lead into sentence 4's photosynthesis, so it has to name plants as the remedy. (Halliday & Hasan, 1976)

Strategy: Skim the first sentence of each later paragraph to see what the passage actually covers, then test each choice: would it set up those paragraphs without promising something they never discuss?

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
  • Says it twice: Repeats an idea that the sentence or passage already states.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This revising question asks you to add a sentence that introduces the topic. Such a sentence tells the reader what the passage will be about. For example, an essay about why dogs make good pets might start: Dogs make loyal, loving pets. The new sentence goes after sentence 3, so it must also follow from it.

  2. Find the passage’s topic

    Skim the rest of the passage. Sentences 4–10 tell how plants clean indoor air. Sentences 11–14 say plants indoors help the mind. Sentences 15–17 say even an indoor plant connects you with nature. So the topic is plants inside homes and offices. The title says it too: “The Benefits of Indoor Plants.”

  3. Connect it to sentence 3

    Sentence 3 names a problem: “this separation between people and nature puts people at risk for physical and psychological issues.” Psychological means having to do with the mind and feelings. The best next sentence should name the fix the passage talks about: bringing plants indoors.

  4. Check each choice

    • A is right. It names plants “in homes and offices” as “a healthy bridge between nature and the indoors.” A bridge connects two things, so plants bring nature inside. That sets up every later paragraph.
    • B is wrong. “Whether indoors or out in nature” widens the topic to plants anywhere. The passage only discusses plants inside.
    • C is wrong. It offers two fixes: more time outdoors, or bringing the outdoors in. The passage develops only the second. C never even mentions plants.
    • D is wrong. It just repeats sentence 3’s problem in new words. It never brings up plants, the subject of the passage.
  5. Look closely at choice C

    Watch out: C sounds close because of “bring the outdoors in.” But the passage gives no tips for spending more time outside. Sentence 13 mentions being outdoors only on its way to the indoor point. So half of C promises something the passage never delivers.

  6. Choose the answer

    Only one choice moves from sentence 3’s problem to the passage’s answer, plants inside. So the answer is A.

Why this answer and not the closest wrong one

C is the closest wrong answer, because “bring the outdoors in” sounds like A. But C gives equal weight to spending more time outdoors, and the passage never develops that idea. A points only to plants indoors, which is exactly what the rest of the passage is about.

The original DOE question
Question 43 as shown on the DOE’s digital test, page 61 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test A English, page 61, question 43.
The passage “The Benefits of Indoor Plants” as printed (page 60)The passage “The Benefits of Indoor Plants” as printed on page 60 of the DOE handbook.

Question 4 of 51

2026 Practice Test B English, question 12
Passage A Miracle Mile

A Miracle Mile

In the 1950s people compared running one mile in four minutes to scaling Mount Everest and nicknamed the feat a “dream mile.” Although such an accomplishment was considered humanly impossible, several elite runners aimed to break that supposedly impenetrable barrier. One of them was a twenty-five-year-old medical student named Roger Bannister.

Roger Bannister had tasted failure during the 1952 Olympics. There, he was favored to win the 1,500-meter competition, a distance slightly shorter than a mile, but he finished in a dismal fourth place instead. Bannister’s performance was a disappointment for him and his country, Great Britain. Determined to redeem himself, Bannister postponed his plans to retire from racing and focused on the ultimate prize—breaking the four-minute-mile barrier.

Bannister attacked the elusive milestone with a positive attitude and logical planning. The amateur athlete decided to use intensive interval training to develop endurance and speed. For these workouts, Bannister ran an interval of ten consecutive laps on a quarter-mile track, aiming for sixty seconds each lap. In between intervals, he let his body recover for two minutes.

By early 1954, Bannister had succeeded in lowering his quarter-mile pace to sixty-one seconds, but he had to shave off at least one more second in order to reach his target. Frustrated by the plateau he had reached, Bannister took a break from training and went mountain climbing for three days. The rest from running permitted his muscles to recuperate and left him feeling refreshed. When Bannister returned to the track, he completed ten quarter-mile-long intervals at fifty-nine seconds each. He finally felt prepared to attempt to break the world record.

As a member of the Amateur Athletic Association (AAA), Bannister joined the AAA team for a track meet against Oxford University. The event took place on a cinder track in Oxford on May 6, 1954. Bannister and his two AAA teammates, Chris Chataway and Chris Brasher, were close friends and frequent running partners. Chataway and Brasher agreed to help Bannister accomplish his goal by being his “rabbits.”

In track and field, rabbits are runners who enter the race solely to pace a teammate for a segment of the course. Typically, a runner settles in behind the rabbit and allows the rabbit to set an appropriate tempo. Additionally, by running behind the rabbit, the runner conserves about 15 percent of his or her effort. When the starting pistol fired, Brasher pounced into the lead, and Bannister followed behind his first rabbit.

Propelled by the excitement, Bannister lost his instinctive feel for his pace and shouted “Faster!” at Brasher. Brasher, however, remained composed and maintained his current steady but grueling pace, completing the first two laps in a desirable one minute and fifty-eight seconds. Then Chataway surged forward, leading Bannister at this same punishing rate for another lap and a half. At the beginning of the back straightaway of the track, Bannister bolted past Chataway. Bannister said, “I felt that the moment of a lifetime had come. There was no pain, only a great unity of movement and aim.” Bannister crossed the finish line in 3 minutes 59.4 seconds. The ecstatic crowd erupted the moment the timekeeper announced the word “three.”

Soon after Bannister’s achievement, four other athletes matched his performance. A new mindset had taken root among runners. Over the years, the record continued to fall. However, the current record, 3 minutes 43.13 seconds, has stood unbroken since 1999. Some question whether this record represents the limits of human ability. But perhaps there is another Bannister, an athlete who, with willpower and dedication, will accomplish the miraculous.

Question

Bannister’s loss in the 1952 Olympics influenced his decision to pursue breaking the four-minute-mile barrier by

  • Aallowing him to recognize his weaknesses and improve his running ability.
  • Bprompting him to take a different approach to his regular training.
  • Cmotivating him to prove to himself that he could set and achieve a goal.
  • Dgiving him the opportunity to reach a goal no runner had ever accomplished.
Show the answer

Correct answer: C

The question asks how Bannister’s loss in the 1952 Olympics influenced his decision to pursue breaking the four-minute-mile barrier.

A. Incorrect. While Bannister recognized the weaknesses that led to his poor performance in the Olympics and worked “to develop endurance and speed” (paragraph 3), the loss made him “determined to redeem himself” (paragraph 2). The desire for redemption influenced Bannister to focus specifically on running a mile in under four minutes, rather than on winning other races or training for other distances.

B. Incorrect. Although Bannister developed an “intensive interval training” plan to improve his “endurance and speed” (paragraph 3), he applied a different approach only after his progress toward a four-minute mile reached a “plateau” (paragraph 4) in 1954. It was his desire to “shave off at least one more second in order to reach his target” (paragraph 4) that prompted him to take a break from interval training and go mountain climbing for three days.

C. CORRECT. Bannister sought to redeem himself after “he finished in a dismal fourth place” at the Olympics (paragraph 2). He thought that his performance “was a disappointment for him and his country, Great Britain,” and he responded by setting a goal to successfully conquer the four-minute mile, which was considered the “ultimate prize” (paragraph 2).

D. Incorrect. Bannister’s loss at the 1952 Olympics motivated him to change his training focus to reaching the “ultimate prize” (paragraph 2) of breaking the four-minute-mile barrier, which no other runner had accomplished. His loss at the Olympics did not present him with a specific opportunity to reach this goal.

Question analysis

This cause-and-effect question on “A Miracle Mile” asks how Roger Bannister’s disappointing finish at the 1952 Olympics shaped his decision to chase the four-minute mile. Students trace how one event led to a choice. The passage gives the reason in a single phrase, and the choices restate it alongside effects that sound believable for any athlete after a loss.

NYS standards
  • 7R3 plot elements and ideas
  • 7R1 textual evidence and inferences
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Explaining how one event influenced a person’s decision is standard grade 7 work, and the cause is set out in one short paragraph. The choices put the passage’s ideas in new words, so students must match meaning rather than phrases.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
What makes it hard
Evidence
Answered from one paragraph or stanza
Reading level
Passage: about grade 10, 587 words; question and choices: about grade 10, 64 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The answer sits in a single phrase, but the choices compete with stories that fit any athlete after a loss, such as learning from weaknesses or changing a routine. Both sound right because Bannister did train hard afterward, yet the passage ties the loss only to his wish to redeem himself, and the change of routine comes later, from the 1954 plateau. Students who keep to the question’s focus, the decision to chase the record, find a motive rather than a method.

  1. The right answer is reworded moderate Choosing the answer

    Paragraph 2 says the loss left Bannister “determined to redeem himself”; the right choice recasts this as proving to himself he could set and reach a goal, while a wrong one reuses the passage’s word “training.” (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)

  2. Hard words minor Understanding the question

    “Redeem himself,” to make up for a failure, is the key phrase, and a student unsure of it may not see that the loss gave him a reason rather than a lesson. (Perfetti, 2007; Freedle & Kostin, 1993)

Strategy: Find the sentence in paragraph 2 that tells how Bannister responded to the 1952 loss, restate it in your own words, and compare each choice with your restatement.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Outside knowledge: A choice is plausible in the real world but not supported by this text.
  • Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks about cause and effect. The cause is Bannister’s loss at the 1952 Olympics. The effect is his decision to chase the four-minute mile. You need to find how the first led to the second.

  2. Read paragraph 2

    Paragraph 2 says he “finished in a dismal fourth place instead.” Dismal means very disappointing. Then it says “Bannister’s performance was a disappointment for him and his country, Great Britain. Determined to redeem himself, Bannister postponed his plans to retire from racing and focused on the ultimate prize.” The prize was breaking the four-minute mile.

  3. Understand what redeem himself means

    To redeem yourself means to make up for a failure. You show that you are better than your worst moment. Bannister had let himself down. So he set a huge new goal to prove what he could do. The loss gave him a reason to try, which is a motive.

  4. Check each choice

    • A does not fit. Paragraph 2 never names any weaknesses he found.
    • B does not fit. He changed his routine in paragraph 4, in 1954. That was because of a plateau, not the Olympic loss.
    • C fits. He wanted to make up for the loss by reaching a big goal.
    • D does not fit. Losing did not give him a chance at the record. It gave him a reason.

    Watch out: A sounds like a common sports lesson: losing shows you what to fix. But the passage does not say that.

  5. Choose the answer

    The loss made Bannister “determined to redeem himself” with a new goal. So the answer is C, “motivating him to prove to himself that he could set and achieve a goal.”

Why this answer and not the closest wrong one

A is the closest wrong choice. Athletes often learn from a loss, so it sounds right. But paragraph 2 never says what Bannister was bad at. It says the loss made him “determined to redeem himself.” That is about motivation, so C fits better.

The original DOE question
Question 12 as shown on the DOE’s digital test, page 18 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test B English, page 18, question 12.
The passage “A Miracle Mile” as printed (page 13)The passage “A Miracle Mile” as printed on page 13 of the DOE handbook.

Question 5 of 51

2026 Practice Test B English, question 15
Passage Excerpt from In Search of the Unknown

Excerpt from In Search of the Unknown

by Robert W. Chambers

It was at that time the policy of the trustees and officers of the Zoological Gardens neither to employ collectors nor to send out expeditions in search of specimens. The society decided to depend upon voluntary contributions, and I was always busy, part of the day, in dictating answers to correspondents who wrote offering their services as hunters of big game, collectors of all sorts of fauna, trappers, snarers, and also to those who offered specimens for sale, usually at exorbitant rates.

To the proprietors of . . . mangy lynxes, moth-eaten coyotes, and dancing bears I returned courteous but uncompromising refusals—of course, first submitting all such letters, together with my replies, to Professor Farrago.

One day towards the end of May, however, just as I was leaving Bronx Park to return to town, Professor Lesard, of the reptilian department, called out to me that Professor Farrago wanted to see me a moment; so I . . . retraced my steps to the temporary, wooden building occupied by Professor Farrago, general superintendent of the Zoological Gardens. The professor, who was sitting at his desk before a pile of letters and replies submitted for approval by me, pushed his glasses down and looked over them at me with a whimsical smile that suggested amusement, impatience, annoyance, and perhaps a faint trace of apology.

“Now, here’s a letter,” he said, with a deliberate gesture towards a sheet of paper impaled on a file—“a letter that I suppose you remember.” He disengaged the sheet of paper and handed it to me.

“Oh yes,” I replied, with a shrug; “of course the man is mistaken—or—”

“Or what?” demanded Professor Farrago, tranquilly, wiping his glasses.

“—Or a liar,” I replied.

After a silence he leaned back in his chair and bade me read the letter to him again, and I did so with a contemptuous tolerance for the writer, who must have been either a very innocent victim or a very stupid swindler. I said as much to Professor Farrago, but, to my surprise, he appeared to waver.

“I suppose,” he said, with his near-sighted, embarrassed smile, “that nine hundred and ninety-nine men in a thousand would throw that letter aside and condemn the writer as a liar or a fool?”

“In my opinion,” said I, “he’s one or the other.”

“He isn’t—in mine,” said the professor, placidly.

“What!” I exclaimed. “Here is a man living all alone on a strip of rock and sand between the wilderness and the sea, who wants you to send somebody to take charge of a bird that doesn’t exist!”

“How do you know,” asked Professor Farrago, “that the bird in question does not exist?”

“It is generally accepted,” I replied, sarcastically, “that the great auk has been extinct for years. Therefore I may be pardoned for doubting that our correspondent possesses a pair of them alive.”

“Oh, you young fellows,” said the professor, smiling wearily, “you embark on a theory for destinations that don’t exist.”

He leaned back in his chair, his amused eyes searching space for the imagery that made him smile.

“Like swimming squirrels, you navigate with the help of Heaven and a stiff breeze, but you never land where you hope to—do you?”

Rather red in the face, I said: “Don’t you believe the great auk to be extinct?”

“Audubon saw the great auk.”

“Who has seen a single specimen since?”

“Nobody—except our correspondent here,” he replied, laughing.

I laughed, too, considering the interview at an end, but the professor went on, coolly:

“Whatever it is that our correspondent has—and I am daring to believe that it is the great auk itself—I want you to secure it for the society.”

When my astonishment subsided my first conscious sentiment was one of pity. Clearly, Professor Farrago was on the verge of dotage—ah, what a loss to the world!

I believe now that Professor Farrago perfectly interpreted my thoughts, but he betrayed neither resentment nor impatience. I drew a chair up beside his desk—there was nothing to do but to obey, and this fool’s errand was none of my conceiving.

Together we made out a list of articles necessary for me and itemized the expenses I might incur, and I set a date for my return, allowing no margin for a successful termination to the expedition.

“Never mind that,” said the professor. “What I want you to do is to get those birds here safely. Now, how many men will you take?”

“None,” I replied, bluntly; “it’s a useless expense, unless there is something to bring back. If there is I’ll wire you, you may be sure.”

“Very well,” said Professor Farrago, good-humoredly, “you shall have all the assistance you may require. Can you leave to-night?”

The old gentleman was certainly prompt. I nodded, half-sulkily, aware of his amusement.

“So,” I said, picking up my hat, “I am to start north to find a place called Black Harbor, where there is a man named Halyard who possesses, among other household utensils, two extinct great auks—”

We were both laughing by this time. I asked him why on earth he credited the assertion of a man he had never before heard of.

“I suppose,” he replied, with the same half-apologetic, half-humorous smile, “it is instinct. I feel, somehow, that this man Halyard has got an auk—perhaps two. I can’t get away from the idea that we are on the eve of acquiring the rarest of living creatures. It’s odd for a scientist to talk as I do; doubtless you’re shocked—admit it, now!”

But I was not shocked; on the contrary, I was conscious that the same strange hope that Professor Farrago cherished was beginning, in spite of me, to stir my pulses, too.

“If he has—” I began, then stopped.

The professor and I looked hard at each other in silence.

“Go on,” he said, encouragingly.

But I had nothing more to say, for the prospect of beholding with my own eyes a living specimen of the great auk produced a series of conflicting emotions within me which rendered speech profanely superfluous.

From IN SEARCH OF THE UNKNOWN by Robert W. Chambers—Public Domain

Audubon: John James Audubon, an ornithologist and artist who created scientific illustrations of birds
dotage: a loss of reasoning brought about by old age

Question

Read this sentence from paragraph 3.

The professor, who was sitting at his desk before a pile of letters and replies submitted for approval by me, pushed his glasses down and looked over them at me with a whimsical smile that suggested amusement, impatience, annoyance, and perhaps a faint trace of apology.

What does the phrase “a faint trace of apology” convey about the professor?

  • AIt indicates that the professor feels bad that he has to call the narrator to his office after work.
  • BIt shows that the professor is hesitant to share his opinions with the narrator.
  • CIt implies that the professor is uncomfortable criticizing the narrator’s work.
  • DIt suggests that the professor knows that the conversation will be frustrating for the narrator.
Show the answer

Correct answer: D

The question asks what the phrase “a faint trace of apology” in paragraph 3 conveys about the professor.

A. Incorrect. The fact that the narrator had intended to leave the office for the day is not the source of the professor’s faintly apologetic manner, which is instead caused by the professor’s understanding that their conversation about the letter and the expedition is likely to cause an argument (“with a whimsical smile that suggested amusement, impatience, annoyance” [paragraph 3]). In paragraph 29, the professor asks the narrator if he can leave on an expedition that same evening, which indicates that the professor does not feel bad about taking up the narrator’s time after work.

B. Incorrect. The paragraphs that follow the sentence from paragraph 3 show the professor sharing his opinions without pause, even when his opinion of the narrator is unflattering (“ ‘Like swimming squirrels, you navigate with the help of Heaven and a stiff breeze, but you never land where you hope to—do you?’ ” [paragraph 17]).

C. Incorrect. The professor knows that the narrator will push back regarding the letter, but the professor is not uncomfortable challenging the narrator. Professor Farrago seems perfectly at ease and comfortable as he begins the discussion with the narrator.

D. CORRECT. The professor is both amused and annoyed by the narrator’s dismissal of the possibility that great auks still exist, and the professor knows that the narrator is likely to react negatively to being sent on what the narrator considers a “fool’s errand” (paragraph 25).

Question analysis

This question focuses on a single phrase in the excerpt from Robert W. Chambers’s In Search of the Unknown: as the professor looks up from a pile of letters, his whimsical smile shows “a faint trace of apology.” Students must work out what that hint of apology says about him. The phrase is brief and old-fashioned, and several explanations for it seem natural.

NYS standards
  • 7R4 word meaning and choice
  • 7R1 textual evidence and inferences
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 students often infer a character’s feelings from a description. Here the phrase ends a 46-word sentence of early-1900s prose, follows three other moods, and has to be interpreted from the scene as a whole, beyond typical grade 7 work.
Estimated difficulty
Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 9, 1066 words; question and choices: about grade 10, 123 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The phrase comes before a word of the conversation is spoken, so the reason for the apology lies ahead in the text. Two natural guesses compete with it: the professor has called the narrator back just as he was leaving, and he is about to question one of the narrator’s replies. Only a reader who follows the scene to the narrator’s scorn for the letter and the errand sees that the professor, at ease throughout, is sorry for what he is about to put the narrator through.

  1. Reading between the lines major Working it out

    Nothing explains the apology; students must reason from the talk that follows, in which the professor sends the narrator after birds the narrator believes extinct, that the professor expects resistance. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. A very close wrong answer moderate Choosing the answer

    The choice about criticizing the narrator’s work and the right one both tie the apology to the coming talk about a letter; one places discomfort in the professor, the other frustration in the narrator. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. Evidence in several places moderate Working it out

    What the professor anticipates appears only later: the narrator’s scorn for the letter in paragraphs 5–14 and his view of the trip as a “fool’s errand” in paragraph 25. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  4. Complex sentences minor Understanding the question

    The phrase closes a 46-word sentence, after a clause about the pile of letters and a run of three other moods, “amusement, impatience, annoyance.” (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

Strategy: Read the full sentence and then the conversation it opens, and test each choice against how the professor actually speaks and acts in that conversation.

Traps

  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
  • Half right: One half of a two-part choice is right and the other is not.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks what one phrase shows about the professor: “a faint trace of apology.” Faint means slight, and a trace is a small sign. So his smile looks a little bit sorry. Why would he feel sorry? You find out from the talk that follows.

  2. Read the whole sentence

    Paragraph 3 says the professor looked at the narrator “with a whimsical smile that suggested amusement, impatience, annoyance, and perhaps a faint trace of apology.” Whimsical means playful. He is amused by the narrator and a bit annoyed with him. Then he picks up a letter the narrator has already turned down.

  3. See what the professor is about to do

    The professor is about to defend that letter. Then he sends the narrator after the birds in it. The narrator thinks the birds are extinct, or all dead. In paragraph 25 he calls the trip “this fool’s errand,” a pointless job. The professor seems to know the narrator will hate this. That is why his smile looks a little sorry.

  4. Check each choice

    • A does not fit. He later asks, “Can you leave to-night?” (paragraph 29). He is not sorry about taking the narrator’s time.
    • B does not fit. He shares his opinion plainly: “He isn’t—in mine” (paragraph 11).
    • C does not fit. He does challenge the narrator, but calmly. He speaks “placidly” and “coolly,” with no sign of being uneasy.
    • D fits. He knows the talk will annoy the narrator.

    Watch out: C is tempting because the professor is about to disagree with the narrator. But nothing shows that he is uncomfortable about it.

  5. Choose the answer

    The slight apology shows that the professor expects the narrator to be frustrated. So the answer is D, “It suggests that the professor knows that the conversation will be frustrating for the narrator.”

Why this answer and not the closest wrong one

C is the closest wrong choice. Both C and D link the apology to the talk about the letter. But C puts the bad feeling in the professor, as if he were nervous. He is not. He speaks “placidly,” which means calmly. D puts the bad feeling in the narrator, and the narrator does get upset.

The original DOE question
Question 15 as shown on the DOE’s digital test, page 23 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test B English, page 23, question 15.
The passage “Excerpt from In Search of the Unknown” as printed (page 21)The passage “Excerpt from In Search of the Unknown” as printed on page 21 of the DOE handbook.

Question 6 of 51

2026 Practice Test B English, question 16

Uses the passage above: “Excerpt from In Search of the Unknown”.

Question

How does the exchange between the professor and the narrator in paragraphs 8–11 contribute to the development of the characters?

  • AIt establishes the conflict between the professor and the narrator concerning the validity of the letter.
  • BIt suggests a theme of collaboration because the narrator and the professor regularly work together.
  • CIt reveals the characters’ traits by contrasting the narrator’s distrust with how easily the professor is deceived by what he reads.
  • DIt hints that the resolution will involve the narrator accepting the professor’s opinion about the content of the letter.
Show the answer

Correct answer: A

The question asks how the exchange between the professor and the narrator in paragraphs 8–11 contributes to the development of the characters.

A. CORRECT. Paragraphs 8–11 help develop the characters by revealing the difference between the opinions of the narrator and the professor. The narrator believes without any doubts that Halyard, the man who wrote the letter about the auks, is either “ ‘a liar or a fool’ ” (paragraph 9), while the professor believes in the possibility that the writer of the letter could actually be telling the truth (“I said as much to Professor Farrago, but, to my surprise, he appeared to waver” [paragraph 8]).

B. Incorrect. In paragraph 8, the narrator reacts to the letter writer with “a contemptuous tolerance,” and he is shocked to learn that the professor actually agrees with the man (paragraph 11) whom the narrator has bluntly condemned as a liar or a fool (“ ‘In my opinion,’ said I, ‘he’s one or the other.’ ” [paragraph 10]). The exchange presents an emphatic disagreement between the narrator and the professor, and it does not show them working together in a collaborative manner.

C. Incorrect. Although the narrator initially distrusts the contents of the letter and shows “contemptuous tolerance for the writer” (paragraph 8), the excerpt portrays the professor as experienced and intelligent, not as one who is easily deceived.

D. Incorrect. While the narrator does begin to consider the professor’s perspective at the end of the excerpt, paragraphs 8–11 primarily serve to establish the difference of opinion between the narrator and the professor about the writer of the letter.

Question analysis

This question on the excerpt from In Search of the Unknown asks how a short exchange in paragraphs 8–11, in which the narrator and Professor Farrago discuss a letter about a bird, contributes to the development of the two characters. Students must read what each man says and decide what the exchange adds. Some choices describe the pair accurately in part only.

NYS standards
  • 7R3 plot elements and ideas
  • 7R5 structure and genre features
Grade level
Grade 8 reading and task
Compared with grade 7
At grade 7 The task matches the grade 8 standard on how lines of dialogue reveal character, but the four paragraphs are short and the two speakers’ positions are stated outright, so the demand stays at a typical grade 7 level.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 9, 1066 words; question and choices: about grade 13, 90 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The four paragraphs are short and the disagreement is plain, so most students see that the men differ about the letter. The difficulty lies in the wording of the choices. One describes the contrast in terms of character, which suits the stem, but calls the professor easily deceived, a judgment only the narrator holds. The right choice speaks of a conflict, which sounds like plot rather than character, so students must trust that the conflict is what reveals the two men.

  1. A very close wrong answer moderate Choosing the answer

    The choice that contrasts the narrator’s distrust with an easily deceived professor and the right one both set the men’s views of the letter against each other; they part on whether the professor is fooled. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. How, not what minor Working it out

    The stem asks about the characters, while the right choice names a conflict over the letter, so students must see that the disagreement itself is what reveals each man. (Anderson & Krathwohl, 2001)

  3. Reading between the lines minor Working it out

    The professor’s side is four words, “He isn’t—in mine,” and students must read them as openness to the letter’s truth, set against the narrator’s flat “one or the other.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

Strategy: Sum up in a phrase what each man says and does in paragraphs 8–11, then check every part of each choice against those four paragraphs, since a choice can describe one character correctly and the other not.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
  • True but not the answer: A choice says something accurate about the text that does not answer this question.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks what paragraphs 8–11 show about the two characters. Look at what each man says about the letter. Then compare their views.

  2. Find the narrator’s view

    In paragraph 8, the narrator reads the letter with “a contemptuous tolerance for the writer.” Contemptuous means full of scorn. He thinks the writer is “either a very innocent victim or a very stupid swindler.” A swindler is a cheat. In paragraph 10, he says the writer is a liar or a fool: “he’s one or the other.”

  3. Find the professor’s view

    The professor does not agree. In paragraph 8, the narrator notices that “to my surprise, he appeared to waver.” To waver means to be unsure. In paragraph 11, the professor answers, “He isn’t—in mine.” He means that in his opinion the writer is not a liar or a fool. So the two men clash over whether the letter is true. A clash like this is a conflict.

  4. Check each choice

    • A fits. The two men disagree about whether the letter can be trusted. Validity means whether something is true.
    • B does not fit. They do work together, but here they disagree.
    • C does not fit. The narrator’s distrust is right, but the professor is not fooled. He calmly refuses to call the writer a liar.
    • D does not fit. The narrator starts to hope later, in paragraph 34. In paragraphs 8–11 he does not budge.

    Watch out: C is tempting because half of it is true. The narrator does distrust the letter. But the idea that the professor has been fooled is only the narrator’s view.

  5. Choose the answer

    Paragraphs 8–11 set the narrator’s scorn against the professor’s open mind. So the answer is A, “It establishes the conflict between the professor and the narrator concerning the validity of the letter.”

Why this answer and not the closest wrong one

C is the closest wrong choice. It is right about the narrator’s distrust. But it speaks of “how easily the professor is deceived.” Deceived means tricked. The story never shows that. He stays calm and thinks for himself. A describes both men correctly: they disagree about the letter.

The original DOE question
Question 16 as shown on the DOE’s digital test, page 24 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test B English, page 24, question 16.

Question 7 of 51

2026 Practice Test B English, question 18

Uses the passage above: “Excerpt from In Search of the Unknown”.

Question

How does the interaction between the narrator and the professor in paragraphs 26–28 contribute to the development of the theme?

  • AIt illustrates the professor’s patience as the narrator argues against making the expedition.
  • BIt reveals the narrator’s frustration with his limited role in making decisions for the zoological society.
  • CIt emphasizes the professor’s desire to acquire new specimens for the zoological society at any cost.
  • DIt shows the narrator’s acceptance of his assignment despite his personal objections.
Show the answer

Correct answer: D

The question asks how the interaction between the narrator and the professor in paragraphs 26–28 contributes to the development of the theme.

A. Incorrect. Paragraphs 26–28 do not show the narrator arguing against making the expedition. He instead argues that it is unnecessary for the professor to pay to send extra men on the expedition. The narrator points out that he can ask for assistance if he does, in fact, find great auks (“ ‘None,’ I replied, bluntly; ‘it’s a useless expense, unless there is something to bring back. If there is I’ll wire you, you may be sure’ ” [paragraph 28]).

B. Incorrect. When the professor criticizes the narrator’s blind acceptance of the theory about the existence of the auks, the narrator is frustrated and embarrassed. This frustration does not stem from his inability to make decisions for the zoological society.

C. Incorrect. The professor states that “ ‘what I want you to do is to get those birds here safely’ ” (paragraph 27), which indicates that his main priority is the birds’ safety rather than acquiring specimens regardless of the consequences (i.e., at any cost).

D. CORRECT. Paragraph 26 describes the professor and the narrator making practical plans for the expedition (“we made out a list of articles necessary for me and itemized the expenses I might incur”), indicating the narrator’s acceptance of his assignment while also revealing that he does not anticipate a “successful termination to the expedition.” Paragraph 28 further describes the personal objections of the narrator, who believes that adding extra men to the expedition is pointless (“ ‘a useless expense’ ”), since he does not expect to find any great auks to bring back.

Question analysis

This theme question on In Search of the Unknown asks how paragraphs 26–28, in which the narrator and Professor Farrago talk over supplies, expenses and how many men to bring, contribute to the development of the theme. Students must decode formal, old-fashioned phrasing, then judge what the interaction shows. Every choice sounds like something the excerpt might say.

NYS standards
  • 7R5 structure and genre features
  • 7R2 theme or central idea
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 theme questions trace an idea through clear events. Paragraphs 26–28 are dense with formal phrasing such as “allowing no margin for a successful termination,” and each choice pairs a real detail with a claim, which pushes the task above grade 7.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
What makes it hard
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 9, 1066 words; question and choices: about grade 13, 76 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Each choice pairs a real feature of the scene with a claim, and the claims must be checked against three short paragraphs of formal prose. The narrator does object, bluntly, so the choice that has him arguing against the trip draws strongly; what he rejects is the cost of extra men, while he plans the trip itself. Students who decode “allowing no margin for a successful termination” see the whole picture: he is going, and he expects to fail.

  1. Complex sentences moderate Understanding the question

    Paragraph 26 is a 36-word sentence that ends “allowing no margin for a successful termination to the expedition,” formal wording for planning as if the search will fail. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

  2. Reading between the lines moderate Working it out

    The narrator never says he accepts the trip; his acceptance shows in the planning, and his objection in the blunt “None” and “a useless expense” of paragraph 28. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  3. How, not what minor Working it out

    The stem asks about the theme, yet every choice describes a character’s attitude, so students must judge which attitude these paragraphs show rather than look for a stated theme. (Anderson & Krathwohl, 2001)

Strategy: Translate each of paragraphs 26–28 into plain modern words, then check each choice’s claim about the narrator or the professor against exactly what those three paragraphs show.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
  • Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks how paragraphs 26–28 build the theme. A theme is a big message of a story. Read the three paragraphs. Decide what the narrator does and what he thinks.

  2. Read paragraph 26

    Paragraph 26 says “Together we made out a list of articles necessary for me and itemized the expenses I might incur.” Articles are supplies, and itemized means listed one by one. So the narrator is planning the trip. But he sets a return date “allowing no margin for a successful termination to the expedition.” A margin is extra room. He leaves no extra time in case he finds the birds. He plans as if he will find nothing.

  3. Read paragraphs 27 and 28

    The professor asks how many men he will take. The narrator answers bluntly, which means in a short, plain way. He takes none. Extra men would be “a useless expense, unless there is something to bring back.” He still thinks the birds are not real. Yet he does not refuse to go. He accepts the job while doubting it.

  4. Check each choice

    • A does not fit. The professor is patient, but the narrator never argues against going. He only refuses to take men.
    • B does not fit. Here the narrator makes decisions himself, like his return date and how many men to take.
    • C does not fit. They count the costs, and the professor wants the birds safe. That is not “at any cost.”
    • D fits. He plans the trip but shows he thinks it is pointless.

    Watch out: A is tempting because the professor does stay calm. But the narrator is planning the trip, not fighting it.

  5. Choose the answer

    The narrator does the job while making his doubts clear. So the answer is D, “It shows the narrator’s acceptance of his assignment despite his personal objections.”

Why this answer and not the closest wrong one

A is the closest wrong choice. The professor does answer calmly, “Never mind that.” But A says the narrator argues against making the trip. He does not. He helps plan it and only objects to taking men. D captures both parts: he goes, and he still doubts.

The original DOE question
Question 18 as shown on the DOE’s digital test, page 26 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test B English, page 26, question 18.

Question 8 of 51

2026 Practice Test B English, question 33
Passage Using Fire to Keep a Prairie Healthy

Using Fire to Keep a Prairie Healthy

Inside the 40,000-acre Joseph H. Williams Tallgrass Prairie Preserve in northern Oklahoma, herds of bison roam on the scenic land that is home to hundreds of different species of plants and animals. While one of the greatest threats to the prairie is wildfire, the use of controlled fires is actually an effective way to protect this idyllic landscape.

Fires that are started by lightning or other natural circumstances are inevitable, and the results can be disastrous. However, hundreds of years ago the American Indian people who inhabited the Great Plains area between Minnesota and Texas realized that these fires could also be helpful. The bison in the area seemed to prefer grazing on tender new grass on the recently burned land rather than on grass in the unburned areas. The American Indian people began to deliberately burn areas of land for bison to graze on, which enticed the herds away from the people’s crops.

Today conservationists at the Tallgrass Prairie Preserve and farmers in the Great Plains continue to use controlled burns for land management. Intentionally burning a portion of land can dramatically improve the quality of the vegetation that regrows there. The fires burn away weedy undergrowth and help limit the overcrowding of shrubs and trees in the burn area, creating less competition for water and nutrients. Additionally, the process of burning excess plant matter adds nitrogen, an essential element for plant growth, to the soil.

One common target of controlled burns at the preserve and the surrounding area is the invasive red cedar tree. A single red cedar tree can consume up to 40 gallons of water per day, taking this vital resource away from other plant life. These tall trees also cast shade that prevents sunlight from reaching the plants beneath them. The fast-growing red cedar trees tend to crowd out prairie grasses, the primary food source for wild and domestic animals that make the prairie their home. An imbalance in one component of the prairie’s ecosystem affects the entire web of life. Controlled burns help maintain this ecosystem’s delicate balance.

Of course, these controlled fires are intended to burn only a portion of an area. A total burn, which is a risk with an uncontrolled wildfire, would destroy all wildlife as well as the crops farmers plant for income. The key to using controlled fires is knowing which areas of land to burn and when. Conservation experts at the preserve employ the “patch-burn” approach, meaning they rotate which portion of land is burned each year. They study the land to find out which areas would most benefit from being burned, and then they arrange about a dozen burns over one-third of the land. This patch burning contains the fire within a specific area and allows animals in the burn area to safely relocate. The following year, conservationists will burn a different section of the preserve, while the land burned the previous year regrows healthier than before.

Researchers have tracked and studied the variety of plant species and animals that live on the preserve, and their studies show that the patch-burn approach has restored biodiversity to the area by promoting the growth of species that were at risk of being crowded out. The patch-burn system is so successful that the conservationists at the preserve provide training to prairie farmers about conducting controlled burns on their own land. Burning land to make it healthy may seem counterintuitive, but strategic controlled fires have helped the prairie sustain life for hundreds of years and, with careful management, will continue to do so.

Boxed diagram titled “OVERVIEW OF THE PATCH-BURN METHOD,” introduced by the text “By using a patch-burn method, conservationists and farmers can reduce the risk of unintentional fires and control where grazing animals, such as bison, roam.” Below it, a map of one stretch of land is divided by a branching stream, labeled Stream, into three shaded areas: a dark Unburned Area across the top, a medium gray Previously Burned Area on the left, and a light gray Recently Burned Area on the lower right, where eight bison stand. Three captions under the map read “The unburned area is overrun with weeds and has the greatest risk of catching fire,” “The previously burned area is cleared of weeds, and young trees and crops grow freely and thrive,” and “The recently burned area has been cleared of all plants. Bison prefer to eat the fresh grass that will begin to grow in the recently burned area, and they will generally remain in that area until newer, fresher grass is available elsewhere.”

Question

Read this sentence from paragraph 6.

Burning land to make it healthy may seem counterintuitive, but strategic controlled fires have helped the prairie sustain life for hundreds of years and, with careful management, will continue to do so.

The words “counterintuitive” and “strategic” in the sentence convey the idea that

  • Athe safest methods are sometimes the least effective at solving complex challenges.
  • Bthorough investigation of uncommon methodologies can lead to beneficial results.
  • Cdetailed planning can ensure that a potentially destructive action has a positive impact.
  • Dplans that entail a certain amount of risk almost always result in success.
Show the answer

Correct answer: C

The question asks which idea the words “counterintuitive” and “strategic” convey in the last sentence in paragraph 6 in the passage.

A. Incorrect. Though the author states in paragraph 6 that conservationists have used safe and “strategic” methods, those methods have not been ineffective, since “the patch-burn system is so successful that the conservationists at the preserve provide training to prairie farmers about conducting controlled burns on their own land” (paragraph 6). Therefore, the words “counterintuitive” and “strategic” in the last sentence of paragraph 6 do not convey the idea that the safest methods are sometimes the least effective at solving complex challenges.

B. Incorrect. Although the author points out in paragraph 6 that researchers’ studies have shown “that the patch-burn approach has restored biodiversity to the area by promoting the growth of species that were at risk of being crowded out,” the author does not suggest that the methodologies conservationists used to conduct the patch burns are uncommon, since the methods were used by “the American Indian people [who] began to deliberately burn areas of land for bison to graze on” (paragraph 2). Therefore, the words “counterintuitive” and “strategic” in the last sentence of paragraph 6 do not convey the idea that thorough investigation of uncommon methodologies can lead to beneficial results.

C. CORRECT. In paragraph 1, the author states that “one of the greatest threats to the prairie is wildfire,” so the idea of conducting controlled burns suggests risk and runs “counter,” or contrary, to people’s common expectations, or “intuition,” about the dangers of fires. Thus, the words “counterintuitive” and “strategic” in the last sentence of paragraph 6 convey the idea that detailed planning can ensure that a potentially destructive action has a positive impact.

D. Incorrect. The author states in paragraph 6 that “the patch-burn system is so successful that the conservationists at the preserve provide training to prairie farmers.” This statement supports the idea of the action being “strategic” in order to achieve success. However, the statement does not suggest that because the process is “counterintuitive,” or unexpected, it involves a certain amount of risk to achieve that success. Therefore, the words “counterintuitive” and “strategic” in the last sentence of paragraph 6 do not convey the idea that plans that entail a certain amount of risk almost always result in success.

Question analysis

This vocabulary question takes the last sentence of the prairie article, which says burning land to make it healthy may seem counterintuitive, and asks what the words “counterintuitive” and “strategic” convey together. Students need the meaning of a hard word built from a prefix, then must match the pair to a general statement, and the choices are worded abstractly.

NYS standards
  • 7R4 word meaning and choice
  • 7L4b Greek and Latin affixes and roots
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 A typical grade 7 vocabulary question asks what one word means in context. This one pairs a hard word, “counterintuitive,” with “strategic” and asks for the idea they express together, with four abstract general statements to weigh.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
What makes it hard
Evidence
Answered from one sentence or line
Reading level
Passage: about grade 11, 598 words; question and choices: about grade 11, 97 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Students first need the meaning of “counterintuitive,” then must see what it says here: that burning land to heal it seems backward because fire destroys. “Strategic” supplies the other half, careful planning. The most tempting wrong answer gets the planning right but misreads the first word as “uncommon,” and others turn the pair into a rule about risk or a warning about safe methods. The question rewards translating each word before reading the abstract choices.

  1. A very close wrong answer moderate Choosing the answer

    The choice about “thorough investigation of uncommon methodologies” follows the key’s pattern, planning that leads to a good result, and differs only in calling the method uncommon instead of potentially destructive. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. Hard words moderate Understanding the question

    “Counterintuitive,” contrary to what one would expect, is an uncommon word, and the choices add “methodologies” and “entail,” so the options are as hard to read as the sentence. (Perfetti, 2007; Freedle & Kostin, 1993)

  3. Combines ideas minor Working it out

    The two words point different ways, one to burning that seems harmful and one to careful planning, and the answer must join both into a single general statement. (Embretson, 1998; Daniel & Embretson, 2010)

Strategy: Break “counterintuitive” into its parts, counter and intuitive, decide what each of the two words says about burning land, then find the statement that joins both meanings without adding claims of its own.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This question asks about two words in the last sentence: “counterintuitive” and “strategic.” You need the idea the two words give together. So first figure out what each word means here.

  2. Break down “counterintuitive”

    Counter means against. Intuitive means what you would naturally expect. So counterintuitive means the opposite of what you would expect. The sentence says “Burning land to make it healthy may seem counterintuitive.” Fire usually destroys things. So burning land to help it seems backward. Paragraph 1 even calls wildfire “one of the greatest threats to the prairie.”

  3. Figure out “strategic”

    Strategic means carefully planned to reach a goal. Paragraph 5 shows that planning. The experts “study the land to find out which areas would most benefit from being burned.” Then they burn only part of the land each year. Put the two words together. Fire seems harmful, but careful planning makes it helpful.

  4. Check each choice

    • A is wrong. The sentence doesn’t say safe methods fail. It praises a method that works.
    • B is wrong. It treats counterintuitive as if it meant uncommon. But burning isn’t new. Paragraph 2 says people did it “hundreds of years ago.”
    • C is right. Strategic matches detailed planning. Counterintuitive matches an action that could destroy, fire, which turns out to help.
    • D is wrong. “Almost always” is far too strong. The sentence is about prairie fires, not all risky plans.

    Watch out: B gets strategic right, since the experts study the land. But counterintuitive doesn’t mean uncommon. It means against what you would expect.

  5. Choose the answer

    Fire seems destructive, but a careful plan makes it helpful. So the answer is C: “detailed planning can ensure that a potentially destructive action has a positive impact.”

Why this answer and not the closest wrong one

B is the closest wrong answer, because its first part, careful study, fits strategic. But its second part calls the method uncommon, and people have burned the prairie for hundreds of years. C fits both words: careful planning, and an action that seems harmful but helps.

The original DOE question
Question 33 as shown on the DOE’s digital test, page 46 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test B English, page 46, question 33.
The passage “Using Fire to Keep a Prairie Healthy” as printed (page 41)The passage “Using Fire to Keep a Prairie Healthy” as printed on page 41 of the DOE handbook.

Question 9 of 51

2026 Practice Test B English, question 39
Passage Letter from Brooklyn

Letter from Brooklyn

by Jacob Scheier

I can already see how this will end.
How I will grow tired of the bridge’s
steep incline, and the absent-minded tourists
wandering into the bicycle path.
The weather will turn cold.
But that all happens later.
For now it is the early edge of fall,
leaves green still while the air narrows,
is slightly crisp, almost grazing
the hair of my arm like a passing stranger,
as though the air has been forced into intimacy
by the brevity of daylight.
But when it starts darkening at 4,
this closeness, I know, will be a felt distance,
like someone drawing your attention
to their lack of intimacy.
These days I am still walking at a cathedral pace
beneath the branches bending across avenues,
brownstones like rows of lived-in chapels,
like a pop-up picture book I could have had as a child,
but didn’t. How Brooklyn makes me nostalgic
for the moment I am walking inside of.
These late afternoons filled
with a loneliness that makes me feel
distinctly myself, and an awareness
of how rare that is.

“Letter from Brooklyn” from LETTER FROM BROOKLYN: POEMS by Jacob Scheier, published by ECW Press. Copyright © 2013 by Jacob Scheier All rights reserved.

brevity: briefness
cathedral: meditative
chapels: private places of prayer or worship
nostalgic: yearning for the past

Question

Read lines 7–9 from the poem.

For now it is the early edge of fall,
leaves green still while the air narrows,
is slightly crisp,

The word choice in the lines helps convey the speaker’s belief that

  • Athe beauty of the current season should still be appreciated.
  • Bthe changes in the weather signify the end of the most pleasant season.
  • Cthe transition from one season to another happens swiftly and without warning.
  • Dthe change in the weather is so subtle that people rarely observe or feel it.
Show the answer

Correct answer: A

The question asks what belief of the speaker is conveyed by the word choice in lines 7–9 of the poem.

A. CORRECT. Words and phrases in these lines, such as “leaves green still” and “slightly crisp,” have a positive connotation, indicating that the speaker believes in appreciating this season while it still lasts.

B. Incorrect. Although imagery such as “leaves green still” and “slightly crisp” in these lines suggests that the speaker enjoys the season, the speaker never indicates that the present season is the most pleasant of all seasons.

C. Incorrect. The phrases “the early edge of fall” and “the air narrows” in these lines imply that the season is just beginning to change, but there is no indication from these phrases that the changes will be swift and without warning. In fact, the narrowing of the air could be a warning of a greater, more gradual change in weather.

D. Incorrect. The speaker experiences the change in weather as subtle: “the air narrows, / is slightly crisp.” However, the speaker does not refer to the viewpoints of others. The entire viewpoint in the poem is personal and introspective, as represented by the use of the pronoun “I” throughout.

Question analysis

This word-choice question quotes three lines from “Letter from Brooklyn” describing the early edge of fall, when the leaves are still green and the air is slightly crisp. Students must work out what the connotations of these words reveal about the speaker's belief, and several choices mix an accurate reading of the lines with a claim they do not support.

NYS standards
  • 7R4 word meaning and choice
  • 7L5c connotation and denotation
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Explaining how word choice conveys a speaker's feelings is everyday grade 7 work. These three lines are short and concrete, but their meaning rests on the connotations of a few small words, which matches a typical grade 7 task.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from one sentence or line
Reading level
Passage: 217 words (a poem; reading level not measured); question and choices: about grade 5, 86 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The three lines are short, and every choice builds on something real in them: a change in the weather, a season ending, subtlety. What separates the answer is the time words, “For now,” “early edge” and “still,” which say that something good is present and passing. Students lose the point by stretching a reasonable sense of loss into a claim about the best season, or by turning the speaker’s private notice into what other people miss.

  1. Figurative or literary language moderate Understanding the question

    The belief lies in connotation: “early edge of fall” and “leaves green still” mark a season only starting to turn, and “the air narrows” describes the change through an image. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. Reading between the lines minor Working it out

    “For now” at the start of line 7 signals that the moment will pass, and students must infer that the speaker values it for that reason, since no line states the belief. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

Strategy: Mark the words in lines 7–9 that describe time and the feel of the air, decide whether each sounds positive, negative or neutral, then choose the belief that fits those connotations and nothing more.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This question is about word choice. The exact words a poet picks can show feelings. You need the belief that lines 7–9 show. So look at what each word suggests, not only what it means.

  2. Mark the time words

    The lines say “For now it is the early edge of fall, / leaves green still while the air narrows, / is slightly crisp.” Notice the time words. “For now” means this won’t last. “Early edge” means fall has just begun. “Still” means the leaves have not changed color yet.

  3. Hear what the words suggest

    “Slightly crisp” means a little cool and fresh. It sounds pleasant, not harsh. When the air “narrows,” it seems to tighten and grow cooler. So the speaker enjoys this moment. The time words show the speaker knows it will pass. Put together, they say: this lovely early fall is still here, so enjoy it now.

  4. Check each choice

    • A is right. “Still” and “For now” show the season is still here to enjoy.
    • B is wrong. The speaker never calls this the most pleasant season. Nothing ranks the seasons.
    • C is wrong. “Early edge” and “slightly” describe a slow, gentle change, not a sudden one.
    • D is wrong. The change is subtle, or hard to notice. But the speaker feels it on “the hair of my arm.” The lines say nothing about other people.

    Watch out: D starts out right, because the change is gentle. But it adds a claim about other people that the lines never make.

  5. Choose the answer

    The words show a pleasant season that is still here, for now. So the answer is A: “the beauty of the current season should still be appreciated.”

Why this answer and not the closest wrong one

B is the closest wrong answer, because the poem does hint that something good is ending. But the lines never call fall the best season. They say only that this pleasant time is here “for now.” That fits A: enjoy the season while it lasts.

The original DOE question
Question 39 as shown on the DOE’s digital test, page 54 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test B English, page 54, question 39.
The passage “Letter from Brooklyn” as printed (page 50)The passage “Letter from Brooklyn” as printed on page 50 of the DOE handbook.

Question 10 of 51

2026 Practice Test B English, question 41

Uses the passage above: “Letter from Brooklyn”.

Question

Read these lines from the poem.

I can already see how this will end. (line 1)

How Brooklyn makes me nostalgic
for the moment I am walking inside of.
(lines 21–22)

The lines develop a central idea of the poem by

  • Asuggesting the speaker’s desire to find a way to break free from the repetitive pattern of daily life.
  • Brevealing the speaker’s feelings of disappointment over the predictable change in season.
  • Cemphasizing the speaker’s awareness of the future significance of the present moment in the setting.
  • Dshowing the speaker’s anticipation of specific emotions caused by an intimate knowledge of the setting.
Show the answer

Correct answer: C

The question asks how line 1 and lines 21–22 develop a central idea of the poem.

A. Incorrect. Although these lines suggest that life is governed by repetitive patterns, such as the change of seasons, they do not suggest that the speaker wishes to break free from these natural cycles of change, and a desire for freedom is not a central idea of the poem.

B. Incorrect. Although the speaker acknowledges that colder weather will inevitably bring disappointment, the speaker does not suggest in these lines that the predictability of changing weather is itself disappointing. Rather, the speaker recognizes the value of enjoying the present moment.

C. CORRECT. These lines connect the present warmer weather with the future colder weather and develop the central idea that the present “moment I am walking inside of” must be embraced because the speaker will be “nostalgic” for it in the future.

D. Incorrect. In these lines, the speaker is aware that specific emotions will occur in the future, during cold weather, but this awareness is only part of the more complex central idea of the poem, which is that current emotions and feelings must be recognized, experienced, and appreciated.

Question analysis

This central-idea question pairs the first line of “Letter from Brooklyn” with lines 21–22, where Brooklyn makes the speaker nostalgic “for the moment I am walking inside of,” and asks how they develop a central idea of the poem. Students must link excerpts from opposite ends of the poem, untangle a paradoxical image and choose among four abstract statements.

NYS standards
  • 7R2 theme or central idea
  • 7R5 structure and genre features
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 students analyze how lines develop a central idea. Here two excerpts twenty lines apart must be read together, one of them built on a paradox, and the four choices are long and abstract, well beyond typical grade 7 work.
Estimated difficulty
Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: 217 words (a poem; reading level not measured); question and choices: about grade 7, 99 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

This is among the hardest questions in the set because the two excerpts must be joined through a paradox and then matched to four long, abstract statements. Line 1 foresees an ending; lines 21–22 miss a moment while it is still happening, so both look at now from the future. Students who see only the foresight pick the choice about anticipated emotions, while those who hear gloom in “how this will end” settle on disappointment or a wish to escape.

  1. Figurative or literary language major Understanding the question

    Lines 21–22 are a paradox: “nostalgic,” glossed as yearning for the past, is aimed at “the moment I am walking inside of,” so the speaker already feels the present as a future memory. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. A very close wrong answer moderate Choosing the answer

    The choice about anticipating “specific emotions” shares the key’s link between future and present; it differs by tracing those feelings to knowing the setting well, which neither excerpt says. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. Evidence in several places moderate Working it out

    The excerpts are the poem’s first line and lines 21–22, twenty lines apart, and what joins them, the speaker looking ahead at the present, shows only when they are read side by side. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

Strategy: Paraphrase each excerpt on its own, using the glossary's meaning of “nostalgic,” then decide what the first line and the last two share and match that to a choice.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This question gives two pieces of the poem: line 1 and lines 21–22. You need the central idea they build together. A central idea is the main point the poem keeps working toward. Read each piece alone first, then join them.

  2. Read line 1

    Line 1 says “I can already see how this will end.” The speaker looks ahead. Lines 2–5 then list what will come: growing tired of the bridge, and the cold. So the speaker already pictures the future while living in the present.

  3. Read lines 21–22

    The lines say “How Brooklyn makes me nostalgic / for the moment I am walking inside of.” The glossary says nostalgic means “yearning for the past.” Yearning means longing. But the speaker longs for now, a moment still happening. That is a paradox, an idea that seems impossible but makes sense. The speaker knows this walk will be a precious memory.

  4. Join the two pieces

    Both pieces look at the present from the future. In line 1, the speaker sees the end coming. In lines 21–22, the speaker already misses the walk. So the speaker knows this present moment will matter later. Significance means importance.

  5. Check each choice

    • A is wrong. The speaker never wants to break free from daily routine.
    • B is wrong. Line 1 can sound gloomy. But the speaker isn’t upset with the seasons. The speaker treasures the walk.
    • C is right. The speaker sees that this moment in Brooklyn will be precious later.
    • D is wrong. The speaker does foresee feelings. But neither piece says they come from knowing the place well.

    Watch out: D gets the looking-ahead part of line 1 right. But lines 21–22 long for the moment itself, not for feelings caused by knowing the city.

  6. Choose the answer

    So the answer is C: “emphasizing the speaker’s awareness of the future significance of the present moment in the setting.”

Why this answer and not the closest wrong one

D is the closest wrong answer, because line 1 does show the speaker foreseeing feelings. But D says they come from an “intimate knowledge of the setting.” Neither piece says that. Lines 21–22 miss the moment while it is still happening. C captures that: the present will matter in the future.

The original DOE question
Question 41 as shown on the DOE’s digital test, page 56 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test B English, page 56, question 41.

Question 11 of 51

2026 Practice Test B English, question 42

Uses the passage above: “Letter from Brooklyn”.

Question

The speaker’s thoughts throughout the poem develop a theme by showing that

  • Aalthough people may hold expectations for the future, some people long for present experiences while they are still happening.
  • Bthough people come from different places, most people feel drawn to the special charm a city holds.
  • Calthough people can make decisions about their life, there will always be some things beyond their control.
  • Dthough general expectations exist, people have no way of knowing what a given day will actually bring.
Show the answer

Correct answer: A

The question asks how the speaker’s thoughts throughout the poem develop a theme.

A. CORRECT. The speaker’s thoughts develop some tension because seasonal change will inevitably come: “The weather will turn cold” (line 5). However, the speaker is still able to enjoy the present experience because “that all happens later” (line 6). In lines 21–22, the speaker begins to describe experiences that create a longing for the present, even while it is still happening (“How Brooklyn makes me nostalgic / for the moment I am walking inside of”), developing a theme of the poem.

B. Incorrect. The speaker’s thoughts reveal an appreciation for the city, but this appreciation is highly personal and individual. These thoughts do not indicate that most people will feel drawn to cities.

C. Incorrect. Some things, such as seasons, are beyond human control, as the speaker concedes: “I can already see how this will end” (line 1). However, the theme of the poem is not that certain things are inevitable, but that one can live in the present moment and enjoy that experience before change occurs.

D. Incorrect. The speaker’s thoughts are not showing that people are surprised by what the days bring; the thoughts of the speaker suggest that people experience many seasons in Brooklyn and have reasonable expectations about what these days will bring.

Question analysis

This theme question asks what theme the speaker's thoughts develop across all of “Letter from Brooklyn,” from the opening line about how things will end to the closing lines about loneliness on late afternoons. Each choice is a broad statement about people in two parts, so students must check both halves against the speaker's reflections.

NYS standards
  • 7R2 theme or central idea
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Stating a theme is a grade 7 standard, often tested with one clearly fitting choice. Here every choice is a two-part general statement about people, and students must test both halves of each against a whole poem of abstract reflection, more than typical.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from the whole text
Reading level
Passage: 217 words (a poem; reading level not measured); question and choices: about grade 9, 82 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The four themes are broad statements about people, each in two halves, and every one can borrow something from the poem: the seasons are beyond control, the city has charm, the future brings surprises. The right one matches the speaker’s double vision, knowing what is coming and longing for the present while it lasts. The strongest pull is the theme about things beyond control, whose second half fits the turning seasons and whose first half the poem never raises.

  1. Reading between the lines moderate Working it out

    The poem never states its theme; it must be built from the speaker’s forecasts in lines 1–6 and the paradox of being “nostalgic / for the moment I am walking inside of.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. Every choice must be checked moderate Choosing the answer

    Every choice is a two-part “although” or “though” statement about people, and three have one plausible half, so each half must be checked against the poem on its own. (Embretson & Wetzel, 1987)

  3. Evidence in several places minor Working it out

    The theme draws on the whole poem, from the opening “I can already see how this will end” to the lonely late afternoons of lines 23–26. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

Strategy: Sum up in a sentence what the speaker keeps thinking about from the first line to the last, then test both halves of each choice against the poem and reject any half it does not support.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This question asks for the theme of the whole poem. A theme is a big message about life. Each choice has two halves, joined by although or though. Both halves must fit the poem. If one half doesn’t, the choice is wrong.

  2. Trace the speaker’s thoughts

    The poem opens by looking ahead: “I can already see how this will end.” The speaker expects to tire of the bridge, and “The weather will turn cold.” Then the speaker turns to now: “But that all happens later.” Most of the poem enjoys the fall walk. Lines 21–22 sum it up: “How Brooklyn makes me nostalgic / for the moment I am walking inside of.”

  3. Put it in your own words

    Nostalgic means longing for the past. Yet the speaker longs for the present, while it is still going on. So the speaker does two things at once. The speaker expects what the future will bring. And the speaker treasures, or deeply values, the present. That is the theme.

  4. Check each choice

    • A is right. First half: the speaker expects cold weather and boredom. Second half: the speaker longs for the walk while it is still going on.
    • B is wrong. Only one person speaks in the poem. Nothing says most people feel drawn to cities.
    • C is wrong. The weather is beyond anyone’s control, so its second half fits. But the poem never talks about people making decisions about their lives.
    • D is wrong. The speaker knows what is coming. The future isn’t a mystery here.

    Watch out: C is tempting because the speaker can’t stop the cold. But test both halves. Its first half, about making decisions, isn’t in the poem.

  5. Choose the answer

    So the answer is A: “although people may hold expectations for the future, some people long for present experiences while they are still happening.”

Why this answer and not the closest wrong one

C is the closest wrong answer, because the seasons are beyond the speaker’s control. But the poem never mentions people making decisions about their lives. A matches both halves: the speaker expects what is coming, and longs for the present while it lasts.

The original DOE question
Question 42 as shown on the DOE’s digital test, page 57 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test B English, page 57, question 42.

Question 12 of 51

2026 Practice Test C English, question 41
Passage Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming”

Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming”

by Melanie Canales

The author, Melanie Canales, is a first-generation Peruvian American farmer and beekeeper based in Virginia’s Shenandoah Valley, on lands of the indigenous Monacan and Manahoac tribes. Her work focuses on creating healthy relationships between people and their surrounding ecosystems.

Unburdened by the constraints of gravity, red and green peppers jut out at 45-degree angles inside the Advanced Plant Habitat (APH), a sort of space terrarium not much larger than a microwave. Four chile pepper plants stand effortlessly upright, despite the dozens of glossy fruits weighing them down. These plants have lived entirely in space; their leaves have never been chewed on by insects or rustled by a summer breeze, [and] their stems are unfamiliar with bending toward the sun’s arc across the sky. Scissors glint under the tank’s white and blue lights as astronaut Mark Vande Hei and his team snip the stems of those that are ready for harvest. The peppers whirl around their heads until the astronauts catch them and tape them against a board to photograph.

Back on Earth, the Plant Habitat-04 team of engineers and plant scientists are observing and conferring with the astronauts. Of the 26 peppers in this batch, only the 14 finest will stay on the International Space Station [ISS] for consumption. The rest will be wrapped in foil, sealed in a Ziploc bag, then frozen at a brisk −80 degrees, until they can come roaring back to Earth in the next cargo capsule to be studied later. Now, after a 137-day growth cycle, the astronauts remove the plants from the module and trash them. Project Plant Habitat-04 is complete. It’s taco night on the ISS.

Since 2014, NASA1 has experimented with growing lettuces, brassicas,2 and zinnias3 in space, an endeavor that relies on highly specialized technology over 50 years in the making. [Fall 2021’s] two successful pepper harvests . . . will provide data on the nutritional and psychological benefits of growing vegetables on-craft, as well as a crop’s ability to reliably produce long-term in microgravity. While controlled environmental agriculture is not new, the APH experiment represents an evolution in specialized growth habitats. It doesn’t aim to re-create Earth’s conditions, but to perfect each isolated variable of plant growth in the clinical environment of a spaceship.

“The Advanced Plant Habitat is the most complex plant growth system on orbit today,” says Lashelle Spencer, a plant scientist at NASA’s Kennedy Space Center. Its more than 180 sensors control and monitor temperature, humidity, and carbon dioxide. The astronauts can adjust the color and intensity of the light, and how much moisture the plants’ roots are getting. It waters itself.

It’s the day after Thanksgiving, and Spencer has been at Kennedy since 5 a.m. to facilitate the peppers’ final harvest. As part of the project team, she played a crucial role in preparing the seeds that were sent hurtling into space in June and guiding the astronauts through maintaining the plants in orbit. . . . Though astronauts can spend upwards of 100 days in space, their on-mission meals come dehydrated and pre-packaged; their vitamins and minerals are isolated in supplements, which lose nutritional value the longer they’re stored. Spencer’s goal is to create the conditions necessary for cultivating healthy plants in space, so those plants can sustain healthy astronauts on long-term missions. Astronaut food is great, she says—“especially the shrimp cocktail. But you’re missing that crunch. You’re missing that fresh pop of flavor, the green flavor that’s not there in that packaged food.”

The sensory experience of growing productive crops can also help mitigate4 the psychological effects of long-term space travel. . . . Spencer says the team cracked open the door of the APH every day to observe their vegetable companions with all the tenderness of home gardeners. When harvest day came, they batted their bounty around the ISS, taking selfies and delighting in watching the fruits pirouetting around the spacecraft. . . .

“We were thinking no heat, so that [the peppers] wouldn’t be dangerous, but maybe the astronauts need a little spice in their life,” says Paul Bosland, who along with his colleagues at the Chile Pepper Institute genetically engineered5 the NuMex Española Improved chile pepper seeds grown in Plant Habitat-04. . . .

Working with NASA, Bosland cultivated a variety that could accommodate both the nutritional needs of astronauts as well as the logistics of growing a plant in space. . . .

. . . The experiment is helping gather the data necessary to determine the nutritional content of crops grown in space, and therefore how many people they can feed, and for how long. Though much is still unknown, Spencer is certain of one thing that future astronauts will need to do: “I think in an optimal world, a scientist like me would say that they would be growing plants from day one. From the day they left to the day they came back, they would be growing them.”

From “Growing Peppers on the ISS Is Just the Start of Space Farming” by Melanie Canales from WIRED, December 21, 2021. Copyright © 2021 Condé Nast. All rights reserved.

1NASA: National Aeronautics and Space Administration

2brassicas: a large genus of herbs, such as broccoli and cabbage

3zinnias: a genus of herbs and low shrubs that have flowers at their heads

4mitigate: to make something less severe or harmful

5genetically engineered: combined parts of DNA from different plants to produce a new plant

Question

How is the quotation from Lashelle Spencer at the end of paragraph 9 relevant to the discussion of the peppers referred to in paragraph 2?

  • AThe quotation indicates that larger batches of peppers need to be grown during future missions and suggests a slight criticism of the astronauts discussed in paragraph 2 for not dedicating more of their time to growing peppers during their mission.
  • BThe quotation explains why the 137-day growth cycle mentioned in paragraph 2 is necessary and provides a suggestion on how to grow more peppers during the same growth cycle in future missions.
  • CThe quotation helps explain why some of the peppers discussed in paragraph 2 needed to be sent back to Earth and that increasing the overall number of peppers grown in space will be important in future missions.
  • DThe quotation provides context for understanding why the peppers discussed in paragraph 2 must be sealed and frozen prior to their return to Earth and suggests how this method might be improved in upcoming missions.
Show the answer

Correct answer: C

The question asks how the quotation from Lashelle Spencer at the end of paragraph 9 is relevant to the discussion of the peppers referred to in paragraph 2.

A. Incorrect. The quotation from Spencer in paragraph 9 suggests that astronauts should spend more time on growing larger and more continuous batches of peppers during long missions, but it does not criticize astronauts for discarding plants and ending the experiment after the 137-day growth cycle.

B. Incorrect. While the quotation from Spencer in paragraph 9 stresses the value of spending more time growing plants in space, it does not provide specific details about the 137-day growth cycle or offer specific methods for producing more peppers within the same time frame.

C. CORRECT. The quotation from Spencer in paragraph 9 is relevant to the discussion of the peppers on the ISS in paragraph 2 because it emphasizes the importance of expanding plant-growing efforts on future space missions. Spencer suggests that rather than ending the experiment after the 137-day growth cycle, astronauts could continually replant and replenish their food supply from the beginning to the end of a long mission.

D. Incorrect. Although the quotation from Spencer in paragraph 9 conveys the importance of dedicating more time to growing plants in space, it does not explain why the peppers were sealed and frozen, nor does it suggest how this method for preserving them might be improved.

Question analysis

This question asks how Lashelle Spencer’s quotation at the end of the space-farming excerpt, her view of what future astronauts will need to do, relates to the account in paragraph 2 of how the pepper harvest was handled. Students must connect the article’s ending to its opening, and every choice is a long two-part statement whose halves have to be checked separately.

NYS standards
  • 7R5 structure and genre features
  • 7R3 plot elements and ideas
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 readers explain how parts of a text relate, usually neighboring ones. This item links the last paragraph to the second, and its four choices run about forty words each in two parts, so it asks more than typical grade 7 work.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 10, 890 words; question and choices: about grade 16, 163 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Each choice has one half that sounds connected to the quotation, so students must test both halves of all four. The criticism choice is the hardest to reject, since it correctly hears a call for more growing and only then misreads Spencer’s tone. The key itself is not airtight: its first half leans on the sentence before the quotation, about gathering nutrition data, so the answer is best confirmed by ruling out the others.

  1. Reading between the lines moderate Working it out

    Spencer’s quotation never mentions paragraph 2; the link is that plants grown “from day one” to “the day they came back” contrast with one 137-day batch harvested and thrown away. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. A very close wrong answer moderate Choosing the answer

    The criticism choice shares the key’s call for more growing on future missions and differs in its other half, a slight criticism of the crew that Spencer’s hopeful “in an optimal world” never makes. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. A lot to read moderate Understanding the question

    The four choices run 32 to 40 words, and each joins two claims with “and,” so eight separate statements must be checked against the quotation and paragraph 2. (Kintsch, 1998; Gorin & Embretson, 2006; Freedle & Kostin, 1993)

  4. Evidence in several places minor Working it out

    The two parts to connect are the excerpt’s second paragraph and its last sentence, with six paragraphs on the habitat, Spencer and Bosland in between. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

Strategy: Put Spencer’s closing quotation into your own words and recall how the pepper project ended in paragraph 2, then weigh both halves of every choice and keep the one the quotation and its paragraph best support.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This question links the end of the article to its beginning. Spencer speaks at the end of paragraph 9. Paragraph 2 tells what happened to the peppers. You need the choice that best explains how her words connect to those peppers. Each choice has two parts, and both must be true.

  2. Recall the peppers in paragraph 2

    Paragraph 2 says only “the 14 finest” peppers stay on the ISS to eat. The rest are frozen and sent “back to Earth in the next cargo capsule to be studied later.” Then, “after a 137-day growth cycle, the astronauts remove the plants from the module and trash them.” So the crew grew one batch, ate some, sent some home and threw the plants away.

  3. Read the end of paragraph 9

    Just before Spencer speaks, paragraph 9 says: “The experiment is helping gather the data necessary to determine the nutritional content of crops grown in space, and therefore how many people they can feed, and for how long.” Then Spencer says that in “an optimal world,” meaning the best possible world, astronauts “would be growing plants from day one.” She adds: “From the day they left to the day they came back, they would be growing them.”

  4. Connect the two parts

    The peppers sent home are studied. That gives the data paragraph 9 describes: how healthy space crops are and how many people they can feed. Spencer’s plan needs that data. You must know what a crop can feed before you plan meals for a whole trip. Her words also point to the future. Instead of one batch that ends in the trash, crews would grow plants all trip long. That means many more peppers.

  5. Check each choice

    • A is wrong. Spencer wants more growing, but she doesn’t criticize the crew. “In an optimal world” describes a hope, not a complaint.
    • B is wrong. She never says why the cycle took 137 days. She doesn’t suggest squeezing more peppers into it, either.
    • C is right. The returned peppers give the data, and growing “from day one” means more peppers in the future.
    • D is wrong. She says nothing about freezing the peppers or a better way to store them.

    Watch out: A gets the first half right. The criticism in its second half is what makes it wrong.

  6. Choose the answer

    Her words explain why some peppers went home to be studied and why more growing matters next time. So the answer is C, “The quotation helps explain why some of the peppers discussed in paragraph 2 needed to be sent back to Earth and that increasing the overall number of peppers grown in space will be important in future missions.”

Why this answer and not the closest wrong one

A is the closest wrong answer. Like C, it hears Spencer calling for more plants on future trips. But A also says she criticizes the astronauts. She doesn’t. She calmly describes a perfect world. C keeps the right half and adds a link the paragraph supports: the peppers sent home give the data.

The original DOE question
Question 41 as shown on the DOE’s digital test, page 59 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test C English, page 59, question 41.
The passage “Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming”” as printed (pages 50–51)The passage “Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming”” as printed on page 50 of the DOE handbook.The passage “Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming”” as printed on page 51 of the DOE handbook.

Question 13 of 51

2026 Practice Test C English, question 43

Uses the passage above: “Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming””.

Question

With which statement would the author most likely agree?

  • ASome plants are better adapted for growing in space than on Earth, and focus should be placed on them.
  • BAttempting to grow plants in space the same way they are grown on Earth would not result in success.
  • CPlants grown in space provide better nutritional value than plants grown on Earth.
  • DSuccessfully growing plants in space is a challenge, so more research must first be completed on plants grown on Earth.
Show the answer

Correct answer: B

The question asks which statement the author would most likely agree with.

A. Incorrect. Although paragraphs 7 and 8 discuss plants that have been genetically engineered to “accommodate . . . the logistics of growing a plant in space,” the passage does not indicate that the plants are better adapted for growing in space rather than on Earth. Thus, the author is not likely to agree with this statement.

B. CORRECT. In paragraph 3, the author points out that growing plants in space “relies on highly specialized technology over 50 years in the making,” and in paragraph 4, the author explains that the Advanced Plant Habitat requires specialized controls and adaptations for light, moisture, and temperature. The author’s acknowledgment of the special conditions required to grow plants in space indicates that she would agree that growing methods used on Earth are unlikely to succeed in space.

C. Incorrect. Although paragraph 8 mentions that pepper plants were genetically engineered to meet “the nutritional needs of astronauts,” the passage gives no indication that astronauts have greater nutritional needs in space than they do on Earth or that plants grown in space are engineered to provide better nutrition than their counterparts on Earth. Thus, the author would not be likely to agree with this sentence.

D. Incorrect. Although the discussion in paragraph 4 of the rigorously controlled conditions indicates that growing plants in space is, indeed, challenging, the article indicates in paragraph 3 that NASA has been experimenting with growing plants in space “since 2014.” Because plant-growing experiments have already been under way in space for a number of years, it is unlikely that NASA or the author would agree that additional experiments on earth are necessary.

Question analysis

This inference question asks which statement the author of the space-farming excerpt, a Virginia farmer writing for WIRED about NASA’s pepper experiment, would most likely agree with. The author never states her view outright, so students must infer it from the way she reports the experiment, and every choice touches on a topic the article raises.

NYS standards
  • 7R6 point of view and author position
  • 7R1 textual evidence and inferences
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Inferring which statement an author would accept is regular grade 7 work, but this author mostly reports facts and quotes scientists, so her own view has to be pieced together from several paragraphs of technical description, more than grade 7 usually asks.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 10, 890 words; question and choices: about grade 6, 80 words.
Corrected from the DOE handbook
  • A misquotation of the excerpt in the explanation was corrected.
  • A grammatical error in the explanation was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Because the article reports facts and quotes scientists, students must build the author’s view from her descriptions, and the key is a prediction she never makes outright. The half-right choice is the main trap: it begins with a view she does hold, that space farming is hard, then adds a demand for research on Earth that ignores NASA’s work in orbit since 2014. The other two turn the engineered variety and the nutrition theme into comparisons the article never draws.

  1. Reading between the lines major Working it out

    The author never states an opinion; her view must be drawn from how she describes the work, a habitat that “doesn’t aim to re-create Earth’s conditions” and technology “over 50 years in the making.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. Evidence in several places moderate Working it out

    The support is in paragraph 3’s description of the habitat and paragraph 4’s sensors and controls, while the wrong choices draw on paragraph 8’s engineered variety and paragraph 5’s supplements. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  3. The right answer is reworded minor Choosing the answer

    The key’s “the same way they are grown on Earth would not result in success” restates paragraph 3 in new words, while wrong choices reuse “nutritional” and growing “in space.” (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)

Strategy: Find the sentences where the author speaks in her own voice rather than quoting a scientist, then choose the statement those sentences support most directly, without adding claims the article never makes.

Traps

  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
  • Half right: One half of a two-part choice is right and the other is not.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: The handbook’s explanation of Option A says the plants were genetically engineered “to accommodate the logistics of growing a plant in space.” Paragraph 8 says Bosland “cultivated a variety that could accommodate both the nutritional needs of astronauts as well as the logistics of growing a plant in space”: “to” is not in the excerpt, and eight words are left out without an ellipsis. The site now says genetically engineered to “accommodate . . . the logistics of growing a plant in space.”
  • Explanation: The handbook’s explanation of Option B says “The author’s acknowledgment of the special conditions required to grow plants in space indicate that she would agree.” The subject is “acknowledgment,” so the site now says “indicates.”

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    You need to figure out the author’s view. She never states it outright. She mostly reports facts and quotes scientists. So look at how she describes the work. Then pick the statement her own words support best, without adding ideas she never gives.

  2. Find the author’s own words

    In paragraph 3, the author says growing plants in space “relies on highly specialized technology over 50 years in the making.” She also says the habitat “doesn’t aim to re-create Earth’s conditions, but to perfect each isolated variable of plant growth in the clinical environment of a spaceship.” In paragraph 4, she adds that its “more than 180 sensors control and monitor temperature, humidity, and carbon dioxide.”

  3. Explain what she means

    Specialized means made for one special job. To re-create means to copy. A variable is one thing that can change, like light or heat. Clinical means very clean and controlled, like a hospital. So she is saying that space is not like a garden on Earth. Plants there need special tools that control every condition, one by one. Simply copying Earth’s way of growing would not be enough.

  4. Check each choice

    • A is wrong. Paragraphs 7 and 8 show a pepper bred to “accommodate” growing in space. But nothing says some plants grow better in space than on Earth.
    • B is right. She stresses special technology and says the habitat doesn’t copy Earth. So Earth’s usual methods alone would fail.
    • C is wrong. She never says space plants are healthier than Earth plants.
    • D is wrong. She does show that growing in space is hard. But NASA has grown plants in space “since 2014.” Nothing says Earth research must come first.

    Watch out: D starts with an idea she holds, that space farming is hard. Then it adds a demand she never makes.

  5. Choose the answer

    The author shows that space farming needs special tools, not Earth’s usual ways. So the answer is B, “Attempting to grow plants in space the same way they are grown on Earth would not result in success.”

Why this answer and not the closest wrong one

D is the closest wrong answer. Its first half fits the author: growing plants in space takes complex tools. But its second half says more research on Earth must come first. The article shows the opposite: NASA has grown plants in space for years. B sticks to what her words show.

The original DOE question
Question 43 as shown on the DOE’s digital test, page 61 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test C English, page 61, question 43. This is the DOE’s version, before the corrections listed in the analysis.

Question 14 of 51

2026 Practice Test D English, question 16
Passage Wolves of the Sea

Wolves of the Sea

The cool and misty landscape of the Great Bear Rainforest can be found along the coast of British Columbia, Canada, and its nearby islands, from Vancouver Island to the Alaskan border. Within this protected area, wolves roam the forests, islands, and beaches. When biologist Chris Darimont began to study these wolves, he wanted to confer with local First Nations groups, as aboriginal Canadians are known, in order to learn what they knew about these wolves. He spoke with Chester Starr, an elder of the Heiltsuk Nation that has occupied the Great Bear Rainforest for thousands of years. What Starr had to say about the wolves changed Darimont’s perception of the animals.

Starr asked Darimont which wolves he and his team were going to study—the timber wolves (mainland wolves) or the coastal wolves on the islands. The question took Darimont by surprise. Biologists had always believed that the wolves that are sometimes spotted swimming between islands and eating salmon are the same wolves that live on the mainland. Darimont was intrigued by Starr’s classification of the wolves as two different groups. At first, he was hesitant to accept the idea. The distances between the mainland and the islands are small, less than a mile. Why would the wolves on the islands be any different from the wolves on the mainland? To find out, Darimont and his research team studied the wolves on the islands and in the densely forested territory of the Great Bear Rainforest for ten years.

Throughout the study, Darimont recorded several significant, observable differences between the “sea wolves,” as they are nicknamed, and the mainland wolves. Compared with the mainland wolves, the sea wolves are smaller in size and are strong swimmers. In 1996 sea wolves were spotted on an island nearly eight miles from any other land formation. While mainland wolves almost exclusively eat meat, such as deer and elk, and teach their young to hunt for land animals, sea wolves get as much as 90 percent of their nutrition from the sea and teach their young to dig for clams and to catch fish. Sea wolves regularly swim between islands and have been known to sneak up on a seal sunning itself on a rock and make a leaping attack from the water. Some salmon-eating mainland wolves come and go from the islands with the fish-spawning season, but the sea wolves are full-time island residents. Darimont suspects that some sea wolves live their entire life on the islands.

The sea wolves displayed not only physical and behavioral differences but also genetic variations from the mainland wolves. After collecting and analyzing the DNA in 800 samples of gray fur and wolf waste, researchers could produce hard biological evidence that sea wolves had genetic markers that made them distinct from the mainland wolves. A genetic marker is a variation in a DNA sequence that can be used to identify individuals or a species because it is passed down to offspring. Darimont hypothesizes that a change in habitat led to the eventual genetic differences between sea wolves and mainland wolves. Many years ago, loss of habitat and food sources forced some mainland wolves out to the islands. They learned to eat everything from kelp and fish eggs to the remains of sea creatures that washed up on the beach. Wolves living on the islands and mainland wolves became more isolated and rarely mated with each other. Over time the two types of wolves became more distinct.

It turned out that Chester Starr was right all along. “It sounded totally bizarre at first,” admits Darimont, “that there could be two versions of the species.” But he now realizes that this skepticism “definitely reflected my ignorance of indigenous knowledge at the time.” Learning to trust the wisdom of the Heiltsuk people opened Darimont up to knowledge accumulated over millennia and positioned him so that he could gather new scientific evidence about one of British Columbia’s most elusive species, the sea wolf.

Question

Why does the author include details about the conversation between Starr and Darimont in paragraph 2?

  • Ato explain why Starr had closely observed the relationship between the two groups of wolves Darimont wanted to study
  • Bto show that Darimont was hoping to work with Starr and to study both groups of wolves in the area
  • Cto highlight that Darimont was unfamiliar with the area and expected Starr to help him find wolves to study
  • Dto emphasize that the question asked by Starr caused Darimont to review his initial assumption about the wolves
Show the answer

Correct answer: D

The question asks why the author includes details about the conversation between Starr and Darimont in paragraph 2.

A. Incorrect. The details in paragraph 2 do not explain why Starr had closely observed the two groups of wolves. Instead, they convey that Starr believed the wolves to be separate groups (“Starr asked Darimont which wolves he and his team were going to study—the timber wolves (mainland wolves) or the coastal wolves on the islands”), a supposition that intrigued Darimont and ultimately changed the course of his research study.

B. Incorrect. Although paragraph 1 indicates that Darimont did hope to work with Starr (“he wanted to confer with local First Nations groups, as aboriginal Canadians are known, in order to learn what they knew about these wolves”), Darimont did not initially plan to study both groups of wolves in the area because, as the conversation in paragraph 2 indicates, he did not initially know they were two distinct groups of wolves.

C. Incorrect. The details about the conversation in paragraph 2 highlight that Darimont was eager to learn from Starr’s knowledge of the wolves (“Darimont was intrigued by Starr’s classification of the wolves as two different groups”), but they do not indicate that Darimont expected Starr’s help to find the wolves.

D. CORRECT. According to paragraph 2, Starr wanted to know which group of wolves Darimont planned to study—“the timber wolves (mainland wolves) or the coastal wolves on the islands.” The author states that the question “took Darimont by surprise,” adding that “Darimont was intrigued by Starr’s classification of the wolves as two different groups.” The author adds that Darimont was initially “hesitant to accept the idea” that the wolves were separate groups but ultimately spent years studying the two groups of wolves. These details indicate that the question Starr posed to Darimont forced Darimont to reevaluate his initial assumption “that the wolves that are sometimes spotted swimming between islands and eating salmon are the same wolves that live on the mainland” and investigate Starr’s observation that the wolves had separated into two distinct groups.

Question analysis

In paragraph 2 of “Wolves of the Sea,” the Heiltsuk elder Chester Starr asks Darimont whether his team will study the timber wolves or the coastal wolves on the islands. This question asks why the author includes the details of that conversation, so students must explain what a short exchange does for the passage, not just what was said.

NYS standards
  • 7R5 structure and genre features
  • 7R3 plot elements and ideas
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Explaining why an author includes a detail is everyday grade 7 structure work. The paragraph in question is short and plainly written, and each choice can be checked against it directly, so the demand is typical of grade 7.
Estimated difficulty
Straightforward: two steps or one careful reading.
What makes it hard
Evidence
Answered from one paragraph or stanza
Reading level
Passage: about grade 10, 662 words; question and choices: about grade 10, 91 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The paragraph is short and the turn in it is clear: a question surprises Darimont, he doubts it, and he sets out to test it. The main risk is the choice that mixes a true fact from paragraph 1, that Darimont wanted to learn from Starr, with a plan to study two groups he did not yet know existed. Students who keep the order of events straight, what Darimont believed before and after Starr spoke, rule it out.

  1. How, not what moderate Working it out

    The stem asks why the conversation is there, so students must say what Starr’s question about “the timber wolves … or the coastal wolves” does to Darimont’s research, not just repeat it. (Anderson & Krathwohl, 2001)

  2. Reading between the lines minor Working it out

    Paragraph 2 never says Darimont rethought anything; the review of his assumption is pieced together from “took Darimont by surprise,” “hesitant to accept” and the ten-year study that followed. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

Strategy: Read all of paragraph 2, not just Starr’s question, and say in your own words why the conversation matters to the research; then reject choices that add facts the paragraph never gives.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
  • Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks about the author’s purpose. Why did the author put the talk between Starr and Darimont into paragraph 2? Don’t just retell the talk. Ask what it does to Darimont and his research.

  2. Find the conversation

    Paragraph 2 opens with Starr’s question. He asked which wolves the team would study, “the timber wolves (mainland wolves) or the coastal wolves on the islands.” Next, “The question took Darimont by surprise.” Why? “Biologists had always believed” that the island wolves were “the same wolves that live on the mainland.”

  3. Follow what happens next

    Darimont “was intrigued,” which means curious. Still, “At first, he was hesitant to accept the idea.” Hesitant means unsure and slow to agree. Then, “To find out,” his team studied the wolves for ten years. So Starr’s question made Darimont rethink his first belief. He had assumed, or believed without checking, that all the wolves were one group.

  4. Check each choice

    • A is wrong. The paragraph gives Starr’s question. It never says how or why Starr watched the wolves.
    • B is wrong. Darimont did hope to learn from Starr. But he could not plan to study both groups before he knew there were two.
    • C is wrong. Nothing says Darimont needed Starr to help him find wolves.
    • D is right. The question surprised Darimont and sent him to test his first idea. His initial assumption means that first idea.

    Watch out: B mixes a true fact from paragraph 1 with a plan Darimont did not have yet. Keep the order of events straight.

  5. Choose the answer

    The talk shows Starr’s question changing how Darimont thought about the wolves. So the answer is D, “to emphasize that the question asked by Starr caused Darimont to review his initial assumption about the wolves.”

Why this answer and not the closest wrong one

B is the closest wrong answer. It is true that Darimont wanted to work with Starr. But before Starr spoke, Darimont thought all the wolves were one group. So he had no plan to study two groups. D fits the order of events: Starr asks, Darimont is surprised, and then he tests his old idea.

The original DOE question
Question 16 as shown on the DOE’s digital test, page 26 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test D English, page 26, question 16.
The passage “Wolves of the Sea” as printed (pages 23–24)The passage “Wolves of the Sea” as printed on page 23 of the DOE handbook.The passage “Wolves of the Sea” as printed on page 24 of the DOE handbook.

Question 15 of 51

2026 Practice Test D English, question 20

Uses the passage above: “Wolves of the Sea”.

Question

How did a change in habitat most affect the wolf population of the Great Bear Rainforest over time?

  • AIt caused some of the wolves to learn new hunting techniques in order to catch increasingly scarce prey.
  • BIt caused the wolves to form smaller packs and eventually separate, establishing distinct territories.
  • CIt caused some of the wolves to gradually become a new, genetically distinct species as they adapted behaviorally.
  • DIt caused the wolves to adapt their diet as different food sources became available in the area.
Show the answer

Correct answer: C

The question asks how a change in habitat most affected the wolf population of the Great Bear Rainforest over time.

A. Incorrect. Although the island wolves learned new hunting techniques (“dig for clams and to catch fish,” “sneak up on a seal sunning itself on a rock and make a leaping attack from the water” [paragraph 3]), there is no evidence in the passage that these hunting techniques were developed in response to scarcity of prey. The most significant effect of the change in habitat was not an influence on hunting techniques but the behavior differences that evolved because of the isolation of the groups of wolves from each other.

B. Incorrect. The change in habitat did not cause the wolves to form smaller packs but rather served to create distinctive behaviors because of the isolation of one pack from another, eventually causing the groups of wolves to become distinct species.

C. CORRECT. The change in habitat caused the wolves to gradually become two distinct species. Though the “sea wolves regularly swim between islands” and “some salmon-eating mainland wolves come and go from the islands,” the “sea wolves are full-time island residents” (paragraph 3). This behavioral adaptation to their environment caused the sea wolves to become “more isolated” from the mainland wolves; as a result, the two groups “rarely mated with each other,” and “over time the two types of wolves became more distinct” (paragraph 4).

D. Incorrect. Only the sea wolves adapted their diet. They did this not because different food sources became available in the area but because they were in an entirely different area from the mainland wolves.

Question analysis

This cause-and-effect question asks how a change in habitat most affected the wolf population of the Great Bear Rainforest over time, in the article “Wolves of the Sea.” Students must follow the account in paragraphs 3 and 4 of how some wolves came to live on the islands and pick the result the passage treats as the main one, among several that sound possible.

NYS standards
  • 7R3 plot elements and ideas
  • 7R1 textual evidence and inferences
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Tracing how one event leads to another is core grade 7 informational reading. The effects here are spread over two paragraphs of science writing, and several choices mix real details with causes the passage never gives, which keeps the demand typical.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 10, 662 words; question and choices: about grade 10, 85 words.
Corrected from the DOE handbook
  • Two grammar slips in the explanation were corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Several effects of the move are real, and the strongest wrong answer names one of them, a change of diet, but gives it the wrong cause by having food appear nearby instead of wolves being forced out to the islands. Students who stop at the first effect they recognize miss that the question asks what happened over time. The key’s “new, genetically distinct species” overstates the passage, which calls the wolves “two versions of the species,” though it is still the only choice that follows the chain to its end.

  1. Evidence in several places moderate Working it out

    The chain of effects runs across two paragraphs: the island habits of paragraph 3, then paragraph 4’s loss of habitat, isolation, rare mating and the two types becoming “more distinct” over time. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  2. Reading between the lines minor Working it out

    The word “most” and the phrase “over time” point past the first changes, a new diet and new skills, to the end of the chain, genetic difference, which students must rank as the main effect. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

Strategy: Trace the chain of events in paragraphs 3 and 4 from the wolves’ move to the islands onward, then test each choice for who changed, why, and with what result.

Traps

  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
  • Half right: One half of a two-part choice is right and the other is not.
  • Outside knowledge: A choice is plausible in the real world but not supported by this text.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: The DOE’s explanation of Option B says “eventually causing the groups of wolves to became distinct species”; the site says “to become.” Its explanation of Option C says the change “caused the sea wolves to ‘became more isolated’ from the mainland wolves,” putting paragraph 4’s past-tense “became” after “to”; the site now reads “caused the sea wolves to become ‘more isolated’ from the mainland wolves.”

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This is a cause-and-effect question. The cause is a change in habitat. A habitat is the place where an animal lives and finds food. You need the biggest effect it had “over time.” So follow the whole chain of events to its end.

  2. Find the cause in paragraph 4

    Paragraph 4 says, “Many years ago, loss of habitat and food sources forced some mainland wolves out to the islands.” There, “They learned to eat everything from kelp and fish eggs to the remains of sea creatures that washed up on the beach.” Kelp is a kind of seaweed.

  3. Follow the chain to its end

    Next, the two groups “became more isolated and rarely mated with each other.” Isolated means cut off. Then, “Over time the two types of wolves became more distinct.” Distinct means clearly different. Darimont thinks the change in habitat “led to the eventual genetic differences.” Genetic means in the DNA, passed from parents to young. So the chain ends with the two groups becoming different in their DNA.

  4. Check each choice

    • A is wrong. Lost food sent wolves to the islands. The passage never says they learned tricks to catch scarce, or hard-to-find, prey.
    • B is wrong. The passage never mentions packs or territories.
    • C is right. Some wolves changed how they live, then grew apart in their DNA. One caution: C says “species.” The passage is more careful. It speaks of “two versions of the species.”
    • D is wrong. Only the island wolves changed their diet. They did not find new food nearby. Lost food forced them to move.

    Watch out: D names a real effect, a new diet. But that is only an early step, and D gives the wrong reason for it.

  5. Choose the answer

    The biggest effect over time was that the island wolves grew different in their DNA from the mainland wolves. So the answer is C, “It caused some of the wolves to gradually become a new, genetically distinct species as they adapted behaviorally.”

Why this answer and not the closest wrong one

D is the closest wrong answer, because the diet really did change. But D says new food “became available in the area.” The passage says the opposite: lost food forced some wolves out to the islands. A new diet is also only an early step. C follows the chain all the way to the change in their DNA.

The original DOE question
Question 20 as shown on the DOE’s digital test, page 30 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test D English, page 30, question 20. This is the DOE’s version, before the corrections listed in the analysis.

Question 16 of 51

2026 Practice Test D English, question 40
Passage Martial Arts for the Mind and Body

Martial Arts for the Mind and Body

(1) The martial arts blend a series of physical movements with strategic mental discipline so that practitioners can defend themselves, physically defeat an opponent, or both. (2) Historians are unsure of exactly when and where martial arts were first used. (3) Martial arts have been practiced by several different societies for many centuries. (4) Martial arts such as karate, kung fu, tae kwon do, and judo are still taught and practiced as methods of self-defense, but they offer students more than that. (5) The study of martial arts can provide students with a way to enhance their mental discipline as well as their physical fitness.

(6) Discipline, focus, and respect are important qualities for everyone to have. (7) However, for most people these qualities are not innate; they must be learned and practiced. (8) The study of martial arts can provide an opportunity to develop these skills. (9) Students are rewarded for their dedication by passing tests and advancing to higher ranks or levels. (10) For example, in a typical tae kwon do class, students learn discipline by diligently practicing moves, improve focus by listening carefully, and demonstrate respect by bowing to the instructor and following directions.

(11) For teenagers, martial arts classes provide a safe and structured environment for gaining physical skills, building confidence, and enjoying a sense of community. (12) A lot of teens go through hard situations as they try to do well in school and in life. (13) A martial arts class can provide teens with a physical outlet for stress while also challenging them mentally. (14) Participating in a martial arts program also helps children and teens focus on self-improvement rather than on competition. (15) Progressing through levels of achievement involves mastering more physically demanding techniques. (16) It requires students to take responsibility and be accountable for achieving set goals. (17) Students gain confidence and experience companionship with other students who are progressing through the ranks.

(18) Adults who practice martial arts can experience many of the same benefits that younger people do, but perhaps the greatest of these is health and fitness. (19) Adult martial arts students often see changes in their body within weeks of beginning a program.

(20) For people interested in studying a martial art, there are many ways to learn and practice. (21) In addition to private studios, community recreation centers often offer low-cost or free martial arts classes. (22) There are even online videos that introduce students to the basic concepts. (23) People should study martial arts.

Question

Which concluding sentence should replace sentence 23 to best support the topic presented in the passage?

  • AWith so many ways to begin studying martial arts, people can easily discover how the skills needed to progress in rank may help them in life.
  • BBy taking advantage of opportunities to practice martial arts, people can experience the satisfaction of achieving goals while also improving themselves.
  • CBecause people are eager to reap the mental and physical benefits of studying martial arts, enrollment in martial arts courses has increased.
  • DWhile taking martial arts classes can improve health for both young people and adults, the effects are clearly more immediate for adults.
Show the answer

Correct answer: B

The question asks for the concluding sentence that best replaces sentence 23 and supports the topic presented in the passage.

A. Incorrect. The phrase “the skills needed to progress in rank” is vague, and progressing in rank is not related to the overall topic of the passage, which is the benefits of studying martial arts. The topic of the passage is not the “many ways to begin studying martial arts” or how “people can easily discover” the benefits of martial arts.

B. CORRECT. This option is correct because it best supports the topic of the passage—the benefits of studying martial arts—by stating two reasons why people should study martial arts: to “experience the satisfaction of achieving goals while also improving themselves.”

C. Incorrect. Some readers may choose this option because it refers to the benefits of martial arts, but the word “because” and the detail that “enrollment in martial arts courses has increased” make this sentence unrelated to the overall topic of the passage, which is about the benefits of studying martial arts, not the number of people who participate.

D. Incorrect. Although the benefits of studying martial arts are described for both teens (in the third paragraph) and adults (in the fourth paragraph), the topic of the passage is the overall benefits of studying martial arts, which include mental discipline (discussed in the first, second, and third paragraphs) in addition to health benefits. Furthermore, the passage does not compare the health effects of studying martial arts across age groups.

Question analysis

This conclusion question asks which sentence should replace sentence 23, the bare closing line “People should study martial arts,” to best support the topic of the passage. Students must keep all five paragraphs in view, from mental discipline to fitness to ways of getting started, because every choice sounds like a reasonable final line when read on its own.

NYS standards
  • 7W2e concluding informative writing
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 writers choose conclusions that follow from a passage’s topic. This passage covers mental and physical benefits for different ages, and each long choice picks up a real thread, so judging the best fit takes more than typical grade 7 work.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from the whole text
Reading level
Passage: about grade 11, 402 words; question and choices: about grade 12, 106 words.
Corrected from the DOE handbook
  • The DOE printed this question’s explanation after a different question; the site matches the question with its own explanation.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Every ending borrows something real from the passage: ways to begin, ranks, mental and physical benefits, or adults’ quick results. The work is deciding what the whole passage is about, the benefits of martial arts for mind and body, and then noticing which ending adds a new claim or shrinks the topic. The rank-based ending is hardest to reject because it is shaped like the key and promises help “in life,” but its focus is how easily people discover rank skills.

  1. A very close wrong answer moderate Choosing the answer

    The rank choice is built like the key, a phrase about ways or chances to train followed by what people gain; it differs in resting on the vague “skills needed to progress in rank.” (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. Evidence in several places moderate Working it out

    The topic is pieced together from all five paragraphs, from the opening’s mind-and-body claim through teens, adults’ fitness and ways to learn, so a fitting ending must cover both kinds of benefit. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  3. A lot to read minor Understanding the question

    Each choice is a two-part sentence of 21 to 26 words, and each picks up a real thread of the passage, so all four must be held against the topic. (Kintsch, 1998; Gorin & Embretson, 2006; Freedle & Kostin, 1993)

Strategy: State the passage’s topic in a few words using all five paragraphs, then test each ending: does it sum up that topic, or does it narrow it or add a new claim?

Traps

  • Off the point: Adds or keeps something that does not support the paragraph's or the passage's focus, or an introduction or conclusion that misses the main point.
  • Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: In the DOE’s explanations appendix, the explanation printed after this question belongs to question 39 (“the sentence that would best follow and support sentence 18”) and marks C correct, and this question’s explanation (“the concluding sentence that best replaces sentence 23 and supports the topic presented in the passage”) is printed after question 39, marking B correct. Read page by page, the appendix gives this question the answer C. The site gives the question the explanation that restates it, and the answer follows that explanation: B, because it sums up the passage’s topic, the benefits of studying martial arts.

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks for a better last sentence. A good concluding sentence sums up the topic of the whole passage. Sentence 23, “People should study martial arts,” is short and plain. It doesn’t remind the reader why.

  2. Find the passage’s topic

    Sentence 5 states the topic. Martial arts can help students “enhance their mental discipline as well as their physical fitness.” Enhance means improve. Paragraph 2 covers discipline, focus and respect. Paragraph 3 covers teens and goals. Paragraph 4 covers adults and fitness. Paragraph 5 lists ways to start. So the topic is how martial arts help both mind and body.

  3. Name the rule

    A conclusion should sum up the main point. It should not shrink the point or add a brand-new claim. For example, after a report on why sleep matters, a good ending is Getting enough sleep helps both your body and your mind. A poor one is More people buy pillows now.

  4. Check each choice

    • A is wrong. It rests on vague “skills needed to progress in rank,” one small part of the passage.
    • B is right. “Opportunities to practice” follows paragraph 5. “Achieving goals” and “improving themselves” sum up the benefits.
    • C is wrong. Enrollment is the number of people who sign up. The passage never says it has gone up.
    • D is wrong. The passage never says adults see results sooner than young people. D also leaves out the benefits to the mind.

    Watch out: A is built like B and promises help “in life.” But it shrinks the topic to rank skills.

  5. Choose the answer

    B sums up what the whole passage says martial arts offer. So the answer is B, “By taking advantage of opportunities to practice martial arts, people can experience the satisfaction of achieving goals while also improving themselves.”

Why this answer and not the closest wrong one

A is the closest wrong answer. Like B, it starts with ways to begin and ends with what people gain. But its gain is vague “skills needed to progress in rank.” That is only one thread of the passage. B sums up the whole topic: reaching goals and improving yourself.

The original DOE question
Question 40 as shown on the DOE’s digital test, page 58 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test D English, page 58, question 40. This is the DOE’s version, before the corrections listed in the analysis.
The passage “Martial Arts for the Mind and Body” as printed (page 52)The passage “Martial Arts for the Mind and Body” as printed on page 52 of the DOE handbook.

Question 17 of 51

2025 Practice Test A English, question 11
Passage Excerpt from “Scribe Like an Egyptian”

Excerpt from “Scribe Like an Egyptian”

by Hilary Wilson

In ancient Egypt, literacy was the key to success. However, contrary to popular belief, not all Egyptian scribes understood hieroglyphs. Many relied instead on the simpler hieratic script for the multitude of everyday documents generated by the Egyptian bureaucracy.

Hieroglyphs—“the Words of God”—compose a writing system with more than 1,000 distinct characters, the meanings of which were lost for 1,500 years before they were deciphered by Jean-François Champollion in 1822. Including both ideograms (which convey a whole word or idea, either concrete or abstract, in a single sign) and phonograms (representing either an alphabetic sound or a group of consonants), [the writing system] was used in formal inscriptions on tomb and temple walls as well as on elaborate funerary papyri. For everyday purposes, however, scribes used a shorthand version of the hieroglyphic script known as hieratic, which was quicker to write and more economical of space. The two writings existed side by side for at least 2,500 years.

Scraps of ancient hieratic writing, mostly penned by student scribes on limestone flakes called ostraca, suggest that no matter how humble his origins, an educated Egyptian could achieve almost anything. Horemheb (d.1292 B.C.) is a good example. Born of middle-ranking parents, his scribal training led to an army career. From Scribe of Recruits, during the reign of Akhenaten (1353–1336 B.C.), Horemheb rose through the military ranks and, by the rule of Tutankhamun (1332–1323 B.C.), he was commander in chief of the Egyptian forces. As a close adviser of the young Pharaoh, Horemheb was appointed “Deputy of the King throughout the Two Lands,” and might have expected to succeed to the throne should the king die childless. He had to wait a few years, but eventually Horemheb achieved the pinnacle of his career by becoming the last king of the 18th Dynasty, making his mark by instituting dramatic reforms to the organisation of the army, the judiciary and administration in general. The lasting success of these changes owed much to his scribal background. . . .

But education was not available to all. Government departments and major temples supported schools, where boys commenced their training at six or seven, sometimes earlier. To these boarding establishments . . . family or household servants delivered the students’ food and drink rations daily for several years, during which time the student was not contributing to the family’s income. Boys from poorer families could only hope to be educated with support from a wealthier relative or patron, or through apprenticeship to an older scribe, perhaps the local clerk or land agent, who would teach them the basics of the scribe’s craft. This limited the scope for employment but such “on the job” training allowed apprentices to help out at home while learning. . . .

Scribal education began with the elementary principles of the hieratic script. The lowliest scribes, who trained for just five or six years, probably learned only the rudiments of the hieroglyphic script. Students were set exemplar documents and extracts from popular texts to copy, to practice their hieratic handwriting on basic-format letters, reports and contracts, while absorbing the good advice contained in the texts. Surviving examples of copy-work sometimes include tutors’ corrections added in red. Some significant Egyptian literary works survive almost exclusively from student copies.

A schoolboy “dictionary” of hieroglyphs with their hieratic equivalents shows that a knowledge of more than 450 signs was required for everyday writing purposes. Lessons in record-keeping and filing and labelling enabled any half-competent scribe to perform that most essential of all scribal functions: the making and updating of lists. For professions such as those of government official, priest or lawyer, a scribe would train for several more years, increasing his vocabulary to perhaps a thousand or more signs. Those with the best handwriting or drawing skills might follow the craft of creating beautifully illustrated copies of funerary texts, commonly called Books of the Dead. Others could become draughtsmen, artists or architects. Doctors compiled their own collections of medication recipes, treatments and associated incantations, many copied from texts found in the House of Life, the temple library. Lawyers had to be familiar with the corpus of civil and religious laws and precedents found in the official records, which were administered by archivists. Egypt’s bureaucratic society depended on the skills of an army of scribes of all ranks from filing clerk to tax assessor. For young Egyptians, “be a scribe” was the best of career advice.

From “Scribe Like an Egyptian” by Hilary Wilson from HISTORY TODAY, August 8, 2019. Copyright © 2019 by History Today Ltd. Company.

A pyramid diagram titled “ANCIENT EGYPTIAN SOCIAL CLASS STRUCTURE,” divided into five horizontal levels, each with a small drawing of figures in ancient Egyptian style and a labeled box. From top to bottom the levels are labeled: Pharaoh (a single standing figure); Nobility and priests (a kneeling figure and a standing figure); Traders, shopkeepers, scribes, and artisans (two seated figures working); Animal herders and farmers (a man standing beside a group of cattle); and Unskilled workers (three figures bending forward).

bureaucracy: an administrative staff of government officials
funerary papyri: a sheet or scroll of papyrus containing religious images and hieroglyphs meant to help the deceased be reborn in the afterlife
rudiments: basics
schoolboy: slang that refers to materials used during the course of receiving an education
draughtsmen: people who draw plans of machinery or structures
corpus: a collection of writings

Question

Which statement summarizes the process that schools used to train scribes?

  • ABoys had to memorize around 450 hieratic signs. Once they had learned these, they were expected to copy literary texts that contained valuable lessons.
  • BBoys spent at least five years learning hieratic signs, which they practiced by copying texts. During this period, they were also introduced to basic hieroglyphs.
  • CBoys spent five or six years learning the basics of hieratic script. After this period, they could become apprentices and begin learning hieroglyphics.
  • DBoys were taught two different scripts. They practiced both types by copying lists and eventually progressed to writing letters, reports, and contracts.
Show the answer

Correct answer: B

The question asks for the best summary of the process that schools used to train scribes.

A. Incorrect. This summary incorrectly explains that scribes were expected to learn 450 hieratic signs instead of 450 hieroglyphs along with their hieratic versions as explained in paragraph 6. In paragraph 5, the author explains that scribes copied texts as part of the process of learning the scripts rather than as practice after the signs had already been memorized.

B. CORRECT. Paragraph 5 explains that students began by learning hieratic script and studied for about five or six years by using “exemplar documents and extracts from popular texts to copy, to practice their hieratic handwriting.” The paragraph also explains that during this time, they learned only the basics of hieroglyphic script.

C. Incorrect. Although paragraph 5 does explain that the scribes spent five or six years learning hieratic script, it does not suggest that hieroglyphs were learned only during apprenticeships.

D. Incorrect. This summary correctly explains that scribes learned two types of scripts, but the second sentence of the summary is incorrect. In paragraph 5, the author explains that the students copied from exemplar texts, but the author clearly states that the purpose of this copy work was “to practice their hieratic handwriting” and does not suggest that the copy work was used to practice hieroglyphs. Paragraph 6 explains that scribes could make lists as part of their professional skills but does not suggest that copy work was used to help them learn this task. Paragraph 5 mentions letters, reports, and contracts as the formats students practiced on while copying, not as a later stage of their training.

Question analysis

This summary question on “Scribe Like an Egyptian” asks which statement sums up how ancient Egyptian schools trained young scribes. Each choice is a two-sentence summary that combines years of study, kinds of script and copying practice, so students must check every detail against what the article says about scribal education.

NYS standards
  • 7R2 theme or central idea
  • 7R3 plot elements and ideas
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Summarizing a process is a grade 7 standard, but these four summaries are long, two-part and mostly accurate, and the details they mix up come from three different paragraphs, so judging them asks more than typical grade 7 work.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 12, 810 words; question and choices: about grade 7, 104 words.
Corrected from the DOE handbook
  • A detail in the explanation that misdescribes the excerpt was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Every wrong summary opens with something true or nearly true, so a quick reading of first sentences cannot separate them. Most of the errors concern order: one makes copying follow memorizing, one turns apprenticeship into a later stage where hieroglyphs begin, and one makes the copied letters, reports and contracts a later step. Students who check the order of training against paragraph 5, not just the facts, find the only summary with nothing out of place.

  1. A very close wrong answer moderate Choosing the answer

    The apprenticeship summary repeats the right one’s opening, years of hieratic study, and parts from it on one phrase: hieroglyphs come “After this period” instead of “During this period.” (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. Evidence in several places moderate Working it out

    The details sit in three paragraphs: the five or six years, the copying and the hieroglyph basics in paragraph 5, apprenticeship in paragraph 4, and the 450-sign dictionary and list-making in paragraph 6. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  3. The right answer is reworded minor Choosing the answer

    The right summary puts the text in new words, “at least five years” and “basic hieroglyphs,” while wrong ones repeat its own details: “five or six years,” the “450” signs, “letters, reports, and contracts.” (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)

Strategy: Note what the article says students learned, for how long and by what method, then check both sentences of each summary against those notes; one wrong detail rules a summary out.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: The DOE’s explanation of Option D ends: “Paragraph 6 explains that scribes could make lists and write letters as part of their professional skills but does not suggest that copy work was used to help them learn these tasks.” Paragraph 6 mentions the making and updating of lists, but not letters. Letters come up in paragraph 5, where students copy texts “to practice their hieratic handwriting” on basic-format letters, reports and contracts, so the excerpt does tie the copy work to letters. The site now says that paragraph 6 explains that scribes could make lists as part of their professional skills but does not suggest that copy work was used to help them learn this task, and that paragraph 5 mentions letters, reports, and contracts as the formats students practiced on while copying, not as a later stage of their training. Option D is still wrong, and the answer, B, is unchanged.

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks for the best summary of how schools trained scribes. A summary retells the main steps in a few words. Each choice has two sentences. Both must match the article, including the order of the steps. One wrong detail rules a choice out.

  2. Find the training in paragraph 5

    Paragraph 5 says training began with the basics of hieratic script. The lowest scribes studied for five or six years, and others studied longer. In that time they learned only the basics of hieroglyphs. Students were given “exemplar documents and extracts from popular texts to copy, to practice their hieratic handwriting.” Exemplar means model. Extracts are short pieces. So they learned by copying good examples.

  3. Sort out paragraphs 4 and 6

    Two other paragraphs hold details that look alike. Paragraph 4 describes apprenticeship. An apprentice learns on the job from a skilled worker. It was another way in for boys from poorer families, not a step after school. Paragraph 6 mentions a list of hieroglyphs with their hieratic forms. It says more than 450 signs were needed for everyday writing. It never says students memorized them before copying.

  4. Check each choice

    • A does not fit. The 450 signs were hieroglyphs paired with their hieratic forms. And copying was how students learned, not a step after memorizing.
    • B fits. Students spent at least five years on hieratic, practiced by copying, and learned basic hieroglyphs along the way.
    • C does not fit. Apprenticeship was a different route, not a later stage. Hieroglyphs were not saved for apprentices.
    • D does not fit. The copying was to practice hieratic. Lists come up in paragraph 6 as a job skill, not as practice. Letters, reports and contracts were what students copied, not a later stage.
  5. Choose the answer

    Watch out: C starts out right, with five or six years of hieratic. Then it says hieroglyphs came “After this period” instead of during it. That one change makes it wrong.

    Only B gets every detail and the order right. So the answer is B.

Why this answer and not the closest wrong one

C is the closest wrong choice. It gets the five or six years of hieratic right. But it says hieroglyphs came afterward, through apprenticeship. Paragraph 5 says students learned the basics of hieroglyphs during their schooling. Apprenticeship was a separate path for poorer boys. B says “During this period,” which matches.

The original DOE question
Question 11 as shown on the screen of the DOE’s digital test.
As shown on the screen of the DOE’s digital test: 2025 Practice Test A English, question 11. This is the DOE’s version, before the corrections listed in the analysis.
The passage “Excerpt from “Scribe Like an Egyptian”” as shown on the testThe passage “Excerpt from “Scribe Like an Egyptian”” as shown on the DOE’s digital test, screen 1 of 6.The passage “Excerpt from “Scribe Like an Egyptian”” as shown on the DOE’s digital test, screen 2 of 6.The passage “Excerpt from “Scribe Like an Egyptian”” as shown on the DOE’s digital test, screen 3 of 6.The passage “Excerpt from “Scribe Like an Egyptian”” as shown on the DOE’s digital test, screen 4 of 6.The passage “Excerpt from “Scribe Like an Egyptian”” as shown on the DOE’s digital test, screen 5 of 6.The passage “Excerpt from “Scribe Like an Egyptian”” as shown on the DOE’s digital test, screen 6 of 6.

Question 18 of 51

2025 Practice Test A English, question 19
Passage Excerpt from Winter Wheat

Excerpt from Winter Wheat

by Mildred Walker

Ellen, the narrator, is preparing to leave her parents and the family farm for college the next day.

I love Dad’s way of talking that makes him seem different from other ranchers. He’s lived here twenty-three years, but he still says “back East where I come from.” He’s the one who gets excited when I do about spring coming or a serial running in the magazine we’re both reading, but it’s what Mom says that I depend on. When Mom used to say “Don’t worry” about my pet chicken or dog or new calf, it always got well. Dad is always talking of going some place, not now, but next year, maybe. Mom seems to think of nothing farther away than today or perhaps yesterday or tomorrow morning.

Mom folded the ironing board and put it inside their bedroom that was just off the kitchen. She carried in the freshly ironed clothes. Dad went back to his paper. When Mom came back she took beans from the cupboard to soak for tomorrow. Dad always said Mom could make all the dishes he’d had back in Vermont as well as though she were a New Englander herself, instead of a Russian. All of a sudden, I realized that tomorrow when those beans would be ready to eat I’d be going away. It gave me a funny feeling.

“I’ll be taking the train tomorrow night,” I said aloud, more to hear it myself.

“We can drive you into town in the afternoon,” Dad said, dropping his paper on the floor.

“There’s no need to go to town; she can catch the train at Gotham just as well. We haven’t nothing to take us into town for,” Mom said.

“Well, we don’t have to decide tonight,” Dad said, but I knew he wanted to go into Clark City. It wouldn’t be so flat as just seeing me go off on the train from Gotham. My going away was hard on both of them; they were so different—and I was part of them both. It made me uncomfortable to think of leaving them.

While I was getting ready for bed in my room that’s off the front room, I saw how it would be if I left from town. We’d go in right after dinner and go around to the stores, Dad going one way and Mom and I another. Dad would probably have his hair cut at the barbershop and stop in the bank and meet someone he knew to talk to. Then we’d meet at the big store on the corner and go to the cafeteria for supper. The train stops ten minutes or so at the station in town and there are other people and excitement and you have time to wave from the platform and then again from your window by your seat. We went to the station in Clark City to see the Goodals off when they went back to Iowa.

If I left from Gotham, we’d just drive down in the truck and wait till the train came. It only stops long enough for you to get on and you hardly have time to taste the flavor of going away.

I sat on the bed in my pyjamas with my arms around my knees. I couldn’t keep from thinking of that time Dad went back East. I tried to, and then I just sat still and looked straight at it. Sometimes that’s better than working so hard to keep from looking at what’s in your mind.

Dad went all the way back to Vermont. . . . It was in November and it was already dark when the train came through Gotham. Even now, I could feel how cold and dark it was. I held Mom’s hand. Dad was so dressed-up he seemed strange. . . . We stood there without saying anything until Dad told Mom to remember to call Mr. Bardich, our neighbor, if the cow didn’t calve tomorrow.

“I’ll manage,” Mom snapped back.

“I wish you could go, Anna,” Dad said to Mom, “and we could take Ellen.” . . .

“Good-by, Anna Petrovna,” he said, looking at Mom. I had never heard him call her by two names before.

“Good-by,” Mom said, standing still, without smiling.

Then he was gone and the crossroads were darker than ever. The train light shone on the high window in the top of the grain elevator for a moment and then that too was dark. We got into our old Ford and Mom drove back to the house. My throat ached all the way. The name Dad had called Mom kept saying itself in my ears: “Anna Petrovna, Anna Petrovna.” . . .

Our house seemed lonely when we came back to it. It seemed to be hiding under the coulee. I went with Mom to put the truck in the barn that was bigger than the house. I think Mom was prouder of our barn than the house, anyway. We walked back to look at the cow that was going to calve. She was just a big light blob in the dark, waiting. I had thought she was exciting this morning, but now she seemed sad, too.

The wind blew when we walked across the open space to the house and I couldn’t help shivering with the cold. Inside the house it was warm, but empty.

“Bring your nightgown in here and I heat you some milk,” Mom said.

I drank the milk sitting on a stool in front of the stove. It tasted good, but the lonely ache in my throat was still there. I picked up my clothes and hung them neatly behind the stove and put my cup on the sink board. Mom was fixing oatmeal for tomorrow morning.

“Good night, Mom,” I said almost timidly, standing beside her. She seemed wrapped around in a kind of strangeness. Then she turned around and drew me to her. The front of her dress was warm from the stove. I felt the comfortable heat through my gown. She laid her hand against my face and it felt rough and hard but firm. I dared ask her something I wanted to know.

“Mom, was that really your name—what Dad called you?”

Her voice sounded surprised. “Why, Yeléna, you know that; Anna Petrovna. You know I am born in Russia, in Seletskoe.”

“Yes, but I didn’t know your other name,” I said.

“Anna Petrovna Webb.” She pronounced it slowly. “Once I think what a funny name Ben Webb is!” She laughed. Her laugh was warm and low like our kitchen, and comfortable. The house seemed natural and right again. . . .

But now that I am grown, I feel the wall of strangeness between them, more than when I was a child. I wondered how they would get along without me.

From WINTER WHEAT by Mildred Walker, published by University of Nebraska Press. Copyright © 1944 by Harcourt, Brace and Company, Inc. Copyright renewed 1971 by Mildred Walker. All rights reserved.

serial: story published in short segments at regular intervals
coulee: small gulch or ravine

Question

Read this sentence from paragraph 9.

I tried to, and then I just sat still and looked straight at it.

How does the phrase “looked straight at it” contribute to the meaning of the excerpt?

  • AIt shows that Ellen is willing to deal with a problem directly instead of ignoring it.
  • BIt suggests that Ellen studies all parts of an issue and not just its surface.
  • CIt illustrates that Ellen examines both sides of an argument.
  • DIt implies that Ellen is eager to seek wisdom from past experiences.
Show the answer

Correct answer: A

The question asks how the phrase “looked straight at it” in paragraph 9 contributes to the meaning of the excerpt.

A. CORRECT. The phrase shows Ellen deciding to directly confront the memory even though she initially wanted to ignore it (“I couldn’t keep from thinking of that time Dad went back East. I tried to” [paragraph 9]). Though the memory is emotionally fraught for Ellen, the phrase “looked straight at it” shows that she is willing to face problems—such as a painful family memory—head-on.

B. Incorrect. The phrase in paragraph 9 does not show Ellen studying all parts of an issue but rather forcing herself to focus on something she would have preferred not to think about.

C. Incorrect. In looking “straight at” the memory, Ellen is not considering both sides of an argument. Instead, she is making herself think about an uncomfortable memory that she had been trying to avoid revisiting. The phrase indicates that she is finally willing to directly confront an unsettling recollection.

D. Incorrect. Given the detail in paragraph 9 that Ellen initially attempted to keep from thinking about her father’s trip to Vermont, the phrase “looked straight at it” indicates a willingness, but not an eagerness, to seek wisdom from reflecting on past experiences.

Question analysis

This word-meaning question quotes a sentence from paragraph 9 of the Winter Wheat excerpt, where Ellen sits on her bed the night before she leaves home, and asks how the phrase “looked straight at it” contributes to the excerpt’s meaning. Students must work out what “it” refers to and read the phrase figuratively, using the sentences around it.

NYS standards
  • 7R4 word meaning and choice
  • 7L5a interpreting allusions
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Interpreting a figurative phrase in context is routine grade 7 work. The phrase is short and quoted with its sentence, but its meaning depends on the sentence before it, so students cannot judge it from the quotation alone.
Estimated difficulty
Straightforward: two steps or one careful reading.
Evidence
Answered from one paragraph or stanza
Reading level
Passage: about grade 4, 1179 words; question and choices: about grade 6, 87 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Once “it” is traced to the memory of Dad’s leaving, the phrase reads naturally as facing something hard, and the sentence that follows it in paragraph 9 says as much. The wrong choices make the act more intellectual than it is, studying every part or weighing two sides, or make Ellen eager when she has just tried not to think about it. Students who read the phrase only by itself are likeliest to slip.

  1. Figurative or literary language moderate Understanding the question

    Nothing is literally looked at: “it” is a memory, so “looked straight at it” means facing the painful thought of Dad’s trip back East instead of pushing it away. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. Reading between the lines minor Working it out

    What “it” refers to, and what “I tried to” leaves out, both sit in the sentence before, “I couldn’t keep from thinking of that time Dad went back East.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

Strategy: Reread the sentence before the quoted one to find what “it” is, picture what looking straight at that would mean, and test each choice against the whole of paragraph 9.

Traps

  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
  • Half right: One half of a two-part choice is right and the other is not.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks what the phrase “looked straight at it” adds to the meaning of the excerpt. First you need to know what “it” is. Then picture what looking straight at that thing would mean.

  2. Find what “it” means

    Paragraph 9 says “I couldn’t keep from thinking of that time Dad went back East. I tried to.” So “it” is a memory of the night Dad left on a trip. “I tried to” means Ellen tried not to think about it. The memory is painful, so she tried to push it away.

  3. Picture the phrase

    Ellen can’t look at a memory with her eyes. So “looked straight at it” is a figure of speech, words that mean more than they literally say. It means she stopped running from the memory and faced it. The next sentence in paragraph 9 agrees. It says facing a thought is sometimes better than working hard to avoid it.

  4. Check each choice

    • A fits. Ellen faces a hard memory instead of ignoring it.
    • B does not fit. She is not studying every part of an issue. She is making herself think about one painful memory.
    • C does not fit. No one is arguing, so there are no two sides to weigh.
    • D does not fit. Ellen first tried hard not to think about the memory, so she isn’t eager.

    Watch out: D is half right, since Ellen does turn to the past. But eager means wanting to do something, and at first she didn’t want to.

  5. Choose the answer

    The phrase shows Ellen choosing to face a painful memory head-on. So the answer is A.

Why this answer and not the closest wrong one

D is the closest wrong choice, because Ellen does think about a past experience. But paragraph 9 says she first tried to keep from thinking about it. Only then did she sit still and face it. She is willing, not eager. That makes A the better fit: she deals with the problem directly.

The original DOE question
Question 19 as shown on the screen of the DOE’s digital test.
As shown on the screen of the DOE’s digital test: 2025 Practice Test A English, question 19.
The passage “Excerpt from Winter Wheat” as shown on the testThe passage “Excerpt from Winter Wheat” as shown on the DOE’s digital test, screen 1 of 7.The passage “Excerpt from Winter Wheat” as shown on the DOE’s digital test, screen 2 of 7.The passage “Excerpt from Winter Wheat” as shown on the DOE’s digital test, screen 3 of 7.The passage “Excerpt from Winter Wheat” as shown on the DOE’s digital test, screen 4 of 7.The passage “Excerpt from Winter Wheat” as shown on the DOE’s digital test, screen 5 of 7.The passage “Excerpt from Winter Wheat” as shown on the DOE’s digital test, screen 6 of 7.The passage “Excerpt from Winter Wheat” as shown on the DOE’s digital test, screen 7 of 7.

Question 19 of 51

2024 Test A English, question 1

Question

Read this sentence.

The engineers tried some other things in the hope of finding a more effective insulation for the compartment.

What is the most precise revision for the words The engineers tried some other things?

  • AThe engineers did experiments with several new materials
  • BThe engineers tested foam and fiberglass
  • CThe engineers examined two new materials
  • DThe engineers worked with foam and fiberglass
Show the answer

Correct answer: B

The question asks for the most precise revision for the words “The engineers tried some other things.”

A. Incorrect. This revision uses the word “materials” rather than precisely identifying what the engineers used.

B. CORRECT. This option revises the words to be more precise by using the specific words “tested” for the verb and “foam and fiberglass” for the materials.

C. Incorrect. This revision uses the word “examined” rather than a word indicating a process of experimental trial and error. The sentence also uses the word “materials” rather than precisely identifying what the engineers used.

D. Incorrect. This revision identifies the materials, but the imprecise verb “worked with” does not specify what the engineers were doing.

Question analysis

This revising question gives one sentence about engineers looking for better insulation for a compartment and asks which rewrite of its vague opening words is the most precise. The tricky part is that some choices sharpen one half of the phrase while leaving the other half as loose as the original.

NYS standards
  • 7L3a precise and concise language
Grade level
Grade 7 reading and task
Compared with grade 7
Below grade 7 Choosing precise wording is a grade 7 language standard, but this item is a single sentence about an engineering test with everyday words. Typical grade 7 revision asks for the same judgment across a paragraph or a full draft.
Estimated difficulty
Straightforward: two steps or one careful reading.
Evidence
Answered from one sentence or line
Reading level
Question and choices: about grade 7, 63 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Precision here has two halves: a verb that names the actual activity and an object that names the actual materials. Most students who miss it stop at the first concrete detail they see, the named materials or the count of two, and never test the verb. Only one rewrite names both an exact action and the exact materials; each of the others leaves one half, or both, nearly as loose as the original.

  1. A very close wrong answer moderate Choosing the answer

    The rewrite with “worked with foam and fiberglass” matches the right one word for word except the verb, so only asking whether “worked with” says what the engineers did separates them. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. Every choice must be checked minor Choosing the answer

    The vague words have two parts, the action “tried” and the object “some other things,” and each rewrite sharpens a different part, so every one must be tested for both. (Embretson & Wetzel, 1987)

Strategy: Split the underlined words into the action and the things acted on, then ask of each revision whether a reader would know exactly what the engineers did and with what.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Wordy, vague or informal: A revision is grammatical but wordy, imprecise or too casual for the passage.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This question is about precise language. Precise means exact and clear. The words “The engineers tried some other things” are vague. You can’t tell what the engineers did. You also can’t tell what they used. You need the rewrite that tells both.

  2. Learn what makes words precise

    Precise writing names the exact action and the exact thing. Vague: She did stuff with food. Precise: She baked bread.

    The underlined words have two vague parts. The verb (the action word) is “tried.” The things are “some other things.” A good rewrite must fix both parts.

  3. Think about what the sentence needs

    The engineers want “a more effective insulation.” Insulation is material that keeps heat or cold from getting through. To find the best one, they would try out real materials and see how well each works. So the best verb says they tested. The best object names the materials.

  4. Check each choice

    • A is wrong. “Did experiments with” is wordy, and “several new materials” still doesn’t say which ones.
    • B is right. “Tested” names the exact action. “Foam and fiberglass” names the exact materials.
    • C is wrong. “Two new materials” gives a number but no names. “Examined” means looked over, not tried out.
    • D is wrong. It names foam and fiberglass. But “worked with” is as vague as “tried.”

    Watch out: D is tempting because it names the materials. Always check the verb too.

  5. Choose the answer

    Only B fixes both vague parts. The reader learns what the engineers did and what they used. So the answer is B: The engineers tested foam and fiberglass.

Why this answer and not the closest wrong one

D is the closest wrong answer. It matches B word for word except for the verb. “Worked with” could mean cut, built or studied. “Tested” tells you the engineers tried each material to see how well it insulates. That is what the sentence is about, so B is more precise.

The original DOE question
Question 1 as printed on page 36 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 36, question 1. Open page 36 of the handbook (PDF)

Question 20 of 51

2024 Test A English, question 11
Passage Excerpt from “Impressions of an Indian Childhood”

Excerpt from “Impressions of an Indian Childhood”

by Zitkala-Sa

Zitkala-Sa (Gertrude Simmons Bonnin) was a Native American writer, musician, teacher, and political activist who was raised on the Yankton Sioux Reservation in South Dakota. In 1900 she published “Impressions of an Indian Childhood” (the term Indian was commonly used at the time to refer to Native American people) to expose readers to what life is like on a reservation.

Soon after breakfast Mother sometimes began her beadwork. On a bright, clear day, she pulled out the wooden pegs that pinned the skirt of our wigwam1 to the ground, and rolled the canvas part way up on its frame of slender poles. Then the cool morning breezes swept freely through our dwelling, now and then wafting the perfume of sweet grasses from newly burnt prairie.

Untying the long tasseled strings that bound a small brown buckskin2 bag, my mother spread upon a mat beside her bunches of colored beads, just as an artist arranges the paints upon his palette. On a lapboard she smoothed out a double sheet of soft white buckskin; and drawing from a beaded case that hung on the left of her wide belt a long, narrow blade, she trimmed the buckskin into shape. Often she worked upon small moccasins for her small daughter. Then I became intensely interested in her designing. With a proud, beaming face, I watched her work. In [my] imagination, I saw myself walking in a new pair of snugly fitting moccasins. I felt the envious eyes of my playmates upon the pretty red beads decorating my feet.

Close beside my mother I sat on a rug, with a scrap of buckskin in one hand and an awl in the other. This was the beginning of my practical observation lessons in the art of beadwork. From a skein3 of finely twisted threads of silvery sinews my mother pulled out a single one. With an awl she pierced the buckskin, and skillfully threaded it with the white sinew. Picking up the tiny beads one by one, she strung them with the point of her thread, always twisting it carefully after every stitch.

It took many trials before I learned how to knot my sinew thread on the point of my finger, as I saw her do. Then the next difficulty was in keeping my thread stiffly twisted, so that I could easily string my beads upon it. My mother required of me original designs for my lessons in beading. At first I frequently ensnared many a sunny hour into working a long design. Soon I learned from self-inflicted punishment to refrain from drawing complex patterns, for I had to finish whatever I began.

After some experience I usually drew easy and simple crosses and squares. These were some of the set forms. My original designs were not always symmetrical nor sufficiently characteristic, two faults with which my mother had little patience. The quietness of her oversight made me feel strongly responsible and dependent upon my own judgment. She treated me as a dignified little individual as long as I was on my good behavior; and how humiliated I was when some boldness of mine drew forth a rebuke from her!

In the choice of colors she left me to my own taste. I was pleased with an outline of yellow upon a background of dark blue, or a combination of red and myrtle-green. There was another of red with a bluish-gray that was more conventionally used. When I became a little familiar with designing and the various pleasing combinations of color, a harder lesson was given me. It was the sewing on, instead of beads, some tinted porcupine quills, moistened and flattened between the nails of the thumb and forefinger. My mother cut off the prickly ends and burned them at once in the centre fire. These sharp points were poisonous, and worked into the flesh wherever they lodged. For this reason, my mother said, I should not do much alone in quills until I was as tall as my cousin Warca-Ziwin.

Always after these confining lessons I was wild with surplus spirits, and found joyous relief in running loose in the open again. Many a summer afternoon a party of four or five of my playmates roamed over the hills with me. We each carried a light sharpened rod about four feet long, with which we pried up certain sweet roots. When we had eaten all the choice roots we chanced upon, we shouldered our rods and strayed off into patches of a stalky plant under whose yellow blossoms we found little crystal drops of gum. Drop by drop we gathered this nature’s rock-candy, until each of us could boast of a lump the size of a small bird’s egg. Soon satiated with its woody flavor, we tossed away our gum, to return again to the sweet roots.

From “Impressions of an Indian Childhood” by Zitkala-Sa—Public Domain

A BRIEF HISTORY OF BEADWORK IN SOUTH DAKOTA

DateEvent
1500sThe Dakota use beads made from bones, shells, stones, and animal teeth. European traders bring glass beads to North America.
Late 1600sThe Dakota begin trading with the French in Minnesota.
1830sThe Dakota begin using glass beads in clothing, artwork, and decorations in place of Native-made beads.
1862–1865The Dakota are expelled from their homelands in Minnesota as a result of the U.S.-Dakota War.
1900s–1920sThe Dakota create items to sell outside their community.

Source: MNopedia

1wigwam: hut with an arched framework of poles covered with bark, mats, or animal hides

2buckskin: leather made from the skin of a male deer

3skein: coiled length of yarn or other thread loosely wound on a reel

Question

The author’s use of sequence in paragraphs 1 and 2 contributes to the development of ideas in the excerpt by

  • Alisting the many steps that are involved in the process of beading in order to explain its difficulty and complexity.
  • Bconveying the importance of following the steps of the beading process in a precise order to work most efficiently.
  • Cemphasizing the time required to fully prepare for and execute the many large and small tasks in the activity of beading.
  • Ddetailing each step in preparation for beading in order to highlight the author’s enthusiasm for the work.
Show the answer

Correct answer: D

The question asks how the author’s use of sequence in paragraphs 1 and 2 contributes to the development of ideas in the excerpt.

A. Incorrect. In paragraph 2, the author does list the steps her mother takes in preparation to do beadwork, such as “untying the long tasseled strings” of the bag of beads, spreading the beads beside her on a mat, and using “a long, narrow blade” to trim the buckskin into shape. However, the language used to describe this sequence does not indicate that preparing to work with beads is difficult or complex.

B. Incorrect. Although the author’s description of untying the bag of beads, spreading the beads upon a mat, smoothing out a sheet of buckskin, and trimming the buckskin into shape in paragraph 2 indicates that the mother follows a certain routine, it does not place any emphasis on working most efficiently by following the steps of the beading process in a precise order.

C. Incorrect. In paragraph 2, the author describes her mother “untying the long tasseled strings that bound a small brown buckskin bag,” “spread[ing] upon a mat beside her bunches of colored beads,” “smooth[ing] out a double sheet of soft white buckskin; and drawing from a beaded case that hung on the left of her wide belt a long, narrow blade” to trim the buckskin. Although these descriptions do outline the steps in her process for creating beadwork, they do not emphasize the time required to do so, since the author does not mention in the excerpt how long it took her mother to fully prepare for and complete the large and small tasks in the activity of beading.

D. CORRECT. In paragraph 1, the author describes how the morning begins with her mother rolling up the canvas of the wigwam and allowing the breeze to come in. In paragraph 2, the author uses sensory language and precise sequencing to describe the way her mother prepares the beading materials by untying “the long tasseled strings that bound a small brown buckskin bag,” spreading the “bunches of colored beads” beside her, and smoothing out “a double sheet of soft white buckskin.” This combination of sequence and sensory language highlights the author’s enthusiasm for beadwork by emphasizing that the author pays close attention to her mother’s preparations.

Question analysis

This reading question asks how the step-by-step description of a mother preparing her beadwork, in the opening paragraphs of Zitkala-Sa's memoir, contributes to the excerpt's ideas. Every choice agrees that steps are listed, so students must judge which purpose the text actually supports and resist reasons that only sound likely for a craft.

NYS standards
  • 7R5 structure and genre features
  • 7R3 plot elements and ideas
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 structure questions usually ask what a paragraph adds to a topic. This one asks what an ordered description achieves, in dense 1900 prose where the purpose is never stated outright, which goes beyond typical grade 7 work.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 8, 946 words; question and choices: about grade 11, 95 words.
Corrected from the DOE handbook
  • A misquotation of the excerpt in the explanation was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

All four choices agree that the paragraphs lay out steps, so the question turns entirely on purpose, and three of the purposes sound like natural reasons to describe a craft. Nothing in paragraphs 1 and 2 calls the work hard, slow or a matter of efficiency; what they do show is a child following every move and becoming intensely interested. Students who look for the narrator's own reaction find the purpose, while those who reason from the steps alone drift to difficulty or time.

  1. How, not what major Working it out

    The stem asks what the ordered account of untying the bag, spreading the beads, and smoothing and trimming the buckskin does for the excerpt, a purpose the author never states. (Anderson & Krathwohl, 2001)

  2. A very close wrong answer moderate Choosing the answer

    The difficulty choice shares the right one's frame, steps laid out in order to show something, and differs only in what they show: how hard beading is, or how eagerly the girl watched. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. Reading between the lines moderate Working it out

    The enthusiasm has to be pieced together from the close attention to each step and from “intensely interested” and “a proud, beaming face” in paragraph 2. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  4. Complex sentences minor Understanding the question

    Paragraph 2 uses literary word order, as in “my mother spread upon a mat beside her bunches of colored beads,” which slows the reading of the very steps in question. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

Strategy: For each choice, look in paragraphs 1 and 2 for words that would prove its purpose; a purpose that no sentence states or shows can be ruled out.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: In rejecting choice C, the handbook quotes paragraph 2 as “spread[ing them] upon a mat beside her bunches of colored beads.” In the excerpt, the bunches of colored beads are what the mother spreads (“my mother spread upon a mat beside her bunches of colored beads”). The inserted “them” refers to nothing and turns the beads into a place. The quotation now reads “spread[ing] upon a mat beside her bunches of colored beads,” which is how the handbook itself reads the sentence in its reason for rejecting choice A (“spreading the beads beside her on a mat”).

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    Sequence means the order in which things happen. Paragraphs 1 and 2 tell the steps of a morning in order. The question asks why the author tells them step by step. What does that careful order help show?

  2. List the steps

    In paragraphs 1 and 2, the mother:

    1. rolls up the side of the wigwam to let in the breeze,
    2. unties a bag made of buckskin (soft deer leather),
    3. spreads her beads on a mat,
    4. smooths out a sheet of buckskin, and
    5. trims it into shape with a blade.
  3. Find the author’s reaction

    Right after the steps, the author tells how she felt. “Then I became intensely interested in her designing. With a proud, beaming face, I watched her work.” Intensely means very strongly. A beaming face has a big, happy smile. She noticed every little step because she was so excited. The details show her enthusiasm, or eager interest.

  4. Check each choice

    • A is wrong. The steps are listed, but nothing says beading is hard or complex.
    • B is wrong. Nothing says the steps must go in a set order to save effort.
    • C is wrong. Paragraphs 1 and 2 never say how long anything takes.
    • D is right. The careful details show how closely the girl watched, with eager interest.

    Watch out: A is tempting because there are many steps. But many steps don’t prove a task is hard. The author never calls it difficult.

  5. Choose the answer

    The step-by-step order shows a child following every move her mother makes. So the answer is D.

Why this answer and not the closest wrong one

A is the closest wrong answer. Like D, it says the steps are listed to show something. But no word in paragraphs 1 and 2 calls beading hard. The author does say she was “intensely interested” and had “a proud, beaming face.” That shows enthusiasm, so D fits better.

The original DOE question
Question 11 as printed on page 44 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 44, question 11. Open page 44 of the handbook (PDF) This is the DOE’s version, before the corrections listed in the analysis.
The passage “Excerpt from “Impressions of an Indian Childhood”” as printed (pages 42–43)The passage “Excerpt from “Impressions of an Indian Childhood”” as printed on page 42 of the DOE handbook.The passage “Excerpt from “Impressions of an Indian Childhood”” as printed on page 43 of the DOE handbook.

Question 21 of 51

2024 Test A English, question 15

Uses the passage above: “Excerpt from “Impressions of an Indian Childhood””.

Question

Read this sentence from paragraph 7.

Always after these confining lessons I was wild with surplus spirits, and found joyous relief in running loose in the open again.

Which sentence best describes how this sentence fits into the overall structure of the excerpt?

  • AIt introduces a shift from the author’s demanding relationship with her mother to her more relaxed relationships with friends.
  • BIt signals a change from the challenging aspects of life on the reservation to the advantages of living on the prairie.
  • CIt highlights a contrast between the focus and control required while working and the freedom of having fun outside.
  • DIt concludes the progression of events in the narrative by describing the sequence of events at the end of the author’s day.
Show the answer

Correct answer: C

The question asks which sentence best describes how the sentence from paragraph 7 fits into the overall structure of the excerpt.

A. Incorrect. Though the author feels humiliated “when some boldness of mine drew forth a rebuke from” her mother (paragraph 5) and characterizes her lessons with her mother as “confining” (paragraph 7), the overall passage does not portray a demanding relationship between the author and the mother. The shift introduced in the sentence from paragraph 7 is not from one of the author’s relationships to another; it is from work to play.

B. Incorrect. In paragraph 6, the author explains how working with porcupine quills is difficult because the “sharp points were poisonous, and worked into the flesh wherever they lodged.” Although this sentence suggests that working with porcupine quills was challenging, the sentence from paragraph 7 does not signal a change from the challenging aspects of life on the reservation to the advantages of living on the prairie. Most of paragraph 6 describes the author’s pleasure in creating designs in different colors.

C. CORRECT. In the sentence from paragraph 7, the author refers to her beadwork lessons as “confining” and states that after the lessons, she “was wild with surplus spirits” and “found joyous relief” in being outside and running around. The phrases “surplus spirits” and “joyous relief” highlight a sense of freedom that stands in strong contrast to the “confining” nature of the author’s beadwork lessons, which required intense focus and control.

D. Incorrect. In paragraph 7, the author describes how “many a summer afternoon” after her beadwork lessons, she and her friends used “a light sharpened rod” to gather “sweet roots” and “little crystal drops of gum.” She then explains that they later “tossed away our gum, to return again to the sweet roots.” However, the sentence from paragraph 7 does not conclude the progression of events in the narrative by describing the sequence of events at the end of the author’s day; the sentence appears at the beginning of paragraph 7 and provides a contrast with events from the previous paragraph.

Question analysis

This reading question quotes the sentence that opens the last paragraph of Zitkala-Sa's excerpt, where she tells how she felt after her beadwork lessons, and asks how it fits the overall structure. Several choices describe a turn or a contrast, so students must pin down exactly what is being set against what.

NYS standards
  • 7R5 structure and genre features
  • 7R3 plot elements and ideas
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Explaining how one sentence fits a text's structure is grade 7 reading. The sentence is quoted and its wording is vivid, but the student must connect it to the paragraphs on both sides of it, a typical grade 7 demand.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
What makes it hard
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 8, 946 words; question and choices: about grade 10, 123 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The sentence clearly marks a change, and every choice names some change, so the work lies in saying exactly what is set against what. The excerpt contrasts careful, controlled work with free play, and the word “confining” carries that contrast. Students lose the point by making the turn about people, reading one rebuke as a hard relationship, or about the day's timeline, when the sentence describes what always happened after lessons.

  1. How, not what moderate Working it out

    The stem asks how the sentence works in the excerpt's structure, so students must name the turn it marks, from the “confining” lessons of paragraphs 3–6 to running loose outdoors. (Anderson & Krathwohl, 2001)

  2. A very close wrong answer moderate Choosing the answer

    The relationships choice also describes a move from lessons with her mother to play with friends, and differs from the right one only in calling the bond with her mother demanding. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. Hard words minor Understanding the question

    Old-fashioned phrasing such as “wild with surplus spirits” and “joyous relief” has to be decoded as a burst of energy after hours of holding still. (Perfetti, 2007; Freedle & Kostin, 1993)

Strategy: Compare paragraph 6 with paragraph 7 and name what changes between them in a few words, then pick the choice whose two halves match both sides of that change.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
  • Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks how one sentence fits the structure of the excerpt. Structure means how the parts are put together. You need to know what change this sentence marks.

  2. Read the sentence closely

    The sentence opens paragraph 7: “Always after these confining lessons I was wild with surplus spirits, and found joyous relief in running loose in the open again.” Confining means keeping you shut in or held still. “Surplus spirits” means extra energy. “Joyous relief” is a happy feeling of being free at last.

  3. Compare what comes before and after

    Paragraphs 3 to 6 show the lessons. The girl sits still and works with care. She learns to knot thread, plan designs and handle sharp quills. The rest of paragraph 7 shows her roaming the hills with friends. So this sentence turns from careful work to free play.

  4. Check each choice

    • A is wrong. The mother is a quiet, respectful teacher, not a demanding one. The shift is from work to play.
    • B is wrong. The sentence sets lessons against play. It says nothing about reservation life being hard or the prairie being better.
    • C is right. “Confining” lessons are set against “running loose in the open.”
    • D is wrong. The sentence starts paragraph 7 and tells what always happened after lessons. It doesn’t end the story.

    Watch out: A is tempting because the girl goes from her mother to her friends. But the sentence contrasts how she felt during lessons and after them.

  5. Choose the answer

    The sentence contrasts the focus that work needs with the freedom of playing outside. So the answer is C.

Why this answer and not the closest wrong one

A is the closest wrong answer. It also sees a move from lessons with her mother to play with friends. But A calls the relationship demanding. The mother teaches quietly and treats her daughter “as a dignified little individual” (paragraph 5). The real contrast is in the word “confining,” which sets held-still work against free play. That is C.

The original DOE question
Question 15 as printed on page 45 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 45, question 15. Open page 45 of the handbook (PDF)

Question 22 of 51

2024 Test A English, question 21
Passage At Dusk

At Dusk

by Natasha Trethewey

At first I think she is calling a child,
my neighbor, leaning through her doorway
at dusk, street lamps just starting to hum
the backdrop of evening. Then I hear
the high-pitched wheedling1 we send out
to animals who know only sound, not
the meanings of our words—here here—
nor how they sometimes fall short.
In another yard, beyond my neighbor’s
sight, the cat lifts her ears, turns first
toward the voice, then back
to the constellation of fireflies flickering
near her head. It’s as if she can’t decide
whether to leap over the low hedge,
the neat row of flowers, and bound
onto the porch, into the steady circle
of light, or stay where she is: luminous
possibility—all that would keep her
away from home—flitting before her.
I listen as my neighbor’s voice trails off.
She’s given up calling for now, left me
to imagine her inside the house waiting,
perhaps in a chair in front of the TV,
or walking around, doing small tasks;
left me to wonder that I too might lift
my voice, sure of someone out there,
send it over the lines stitching here
to there, certain the sounds I make
are enough to call someone home.

“At Dusk” from NATIVE GUARD by Natasha Trethewey, published by Houghton Mifflin Company. Copyright © 2006 by Natasha Trethewey. All rights reserved.

1wheedling: speaking in a flattering manner

Question

The details in lines 10–17 about the cat convey a central idea of the poem by

  • Ashowing that returning home after experiencing independence is challenging.
  • Bsuggesting that caring for others means allowing them to grow and to roam freely.
  • Cimplying that expecting to feel at home in the natural world leads to disappointment.
  • Demphasizing the conflicting desires to return to the familiar and to explore the unknown.
Show the answer

Correct answer: D

The question asks how the details in lines 10–17 convey a central idea of the poem.

A. Incorrect. In lines 10–17, the speaker says that the cat’s actions—she “turns first / toward the voice, then back”—make the cat seem “as if she can’t decide” whether to return home or to explore “the constellation of fireflies flickering / near her head.” However, while the cat is indecisive, it is not the experience of independence that causes this conflict for the cat but rather the “luminous / possibility . . . flitting before her” (lines 17–19).

B. Incorrect. The neighbor’s calling of the cat indicates that she does allow it to roam outside regularly. However, the details in these lines focus not on whether allowing the cat to roam is an expression of caring but on the cat’s reaction to the neighbor’s calls, “as if she can’t decide” (line 13) whether to return home “into the steady circle / of light” (lines 16–17) or stay and enjoy the “luminous / possibility” (lines 17–18) that the night offers. Furthermore, the neighbor’s “wheedling” (line 5) and the timing of her call, “at dusk” (line 3), introduce the possibility that encouraging others to come home expresses more caring than allowing them to roam freely.

C. Incorrect. Lines 10–17 describe the reactions of the cat, who is exploring the natural world, including a “constellation of fireflies flickering / near her head,” when the neighbor calls to her. The poet describes the cat’s conflict by saying that “It’s as if she can’t decide” whether to stay outdoors or return “into the steady circle / of light” at home with the neighbor. However, the cat’s indecision demonstrates that, rather than being a disappointment, the natural world is as appealing as home.

D. CORRECT. Lines 10–11 describe how the cat “turns first / toward the voice, then back,” indicating that the cat is experiencing a conflict. To the speaker, the cat seems “as if she can’t decide” (line 13) between exploring “the constellation of fireflies” (line 12) outdoors and returning to the familiar “steady circle / of light” (lines 16–17) indoors. This central idea that someone might experience a conflict between exploring and returning to the familiar is suggested again in lines 28–29 when the speaker wonders whether “the sounds I make / are enough to call someone home.”

Question analysis

This reading question asks how the lines describing a cat in another yard, as the neighbor calls from her doorway, convey a central idea of Natasha Trethewey's poem At Dusk. Students must turn a concrete picture of an animal's behavior into a general idea and check each proposed lesson against what the cat actually does in these lines.

NYS standards
  • 7R2 theme or central idea
  • 7R1 textual evidence and inferences
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Showing how specific lines convey a central idea is grade 7 work. The cat's behavior is concrete and easy to picture, so the step from image to idea is a typical grade 7 poetry task.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from one paragraph or stanza
Reading level
Passage: 236 words (a poem; reading level not measured); question and choices: about grade 9, 66 words.
Corrected from the DOE handbook
  • A grammar slip in the explanation was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The lines show a cat turning toward the voice and back to the fireflies, then hesitating between the porch light and the night, so the idea is a pull in two directions. The most tempting wrong answer also describes trouble going home but explains it by time spent away, a cause these lines never give. Other choices bring in lessons about caring for pets or about nature letting us down, which the bright images of the night contradict.

  1. Figurative or literary language moderate Understanding the question

    The two pulls are images, “the constellation of fireflies flickering” for the unknown and “the steady circle / of light” on the porch for the familiar, and both must be read that way. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. Reading between the lines minor Working it out

    Students must turn one cat's hesitation in a yard into an idea about people, a step these lines leave to the reader until the speaker's own wish at the end of the poem. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

Strategy: Describe in plain words what the cat does in lines 10–17 and why, then choose the general idea that matches that behavior without adding causes the lines never give.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Outside knowledge: A choice is plausible in the real world but not supported by this text.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: In rejecting choice A, the handbook reads “the cat’s actions—she “turns first / toward the voice, then back”—makes the cat seem.” It now reads “make,” to agree with “actions.”

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    Lines 10–17 are about the cat. A central idea is a main message of the poem. You need the idea that these details about the cat show.

  2. Read what the cat does

    The cat “lifts her ears, turns first / toward the voice, then back / to the constellation of fireflies flickering / near her head” (lines 10–13). Then the speaker says, “It’s as if she can’t decide” (line 13). She could leap “onto the porch, into the steady circle / of light” (lines 16–17). Or she could “stay where she is” (line 17).

  3. Work out what it means

    The porch light is home. It is familiar, something the cat knows well. The fireflies are like a “constellation,” a group of stars. They stand for the unknown night and its wonders. The cat is pulled both ways. Part of her wants home. Part of her wants to stay out and explore.

  4. Check each choice

    • A is wrong. Going home is hard for the cat. But the reason is the fireflies near her now. The lines never say she got used to being free.
    • B is wrong. These lines are about the cat’s choice. They say nothing about caring for her or letting her roam.
    • C is wrong. Nature is not disappointing here. The fireflies make the outdoors glow.
    • D is right. The cat is torn between the familiar porch and the unknown night.

    Watch out: A sounds close, because the cat really does have trouble going home. But A adds a cause the poem never gives.

  5. Choose the answer

    The cat turns toward home and then back to the fireflies. So the answer is D.

Why this answer and not the closest wrong one

A is the closest wrong answer. It is right that going home is hard for the cat. But A blames a taste of freedom from time spent away. The poem says nothing about that. It shows two pulls at once: the voice and light of home, and the fireflies close by. D names both desires.

The original DOE question
Question 21 as printed on page 49 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 49, question 21. Open page 49 of the handbook (PDF) This is the DOE’s version, before the corrections listed in the analysis.
The passage “At Dusk” as printed (page 48)The passage “At Dusk” as printed on page 48 of the DOE handbook.

Question 23 of 51

2024 Test A English, question 26
Passage Champion of the Channel

Champion of the Channel

In 1926 an editor at the London Daily News predicted that Gertrude Ederle, an American swimmer with eighteen world records and three Olympic medals, would fail in her attempt to swim across the English Channel. He claimed that “even the most uncompromising champion of the rights and capacities of women must admit that in contests of physical skill, speed and endurance they must remain forever the weaker sex.” Yet, at only nineteen years old, Ederle not only became the first woman to accomplish this feat, she also broke the men’s record by two hours. Gertrude Ederle’s triumphant swim across the English Channel was a testimony to her determination, innovative spirit, and passion for swimming.

Crossing the English Channel is a daunting task for any swimmer. At its narrowest point, the channel measures twenty-one miles across. Its icy waters hover around sixty degrees Fahrenheit, and its unruly tides and currents toss swimmers about like bobbing corks. Stinging jellyfish, seaweed, and floating debris from shipwrecks and lost cargoes present added hazards.

For decades the channel’s perils have defeated countless swimmers. Ederle, too, failed in her first attempt to cross the channel in 1925. Just six miles short of finishing, she became ill, and her coach had to haul her out of the water. Undeterred, Ederle decided to try again. Ederle knew that if she did not complete the challenge this time, she might never get the opportunity to set this record, because a rival female swimmer was preparing to make her second attempt at the crossing as well.

To prepare for the marathon swim, Ederle found ways to improve her equipment. She and her sister Meg discovered that melted candle wax perfectly sealed goggle edges, effectively waterproofing Ederle’s goggles against hammering waves. The sisters also designed a two-piece silk swimsuit for Ederle. During her first channel-crossing attempt she had worn a standard one-piece swimsuit that, after the lengthy hours of swimming across the channel, had stretched out, filling with water and creating drag, making an already challenging task almost insurmountable. Unlike the cumbersome typical bathing suit, this silk invention weighed little and allowed for easy movement.

On August 6, 1926, Ederle waded into the channel near Cape Gris-Nez, France. At first she shivered in the bone-chilling water even though she had covered her body in eight layers of grease for insulation. Her limbs felt stiff. Her strokes were irregular. Driving forward, she fought to clear her mind and find what she called her “sphere,” a place where the sea became her only companion and the shrieks of gulls and the humming of boat engines faded away. Using a new overhand stroke called the American crawl, Ederle eventually settled into a steady pace, briskly breaking through waves.

Throughout Ederle’s swim, two tugboats accompanied her. One carried newspaper reporters who wired dispatches of her progress to shore. The other, displaying a sign that read “This way, ole kid!” with an arrow pointing forward, transported her coach, family, and friends. Her coach played songs, such as “Yes, We Have No Bananas,” on a phonograph so that Ederle could time her strokes to the rhythm. Using a net, her coach also passed her baby bottles of broth for nourishment.

For hours Ederle swam, dodging debris with an amused smile. However, as she neared the English shore, a sudden fierce storm erupted. The tides and waves forced Ederle backward, and she fought the stubborn swells for several hours. The salty water caused her tongue to swell and inflamed her ears. Yet Ederle felt indescribably happy as she churned through the sea. Finally, as she neared the English shore, the storm abated, and the tide turned. No longer fighting against her, the sea pushed her toward the shore and victory.

After fourteen hours and thirty-one minutes, Ederle, on wobbly legs, stepped onto the English shore. The waiting crowd roared, honked their automobile horns, blasted their tugboat whistles, and set off flares that flashed in the sky. Ederle had swum into history.

When Ederle returned to New York, she received a parade, where thousands of people shouted “Trudy!” Not only were everyday American citizens proud of Ederle, but she also inspired them to be more active. Over the next few years, more than 60,000 people credited her with motivating them to earn their American Red Cross swimming certificates. Gertrude Ederle’s accomplishment proved to the world that with determination and passion, it was possible for a person to achieve his or her goals.

SOLO SWIMS ACROSS THE ENGLISH CHANNEL

Earliest Speed Records

Year Swimmer Time
1875 Matthew Webb (M) 21 hours, 45 minutes
1923 Enrico Tiraboschi (M) 16 hours, 33 minutes
1926 Gertrude Ederle (F) 14 hours, 31 minutes
1926 Arnst Vierkotter (M) 12 hours, 38 minutes
Current Speed Records
Year Swimmer Time
2012 Trent Grimsey (M) 6 hours, 55 minutes
2006 Yvetta Hlavacova (F) 7 hours, 25 minutes

Question

What do the newspaper editor’s comments in paragraph 1 reveal about the challenges Ederle faced in attempting her feat?

  • ARegardless of her ability, being an American put Ederle at a serious disadvantage over a Londoner, who would be more familiar with the English Channel.
  • BAt the time, Ederle still needed more training in order to succeed in the daunting task of swimming the English Channel.
  • CWhile Ederle could participate in athletic competition, some people were not comfortable with her attempt to swim the channel because no woman had ever attempted it before.
  • DIn spite of her previous achievements, Ederle still experienced social as well as physical obstacles in attempting to swim the channel.
Show the answer

Correct answer: D

The question asks what the newspaper editor’s comments in paragraph 1 reveal about Ederle’s challenges leading up to her attempt to swim across the channel.

A. Incorrect. The idea that Ederle was at a disadvantage because she was American rather than English, and thus less familiar with the channel, was not the basis for the newspaper editor’s comments about the outcome of her swim.

B. Incorrect. The passage establishes that Ederle was a highly accomplished swimmer who had won major world competitions (“Gertrude Ederle, an American swimmer with eighteen world records and three Olympic medals” [paragraph 1]).

C. Incorrect. The newspaper editor’s point was that Ederle would be unsuccessful in her attempt to complete the swim because she was a woman, not that people were uncomfortable with the idea since no woman had attempted it before.

D. CORRECT. The comments reveal a lack of social support since many people believed that a woman, no matter how skilled a swimmer, did not have the strength to overcome the physical challenges that the dangerous channel waters presented (“He claimed that ‘even the most uncompromising champion of the rights and capacities of women must admit that in contests of physical skill, speed and endurance they must remain forever the weaker sex.’ ” [paragraph 1]).

Question analysis

In 1926 a London newspaper editor predicted that Gertrude Ederle would fail to swim the English Channel, and this reading question asks what his comments in the first paragraph reveal about the challenges she faced. Students must infer from the editor's own words what stood in her way, and the wrong choices offer believable obstacles that the passage never connects to him.

NYS standards
  • 7R1 textual evidence and inferences
  • 7R6 point of view and author position
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Reading an opinion for what it shows about a person's situation is everyday grade 7 inference. This question points to both of the editor's sentences rather than quoting just one, so the evidence is in plain view and the work is weighing four readings.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from one paragraph or stanza
Reading level
Passage: about grade 9, 790 words; question and choices: about grade 14, 112 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Pointing to both of the editor's sentences puts his reason in plain view, so the work lies in naming what kind of obstacle a sexist prediction is. Students who see prejudice but not its stated basis fall for the near miss, which blames the lack of earlier female attempts, though Ederle herself had tried in 1925. The right answer is the only one that pairs that prejudice with the channel's physical dangers, and it rewards reading his words as a judgment about women, not about her.

  1. A very close wrong answer moderate Choosing the answer

    The right choice and the one about people being uncomfortable both find a social obstacle despite her skill; they part on its cause, the editor's claim that women are “the weaker sex” or the idea that no woman had tried. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. Reading between the lines moderate Working it out

    Neither of the editor's sentences names an obstacle, so a prediction of failure and a remark about women's “physical skill, speed and endurance” must be read as prejudice she faced on top of the channel's own dangers. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  3. Complex sentences minor Understanding the question

    The editor's quoted claim runs 30 words, opening with “even the most uncompromising champion of the rights and capacities of women” and holding its point, “the weaker sex”, until the end. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

Strategy: Put the editor's reasoning into your own words before looking at the choices, then reject any choice whose reason for doubting Ederle is not the one he actually gives.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Outside knowledge: A choice is plausible in the real world but not supported by this text.
  • Word match: Repeats striking words or phrases from the text, so it looks supported, but its meaning does not fit the question.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Understand what the question asks

    This question asks you to make an inference. An inference is a conclusion you reach from clues when the text does not say it outright. The editor’s comments are in paragraph 1. You need to work out what they show about the problems Ederle had to face.

  2. Find the editor’s two comments

    Paragraph 1 says the editor “predicted that Gertrude Ederle, an American swimmer with eighteen world records and three Olympic medals, would fail in her attempt to swim across the English Channel.” Then it gives his reason. He said that women “must remain forever the weaker sex.”

  3. Put his reason in your own words

    The editor’s full sentence is long, and its point comes at the very end. He meant that even people who support women must agree that women will always be weaker in sports. His reason had nothing to do with Ederle’s own skill, which her records proved. He doubted her only because she was a woman. That is a social obstacle: a problem that comes from what other people believe.

  4. Add the dangers of the swim

    On top of that, the swim itself was dangerous. Paragraph 2 calls the crossing “a daunting task for any swimmer.” Daunting means scary and hard. The paragraph lists “icy waters,” rough tides and “stinging jellyfish.” So Ederle had two kinds of trouble: people’s doubts and the hard swim itself.

  5. Check each choice

    • D fits: “in spite of her previous achievements” matches her records, and “social as well as physical obstacles” matches the editor’s doubts plus the rough water.
    • A is wrong because the editor never mentions her being American or Londoners knowing the channel.
    • B is wrong because nothing says she needed more training, and her eighteen world records show she was well prepared.
    • C is wrong because the editor’s reason was that women are weaker, not that no woman had tried.

    Watch out: C also spots people doubting her, so it is tempting. But it gives the wrong reason for the doubt. Paragraph 3 even says Ederle herself had tried in 1925.

  6. Choose the answer

    The editor’s words show that Ederle faced prejudice against women on top of a dangerous swim. So the answer is D.

Why this answer and not the closest wrong one

C is the choice most likely to fool you. It also sees that some people doubted Ederle. But it blames the doubt on no woman having tried before. The editor’s real reason was his belief that women are “the weaker sex.” D names that social obstacle and adds the physical ones, so D fits best.

The original DOE question
Question 26 as printed on page 54 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 54, question 26. Open page 54 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).
The passage “Champion of the Channel” as printed (pages 56–57)The passage “Champion of the Channel” as printed on page 56 of the DOE handbook.The passage “Champion of the Channel” as printed on page 57 of the DOE handbook.

Question 24 of 51

2024 Test A English, question 40
Passage 5 Reasons Physical Books Might Be Better Than E-Books

5 Reasons Physical Books Might Be Better Than E-Books

by Shaunacy Ferro

Though e-book1 readers have become a more common sight around town, traditional books still have their evangelists.2 According to The New York Times, e-book sales have been falling in 2015. Print definitely isn’t dead. In fact, according to some research, it may actually be a better choice for some readers. While scientists are still trying to tease out exactly how digital reading affects us differently, here are five ways e-books might be inferior to their dead-tree cousins.

E-books can reduce reading comprehension.

In a study of middle schoolers, West Chester University researchers found that students who read on iPads3 had lower reading comprehension than when they read traditional printed books. They discovered that the kids sometimes skipped text in favor of interactive features in the e-books, suggesting that certain multimedia in children’s e-books can be detrimental to the practice of reading itself. However, the researchers noted that some interactive features in e-books are designed to enhance comprehension, and that those might be more helpful than game-type interactive graphics.

Young kids can get distracted by e-books.

Similar results were found by a small study by the Joan Ganz Cooney Center that consisted of 32 kids reading e-books and print books with their parents. It found that “enhanced” e-books might be distracting. Kids who read enhanced e-books—ones with interactive, multimedia experiences—were more engaged with them physically, but in the end they remembered fewer narrative details than those who read print books or basic e-books.

You remember less about a book’s timeline.

Another study of adults also found that e-books can be hard to absorb. The researchers asked 25 people to read a 28-page story on a Kindle4 and 25 to read the story in paperback, then asked the readers to put 14 events from the story in chronological order. Those who read the story on a Kindle performed worse on the chronology test than the book readers, though they performed about the same as print readers in other tests. Earlier research by the same scholars, from Stavanger University in Norway, found that Norwegian 10th graders also remembered more about texts if they read them in print rather than on a computer screen.

They’re not great as textbooks.

While e-book textbooks are often cheaper (and easier to carry) than traditional door-stop5 textbooks, college students often don’t prefer them. In some surveys of college kids, the majority of students have reported preferring print books. However, a 2012 study from the UK’s National Literacy Trust of kids ages 8 to 16 found that more than 50 percent of children reported preferring screen reading.

They’re tiring.

Staring at a lit screen can be tiring for the eyes and the brain. A 2005 study from Sweden found that reading digitally required a higher cognitive workload than reading on paper. Furthermore, staring at LED6 screens at night can disrupt sleep patterns. A 2014 Harvard study found that people who used e-readers with LED screens at night slept worse and were more tired the next day. So, if you’re going to go for an e-book, go for one without the backlight.

The take-away message? If you’re really trying to absorb material, you might want to go for a physical book. And if you’re going to be up all night studying, turn off the backlight.

However, all this may not mean that reading on a Kindle is really going to melt your brain. For instance, reading an e-book on a computer is a much different experience than reading on a Kindle, which is specifically designed for consuming books. So, too, is playing with an interactive e-book on an iPad, compared to using a simpler e-book device that only presents the text, with no opportunities to click away into digital distractions.

And some studies have found that part of the difference between the way people absorb information from e-books versus paper might be due to approaching e-books differently—in one test, participants didn’t regulate their study time with digital books like they did with paper texts, leading to worse performances. It’s possible that our expectations of e-book reading—as well as the different designs of the digital reading experience on a computer or iPad or Kindle—might affect how we approach the text and how much effort we put into studying them. As generations of e-book readers evolve, and people become more accustomed to the idea of sitting down with a digital textbook, these factors could change—for better or for worse.

“5 Reasons Physical Books Might Be Better Than E-Books” by Shaunacy Ferro from MENTAL FLOSS, October 2, 2015. Copyright © 2015 Mental Floss, Inc.

1e-book: an electronic book, a publication made available digitally for reading on a computer or other device

2evangelists: advocates or supporters

3iPads: tablet computers

4Kindle: device for reading e-books

5door-stop: a reference to the idea that some textbooks are large and heavy enough to hold a door open

6LED: Light-emitting diode; LEDs are often used as a backlight for electronic devices such as smart phones and tablets.

Question

The studies described in paragraph 6 are important to the author’s observations in paragraphs 7 and 8 because the findings

  • Ashow that the author has personal opinions to share beyond the ideas included in the studies.
  • Bgive the author the opportunity to reach practical conclusions about reading that are based on scientific evidence.
  • Chighlight the author’s statement that digital reading experiences vary based on the individual and the device.
  • Dsupport the author’s inference that more studies on more types of devices are needed.
Show the answer

Correct answer: B

The question asks how the findings from the studies described in paragraph 6 are important to the author’s observations in paragraphs 7 and 8.

A. Incorrect. The evidence from the studies mentioned in paragraph 6 is not substantially supported by the personal opinions the author shares in paragraph 7 (“And if you’re going to be up all night studying, turn off the backlight”) or in paragraph 8 (“melt your brain” and “digital distractions”).

B. CORRECT. In paragraph 6, the author cites studies from 2005 and 2014 that found that LED screens can “disrupt sleep patterns” and that “people who used e-readers with LED screens at night slept worse and were more tired the next day.” Then, in paragraph 7, the author suggests that “if you’re going to be up all night studying, turn off the backlight,” and in paragraph 8, the author explains some differences between reading e-books on various devices. This information is not based on a personal opinion; instead, it is based on practical conclusions drawn from scientific evidence.

C. Incorrect. In paragraph 6, the author cites a 2005 study in which researchers found that “reading digitally required a higher cognitive workload than reading on paper.” Then, in paragraph 8, the author concludes that “reading an e-book on a computer is a much different experience than reading on a Kindle, which is specifically designed for consuming books.” Although the findings in paragraph 6 are important, they do not highlight the information presented by the author that digital reading experiences vary based on the reader and the device.

D. Incorrect. The author states in paragraph 8 that “reading an e-book on a computer is a much different experience than reading on a Kindle” and mentions how the same thing is true for “an interactive e-book on an iPad” compared with an e-book on “a simpler e-book device.” Readers may conclude that this statement is meant to indicate the author’s belief that more studies on more types of devices are needed. However, the author does not state or imply this belief in the passage.

Question analysis

This question asks why the studies on screen fatigue and sleep in paragraph 6 of an article about e-books matter to the observations the author makes in the next two paragraphs. Students must trace the connection between the research and the later paragraphs, and each choice describes that link in abstract terms that are easy to confuse.

NYS standards
  • 7R5 structure and genre features
  • 7R8 evaluating arguments and claims
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Tracing how evidence leads to an author's conclusions is grade 7 argument work, but this item spans three paragraphs, and the four explanations of the link are abstract and close in wording, more demanding than typical grade 7 work.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 10, 829 words; question and choices: about grade 11, 80 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Every choice describes a link between evidence and commentary, so the student has to know both what paragraph 6 found and what paragraphs 7 and 8 do with it. The tempting wrong answer borrows paragraph 8's real point that devices differ and wrongly credits the sleep and workload studies with it. Seeing that the backlight advice comes straight from the Harvard study is what makes the general wording of the right choice convincing.

  1. How, not what major Working it out

    The question asks how paragraph 6's findings function for the paragraphs after them, a relationship between evidence and conclusion, so knowing what the sleep and workload studies found is only the first step. (Anderson & Krathwohl, 2001)

  2. Evidence in several places moderate Working it out

    The links run across three paragraphs: the Harvard backlight finding becomes “turn off the backlight” in paragraph 7, and the tired brain returns as “melt your brain” in paragraph 8. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  3. The right answer is reworded minor Choosing the answer

    The right choice names no study, screen or device, speaking only of “practical conclusions” and “scientific evidence”, while two wrong choices echo paragraph 8's talk of devices. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)

Strategy: Note what the paragraph 6 studies found, then find the sentences in paragraphs 7 and 8 that draw on those findings and describe what the author does with them.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
  • Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Understand the link asked about

    This asks how evidence connects to the author’s comments. First see what the studies in paragraph 6 found. Then see what the author does with those findings in paragraphs 7 and 8.

  2. Read the studies in paragraph 6

    A 2005 study found that “reading digitally required a higher cognitive workload.” Cognitive workload means how hard your brain has to work. A 2014 study found that people who read on lit screens at night “slept worse and were more tired the next day.”

  3. See how the author uses them

    In paragraph 7 the author advises, “if you’re going to be up all night studying, turn off the backlight.” That tip comes straight from the sleep study. Paragraph 8 then warns you not to take the findings too far. It says they “may not mean that reading on a Kindle is really going to melt your brain.” Both are practical, real-life conclusions drawn from science.

  4. Check each choice

    • B fits: the studies let the author reach “practical conclusions” based on “scientific evidence.”
    • A is wrong because the advice in paragraphs 7 and 8 grows out of the studies, not out of opinions beyond them.
    • C is wrong because nothing says reading changes from person to person, and the studies compare screens with paper.
    • D is wrong because the author never says more studies are needed.

    Watch out: C is half right. Paragraph 8 does say devices differ, but the part about each person is never stated.

  5. Choose the answer

    The findings in paragraph 6 lead straight to the author’s practical advice. So the answer is B.

Why this answer and not the closest wrong one

C comes closest, because paragraph 8 does say a computer and a Kindle feel different. But the studies in paragraph 6 compare screens with paper, and no one says reading changes from person to person. B fits the clear link: a sleep study turned into the advice to turn off the backlight.

The original DOE question
Question 40 as printed on page 61 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 61, question 40. Open page 61 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).
The passage “5 Reasons Physical Books Might Be Better Than E-Books” as printed (pages 58–59)The passage “5 Reasons Physical Books Might Be Better Than E-Books” as printed on page 58 of the DOE handbook.The passage “5 Reasons Physical Books Might Be Better Than E-Books” as printed on page 59 of the DOE handbook.

Question 25 of 51

2024 Test A English, question 42

Uses the passage above: “5 Reasons Physical Books Might Be Better Than E-Books”.

Question

What is the best summary of the research into the effects of e-book reading?

  • AE-books are disliked by college students and preferred by kids, and their interactive features are distracting.
  • BSome e-books can aid comprehension, but most e-book readers remember few details.
  • CE-books reduce reading comprehension and increase distraction, and they are tiring for the eyes and brain.
  • DEnhanced e-books engage children, but they offer them too many opportunities to be distracted by non-reading activities.
Show the answer

Correct answer: C

The question asks which sentence is the best summary of the research into the effects of e-book reading.

A. Incorrect. In paragraph 5, the author notes that “college students often don’t prefer” e-book textbooks but that more than half the children in a study reported “preferring screen reading.” Paragraph 3 describes a study that showed that “ ‘enhanced’ ” e-books might be distracting for young children. Therefore, this sentence is not the best summary, because it overstates the opinions of college students and implies that college students are distracted by interactive features, which is not discussed in the text.

B. Incorrect. According to the information in paragraph 3, children who read “ ‘enhanced’ ” e-books “remembered fewer narrative details than those who read print books or basic e-books.” A study conducted with a group of tenth graders showed that these students “remembered more about texts if they read them in print rather than on a computer screen” (paragraph 4). Although the author points out in paragraph 2 that “some interactive features in e-books are designed to enhance comprehension,” a study found that “ ‘enhanced’ e-books might be distracting” (paragraph 3). Therefore, this sentence does not provide the best summary of the research about e-book reading, because the author does not show that e-books aid in reading comprehension.

C. CORRECT. The author states in paragraph 2 that studies found that “students who read on iPads had lower reading comprehension than when they read traditional printed books” and that “e-books can be detrimental to the practice of reading itself.” In paragraph 3, the author also points out that a study found that “ ‘enhanced’ e-books might be distracting” and that children “remembered fewer narrative details than those who read print books or basic e-books.” Finally, in paragraph 6, the author states that “staring at a lit screen can be tiring for the eyes and the brain” and that “a 2005 study from Sweden found that reading digitally required a higher cognitive workload than reading on paper.” Therefore, this sentence provides the best summary of the research about e-book reading, because it includes accurate information about the results of the studies discussed in the text.

D. Incorrect. In paragraph 2, the author does point out that “researchers noted that some interactive features in e-books are designed to enhance comprehension, and that those might be more helpful than game-type interactive graphics.” The author also explains in paragraph 3 how children “were more engaged with [e-books] physically.” But because this sentence does not include important details about reading comprehension or the physical toll of e-book reading on readers, it does not provide the best summary of the research about e-book reading.

Question analysis

This summary question asks for the best summary of the research an article reports on the effects of reading e-books instead of printed books. Students must pull findings together from several sections, and the choices differ in how completely and how accurately they reflect what the studies found.

NYS standards
  • 7R2 theme or central idea
  • 7R1 textual evidence and inferences
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Summarizing research spread across an article is grade 7 work. The five bold headings make the findings easy to locate, so the demand is typical: weighing four summaries for accuracy and for how much they cover.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from the whole text
Reading level
Passage: about grade 10, 829 words; question and choices: about grade 10, 75 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The right summary practically restates three of the article's bold headings, so students who use the headings as a map can answer quickly. The wrong summaries fail in different ways: one mixes in survey preferences, which are not effects of reading, one stretches a few studies to “most e-book readers”, and one is accurate but covers only the enhanced e-books. Spotting each flaw takes more care than spotting the answer.

  1. Every choice must be checked moderate Choosing the answer

    Each summary joins two or three findings, and every part must be checked: “disliked” against “don't prefer”, “most e-book readers” against small studies, “too many opportunities” against one study of 32 kids. (Embretson & Wetzel, 1987)

  2. Evidence in several places minor Working it out

    The findings are spread over five sections, but bold headings such as “E-books can reduce reading comprehension” and “They're tiring” make each one easy to find. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

Strategy: List the main finding under each bold heading, then pick the choice that reflects several of them accurately without adding claims or stretching any single finding.

Traps

  • Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.
  • Half right: One half of a two-part choice is right and the other is not.
  • Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Know what a good summary does

    A summary gives the main points in a few words. A good one gets each point right. It doesn’t add new claims or stretch one finding too far. Here you need to sum up what research found about the effects of reading e-books.

  2. Use the bold headings

    The headings list the main findings:

    • “E-books can reduce reading comprehension.” Comprehension means understanding.
    • “Young kids can get distracted by e-books.”
    • “You remember less about a book’s timeline.”
    • “They’re not great as textbooks.”
    • “They’re tiring.”
  3. Match the right choice to the findings

    Choice C says e-books “reduce reading comprehension and increase distraction,” and that they “are tiring for the eyes and brain.” That covers three headings: understanding, distraction and tiredness. Each part matches what the studies found.

  4. Check each choice

    • C fits: it joins three key findings and states each one correctly.
    • A is wrong because what readers prefer is not an effect of reading, and “don’t prefer” is not “disliked.”
    • B is wrong because some features are only designed to help, and no study covers “most” e-book readers.
    • D is wrong because it covers only enhanced e-books and leaves out comprehension, timelines and tiredness.

    Watch out: D is true as far as it goes. But it sums up just one section, so it is too narrow.

  5. Choose the answer

    Choice C brings together the main findings from several sections. So the answer is C.

Why this answer and not the closest wrong one

D comes closest, because every word of it is true about enhanced e-books. But a summary of the research has to cover more than one study. C brings together understanding, distraction and tiredness, the findings of several sections, without adding anything the passage doesn’t say.

The original DOE question
Question 42 as printed on page 62 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 62, question 42. Open page 62 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).

Question 26 of 51

2024 Test B English, question 23
Passage Excerpt from Do Them No Harm!

Excerpt from Do Them No Harm!

by Zoa L. Swayne

This narrative is about the Nez Perce, an American Indian tribe, in what is now northern Idaho. The tribe is preparing for a gathering before the coming winter.

In the moon of Ta-Yum, the hottest days of summer, when salmon spawn in the little streams and huckleberries ripen in the high mountains, people from many villages of the Chopunnish Nation gathered in the Oyaip Prairie for the work and festivities of their annual camas1 harvest.

From far and near The People came. . . .

Should a stranger enter their homeland and ask, “Where are you from?” the reply was always, “We are Nee-mee-poo, The People who live here in this place.”

It was a time of Lawtiwa-mah-ton—a time of being friends together—when The People came for this last chance to enjoy being together before the Cold Moons kept them close to their fires. The visiting and trading, the foot racing and horse racing, and the gambling and stick games would be remembered and talked about long after they had forgotten the drudgery of digging and roasting camas, picking berries, or drying meat and fish. Lawtiwa-mah-ton! It was good to be friends together.

As was their custom since wahk-kee-ma, a time far back beyond the memory of man, they set up their camps in the same locations their parents and grandparents had occupied before them. Red Bear’s people, from Kamiah, made their camp near the trail that came out of the mountains. Their neighbors in Kamiah Valley, The People from Tee-e-lap-a-lo, had their camp close by. Across the wide meadow, by the great roasting pits, the camps of the Te-wap-poo and Ask-kah-poo were located. The tepees and ish-nash, brush shelters, of other groups nestled in their accustomed areas in and among the pines in such numbers that they encircled the entire meadow land.

Red Bear’s people had traveled all summer with neighboring bands, gathering and preparing roots, picking and drying berries, drying and smoking meat and fish for their winter food supply. Now they were at the Oyaip camp. The women worked hard to dig and cure as many bags of roots as they could during the warm, sunny days, for the sharp night air brought warnings that WARM was going and COLD was coming.

Everyone helped in some way. Most of the men fished or hunted for meat. While many of the women dug and roasted camas, other women and older children picked and dried berries.

And the younger children played. They played at hunting. They played with the babies. They played with their horses and puppies. They learned how to live through their play.

This sun, happiness, peace, and quiet blessed the Red Bear camp. All were busy with their daily tasks, until sudden cries came from the children playing by the trail.

“People coming! People coming! People coming on the trail from the high mountains!” they called as they ran to their elders, who looked sharply at the figures of approaching horsemen.

Were they friends or enemies? Did they bring good news or bad?

“Who can it be? What brings them here?” were the questions in every mind.

“Could they be the four hunters who had gone to Buffalo Country two summers past? Would they have news of the families who had gone long ago to Buffalo Country and never returned?”

It was customary for a hunting party to be gone for more than one season.

“Looks like hunters,” the older men agreed. “Looks like they had good hunting. Maybe our four hunters. [They have] been gone many moons.”

“Looks like five people—not four,” others observed.

Excitement grew as the riders came close enough to be recognized.

“A-a-a-a-a, they are our four hunters! But who is the fifth person?” they asked.

“Looks like a woman. Who is she?”

The hunters rode up to the welcoming crowd, proud to show off the loads of meat, hides, and other trophies of their hunt. They paraded around the encampment for all to see how strong their Hunting Power had been—what great hunters they, themselves, were.

Red Bear’s people rejoiced at their hunters’ success. Good hunters brought good to everybody. The meat meant plenty of food and the hides meant soft-tanned robes to give comfort through the Cold Moons. But it was the sight of the frail figure of the woman that aroused their curiosity. Who was she? Where had she come from? . . .

“Belongs to Red Bear people. Gone then come back,” the hunters said, as they dismounted and unloaded their packs. . . .

Now they could see! She was the daughter of the family gone so long ago! The girl-child who had left came back now—a grown woman.

“Wat-ku-ese!” the women cried. “Gone-from-Home-then-Come-Back. Wat-ku-ese!” And Wat-ku-ese was her name from that time on.

Gentle arms lifted Wat-ku-ese from her horse. The women brought her food and made a place for her to rest. For many suns they cared for her until she became stronger.

One evening Wat-ku-ese told her story for all to hear.

From DO THEM NO HARM!: Lewis and Clark Among the Nez Perce by Zoa L. Swayne. Published by Caxton Press. Copyright © 1990 by Zoa L. Swayne. Orofino, Idaho and Legacy House, Inc. Orofino, Idaho. All rights reserved.

1camas: a wild, edible plant

Question

Paragraph 1 contributes to the setting of the excerpt by establishing that

  • Athe story’s location is a plentiful place that allows The People to enjoy a comfortable gathering.
  • Bthe events in the story occurred in the past and are being remembered by The People.
  • Cthe camp in the story is changing and that the changes are causing problems for The People.
  • Dthe story’s plot begins as The People are observing their land and what it offers them.
Show the answer

Correct answer: A

The question asks how paragraph 1 contributes to the setting of the excerpt.

A. CORRECT. Paragraph 1 describes summer “when salmon spawn,” “huckleberries ripen,” and The People gather for “their annual camas harvest.” These descriptions show the abundance of food in the place where the excerpt occurs.

B. Incorrect. Although the setting refers to past events, the narration is not by The People. In addition, the voice narrating the excerpt is not an element of the setting.

C. Incorrect. Nothing in paragraph 1 suggests that the camp is changing in any way. The People gather annually in this place. In addition, the language used to describe the setting does not suggest any problems.

D. Incorrect. The People are not making observations about the setting in paragraph 1. They are described as performing actions, such as gathering “for the work and festivities of their annual . . . harvest.”

Question analysis

This setting question asks what the opening paragraph of Zoa L. Swayne’s narrative Do Them No Harm! establishes about the time and place of the Nez Perce camas harvest. The paragraph is one long sentence crowded with unfamiliar names, so students must look past them to the details and decide what kind of place and season they describe.

NYS standards
  • 7R5 structure and genre features
  • 7R3 plot elements and ideas
Grade level
Grade 6 reading and task
Compared with grade 7
Below grade 7 Seeing how an opening paragraph sets the scene matches the grade 6 standard, which names setting directly. The paragraph is one long sentence with unfamiliar Nez Perce names, but its details are concrete and the task is a single inference.
Estimated difficulty
Straightforward: two steps or one careful reading.
What makes it hard
Evidence
Answered from one paragraph or stanza
Reading level
Passage: about grade 5, 885 words; question and choices: about grade 8, 76 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The paragraph is crowded with names, but its details are concrete: fish, berries, a harvest, festivities. Students who add them up see abundance and a happy gathering; those who look past them reach for ideas about who tells the story or about changes to come. The choice about The People observing their land is the subtle one, because the land’s gifts are there but no one in the paragraph is watching them.

  1. Reading between the lines moderate Working it out

    Paragraph 1 never calls the place plentiful; that has to be inferred from salmon that “spawn in the little streams,” huckleberries that “ripen,” and many villages gathering for the camas harvest. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. Complex sentences minor Understanding the question

    Paragraph 1 is a single sentence that opens with “In the moon of Ta-Yum,” a second time phrase and a “when” clause, so its subject, “people from many villages,” arrives only halfway through. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

Strategy: Underline every detail in paragraph 1 about time, place and activity, then decide what overall impression of the setting they create before reading the choices.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    The setting of a story is where and when it takes place. This asks what paragraph 1 tells you about the setting. The paragraph is one long sentence with many new names. Look past the names to the details.

  2. Find the details

    Paragraph 1 says it is “the hottest days of summer.” It is a time “when salmon spawn in the little streams and huckleberries ripen in the high mountains.” To spawn means to lay eggs. To ripen means to get ready to eat. People from many villages come to the Oyaip Prairie “for the work and festivities” of their yearly harvest. Festivities are celebrations.

  3. Decide what the details show

    Fish, berries and a harvest all mean food. So this is a place with plenty to eat. Many villages come together to work and to celebrate. So it is a happy gathering, too. The paragraph shows a rich, friendly place.

  4. Check each choice

    • A fits: a plentiful place where The People gather in comfort. Plentiful means having a lot.
    • B: the story does happen in the past. But a narrator tells it. A narrator is the voice telling the story. The People are not remembering it.
    • C: nothing in paragraph 1 is changing or causing problems. The gathering happens every year.
    • D: The People are not studying the land. They have come to work and celebrate.

    Watch out: D mentions what the land offers, which is in paragraph 1. But no one in the paragraph is watching the land.

  5. Pick the answer

    Paragraph 1 sets up a place full of food and good company. So the answer is A.

Why this answer and not the closest wrong one

D is a close wrong answer, because the land’s gifts, fish, berries and camas, are all in paragraph 1. But D says The People are observing the land. They are not. They have come “for the work and festivities” of the harvest. A sums up what the details show: plenty of food and a happy gathering.

The original DOE question
Question 23 as printed on page 179 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 179, question 23. Open page 179 of the handbook (PDF)
The passage “Excerpt from Do Them No Harm!” as printed (pages 177–178)The passage “Excerpt from Do Them No Harm!” as printed on page 177 of the DOE handbook.The passage “Excerpt from Do Them No Harm!” as printed on page 178 of the DOE handbook.

Question 27 of 51

2024 Test B English, question 24

Uses the passage above: “Excerpt from Do Them No Harm!”.

Question

In paragraphs 4 and 6, the beginning of the change in seasons affects the characters mainly by

  • Acausing them to collect their bounty and feel eager to celebrate before it becomes cold.
  • Bmaking them want to rest and relax before the challenging work of the harvest begins.
  • Cforcing them to give up leisure time to prepare their camp for the coming winter.
  • Dallowing them to trade the goods they have prepared during the warm months.
Show the answer

Correct answer: A

The question asks how the beginning of the change of seasons mainly affects the characters.

A. CORRECT. Paragraph 4 describes the time as the last chance for The People to be together “before the Cold Moons kept them close to their fires.” Paragraph 6 tells about how the women were working hard to dig and cure roots, because “WARM was going and COLD was coming.” These paragraphs describe both celebration and preparation before the winter comes.

B. Incorrect. Paragraphs 4 and 6 describe the characters working hard, but there is no discussion of them wanting to rest and relax.

C. Incorrect. While both paragraphs describe some of the work involved in the harvest, paragraph 4 also lists a number of leisure activities, such as visiting, foot racing, horse racing, gambling, and stick games. The characters are still taking the time to relax.

D. Incorrect. While paragraph 4 mentions trading in a list of activities that the characters are doing, this is just one of many activities. Allowing the characters to trade goods is not the way the change in seasons mainly affects them.

Question analysis

This question on how setting shapes characters asks how the first signs of winter mainly affect The People in paragraphs 4 and 6 of Do Them No Harm!, a narrative about a Nez Perce harvest gathering. Students must draw on two separate paragraphs and pick the effect both support, among choices that each borrow real activities from the story.

NYS standards
  • 7R3 plot elements and ideas
  • 7R1 textual evidence and inferences
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Explaining how setting shapes what characters do is typical grade 7 work on story elements. Students combine details from two separate paragraphs, a step beyond reading one, but the language is plain and the details concrete.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 5, 885 words; question and choices: about grade 7, 73 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Each paragraph shows a different response to the coming winter, play in paragraph 4 and hard work in paragraph 6, and only one choice keeps both. Students who read paragraph 6 alone see work under pressure and decide the cold costs The People their free time, though paragraph 4 lists races and games. The question rewards checking each choice against both paragraphs, not just the one read last.

  1. A very close wrong answer moderate Choosing the answer

    The right choice and the one about giving up leisure both have The People preparing before the cold; they differ only in whether the season brings celebration or takes it away. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. Evidence in several places minor Working it out

    The answer must fit both paragraphs: paragraph 4’s racing, gambling and stick games before “the Cold Moons” and paragraph 6’s women digging roots because “COLD was coming.” (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

Strategy: Find what paragraphs 4 and 6 each say about the approaching cold, then note what The People do because of it, and choose the effect that fits both paragraphs.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.
  • Reversed relationship: Cause and effect, or the order of events, turned around.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    Summer is ending and winter is coming. This asks how that change mainly affects the characters in paragraphs 4 and 6. Your answer has to fit both paragraphs, not just one.

  2. Read paragraph 4

    Paragraph 4 calls this time “this last chance to enjoy being together before the Cold Moons kept them close to their fires.” The Cold Moons are the winter months. The People enjoy “the foot racing and horse racing, and the gambling and stick games.” So, before winter, they celebrate together.

  3. Read paragraph 6

    Paragraph 6 says “The women worked hard to dig and cure as many bags of roots as they could during the warm, sunny days.” To cure food means to dry it so it keeps. Why rush? Because “the sharp night air brought warnings that WARM was going and COLD was coming.” So, before winter, they also gather and store food.

  4. Check each choice

    • A fits both: they collect their bounty and celebrate before the cold. Bounty means a large supply of good things, like food.
    • B: no one wants to rest before the work. The harvest work is already going on.
    • C: they don’t give up leisure, which is free time for fun. Paragraph 4 is full of races and games.
    • D: trading is only one item in paragraph 4’s list. It is not the main effect.
  5. Pick the answer

    Watch out: C is tempting if you read only paragraph 6, which is all hard work. But paragraph 4 shows play. Only one choice fits both paragraphs. So the answer is A.

Why this answer and not the closest wrong one

C is the closest wrong answer. Like A, it has The People getting ready for winter. But C says they give up their free time. Paragraph 4 says the opposite: races, games and visiting fill this “last chance to enjoy being together.” A keeps both the work and the fun.

The original DOE question
Question 24 as printed on page 179 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 179, question 24. Open page 179 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).

Question 28 of 51

2024 Test B English, question 25

Uses the passage above: “Excerpt from Do Them No Harm!”.

Question

How do paragraphs 7 and 9 convey a central idea of the excerpt?

  • Aby explaining that The People often explore different areas, which shows the value of trying new things
  • Bby revealing that The People must complete many tasks, which shows the necessity of being organized
  • Cby suggesting that The People are influenced by the weather, which shows their close relationship with nature
  • Dby demonstrating that The People work together, which shows the importance of contributing to the community
Show the answer

Correct answer: D

The question asks how paragraphs 7 and 9 convey a central idea of the excerpt.

A. Incorrect. Paragraphs 7 and 9 describe activities that The People do at the Red Bear camp. They do not describe The People exploring new areas.

B. Incorrect. While paragraph 7 lists some of the activities that The People did to help, neither paragraph emphasizes that The People need to be organized.

C. Incorrect. Paragraph 9 mentions how the sun blessed the Red Bear camp. However, these paragraphs do not otherwise mention weather.

D. CORRECT. Paragraph 7 lists activities that The People do with one another. Paragraph 9 states that “all were busy with their daily tasks.” Everyone is contributing to the community in their preparation for winter.

Question analysis

This central idea question asks how two short paragraphs, one listing the camp’s chores and one describing a peaceful day, convey a central idea of the Nez Perce narrative. Each choice joins a statement about The People with a broader lesson, so students must check that both parts are supported by those two paragraphs.

NYS standards
  • 7R2 theme or central idea
  • 7R5 structure and genre features
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Linking paragraphs to a central idea is standard grade 7 work. Both paragraphs are short and plainly worded, but each choice pairs a claim about The People with a broader lesson, and both halves must hold.
Estimated difficulty
Straightforward: two steps or one careful reading.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 5, 885 words; question and choices: about grade 10, 77 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Both paragraphs are short and plainly worded, and paragraph 7’s first sentence nearly states the idea. The wrong choices each pair something near the text with a lesson it does not teach: the division of jobs read as a call for organization, the blessing of the sun read as dependence on weather. Checking that each half of a choice appears in paragraphs 7 and 9 avoids them.

  1. A very close wrong answer minor Choosing the answer

    The right choice and the one about many tasks both start from paragraph 7’s list of jobs; they part on the lesson drawn, contributing to the community or being organized. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. Reading between the lines minor Working it out

    The lesson is never stated: “Everyone helped in some way” and “All were busy with their daily tasks” have to be read as a picture of a community where each person contributes. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

Strategy: Note what paragraphs 7 and 9 actually describe, then check both halves of each choice: the detail must appear there and the lesson must follow from it.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    A central idea is a big point the story keeps showing. This asks how paragraphs 7 and 9 show one. Each choice has two parts: something The People do, and a lesson. Both parts must come from these paragraphs.

  2. Read paragraphs 7 and 9

    Paragraph 7 begins “Everyone helped in some way.” Then it lists jobs. Men fished and hunted. Women dug and roasted camas. Other women and older children picked and dried berries. Paragraph 9 says “All were busy with their daily tasks.”

  3. Decide what the paragraphs show

    Every person has a job, and every job helps the whole group. The food they gather will feed everyone through the winter. So the paragraphs show people working together. The lesson is that each person’s part matters to the community. A community is a group of people who live and work together.

  4. Check each choice

    • D fits. The People work together, which shows that helping the community matters.
    • A: no one explores new places. Paragraph 5 says they camp where their parents and grandparents camped.
    • B: there are many tasks, but nothing says being organized is the point. The point is that everyone helps.
    • C: paragraph 9 mentions the sun once. The paragraphs are about work, not weather.

    Watch out: B starts out right, with many tasks. But its lesson doesn’t come from the text.

  5. Pick the answer

    Both paragraphs stress that everyone takes part in the work. That shows how much each person gives to the group. So the answer is D.

Why this answer and not the closest wrong one

B is the closest wrong answer, because paragraph 7 does list many jobs. But the paragraph stresses who does them: “Everyone helped in some way.” Nothing says the jobs need careful planning. D draws the lesson the paragraphs really show: each person pitches in for the group.

The original DOE question
Question 25 as printed on page 179 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 179, question 25. Open page 179 of the handbook (PDF)

Question 29 of 51

2024 Test B English, question 27

Uses the passage above: “Excerpt from Do Them No Harm!”.

Question

How do paragraphs 11–13 affect the plot of the excerpt?

  • AThey establish a feeling of mystery by presenting different points of view about the arriving people.
  • BThey contribute to the rising action by developing the idea that the arriving people could present a problem.
  • CThey lead to a turning point by describing the moment that the crowd realizes why the strangers have come.
  • DThey explain the cause of the main conflict by providing background information about the strangers.
Show the answer

Correct answer: B

The question asks how paragraphs 11–13 affect the plot of the excerpt.

A. Incorrect. The paragraphs contain questions about the arriving people. They do not present differing points of view.

B. CORRECT. The paragraphs ask questions in which the characters wonder whether the arriving people are friends or enemies, or whether they might be bringing good news or bad news. By suggesting that the arriving people could present problems such as these, the paragraphs contribute to the rising action.

C. Incorrect. The paragraphs do not lead to a turning point. Instead, they lead to the climax—the moment the characters discover who the visitors are. This means the paragraphs contribute to the rising action.

D. Incorrect. Paragraphs 11–13 ask questions. They do not provide background information about the strangers; instead, they ask for it.

Question analysis

This plot question asks how paragraphs 11–13, a series of questions the villagers ask as riders approach their camp, affect the plot of the Nez Perce narrative. Students must know terms such as rising action and turning point and apply them precisely, since several choices describe these paragraphs in ways that sound right but place them wrongly in the story.

NYS standards
  • 7R3 plot elements and ideas
  • 7R5 structure and genre features
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 plot questions usually ask what one event causes. Here students apply terms such as rising action and turning point to three short paragraphs of questions, which matches the grade 8 focus on how parts of a story propel the action.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 5, 885 words; question and choices: about grade 9, 77 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Paragraphs 11–13 contain nothing but questions, so the answer depends on what questions do in a plot. Friends or enemies, good news or bad, they raise the chance of trouble and build toward the arrival. The trap is that they also create mystery, and the choice that says so fails only on one phrase about differing viewpoints. A second risk is jumping ahead: at this point no one even knows who the riders are, let alone why they came.

  1. A very close wrong answer major Choosing the answer

    The right choice and the one about mystery both see the questions building uncertainty about the riders; only the claim of “different points of view,” when the questions are “in every mind,” separates them. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. How, not what moderate Working it out

    The stem asks what paragraphs 11–13 do for the plot, so students must place a run of unanswered questions in the story’s shape rather than retell them. (Anderson & Krathwohl, 2001)

  3. Something you must already know minor Working it out

    The choices rely on plot terms the excerpt never explains, rising action, turning point and main conflict, and judging them means knowing what each one names. (Anderson & Krathwohl, 2001)

Strategy: Note what the villagers know and do not yet know in paragraphs 11–13, then compare that with what happens later in the excerpt to place these paragraphs in the plot.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
  • Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks how paragraphs 11–13 move the story along. You need some plot words. The plot is the order of events in a story. The rising action is the part where tension builds. Tension is the feeling that something big may happen. A turning point is the moment when things change.

  2. Read paragraphs 11 to 13

    These paragraphs are all questions. Paragraph 11 asks: “Were they friends or enemies? Did they bring good news or bad?” In paragraph 12, “Who can it be?” is one of “the questions in every mind.” Paragraph 13 asks if the riders are the hunters who left “two summers past.”

  3. Decide what the questions do

    The words “enemies” and “bad” news show the camp is worried. The riders might bring trouble. No one knows yet. So the questions build tension as the riders get closer. That is rising action. The answers come later. The crowd knows the hunters in paragraph 18. They learn who the woman is in paragraphs 22 and 23.

  4. Check each choice

    • B fits. The questions raise the chance of a problem and build tension.
    • A: there is mystery, but not “different points of view.” Everyone asks the same questions.
    • C: in these paragraphs, no one knows who the riders are yet, let alone why they came. So nothing here is the moment the crowd realizes anything.
    • D: the paragraphs ask about the strangers. They give no background facts about them.
  5. Pick the answer

    Watch out: A is very close. The questions do create mystery. But one wrong phrase, “different points of view,” rules it out. So the answer is B.

Why this answer and not the closest wrong one

A is the closest wrong answer, because the questions do make the scene mysterious. But the questions are “in every mind,” so there are no different points of view. B names what the questions do for the plot: they hint that the riders could bring trouble, and they build tension.

The original DOE question
Question 27 as printed on page 180 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 180, question 27. Open page 180 of the handbook (PDF)

Question 30 of 51

2024 Test B English, question 54
Passage Excerpt from “The Past and the Future of the Earth’s Oldest Trees”

Excerpt from “The Past and the Future of the Earth’s Oldest Trees”

by Alex Ross

About forty-five hundred years ago, not long after the completion of the Great Pyramid at Giza, a seed of Pinus longaeva, the Great Basin bristlecone pine, landed on a steep slope in what are now known as the White Mountains, in eastern California. The seed may have travelled there on a gust of wind, its flight aided by a winglike attachment to the nut. Or it could have been planted by a bird known as the Clark’s nutcracker, which likes to hide pine seeds in caches; nutcrackers have phenomenal spatial1 memory and can recall thousands of such caches. This seed, however, lay undisturbed. On a moist day in fall, or in the wake of melting snows in spring, a seedling appeared above ground—a stubby one-inch stem with a tuft of bright-green shoots.

Most seedlings die within a year; the mortality rate is more than ninety-nine percent. The survivors are sometimes seen growing in the shadow of a fallen tree. The landscape of the Ancient Bristlecone Pine Forest, as this area of the White Mountains is called, is littered with fragments of dead trees—trunks, limbs, roots, and smaller chunks. Pinus longaeva grows exclusively in subalpine regions of the Great Basin, which stretches from the eastern slopes of the Sierra Nevada to the Wasatch Range, in Utah. Conditions are generally too arid for the dead wood to rot; instead, it erodes, sanded down like rock. The remnants may harbor nutrients and fungi that help new trees grow. Bristlecones rise from the bones of their ancestors—a city within a cemetery.

Coast redwoods and giant sequoias, California’s gargantuan world-record-holding trees, can grow fifty feet or more in their first twenty years. Bristlecones rise agonizingly slowly. After four or five years, the seedling on the steep slope would have been just a few inches higher, sprouting needles in place of the embryonic shoots. The needles are a deep green, tough, resinous, and closely bunched in groups of five. On a mature tree, they live for fifty years or more. Decades may have passed before the tree was human height, and decades more before it resembled a conventional pine. Bristlecone saplings grow straight up, with relatively sparse foliage, looking like undernourished Christmas trees. After a few hundred years—by which time the Old Kingdom of Egypt had fallen—it was probably forty or fifty feet in height.

Many tree species live for hundreds of years. A smaller but not inconsiderable number, including the sequoias and certain yews, oaks, cypresses, and junipers, survive for thousands. Once a bristlecone has established itself in the unforgiving conditions of the White Mountains, it can last almost indefinitely. The trees tend to grow some distance from one another, so fires almost never destroy an entire stand. Because only a few other plant species can handle the dry, cold climate, the bristlecones face little competition. Unlike most plants, they tolerate dolomite soil, which is composed of a chalky type of limestone that is heavily alkaline and low in nutrients. As for insect threats, bristlecone wood is so dense that mountain-pine beetles and other pests can rarely burrow their way into it.

Empires rose and fell; wars raged; . . . and the tree from 2500 B.C. continued its implacable slow-motion existence, adding about two-hundredths of an inch to the diameter of its trunk each year. Minute changes in the tree-ring record make bristlecones an exceptionally useful source of data about changing conditions on Earth. When rains are heavier than normal, the rings widen. When volcanic eruptions cause global cooling, frost rings make the anomaly2 visible. . . .

As the millennia go by, bristlecones become contorted and wraithlike.3 The main stem, or leader, dies back. Entire branches, even the trunk itself, become fossils. At first glance, the tree may look dead. Such is the case of the forty-five-hundred-year-old tree that clings to life near the tourist path that now runs through the Ancient Bristlecone Pine Forest. Spears of dead wood jut into the air. The trunk is a marbled hulk stripped of bark, like driftwood thrown from a vanished ocean. A ribbon of live bark runs up one side, funneling water and nutrients to clumps of green needles high above. All told, the tree is an unprepossessing specimen; most people march past it without giving it a second glance. . . .

. . . No two super-elderly trees look alike, to the point where they have acquired the characteristics of individuals. Trees are prone to anthropomorphism; we project our dreams and our anxieties onto them. Bristlecones have been called elders, sentinels, sages. The possibility that climate change will cause their extinction has inspired a spate4 of alarmed news stories, although tree scientists tend to discount the idea that the bristlecones are in immediate danger. They have survived any number of catastrophes in the past; they may survive humanity.

From “The Past and the Future of the Earth’s Oldest Trees” by Alex Ross from THE NEW YORKER, January 20, 2020. Copyright © 2020 by Condé Nast. All rights reserved.

1spatial: relating to physical space

2anomaly: oddity

3wraithlike: ghostly

4spate: sudden abundance

Question

The phrases “clings to life” and “stripped of bark” in paragraph 6 are used to highlight

  • Athat the tree is fragile and needs help to avoid becoming extinct.
  • Bhow the tree can be misunderstood because of its appearance.
  • Chow the tree interests observers with its unusual appearance.
  • Dthat the tree manages to survive even when partially fossilized.
Show the answer

Correct answer: D

The question asks what the phrases “clings to life” and “stripped of bark” in paragraph 6 are used to emphasize.

A. Incorrect. While these two phrases are suggestive of the tree’s fragility, nothing in this paragraph suggests that the tree needs help to avoid extinction.

B. Incorrect. While the tree may be misunderstood to be dead because it is “stripped of bark,” the phrase “clings to life” emphasizes the fact that the tree is not dead but manages to survive.

C. Incorrect. The paragraph says that far from being interested in the tree’s unusual appearance, “most people march past it without giving it a second glance” (paragraph 6).

D. CORRECT. The phrase “clings to life” emphasizes that the tree is still surviving even though it is partially fossilized, as shown by its “marbled hulk stripped of bark” (paragraph 6).

Question analysis

This word meaning question asks what the phrases “clings to life” and “stripped of bark” highlight in paragraph 6 of an article about a forty-five-hundred-year-old bristlecone pine. Students must interpret figurative and descriptive language in context, read the phrases against the rest of the paragraph, and find the idea the author uses them to stress.

NYS standards
  • 7R4 word meaning and choice
  • 7L5 figurative language and word relationships
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Explaining what figurative phrases emphasize is everyday grade 7 work. Both phrases sit in one short paragraph of concrete description and the choices are brief, so the demand is typical, though vocabulary such as “unprepossessing” adds some load.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from one paragraph or stanza
Reading level
Passage: about grade 8, 851 words; question and choices: about grade 7, 56 words.
Students, last 30 days
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Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

One phrase points to death and the other to life, and the question asks what the pair stresses together. The strongest lure explains only the bark phrase: paragraph 6 does say the tree may look dead, so a choice about being misunderstood seems well grounded. Students who give “clings to life” equal weight see a tree that survives even as its trunk turns to fossil.

  1. Figurative or literary language moderate Understanding the question

    “Clings to life” personifies the tree as holding on by a thread, and “stripped of bark” belongs to the image of a “marbled hulk” like driftwood, so the pair sets death beside survival. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. Reading between the lines minor Working it out

    The key’s “partially fossilized” is never said of this tree; it comes from linking “stripped of bark” to the paragraph’s earlier statement that “Entire branches, even the trunk itself, become fossils.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

Strategy: Decide what each phrase suggests by itself, then what the two say when read together within paragraph 6, and choose the idea that both phrases support.

Traps

  • True but not the answer: A choice says something accurate about the text that does not answer this question.
  • Half right: One half of a two-part choice is right and the other is not.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks about two phrases in paragraph 6, “clings to life” and “stripped of bark.” You need to see what they point out when you read them together. Look for the idea that both phrases support.

  2. Find the phrases in paragraph 6

    In very old bristlecones, “Entire branches, even the trunk itself, become fossils” (paragraph 6). Next the author describes one 4,500-year-old tree “that clings to life near the tourist path” (paragraph 6). Its “trunk is a marbled hulk stripped of bark,” like driftwood. Still, “A ribbon of live bark runs up one side,” carrying water and nutrients to green needles high above.

  3. Work out what each phrase means

    To cling to life is to hold on to it hard, like gripping a rope. A fossil here is wood so old and dead that it has hardened, almost like stone. A hulk is a big, empty shell. Stripped of bark means the bark is gone. So one phrase shows a bare, fossil-like trunk, and the other shows a tree that is still alive. Together they show a tree that survives even though much of it has turned to fossil.

  4. Check each choice

    • A does not fit. The phrase “clings to life” does hint that the tree is fragile. But nothing in paragraph 6 says it needs help to avoid dying out.
    • B does not fit. The paragraph says the tree “may look dead.” But “clings to life” stresses that it survives, not that people misjudge it.
    • C does not fit. Paragraph 6 says the opposite: “most people march past it without giving it a second glance.”
    • D fits. The bare, fossil-like trunk and the tree’s grip on life together show survival.
  5. Choose the answer

    The two phrases set a dead-looking trunk beside a tree that refuses to die. So the answer is D.

Why this answer and not the closest wrong one

B is the closest trap, because the tree really can look dead. But B explains only the bark phrase. The phrase “clings to life” tells you the tree is still living. D uses both phrases: a trunk that has turned to fossil, and a tree that survives anyway.

The original DOE question
Question 54 as printed on page 196 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 196, question 54. Open page 196 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).
The passage “Excerpt from “The Past and the Future of the Earth’s Oldest Trees”” as printed (pages 193–194)The passage “Excerpt from “The Past and the Future of the Earth’s Oldest Trees”” as printed on page 193 of the DOE handbook.The passage “Excerpt from “The Past and the Future of the Earth’s Oldest Trees”” as printed on page 194 of the DOE handbook.

Question 31 of 51

2024 Test B English, question 56

Uses the passage above: “Excerpt from “The Past and the Future of the Earth’s Oldest Trees””.

Question

What is the best summary of the bristlecone pine’s life cycle?

  • AThe bristlecone pine takes root as a stubby seedling in the mountains. Over time, it grows slowly in a hostile environment with alkaline soil that ensures little competition from other trees.
  • BThe bristlecone pine grows up slowly from the fragments of its dead ancestors. Over time, it begins to become contorted in appearance but continues to funnel water and nutrients to its stem.
  • CThe bristlecone pine grows slowly in an environment hostile to other trees. Over time, its trunk and some branches fossilize, but it funnels water and nutrients to other parts that are still alive.
  • DThe bristlecone pine grows only in one location in the mountains. Over time, it develops sparse foliage that fossilizes slowly, but the trunk and branches stay alive, as revealed by ribbons of live bark.
Show the answer

Correct answer: C

The question asks for the best summary of the bristlecone pine’s life cycle.

A. Incorrect. Though the summary in this option covers key points in the life cycle, it focuses on minor details (“stubby seedling” and “alkaline soil”) while leaving out major details of the life cycle (for example, the fact that parts of the trees become fossilized over time).

B. Incorrect. This option addresses the unique quality of the pine growing from “fragments of its dead ancestors”; however, it does not address the fossilization phase, which is a major part of the life cycle. In addition, this option incorrectly states that the tree continues to funnel nutrients to its stem.

C. CORRECT. The option describes the key phases of the pine’s life cycle without focusing on minor details. The organization of the summary is chronological, and the information presented is accurate.

D. Incorrect. The option focuses more on the location and the appearance of the pine than on the phases of the pine’s life cycle. The option also describes the pine’s appearance inaccurately: it says that the foliage fossilizes and the trunk and branches stay alive, but paragraph 6 says that “entire branches, even the trunk itself, become fossils.” It provides little information about the main phases of the pine’s life cycle.

Question analysis

This summary question asks students to choose the best summary of the life cycle of the Great Basin bristlecone pine, as described across Alex Ross’s excerpt about the Earth’s oldest trees. Each choice is two sentences long and sounds accurate, and the differences lie in which stages of the tree’s long life each one includes and how faithfully it reports them.

NYS standards
  • 7R2 theme or central idea
  • 7R3 plot elements and ideas
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Summarizing a process is regular grade 7 work, but this life cycle unfolds across six paragraphs of dense description, and each choice is a two-sentence summary with accurate-sounding details, so spotting small omissions and errors takes more than typical care.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from the whole text
Reading level
Passage: about grade 8, 851 words; question and choices: about grade 9, 141 words.
Corrected from the DOE handbook
  • An inaccurate statement in the explanation was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

A good summary of this life cycle has to reach old age, when the trunk and branches turn to fossil while a strip of bark keeps the tree alive, and it has to get that stage right. One wrong choice never gets past youth, another reaches old age but keeps the wrong part alive, and a third mixes up which parts fossilize. Recalling paragraph 6 exactly, with every choice two sentences long, is what makes the question slow.

  1. Every choice must be checked major Choosing the answer

    Each two-sentence summary sounds accurate, and its flaw is an omission or a wrong detail, such as nutrients sent to a stem that dies back or foliage that fossilizes, so every clause must be checked. (Embretson & Wetzel, 1987)

  2. Evidence in several places moderate Working it out

    The life cycle runs across six paragraphs: the seedling in paragraph 1, the dead ancestors in 2, slow growth in 3, harsh conditions in 4, and fossilized wood with a live ribbon of bark in 6. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  3. A very close wrong answer moderate Choosing the answer

    The ancestors-and-stem summary has the key’s shape, slow growth, then decline, then water and nutrients still funneled; it differs in where they go, the stem, which paragraph 6 says “dies back.” (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

Strategy: Before reading the choices, list the stages of the tree’s life from seed to old age with one detail each, then check every sentence of each summary against the passage.

Traps

  • Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
  • Half right: One half of a two-part choice is right and the other is not.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: The handbook says Option D “contains an accurate description of the pine’s appearance.” It does not: Option D says the foliage fossilizes and the trunk and branches stay alive, but paragraph 6 says that “entire branches, even the trunk itself, become fossils,” as the correct answer, Option C, also says. The site now says that the option describes the pine’s appearance inaccurately.

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks for the best summary of the bristlecone’s life cycle. A life cycle is the stages of a living thing’s life, from its start to old age. A good summary covers the main stages in order and gets each one right.

  2. List the stages from the excerpt

    1. Young: the seedling grows “agonizingly slowly” (paragraph 3).
    2. Settled: it lives where few plants “can handle the dry, cold climate” (paragraph 4).
    3. Old: “The main stem, or leader, dies back,” and “Entire branches, even the trunk itself, become fossils” (paragraph 6).
    4. Still alive: “A ribbon of live bark runs up one side, funneling water and nutrients to clumps of green needles high above” (paragraph 6).
  3. Explain the hard words

    Hostile means unfriendly or harsh. To fossilize here means to turn into hard, dead wood, almost like stone. To funnel is to carry something along a narrow path. Contorted means twisted out of shape. Nutrients are the things a plant needs to grow. Foliage means leaves, which for a pine are its needles.

  4. Check each choice

    • A does not fit. It stops while the tree is young. It never reaches old age, when parts of the tree turn to fossil.
    • B does not fit. The main stem “dies back,” so water is not sent to the stem. B also leaves out the fossil stage.
    • C fits. It gives slow growth in a harsh place, then a fossilized trunk and branches, with water still carried to the living parts.
    • D does not fit. Paragraph 2 says bristlecones grow in high areas across the Great Basin, a region that stretches into Utah. That is not one location. D also mixes up the parts: the trunk and branches turn to fossil, not the foliage.
  5. Choose the answer

    Only one summary reaches old age and gets every stage right. So the answer is C.

Why this answer and not the closest wrong one

B looks the most like the right answer. Like C, it moves from young growth to old age and has water and nutrients still flowing. But it sends them to the stem, and paragraph 6 says the stem “dies back.” C sends them to the parts still alive, which matches the ribbon of live bark.

The original DOE question
Question 56 as printed on page 196 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 196, question 56. Open page 196 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D). This is the DOE’s version, before the corrections listed in the analysis.

Question 32 of 51

2023 Test B English, question 36
Passage Cross-Purposes

Cross-Purposes

What I am is built: concrete and steel.
I defy gravity. I am what every athlete
wants: to remain at the apex of the leap,
up in the air. And yet I am useful, too:
cars, trucks, people, even trains
make their way across my broad back.
Swallows and ospreys1^1 nest in my trusses.

What I am is motion. I am water, and I am older
than anything else you know. No human
built me. I am gravity’s best friend; I pool
and flow wherever gravity takes me.
I am the blood flowing in the runner’s chest,
and I catch everything: from the hills,
the mountains. It all washes down through me.

What you are is an accident,
what happens to rain when rain gives in
to Earth’s gravitational pull.
You are some tears dribbling from a mountain’s
eye, running down the pavements
of small towns, into the cities, to the sea.
You are the path of least resistance.

What I am is power. You, of course,
have none: you are a static lump, an artifact
slowly decaying. But my regal flow
nourishes grasses, permits empires to rise.
Those who made you will break you,
in time, replacing you with yet another
clumsy structure. I have seen. I know.

“Clumsy”? Being rebuilt makes me
a friend of time, does it not? And it means
that I have siblings—those “clumsy” structures,
my sisters and brothers.
We stitch across the rip you make.
We are steel thread to the human needle.
We bind you up. We sew you.

And I sow into you; in every cranny
of your superstructure my vapors cling.
They bring out your softness, your rust.
Boast your best, and boast better yet.
I am listening to the bright hum
of the wind in your wires. Because I am,
above all else, patient. I will wait for you.

1^1ospreys: large birds

Question

How does the similar construction of line 1 and line 8 contribute to the meaning of the poem?

  • AIt introduces the intended permanence of the structure and the ever-changing fluidity of the water.
  • BIt shows that the structure can bridge the gap caused by the water.
  • CIt suggests that the inflexible structure has more limitations than the adaptable water does.
  • DIt contrasts the stability of the structure with the instability of the water.
Show the answer

Correct answer: A

The question asks how the similarity in the construction of lines 1 and 8 contributes to the meaning of the poem.

A. CORRECT. In line 1, the first speaker asserts, “What I am is built: concrete and steel,” and in line 8 the second speaker states, “What I am is motion. I am water, and I am older.” The similarity in the construction of these lines contributes to the meaning of the poem by establishing each speaker’s defining feature.

B. Incorrect. The focus of the lines is defining the speakers’ individuality, not how one speaker resolves a problem created by the other.

C. Incorrect. The structure is not stating in line 1 that it is limited because it was built to stand in place; on the contrary, the structure is stating that this sense of purpose and permanence is its strength.

D. Incorrect. Although in these lines the first speaker asserts “I am . . . built: concrete and steel” (line 1) and the second speaker asserts “I am . . . motion” (line 8), the construction of these lines does not contrast the stability and instability of the speakers. Rather, each speaker highlights its own features.

Question analysis

In “Cross-Purposes,” a poem in which a human-made structure and a body of water take turns speaking, line 1 and line 8 open the first two stanzas with the same words, “What I am is.” This question asks how that similar construction contributes to the poem’s meaning, and several choices describe the two speakers in nearly the same terms, so every word counts.

NYS standards
  • 7R5 structure and genre features
  • 7R6 point of view and author position
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 A typical grade 7 poetry question asks what a repeated phrase emphasizes. This one asks what two parallel lines from personified speakers set up, and the choices turn on abstract words with fine shades of meaning, which goes beyond grade 7 work.
Estimated difficulty
Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: 316 words (a poem; reading level not measured); question and choices: about grade 9, 71 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Students who notice that both lines begin “What I am is” usually see the opposition between something built and something moving, and then face two choices that state it in near-synonyms. The deciding question is whether either speaker is being judged, and lines 1 and 8 only declare, each speaker naming its nature with pride. Words like “instability,” “limitations” and “bridge the gap” bring in criticism or later stanzas, so every word of a choice has to be weighed against the two lines alone.

  1. A very close wrong answer major Choosing the answer

    The right choice and the one about stability both set the built structure against moving water; they part only on “instability,” which turns the water’s motion into a weakness the proud water never admits. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. How, not what moderate Working it out

    The stem asks what the shared opening “What I am is” contributes, so students must see that it gives each speaker a matching self-definition, “built” in line 1 and “motion” in line 8. (Anderson & Krathwohl, 2001)

  3. Figurative or literary language moderate Understanding the question

    The structure never says it is a bridge; students must infer that from “concrete and steel” and the traffic crossing its “broad back,” then read both personified speakers’ boasts as self-portraits to compare. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  4. Hard words minor Understanding the question

    The choices turn on abstract words the poem never uses, “permanence,” “fluidity,” “instability,” “inflexible” and “adaptable,” and their shades of judgment decide the question. (Perfetti, 2007; Freedle & Kostin, 1993)

Strategy: Set line 1 beside line 8 and name, in a word of your own, what each speaker says it is; then test every word of each choice against those two lines alone.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
  • Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This is about the poem’s structure, or how it is put together. Lines 1 and 8 are built the same way. You need to see what that matching pattern adds to the poem’s meaning.

  2. Set the two lines side by side

    Line 1: “What I am is built: concrete and steel.”
    Line 8: “What I am is motion. I am water, and I am older”

    Both lines begin with the same four words: “What I am is.” Line 1 opens the first stanza, and line 8 opens the second. (A stanza is a group of lines, like a paragraph in a poem.) So each speaker begins by naming what it is.

  3. Name what each speaker is

    The first speaker is a structure, most likely a bridge, since traffic and trains “make their way across my broad back.” It is “built” of concrete and steel, so it is meant to stand for many years. The second speaker is water. It is “motion,” always flowing and changing shape. The matching lines introduce the two speakers side by side: one made to last, one always moving.

  4. Check each choice

    • A is right. Permanence means lasting without change. Fluidity means flowing easily. These words fit “built” and “motion.”
    • B is wrong. A gap first shows up in line 33: “We stitch across the rip you make.” Lines 1 and 8 say nothing about it.
    • C is wrong. Inflexible means unable to bend. Adaptable means able to change. But lines 1 and 8 never call either speaker more limited. In line 2, the structure even brags, “I defy gravity.”
    • D is wrong. Instability means being shaky or likely to fail. It turns the water’s motion into a flaw. Yet the water boasts that it is “older / than anything else you know.”

    Watch out: D sets up the same pairing as A. The one word that sinks it is “instability.”

  5. Choose the answer

    The matching openings introduce a structure built to last and water that never stops moving. So the answer is A.

Why this answer and not the closest wrong one

D is the closest wrong answer. It also pairs the steady structure with the moving water. But “instability” suggests the water is weak or can’t be trusted. The water is proud of its motion. A describes both speakers the way they see themselves.

The original DOE question
Question 36 as printed on page 177 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2024 Admissions, page 177, question 36. Open page 177 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).
The passage “Cross-Purposes” as printed (pages 72–73)The passage “Cross-Purposes” as printed on page 72 of the DOE handbook.The passage “Cross-Purposes” as printed on page 73 of the DOE handbook.

Question 33 of 51

2023 Test B English, question 42

Uses the passage above: “Cross-Purposes”.

Question

How does the poet develop the points of view of the structure and the water?

  • Aby giving an account of a discussion between them about the future of human civilization
  • Bby narrating a debate they have over their impact on the environment
  • Cby illustrating the unique power they each possess over nature
  • Dby using personification to allow them to debate who is more important
Show the answer

Correct answer: D

The question asks how the poet develops the two points of view.

A. Incorrect. While the poem relates how the water views the structure as “an artifact / slowly decaying” (lines 23–24) and the structure refers to itself as “a friend of time” (line 30), the poet does not give an account of a discussion about the future of human civilization.

B. Incorrect. While the speakers do discuss their impact on the environment, there is no narrator speaking for them.

C. Incorrect. Although the structure states it is made of “concrete and steel” (line 1) and is a “steel thread to the human needle” (line 34), only the water claims to possess power over nature, stating that “all washes down through me” (line 14) and “what I am is power” (line 22).

D. CORRECT. The poet develops the speakers’ points of view by personifying (giving human characteristics to something nonhuman such as an object or animal) the structure and the water, allowing them to debate by criticizing each other and declaring their own importance.

Question analysis

This point-of-view question asks how the poet of “Cross-Purposes” develops the viewpoints of its two speakers, a human-made structure and a body of water, across six alternating stanzas. Each answer pairs a way of presenting the voices with a subject for their exchange, so students must check both halves against the poem, since a choice can be right about one and wrong about the other.

NYS standards
  • 7R6 point of view and author position
  • 7L5a interpreting allusions
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 This is exactly the grade 7 standard on how a writer develops and contrasts the points of view of different speakers. The choices are short, but each joins a way of presenting the voices to a subject, so two things must be checked at once.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from the whole text
Reading level
Passage: 316 words (a poem; reading level not measured); question and choices: about grade 9, 64 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The poem is a direct exchange: stanzas alternate between two speakers who address each other as “you,” with no voice outside them. Most students sense the argument, which makes the narrated-debate choice the strongest pull, since its subject, the speakers’ effects on the land, does come up in the poem. The question is decided by the method half of each choice, and only one names a device the poet actually uses, letting the two speak for themselves about which matters more.

  1. How, not what moderate Working it out

    The stem asks how the poet develops the two viewpoints, so the right choice must name a method, speakers given voices to argue for themselves, and a choice that only reports what they say falls short. (Anderson & Krathwohl, 2001)

  2. Something you must already know minor Working it out

    The right choice relies on the term “personification,” which the poem never names, so students must recognize concrete and water that speak and boast as that device. (Anderson & Krathwohl, 2001)

  3. Every choice must be checked minor Choosing the answer

    Each choice pairs a way of presenting the voices, an account, narration, illustration or personification, with a subject, so both halves must be tested against all six stanzas. (Embretson & Wetzel, 1987)

Strategy: Go through the six stanzas noting who is speaking and what each speaker claims, then judge each choice twice: once for how it says the voices are presented, once for what it says they discuss.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks about the poet’s method: how the poet shows what each speaker thinks. Each choice names a method and a topic. The right choice must get both parts right.

  2. Notice who is speaking

    The poem has six stanzas, or groups of lines. The structure speaks in stanzas 1, 3 and 5. The water speaks in stanzas 2, 4 and 6. Each one says “I” about itself and “you” to the other. No outside voice tells the story. A voice like that is called a narrator, and this poem has none.

  3. Name the poet’s method

    In real life, concrete and water have no voices. The poet lets them speak like people anyway. This is called personification: treating a thing as if it were a person. Then the two argue. The structure calls the water “an accident” (line 15). The water answers, “What I am is power. You, of course, / have none” (lines 22–23).

  4. See what they argue about

    Each speaker brags about itself and puts the other down. The structure says it is useful, carrying “cars, trucks, people, even trains” (line 5). The water says it is older and stronger. It ends by saying it will outlast the structure: “I will wait for you” (line 42). Their real fight is over which of them matters more.

  5. Check each choice

    • A is wrong. Empires come up only once, in line 25. The speakers argue about themselves, not the future of civilization.
    • B is wrong. The speakers do mention their effects on the land. The water says it “nourishes grasses” (line 25). But “narrating” means a narrator tells the debate, and no one does. The two speak for themselves.
    • C is wrong. It names what the speakers brag about, not how the poet presents them. Also, only the water claims power over nature: “It all washes down through me” (line 14).
    • D is right. Personification lets the two argue about who is more important.
  6. Choose the answer

    The poet uses personification so the structure and the water can argue over who matters more. So the answer is D.

Why this answer and not the closest wrong one

B is the closest wrong answer. It is right that there is a debate, and the speakers do talk about their effects on the world around them. But B says the debate is narrated. In the poem, the structure and the water speak in their own voices. D names that method.

The original DOE question
Question 42 as printed on page 179 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2024 Admissions, page 179, question 42. Open page 179 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).

Question 34 of 51

2018 Test A English, question 1

Question

Read this sentence.

During a nightly news segment about a cooking contest, a reporter talked to some people who did the best in the contest.

Which revision uses the most precise language for the words talked to some people who did the best in the contest?

  • Aconversed with some of the people who won the contest
  • Bspoke to the three contestants who did well
  • Cdiscussed the contest with some of the winners
  • Dinterviewed the top three contestants
Show the answer

Correct answer: D

This is the answer.(D)

The question asks for the most precise revision for the words “talked to some people who did the best in the contest.”

Option D is the correct response because the revision precisely states both the reporter’s action (“interviewed”) and whom the reporter interviewed (“the top three contestants”).

Option A is an incorrect response because the revision does not provide precise information about the number of people interviewed.

Option B is an incorrect response because the revision uses the imprecise phrase “who did well.”

Option C is an incorrect response because the revision does not provide precise information about the number of people interviewed.

Question analysis

This revising question gives one sentence about a news report on a cooking contest and asks which rewrite of a vague phrase uses the most precise language. The tricky part is that several choices sound more formal or add one specific detail while staying vague about something else.

NYS standards
  • 7L3a precise and concise language
Grade level
Grade 7 reading and task
Compared with grade 7
Below grade 7 Choosing precise wording is a grade 7 language skill, but this item is one short sentence with everyday words and a single comparison to make. Typical grade 7 revision work asks for the same judgment inside a longer paragraph.
Estimated difficulty
Routine: one familiar step, little to misread.
What makes it hard
Evidence
Answered from one sentence or line
Reading level
Question and choices: about grade 5, 77 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

This is a quick item once a student tests two things in every rewrite: what the reporter did and exactly who was involved. Points are lost by stopping at the first concrete detail, such as the number three, or by mistaking a formal verb like “conversed” for a precise one. It rewards checking each rewrite all the way through.

  1. Every choice must be checked minor Choosing the answer

    Each rewrite repairs a different piece of “talked to some people who did the best”, so all four have to be checked for both the action and the people. (Embretson & Wetzel, 1987)

Strategy: Ask two things of each revision: does it say exactly what the reporter did, and exactly whom the reporter spoke with? Keep a revision only if it is specific on both counts.

Traps

  • Wordy, vague or informal: A revision is grammatical but wordy, imprecise or too casual for the passage.
  • Half right: One half of a two-part choice is right and the other is not.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This question asks you to make a phrase more precise. Precise language is exact. It tells the reader exactly what happened and exactly who was there. For example, a big dog is vague, but a 90-pound sheepdog is precise. You need to fix the words “talked to some people who did the best in the contest.”

  2. Find what is vague now

    The words are vague in two ways. First, “talked to” is a plain verb. On the news, a reporter who asks people questions is doing an interview. Second, “some people who did the best” does not say who or how many. So a good fix must sharpen both parts: the action and the people.

  3. Test each choice on both parts

    • A uses “conversed with,” which is just a fancy word for “talked.” And “some of the people” is still vague.
    • B gives a number, “the three contestants.” But “spoke to” and “who did well” are still loose.
    • C says “some of the winners,” which still gives no number. “Discussed the contest with” is wordier, not clearer.
    • D says “interviewed,” the exact action. “The top three contestants” says exactly who.

    Watch out: Choice B is tempting because it has a number. Many students stop there. But it fixes only one part.

  4. Pick the answer

    Only one choice is exact about both the action and the people. The new sentence reads: During a nightly news segment about a cooking contest, a reporter interviewed the top three contestants. So the answer is D, “interviewed the top three contestants.”

Why this answer and not the closest wrong one

Choice B is the closest wrong answer. Like D, it names three contestants. But “spoke to” is as plain as “talked to,” and “who did well” is vaguer than “top.” D is exact about what the reporter did and about whom, so it is the most precise.

The original DOE question
Question 1 as printed on page 46 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 46, question 1. Open page 46 of the handbook (PDF)

Question 35 of 51

2018 Test A English, question 16
Passage Champion of the Channel

Champion of the Channel

In 1926 an editor at the London Daily News predicted that Gertrude Ederle, an American swimmer with eighteen world records and three Olympic medals, would fail in her attempt to swim across the English Channel. He claimed that “even the most uncompromising champion of the rights and capacities of women must admit that in contests of physical skill, speed and endurance they must remain forever the weaker sex.” Yet, at only nineteen years old, Ederle not only became the first woman to accomplish this feat, she also broke the men’s record by two hours. Gertrude Ederle’s triumphant swim across the English Channel was a testimony to her determination, innovative spirit, and passion for swimming.

Crossing the English Channel is a daunting task for any swimmer. At its narrowest point, the channel measures twenty-one miles across. Its icy waters hover around sixty degrees Fahrenheit, and its unruly tides and currents toss swimmers about like bobbing corks. Stinging jellyfish, seaweed, and floating debris from shipwrecks and lost cargoes present added hazards.

For decades the channel’s perils have defeated countless swimmers. Ederle, too, failed in her first attempt to cross the channel in 1925. Just six miles short of finishing, she became ill, and her coach had to haul her out of the water. Undeterred, Ederle decided to try again. Ederle knew that if she did not complete the challenge this time, she might never get the opportunity to set this record, because a rival female swimmer was preparing to make her second attempt at the crossing as well.

To prepare for the marathon swim, Ederle found ways to improve her equipment. She and her sister Meg discovered that melted candle wax perfectly sealed goggle edges, effectively waterproofing Ederle’s goggles against hammering waves. The sisters also designed a two-piece silk swimsuit for Ederle. During her first channel-crossing attempt she had worn a standard one-piece swimsuit that, after the lengthy hours of swimming across the channel, had stretched out, filling with water and creating drag, making an already challenging task almost insurmountable. Unlike the cumbersome typical bathing suit, this silk invention weighed little and allowed for easy movement.

On August 6, 1926, Ederle waded into the channel near Cape Gris-Nez, France. At first she shivered in the bone-chilling water even though she had covered her body in eight layers of grease for insulation. Her limbs felt stiff. Her strokes were irregular. Driving forward, she fought to clear her mind and find what she called her “sphere,” a place where the sea became her only companion and the shrieks of gulls and the humming of boat engines faded away. Using a new overhand stroke called the American crawl, Ederle eventually settled into a steady pace, briskly breaking through waves.

Throughout Ederle’s swim, two tugboats accompanied her. One carried newspaper reporters who wired dispatches of her progress to shore. The other, displaying a sign that read “This way, ole kid!” with an arrow pointing forward, transported her coach, family, and friends. Her coach played songs, such as “Yes, We Have No Bananas,” on a phonograph so that Ederle could time her strokes to the rhythm. Using a net, her coach also passed her baby bottles of broth for nourishment.

For hours Ederle swam, dodging debris with an amused smile. However, as she neared the English shore, a sudden fierce storm erupted. The tides and waves forced Ederle backward, and she fought the stubborn swells for several hours. The salty water caused her tongue to swell and inflamed her ears. Yet Ederle felt indescribably happy as she churned through the sea. Finally, as she neared the English shore, the storm abated, and the tide turned. No longer fighting against her, the sea pushed her toward the shore and victory.

After fourteen hours and thirty-one minutes, Ederle, on wobbly legs, stepped onto the English shore. The waiting crowd roared, honked their automobile horns, blasted their tugboat whistles, and set off flares that flashed in the sky. Ederle had swum into history.

When Ederle returned to New York, she received a parade, where thousands of people shouted “Trudy!” Not only were everyday American citizens proud of Ederle, but she also inspired them to be more active. Over the next few years, more than 60,000 people credited her with motivating them to earn their American Red Cross swimming certificates. Gertrude Ederle’s accomplishment proved to the world that with determination and passion, it was possible for a person to achieve his or her goals.

SOLO SWIMS ACROSS THE ENGLISH CHANNEL

Earliest Speed Records

Year Swimmer Time
1875 Matthew Webb (M) 21 hours, 45 minutes
1923 Enrico Tiraboschi (M) 16 hours, 33 minutes
1926 Gertrude Ederle (F) 14 hours, 31 minutes
1926 Arnst Vierkotter (M) 12 hours, 38 minutes
Current Speed Records
Year Swimmer Time
2012 Trent Grimsey (M) 6 hours, 55 minutes
2006 Yvetta Hlavacova (F) 7 hours, 25 minutes

Question

Read this sentence from paragraph 1.

In 1926 an editor at the London Daily News predicted that Gertrude Ederle, an American swimmer with eighteen world records and three Olympic medals, would fail in her attempt to swim across the English Channel.

What does the editor’s comment reveal about the challenges Ederle faced in attempting her feat?

  • ARegardless of her ability, being an American put Ederle at a serious disadvantage over a Londoner, who would be more familiar with the English Channel.
  • BAt the time, Ederle still needed more training in order to succeed in the daunting task of swimming the English Channel.
  • CWhile Ederle could participate in athletic competition, some people were not comfortable with her attempt to swim the channel because no woman had ever attempted it before.
  • DIn spite of her previous achievements, Ederle still experienced social as well as physical obstacles in attempting to swim the channel.
Show the answer

Correct answer: D

This is the answer (D)

The question asks what the sentence reveals about Ederle’s challenges leading up to her attempt to swim across the channel.

Option D is correct because the sentence implies a lack of social support since many people believed that a woman, no matter how skilled a swimmer, did not have the strength to overcome the physical challenges that the dangerous channel waters presented (paragraph 1: “He claimed that ‘even the most uncompromising champion of the rights and capacities of women must admit that in contests of physical skill, speed and endurance they must remain forever the weaker sex.’”).

Option A is incorrect because the idea that Ederle was at a disadvantage because she was American rather than English, and thus less familiar with the channel, was not the basis for the newspaper editor’s prediction about the outcome of her swim.

Option B is incorrect because the passage establishes that Ederle was a highly accomplished swimmer who had won major world competitions (paragraph 1: “. . . Gertrude Ederle, an American swimmer with eighteen world records and three Olympic medals . . .”).

Option C is incorrect; the newspaper editor’s point was that it would be impossible for Ederle to complete the swim because she was a woman, not because people were uncomfortable with the idea since no woman had attempted it before.

Question analysis

This reading question quotes a 1926 newspaper editor's prediction that swimmer Gertrude Ederle would fail to cross the English Channel and asks what it reveals about the challenges she faced. Students must infer what lay behind the editor's prediction, and one tempting choice gets the attitude partly right but the reason wrong.

NYS standards
  • 7R1 textual evidence and inferences
  • 7R6 point of view and author position
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Inferring what a quoted opinion reveals is standard grade 7 work. The demand is typical, though the editor's full reasoning, with words like uncompromising, comes in the sentence after the one quoted in the question.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from one paragraph or stanza
Reading level
Passage: about grade 9, 790 words; question and choices: about grade 13, 148 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The quoted sentence on its own suggests only that someone doubted Ederle, so students who stay inside it guess at why. Those who read the editor's next sentence find the reason, his belief that women are the weaker sex, and can see social prejudice as an obstacle. The near miss gets the prejudice right but invents its cause, and the right answer adds the physical challenge that the second paragraph details.

  1. Reading between the lines moderate Working it out

    The quoted sentence gives only a prediction; its reason, women as “the weaker sex”, comes in the next sentence and must be read as a social obstacle alongside the channel's physical ones. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. A very close wrong answer moderate Choosing the answer

    The right choice and the one about people being uncomfortable both find a social obstacle in spite of her ability, and they part only on its cause: the editor's view of women, or no woman having tried. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. Complex sentences minor Understanding the question

    The editor's claim is one long, formal sentence beginning “even the most uncompromising champion of the rights and capacities of women”, with its point delayed to the end. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

Strategy: Read the editor's full claim in the sentence that follows, then ask what his reasoning was based on and what it suggests about the challenges she faced.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Outside knowledge: A choice is plausible in the real world but not supported by this text.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    The editor predicted that Ederle would fail. You need to work out what his prediction shows about the challenges she faced. This is an inference: a smart guess based on clues in the text.

  2. Read the editor’s reason

    The very next sentence gives his reason. He said that “even the most uncompromising champion of the rights and capacities of women must admit that in contests of physical skill, speed and endurance they must remain forever the weaker sex.”

  3. Put his words in plain English

    A champion here means a supporter of a cause. Uncompromising means not giving in at all. Capacities means abilities. So he said: even the strongest supporter of women must admit that women will always be weaker in sports. He expected her to fail just because she was a woman.

  4. See the two kinds of challenge

    The editor ignored her skill. She had “eighteen world records and three Olympic medals.” So she faced a social obstacle, one that comes from what other people think. People doubted her because she was a woman. She also faced physical obstacles. Paragraph 2 describes the icy water, the tides, and the jellyfish.

  5. Check each choice

    • D: in spite of her past wins, she faced “social as well as physical obstacles.” This matches.
    • A: the editor never mentions her being American or knowing the channel.
    • B: her records show she was well trained. Training was not the editor’s reason.
    • C: people did doubt her, but not because no woman had tried. Ederle herself had tried in 1925 (paragraph 3).

    Watch out: C spots the social problem but gives the wrong reason for it.

  6. Pick the answer

    The editor’s view of women was a social obstacle, added to the hard swim itself. So the answer is D.

Why this answer and not the closest wrong one

C is the closest wrong answer, since it also points to a social problem. But the editor’s reason was that women are “the weaker sex,” not that no woman had tried. In fact, Ederle tried in 1925. D names the real social obstacle and the physical ones too.

The original DOE question
Question 16 as printed on page 57 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 57, question 16. Open page 57 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).
The passage “Champion of the Channel” as printed (pages 56–57)The passage “Champion of the Channel” as printed on page 56 of the DOE handbook.The passage “Champion of the Channel” as printed on page 57 of the DOE handbook.

Question 36 of 51

2018 Test A English, question 18

Uses the passage above: “Champion of the Channel”.

Question

Read this sentence from paragraph 3.

Ederle knew that if she did not complete the challenge this time, she might never get the opportunity to set this record, because a rival female swimmer was preparing to make her second attempt at the crossing as well.

How does this sentence fit into the overall structure of the passage?  

  • AIt emphasizes that Ederle’s attempt to swim across the channel led other female swimmers to attempt the challenge.
  • BIt presents the reason why Ederle prepared to cross the channel again immediately after her initial failure.
  • CIt shows Ederle’s realization that she had to rethink her methods if she wanted to be the first woman to cross the channel.
  • DIt indicates that Ederle had learned from her mistakes and was working to fix them before her next attempt.
Show the answer

Correct answer: B

The answer is (B)

The question asks how the sentence from paragraph 3 fits into the overall structure of the passage.

Option B is correct because it explains that Ederle’s awareness of another female swimmer preparing to make an attempt to swim the channel directly influenced Ederle’s decision to make her second attempt as quickly as possible. Ederle wanted to be the first woman to successfully swim across the channel.

Option A is incorrect because the passage does not provide information about other female swimmers who were inspired by Ederle to swim across the channel.

Option C is incorrect because, although Ederle did rethink her methods between her first and second attempts, the sentence does not show any sort of realization nor does it address her reasoning for rethinking her methods.

Option D is incorrect because the sentence is not related to Ederle’s process for learning from her mistakes.

Question analysis

This reading question quotes a sentence about a rival swimmer from a passage on Gertrude Ederle's English Channel swim and asks how it fits the passage's overall structure. Students must see how the sentence connects her failed first attempt to what came next, and the choices differ in small but important ways.

NYS standards
  • 7R5 structure and genre features
  • 7R3 plot elements and ideas
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Explaining how one sentence fits a passage's structure is a grade 7 standard, but the choices differ by shades of meaning and the sentence must be read against the paragraphs on either side, which goes beyond typical grade 7 work.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
What makes it hard
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 9, 790 words; question and choices: about grade 10, 133 words.
Corrected from the DOE handbook
  • The handbook’s answer key was corrected, because its own explanation supports a different choice.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The sentence sits at a hinge, right before a paragraph about new goggles and a new swimsuit, so it is easy to read that paragraph's content back into it. What the sentence itself offers is a motive, the rival's plans, for trying again without delay. Students who paraphrase the sentence before reading the choices avoid the trap; those who match choices to the surrounding story fall into it.

  1. A very close wrong answer major Choosing the answer

    The right choice and the rethinking-methods one both tie the sentence to her next attempt and to being first across; only the sentence's silence about methods separates them, and even the DOE handbook keyed the wrong one. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. How, not what moderate Working it out

    The question asks what the sentence does in the passage, bridging the failed 1925 attempt and the new equipment of paragraph 4, rather than what it says. (Anderson & Krathwohl, 2001)

  3. Reading between the lines moderate Working it out

    The “because” clause gives a motive for urgency, a rival preparing her second attempt, which the student must connect to Ederle's decision to try again. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

Strategy: Reread the sentence along with the two sentences before it, put what this sentence itself says into your own words, and only then compare the choices with it.

Traps

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Answer key: The handbook keys this question G (C on this site). But its explanation of the correct answer, that knowing a rival was preparing her own attempt made Ederle decide to make her second attempt as quickly as possible, describes F (B here), and its reason for rejecting F, that the sentence shows no realization about rethinking her methods, describes G (C here). The quoted sentence gives a reason for urgency and says nothing about her methods, which the passage turns to in paragraph 4. The key is now B, and the explanation’s option letters were swapped to match its reasoning.

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks what job the sentence does in the passage. It’s not just what the sentence says, but why it is there. So look at what comes right before it and right after it.

  2. Read the sentence in its place

    Paragraph 3 says Ederle failed in 1925. Then: “Undeterred, Ederle decided to try again.” Undeterred means not discouraged. Next comes the sentence: “Ederle knew that if she did not complete the challenge this time, she might never get the opportunity to set this record, because a rival female swimmer was preparing to make her second attempt at the crossing as well.”

  3. Put it in your own words

    A rival is someone trying to reach the same goal. Another woman was getting ready to try again too. If she made it first, Ederle could never be the first woman across. So Ederle had to try again, and soon. The sentence gives the reason she hurried to try again.

  4. Notice what the sentence leaves out

    The sentence says nothing about her goggles, her swimsuit, or her methods. It doesn’t mention any mistakes she made. Those ideas come later, in paragraph 4. So any choice about fixing her methods goes beyond this sentence.

  5. Check each choice

    • B: it gives the reason she got ready to cross again so soon. A rival might beat her.
    • A has it backward. Here the rival’s plan pushes Ederle, not the other way around. Nothing says Ederle led other women to try.
    • C is about rethinking her methods. The sentence never mentions methods.
    • D is about learning from mistakes. The sentence never mentions mistakes either.

    Watch out: C is the trickiest. It gets her goal right, to be the first woman across. But “rethink her methods” is not in this sentence.

  6. Pick the answer

    The sentence explains why Ederle rushed to try again after she failed. So the answer is B.

Why this answer and not the closest wrong one

C is the closest wrong answer. Ederle did improve her gear later, and she did want to be first. But this sentence never says she needed new methods. It gives only her reason to hurry: a rival was about to try again. That is exactly what B says.

The original DOE question
Question 18 as printed on page 58 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 58, question 18. Open page 58 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D). This is the DOE’s version, before the corrections listed in the analysis.

Question 37 of 51

2018 Test A English, question 34
Passage Excerpt from A Tramp Abroad

Excerpt from A Tramp Abroad

by Mark Twain

Now and then, while we1^1 rested, we watched the laborious ant at his work. I found nothing new in him—certainly nothing to change my opinion of him. It seems to me that in the matter of intellect the ant must be a strangely overrated bird. During many summers now I have watched him, when I ought to have been in better business, and I have not yet come across a living ant that seemed to have any more sense than a dead one. I refer to the ordinary ant, of course; I have had no experience of those wonderful Swiss and African ones which vote, keep drilled armies, . . . and dispute about religion. Those particular ants may be all that the naturalist paints them, but I am persuaded that the average ant is a sham.

I admit his industry, of course; he is the hardest working creature in the world—when anybody is looking—but his leather-headedness is the point I make against him. He goes out foraging, he makes a capture, and then what does he do? Go home? No; he goes anywhere but home. He doesn’t know where home is. His home may be only three feet away; no matter, he can’t find it. He makes his capture, as I have said; it is generally something which can be of no sort of use to himself or anybody else; it is usually seven times bigger than it ought to be; he hunts out the awkwardest place to take hold of it; he lifts it bodily up in the air by main force, and starts—not toward home, but in the opposite direction; not calmly and wisely, but with a frantic haste which is wasteful of his strength; he fetches up against a pebble, and, instead of going around it, he climbs over it backwards, dragging his booty after him, tumbles down on the other side, jumps up in a passion, kicks the dust off his clothes, moistens his hands, grabs his property viciously, yanks it this way, then that, shoves it ahead of him a moment, turns tail and lugs it after him another moment, gets madder and madder, then presently hoists it into the air and goes tearing away in an entirely new direction; comes to a weed; it never occurs to him to go around it. No; he must climb it, and he does climb it, dragging his worthless property to the top—which is as bright a thing to do as it would be for me to carry a sack of flour from Heidelberg to Paris by way of Strasburg steeple; when he gets up there he finds that that is not the place; takes a cursory glance at the scenery, and either climbs down again or tumbles down, and starts off once more—as usual, in a new direction. At the end of half an hour he fetches up within six inches of the place he started from, and lays his burden down. Meantime, he has been over all the ground for two yards around, and climbed all the weeds and pebbles he came across. Now he wipes the sweat from his brow, strokes his limbs, and then marches aimlessly off, in as violent a hurry as ever. He traverses a good deal of zig-zag country, and by and by stumbles on his same booty again. He does not remember to have ever seen it before; he looks around to see which is not the way home, grabs his bundle, and starts. He goes through the same adventures he had before; finally stops to rest, and a friend comes along.

Evidently the friend remarks that a last year’s grasshopper leg is a very noble acquisition, and inquires where he got it. Evidently the proprietor does not remember exactly where he did get it, but thinks he got it “around here somewhere.” Evidently the friend contracts to help him freight it home. Then, with a judgment peculiarly antic (pun not intentional), they take hold of opposite ends of that grasshopper leg and begin to tug with all their might in opposite directions. Presently they take a rest, and confer together. They decide that something is wrong, they can’t make out what. Then they go at it again, just as before. Same result. Mutual recriminations follow. Evidently each accuses the other of being an obstructionist. They warm up, and the dispute ends in a fight. They lock themselves together and chew each other’s jaws for a while; then they roll and tumble on the ground till one loses a horn or a leg and has to haul off for repairs. They make up and go to work again in the same old insane way, but the crippled ant is at a disadvantage; tug as he may, the other one drags off the booty and him at the end of it. Instead of giving up, he hangs on, and gets his shins bruised against every obstruction that comes in the way. By and by, when that grasshopper leg has been dragged all over the same old ground once more, it is finally dumped at about the spot where it originally lay. The two perspiring ants inspect it thoughtfully and decide that dried grasshopper legs are a poor sort of property after all, and then each starts off in a different direction to see if he can’t find an old nail or something else that is heavy enough to afford entertainment and at the same time valueless enough to make an ant want to own it. . . .

Science has recently discovered that the ant does not lay up anything for winter use. . . . He does not work, except when people are looking, and only then when the observer has a green, naturalistic look, and seems to be taking notes. This amounts to deception, and will injure him for the Sunday schools. He has not judgment enough to know what is good to eat from what isn’t. This amounts to ignorance, and will impair the world’s respect for him. . . . He cannot stroll around a stump and find his way home again. This amounts to idiocy, and once the damaging fact is established, thoughtful people will cease to look up to him. It is strange beyond comprehension that so manifest a humbug as the ant has been able to fool so many nations and keep it up so many ages without being found out.

we1^1: the author and his fictional travel companion

From A TRAMP ABROAD by Mark Twain—Public Domain

Question

Read this sentence from paragraph 3.

The two perspiring ants inspect it thoughtfully and decide that dried grasshopper legs are a poor sort of property after all, and then each starts off in a different direction to see if he can’t find an old nail or something else that is heavy enough to afford entertainment and at the same time valueless enough to make an ant want to own it.

How does the word choice in the sentence contribute to the overall meaning of the excerpt?

  • AIt creates a humorous critique of the ants’ intense attitude toward their pointless work.
  • BIt illustrates the ants’ confusion over their lack of positive results compared with their level of effort.
  • CIt highlights the ants’ frustration as they repeatedly chose a difficult task over one that could be accomplished more easily.
  • DIt illustrates the ants’ stubborn determination to hold on to the worthless object.
Show the answer

Correct answer: A

The answer is (A)

The question asks for an explanation of how the word choice in the sentence adds to the meaning of the excerpt. The image the author creates of two sweating ants abandoning the grasshopper leg to look for “an old nail,” which an ant would want because it is “valueless,” is comical, as suggested in Option A.

Option B is incorrect because it is a misinterpretation of the excerpt, as the ants are not confused but are acting decisively (paragraph 3: “Then they go at it again, just as before”).

Option C is incorrect because the ants find moving heavy objects to be an amusing way to spend their time and are not aware enough to feel frustrated (paragraph 3: “something else that is heavy enough to afford entertainment and at the same time valueless enough to make an ant want to own it”).

Option D is incorrect because the ants are willingly giving up on their object (paragraph 3: “decide that dried grasshopper legs are a poor sort of property after all”).

Question analysis

This question asks how Mark Twain's word choice in one long sentence, where two sweating ants give up on a grasshopper leg and go looking for something else to carry, shapes the excerpt's meaning. Students must judge the tone of words such as “thoughtfully,” “entertainment” and “valueless” and relate it to the excerpt as a whole.

NYS standards
  • 7R4 word meaning and choice
  • 7L5 figurative language and word relationships
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Grade 7 students regularly judge how word choice shapes tone, so the skill is familiar. What adds demand is one very long sentence whose effect depends on reading its adjectives against the situation they describe.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
What makes it hard
Evidence
Answered from one sentence or line
Reading level
Passage: about grade 9, 1099 words; question and choices: about grade 11, 149 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The sentence comes after a brawl, so readers expect frustration or confusion, and two wrong choices supply exactly those moods from earlier in paragraph 3. Here, though, the ants are calm and deliberate, and the joke is that their calm reasoning picks the heaviest, most worthless thing to haul. Students who judge the words of this sentence, not the paragraph's general mood, see that it mocks the ants' earnest attitude toward pointless work.

  1. Figurative or literary language major Understanding the question

    The humor is ironic logic: the ants inspect “thoughtfully,” then seek something “heavy enough to afford entertainment” and “valueless enough” to own, praising the very qualities that make their work pointless. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. Complex sentences moderate Understanding the question

    The effect builds across one 67-word sentence whose key phrases come at the very end, after a chain of clauses about inspecting, deciding and setting off. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

Strategy: Underline the words that describe the ants' thinking and goals, decide what effect they have in this sentence, and then compare that effect with each choice.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This is a word-choice question. It asks how the words in one sentence add to the meaning of the excerpt. Pay attention to the tone, which is the feeling the words give.

  2. Find the key words

    The sentence ends paragraph 3. First the ants “inspect it thoughtfully.” Then each one looks for “an old nail or something else that is heavy enough to afford entertainment and at the same time valueless enough to make an ant want to own it.”

  3. Work out the joke

    “Afford entertainment” means give them fun. “Valueless” means worth nothing. Twain makes the ants sound careful and wise. Then they decide to look for something heavy and worthless.

    That is the joke. The very things that make their work pointless are what they want most. Twain is making fun of how seriously the ants take their silly work.

  4. Check each choice

    • A fits. The words make a funny critique (a judgment) of the ants’ serious attitude toward pointless work.
    • B In this sentence the ants are not confused. They think it over and decide calmly.
    • C They do pick heavy things, but for fun, not out of frustration.
    • D They give the leg up. They decide it is “a poor sort of property after all.”
  5. Choose the answer

    The sentence pokes fun at how hard the ants work at nothing. So the answer is A.

Why this answer and not the closest wrong one

C is the closest trap, since the ants really do choose heavy loads. But the anger came earlier in the paragraph, during the fight. In this sentence the ants are calm. They want something heavy to have fun with. Fun, not frustration, is the point, and Twain makes it funny. That matches A.

The original DOE question
Question 34 as printed on page 66 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 66, question 34. Open page 66 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).
The passage “Excerpt from A Tramp Abroad” as printed (pages 62–63)The passage “Excerpt from A Tramp Abroad” as printed on page 62 of the DOE handbook.The passage “Excerpt from A Tramp Abroad” as printed on page 63 of the DOE handbook.

Question 38 of 51

2018 Test A English, question 36
Passage Ruins of a Fabled City

Ruins of a Fabled City

The African country of Zimbabwe took its name from the Shona word meaning “stone enclosures” or “venerated houses.” In fact, today dozens of stone ruins are scattered throughout Zimbabwe and other areas in southeastern Africa. One of these ruins, known as Great Zimbabwe, was once a fabled city that inspired tales that circulated throughout Europe. Where was this remarkable city, and who had built it? For centuries the mystery occupied the minds of explorers and treasure seekers.

The first reports to Europeans of Great Zimbabwe were spread a thousand years ago by Arab traders sailing between the Middle East and the east coast of Africa. The traders told of the fabulous wealth of a mysterious stone city in the African interior. In the trader’s tales, that city became associated with the Europeans’ understanding of Middle Eastern history—the Queen of Sheba, King Solomon and his legendary gold mines, long since lost to the world. By the sixteenth century, Portuguese explorers regularly visited East Africa, searching for King Solomon’s gold, but they never found Great Zimbabwe. In 1552, a Portuguese historian, João de Barros, recorded a story told by Arabs about a city with a “square fortress of masonry within and without, built of stones of marvelous size, and there appears to be no mortar joining them.”

In fact, Great Zimbabwe was a marvel. In one area a massive wall more than thirty feet high and twenty feet thick created a great enclosure. Another area contained a fortress-like series of walls, corridors, and steps built into the bluff that overlooks the ruins. Throughout the city, each stone was precisely fitted to the others without the use of mortar.

In the 1870s Karl Mauch, a German geologist, was the first European to see Great Zimbabwe, by then in ruins. Mauch realized that he had “rediscovered” the fabled city from de Barros’s story. He jumped to the conclusion that Great Zimbabwe had been built by the Queen of Sheba. British authorities sent a British journalist, Richard Hall, to Great Zimbabwe to investigate Mauch’s report. Archaeology was still in its infancy, and Hall, convinced that the structures had been built by ancient people from the Middle East, dug up and discarded archaeological deposits that would have revealed much about the true history of Great Zimbabwe. Later European excavations destroyed even more valuable evidence.

In the twentieth century, after excavating areas that had not been disturbed, David Randall-MacIver, a Scottish Egyptologist, and Gertrude Caton-Thompson, an English archaeologist, concluded that the ruins were unmistakably African in origin. Great Zimbabwe was most likely built during the fourteenth or fifteenth century by the ancestors of the present-day Shona people. Recent carbon-14 dating supports their conclusion. Great Zimbabwe was once home to an estimated 20,000 people, the center of a great Shona kingdom. Wealthy Shona kings traded their ivory and gold in coastal towns for other goods, thus accounting for the discovery of beads and other foreign wares in the ruins.

One mystery of Great Zimbabwe had been solved. Another mystery remains: why was the settlement at Great Zimbabwe abandoned, leaving the magnificent stone architecture to fall into ruins?

Question

Which statement best describes the central idea of the passage?

  • AGreat Zimbabwe was an enormous stone city thought to be home to some of the greatest treasure of ancient history.
  • BMysteries related to Great Zimbabwe continue to interest historians and explorers even though archaeologists have confirmed its origins.
  • CThe history of Great Zimbabwe was subject to much speculation until modern archaeologists definitively determined its origins.
  • DEarly missteps in the study and excavation of the Great Zimbabwe ruins led to the loss of valuable evidence about the city.
Show the answer

Correct answer: C

The answer is (C)

The question asks for the sentence that best summarizes the central idea of the passage. The idea that there was much speculation about Great Zimbabwe is explained at the end of paragraph 1 and in paragraph 2, and the details about how modern archaeologists determined its origins are explained in paragraph 5.

Option C best represents the central idea that is developed and supported throughout the passage.

Option A is incorrect because it does not fully express the central idea of the passage: it includes facts from only the beginning of the passage and does not take into account the discoveries revealed about Great Zimbabwe in paragraph 5.

Option B is incorrect because it focuses mainly on the idea that archaeologists are still interested in the mysteries of Great Zimbabwe (paragraph 6) and does not fully explain the central idea.

Option D is incorrect because the fact that early excavations of Great Zimbabwe caused the destruction of valuable evidence is a detail from paragraph 4, and the option does not fully convey the central idea of the passage.

Question analysis

This central idea question asks which statement best sums up “Ruins of a Fabled City,” an informational passage about Great Zimbabwe, the stone ruins in southeastern Africa. Students must weigh the whole passage, from traders' legends to later excavations and a final unsolved question, and decide which choice best covers it.

NYS standards
  • 7R2 theme or central idea
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Finding the central idea of a six-paragraph informational text is core grade 7 work. The passage is dense with names, dates and theories, which adds reading load, but the task matches what grade 7 state tests routinely ask.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from the whole text
Reading level
Passage: about grade 11, 524 words; question and choices: about grade 12, 87 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Every choice is drawn from the passage, so the work is judging scope. Two choices summarize one stage of the story well, and one blends the solved question with the unsolved one in a way that sounds like a full summary. The key is the only one that runs from the early speculation to the twentieth-century finding, and students who sketch the passage's arc before reading the choices spot it fastest.

  1. A lot to read moderate Understanding the question

    Six paragraphs span a thousand years and a crowd of names, from Arab traders and de Barros to Mauch, Hall, Randall-MacIver and Caton-Thompson, and the summary must hold them together. (Kintsch, 1998; Gorin & Embretson, 2006; Freedle & Kostin, 1993)

  2. A very close wrong answer moderate Choosing the answer

    B and C both say archaeologists settled the city's origins; they differ in the other half, where C traces the speculation before that finding and B claims historians and explorers are still chasing mysteries. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. Every choice must be checked minor Choosing the answer

    The treasure-city and destroyed-evidence choices are each accurate for a paragraph or two, so each must be measured against the whole passage rather than checked for truth. (Embretson & Wetzel, 1987)

Strategy: Jot a few words for what each of the six paragraphs does, then pick the statement that accounts for most of them; one true of only a paragraph or two is too narrow.

Traps

  • Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.
  • Half right: One half of a two-part choice is right and the other is not.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This question asks for the central idea. That is the main point of the whole passage, not of one paragraph. The right choice must cover most of the passage.

  2. Note what each paragraph does

    • Paragraph 1: Great Zimbabwe was a “fabled city,” a city from legends. Who built it was a mystery.
    • Paragraph 2: Traders told tales and linked it to King Solomon’s gold.
    • Paragraph 3: Its stone walls were amazing.
    • Paragraph 4: Mauch and Hall guessed wrong and destroyed evidence.
    • Paragraph 5: Scientists showed that Africans built it.
    • Paragraph 6: Why people left is still unknown.
  3. See the shape of the passage

    Most of the passage is about guesses: tales, legends and wrong ideas about who built the city. Speculation means guessing without proof.

    Then, in paragraph 5, archaeologists (scientists who dig up and study old things) found that the ruins were “unmistakably African in origin.” So the passage moves from guessing to an answer.

  4. Check each choice

    • A covers only the early legends. It stops before the answer.
    • B blows up the one open question in paragraph 6. The passage never says explorers are still chasing mysteries.
    • C fits. It runs from the guessing to the answer.
    • D is true, but it covers only paragraph 4.
  5. Choose the answer

    The passage is about guesses that lasted until archaeologists found the truth. So the answer is C.

Why this answer and not the closest wrong one

B is the closest choice. Like C, it says archaeologists found the city’s origins. But B adds that mysteries “continue to interest historians and explorers.” The passage names only one open question and never says that. C covers paragraphs 1 through 5, so it fits better.

The original DOE question
Question 36 as printed on page 69 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 69, question 36. Open page 69 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).
The passage “Ruins of a Fabled City” as printed (page 68)The passage “Ruins of a Fabled City” as printed on page 68 of the DOE handbook.

Question 39 of 51

2018 Test A English, question 42
Passage Cross-Purposes

Cross-Purposes

What I am is built: concrete and steel.
I defy gravity. I am what every athlete
wants: to remain at the apex of the leap,
up in the air. And yet I am useful, too:
cars, trucks, people, even trains
make their way across my broad back.
Swallows and ospreys1^1 nest in my trusses.

What I am is motion. I am water, and I am older
than anything else you know. No human
built me. I am gravity’s best friend; I pool
and flow wherever gravity takes me.
I am the blood flowing in the runner’s chest,
and I catch everything: from the hills,
the mountains. It all washes down through me.

What you are is an accident,
what happens to rain when rain gives in
to Earth’s gravitational pull.
You are some tears dribbling from a mountain’s
eye, running down the pavements
of small towns, into the cities, to the sea.
You are the path of least resistance.

What I am is power. You, of course,
have none: you are a static lump, an artifact
slowly decaying. But my regal flow
nourishes grasses, permits empires to rise.
Those who made you will break you,
in time, replacing you with yet another
clumsy structure. I have seen. I know.

“Clumsy”? Being rebuilt makes me
a friend of time, does it not? And it means
that I have siblings—those “clumsy” structures,
my sisters and brothers.
We stitch across the rip you make.
We are steel thread to the human needle.
We bind you up. We sew you.

And I sow into you; in every cranny
of your superstructure my vapors cling.
They bring out your softness, your rust.
Boast your best, and boast better yet.
I am listening to the bright hum
of the wind in your wires. Because I am,
above all else, patient. I will wait for you.

1^1ospreys: large birds

Question

How does the similar construction of the sentence in line 1 and the sentence in line 8 contribute to the meaning of the poem?

  • AIt introduces the intended permanence of the structure and the ever-changing fluidity of the water.
  • BIt shows that the structure can bridge the gap caused by the water.
  • CIt suggests that the structure has more limitations than the water.
  • DIt contrasts the stability of the structure with the instability of the water.
Show the answer

Correct answer: A

The answer is (A)

The question asks how the similarity in the construction of lines 1 and 8 contributes to the meaning of the poem. By beginning lines 1 and 8 with “What I am is,” each speaker establishes its defining feature, both of which are stated in Option A.

Option B is incorrect because the focus of the lines is defining the speakers’ individuality, not how one speaker resolves a problem created by the other.

Option C is incorrect because the structure is not stating in line 1 that it is limited because it was built to stand in place; on the contrary, the structure is stating that this sense of purpose and permanence is its strength.

Option D is incorrect because, in these lines, each speaker is trying to establish its stability, which for the structure is based on strength and for the water is based on longevity.

Question analysis

In the poem “Cross-Purposes,” a built structure and a body of water speak in turn, and both of their opening stanzas begin “What I am is.” This question asks how that matching sentence pattern adds to the poem's meaning. Students must judge precisely how each speaker describes itself, since the choices differ in small but important words.

NYS standards
  • 7R5 structure and genre features
  • 7R6 point of view and author position
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 poetry questions often ask what a repeated phrase emphasizes. Here the repetition sets up two opposed speakers, and the choices hinge on fine distinctions of connotation, which pushes the task above typical grade 7 work.
Estimated difficulty
Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: 316 words (a poem; reading level not measured); question and choices: about grade 8, 74 words.
Corrected from the DOE handbook
  • A grammar slip in the explanation was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Two choices describe the same contrast, built versus moving, and differ only in the judgment their words carry. Students who see the contrast quickly can still lose the point by choosing the version that calls the water unstable, since nothing in the water's stanza treats motion as a weakness; it boasts of being older than anything. The question rewards weighing the connotation of each word in a choice, not just its overall direction.

  1. A very close wrong answer major Choosing the answer

    A and D describe the same contrast in near-synonyms, permanence and stability against fluidity and instability; they differ only in the word “instability,” a weakness the proud water never claims. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. How, not what moderate Working it out

    The stem asks what the shared opening “What I am is” does, so students must see that it sets up two self-definitions, “built” and “motion,” as rival claims. (Anderson & Krathwohl, 2001)

  3. Figurative or literary language moderate Understanding the question

    The speakers are personified and the structure is never named, so students must infer from “concrete and steel” and the trains on its “broad back” that a bridge is speaking. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  4. Hard words minor Understanding the question

    The choices turn on abstract words such as “permanence,” “fluidity” and “instability” that never appear in the poem. (Perfetti, 2007; Freedle & Kostin, 1993)

Strategy: Read the opening sentences of the first two stanzas side by side, name each speaker's defining quality in a word, and test every choice's wording against what the speakers actually claim.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: The handbook reads “how the similarity in the construction of lines 1 and 8 contribute”. It now reads “contributes”, to agree with “similarity”.

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This is a question about the poem’s structure. Lines 1 and 8 are built the same way. You need to see what that sameness does for the meaning.

  2. Compare lines 1 and 8

    Line 1 opens the first stanza (a group of lines in a poem): “What I am is built: concrete and steel.”

    Line 8 opens the second stanza: “What I am is motion. I am water.”

    Both start with the same words, “What I am is.” Each speaker is telling you the one thing that defines it.

  3. Work out who is talking

    Two things talk in this poem. The first is a structure, most likely a bridge. It is made of “concrete and steel,” and trains cross its “broad back.” The second is water. Giving human traits, like speech, to things that are not human is called personification.

    The bridge is “built”: made to stay in place for a long time. The water is “motion”: always moving and changing.

  4. Check each choice

    • A fits. “Built” suggests permanence (lasting). “Motion” suggests fluidity (flowing like a liquid).
    • B The bridge closing a gap comes later, in lines 33–35. Lines 1 and 8 mention no gap.
    • C The bridge is proud of being built. It admits no limits here.
    • D “Instability” makes moving sound like a weakness. The water is proud of its motion.
  5. Choose the answer

    The matching lines set the structure’s lasting strength against the water’s constant flow. So the answer is A.

Why this answer and not the closest wrong one

D is the closest trap, because it describes the same contrast. But instability means being shaky or weak. The water never sees itself that way. It brags that it is “older / than anything else you know.” A uses “fluidity,” which treats motion as a strength.

The original DOE question
Question 42 as printed on page 73 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 73, question 42. Open page 73 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D). This is the DOE’s version, before the corrections listed in the analysis.
The passage “Cross-Purposes” as printed (pages 72–73)The passage “Cross-Purposes” as printed on page 72 of the DOE handbook.The passage “Cross-Purposes” as printed on page 73 of the DOE handbook.

Question 40 of 51

2018 Test A English, question 43

Uses the passage above: “Cross-Purposes”.

Question

Read lines 2–4 and lines 12–14 from the poem.

I am what every athlete
wants: to remain at the apex of the leap,
up in the air.

I am the blood flowing in the runner’s chest,
and I catch everything: from the hills,
the mountains.

How do the lines contribute to the development of a central idea of the poem?

  • AThey establish that both the structure and the water have endurance and control.
  • BThey highlight that both the structure and the water are powerful and impressive.
  • CThey suggest that the structure and the water are unaware of how similar they are.
  • DThey reveal that the structure and the water are surprised that they are interrelated.
Show the answer

Correct answer: B

The answer is (B)

The question asks how the lines contribute to the development of a central idea in the poem. The lines “I am what every athlete / wants” (lines 2–3) and “I am the blood flowing in the runner’s chest” (line 12) communicate that each speaker is an object of admiration and a powerful force, so Option B is correct.

Option A is incorrect because nothing in the language of the lines communicates control.

Option C is incorrect because the lines describe opposing characteristics: the structure’s description conveys stillness—remaining “up in the air” (line 4)—while the water’s description conveys movement—“flowing in the runner’s chest” (line 12). Additionally, the idea that the speakers fail to recognize similarities is not part of a central idea.

Option D is incorrect because there is no evidence in the poem that the two speakers understand that they are interrelated.

Question analysis

Students compare two sets of lines from the poem “Cross-Purposes” in which the structure and the water each describe themselves through athletes, one leaping and one running. The question asks how these lines develop a central idea, which means comparing two images that seem opposite and deciding what the pairing adds.

NYS standards
  • 7R2 theme or central idea
  • 7R5 structure and genre features
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Typical grade 7 work asks what one image suggests. This question pairs images from two speakers in a two-voice poem and asks for a shared idea, with abstract choices that all sound plausible, which is above grade 7.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: 316 words (a poem; reading level not measured); question and choices: about grade 7, 113 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The athlete images point in opposite directions, one frozen in the air and one in motion, so students may look for a contrast when the question wants what the two share. Both speakers are borrowing the glamour of athletes to boast, which is what makes them powerful and impressive. The other choices either add a quality, control, that neither image carries, or credit the speakers with feelings the poem never shows.

  1. Figurative or literary language major Understanding the question

    Both claims are metaphors: the bridge is the athlete's dream of staying “at the apex of the leap,” and the water is “the blood flowing in the runner's chest,” so each image must be translated into a quality. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. Combines ideas moderate Working it out

    The two sets of lines come from rival speakers in different stanzas, and the answer has to name one idea true of both, not of either alone. (Embretson, 1998; Daniel & Embretson, 2010)

  3. A very close wrong answer moderate Choosing the answer

    A and B share the frame “both the structure and the water” plus two qualities; A's endurance is close to B's power, and only its added “control” finds no support in the lines. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

Strategy: For each set of lines, ask what the speaker claims about itself through the athlete image; then keep only a choice that fits both speakers and these exact words.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks how two sets of lines build a central idea. The structure speaks one set, and the water speaks the other. You need one idea that fits both.

  2. Read both sets of lines

    The structure says, in lines 2–4: “I am what every athlete / wants: to remain at the apex of the leap, / up in the air.”

    The water says, in lines 12–14: “I am the blood flowing in the runner’s chest, / and I catch everything.”

  3. Work out what each speaker claims

    The apex is the very top. Every athlete wishes they could stay at the top of a jump. The structure stays up there all the time. So it brags that it does what athletes dream of.

    The water says it is the blood that keeps a runner going. Both speakers compare themselves to strong athletes. Both are showing off how powerful and impressive they are.

  4. Check each choice

    • A Endurance (lasting a long time) could fit. But nothing in the lines shows control.
    • B fits. Both speakers boast of being powerful and impressive.
    • C The poem never says they don’t notice how alike they are.
    • D Neither speaker shows surprise. Their tone is proud.
  5. Choose the answer

    Both sets of lines show the speakers bragging about their power. So the answer is B.

Why this answer and not the closest wrong one

A is the closest choice. Like B, it says something good about both speakers. But A adds “control,” and neither set of lines shows either speaker controlling anything. Every part of B fits both sets of lines, with nothing extra.

The original DOE question
Question 43 as printed on page 73 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 73, question 43. Open page 73 of the handbook (PDF)

Question 41 of 51

2018 Test A English, question 47

Uses the passage above: “Cross-Purposes”.

Question

The last stanza (lines 36–42) conveys a central idea of the poem by

  • Ademonstrating that both the structure and the water depend on each other to fulfill their functions.
  • Bimplying that a stronger structure would be able to resist the degradation caused by the water.
  • Crevealing that the passage of time will render both the structure and the water obsolete.
  • Dsuggesting that the water will eventually weaken the structure and will continue to exist after the structure is gone.
Show the answer

Correct answer: D

The answer is (D)

The question asks how the last stanza conveys a central idea of the poem. In lines 36–38, the speaker (the water) describes how its “vapors cling” to the structure, bringing out the structure’s “softness” and “rust,” thus destroying the structure over time. Also, in line 42, the speaker says it is “patient” and “will wait for you,” suggesting that the speaker will be around after the structure is gone. These phrases in the last stanza indicate that Option D is correct.

Option A is incorrect because the last stanza includes no indication that the structure and the water depend on each other.

Option B is incorrect because the last stanza refers to the opposing speaker (the structure) and not to any other structure.

Option C is incorrect because the last stanza addresses only the idea that the structure will grow weak and obsolete over time.

Question analysis

Students must explain how the final stanza of “Cross-Purposes,” spoken by the water, conveys a central idea of the poem. The stanza mixes a pun on sewing and sowing, images of vapor and rust, and a taunt about boasting, so students must read past the wordplay to the stanza's main claim.

NYS standards
  • 7R2 theme or central idea
  • 7R5 structure and genre features
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Linking a stanza to a poem's central idea is standard grade 7 work. The stanza's wordplay takes some decoding, but each choice can be checked against the stanza itself, so the overall demand is typical.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from one paragraph or stanza
Reading level
Passage: 316 words (a poem; reading level not measured); question and choices: about grade 9, 78 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The stanza's meaning is a quiet threat: moisture works into the structure, rusts it, and the water simply waits. Students who decode the rust and the waiting usually reach the key, but one wrong choice gets the decay right and then sweeps the water into it too. The taunt to “boast better yet” is the other snare, since read straight it sounds like an invitation to build a stronger structure.

  1. Figurative or literary language major Understanding the question

    The stanza works through wordplay and images: “I sow into you” puns on the structure's “We sew you,” vapors cling to bring out “your rust,” and “I will wait for you” is a threat. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. A very close wrong answer moderate Choosing the answer

    C and D agree that time will wear the structure down; they differ only in the water's fate, which D says outlasts the structure and C says becomes obsolete too, against “above all else, patient.” (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. Hard words minor Understanding the question

    “Cranny” and “superstructure” in the stanza, and “degradation” and “obsolete” in the choices, are words a seventh grader may not know. (Perfetti, 2007; Freedle & Kostin, 1993)

Strategy: Paraphrase each sentence of the last stanza in plain words, then check both halves of every choice, since a choice can fit one speaker and not the other.

Traps

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks how the last stanza shows a central idea. The water is speaking. You need to work out what it is really saying to the structure.

  2. Read the last stanza

    Lines 36–38 say: “And I sow into you; in every cranny / of your superstructure my vapors cling. / They bring out your softness, your rust.”

    Lines 41–42 end the poem: “Because I am, / above all else, patient. I will wait for you.”

  3. Work out the hidden threat

    A cranny is a small crack. Vapors are tiny drops of water in the air, like mist. The superstructure is the main body of the structure. So the water’s mist creeps into every crack and makes the steel rust and weaken.

    “Sow” sounds like “sew,” but it means to plant seeds. The water plants rust. Then it says it will wait. It expects to still be here after the structure is gone.

  4. Check each choice

    • A The stanza shows the water harming the structure, not needing it.
    • B No stronger structure is mentioned. “Boast better yet” is a dare, not advice.
    • C The structure will wear down, but the water won’t. It is patient and waiting.
    • D fits. The water will rust the structure and outlast it.
  5. Choose the answer

    The water will slowly weaken the structure and still be around after it is gone. So the answer is D.

Why this answer and not the closest wrong one

C is the closest trap. C and D agree that time will wear down the structure. But C says the water will become obsolete, or useless, too. The water says the opposite: “I will wait for you.” Only D gets both speakers right.

The original DOE question
Question 47 as printed on page 74 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 74, question 47. Open page 74 of the handbook (PDF)

Question 42 of 51

2018 Test A English, question 49

Uses the passage above: “Cross-Purposes”.

Question

How does the poet develop the points of view of the structure and the water?

  • Aby relating a discussion between them about the future of human civilization
  • Bby narrating a debate they have over their impact on the environment
  • Cby illustrating the unique power they each possess over nature
  • Dby using personification to allow them to debate who is more important
Show the answer

Correct answer: D

The Answer is (D)

The question asks how the poet develops the two points of view. The poet develops the two speakers’ points of view by personifying (giving human characteristics to something nonhuman, such as an object or animal) the structure and the water, allowing them to debate by criticizing each other and declaring their own importance. Thus, Option D is correct.

Option A is incorrect because future civilizations do not play a significant role in the development of points of view.

Option B is incorrect because, while the speakers do discuss their impact on the environment, there is no narrator speaking for them.

Option C is incorrect because these details do not convey points of view.

Question analysis

This question asks how the poet of “Cross-Purposes” develops the points of view of its two speakers, a structure and the water. Students must decide both how the poet presents the two voices and what the exchange between them is mainly about, and each choice sounds partly true.

NYS standards
  • 7R6 point of view and author position
  • 7L5a interpreting allusions
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Analyzing how a writer develops and contrasts two speakers' points of view is exactly what the grade 7 standard describes. The choices are short, though each mixes a method with a topic, so the demand is typical for grade 7.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from the whole text
Reading level
Passage: 316 words (a poem; reading level not measured); question and choices: about grade 9, 61 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Each choice joins a way of presenting the speakers with a subject for their exchange, and most get one half right. The poem gives no narrator and no neutral voice, only two personified things arguing about which of them matters more, so students must check the method and the topic separately. The close miss is the debate described as narrated and as being about the environment.

  1. How, not what moderate Working it out

    The question asks for the poet's method, so a choice must name how the voices are built, personified speakers trading boasts and insults, not just what they talk about. (Anderson & Krathwohl, 2001)

  2. Something you must already know minor Working it out

    The key uses the literary term “personification,” which the poem never names, so students must recognize talking concrete and water as that device. (Anderson & Krathwohl, 2001)

  3. Every choice must be checked minor Choosing the answer

    Each choice pairs a method with a topic, a discussion, a debate, an illustration, so both halves must be checked against the six stanzas. (Embretson & Wetzel, 1987)

Strategy: Reread the stanzas in order and note who speaks, to whom, and what each speaker says; then test both halves of each choice against those notes.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks about the poet’s method. How does the poet show us what each speaker thinks? The right choice must name both the method and the topic correctly.

  2. Notice who speaks

    Read the stanzas in order. The structure speaks first, then the water, and they take turns. There is no narrator (a storyteller outside the action). Each one talks to the other as “you” and brags about itself. The structure says, “I am useful, too.” The water says, “What I am is power.”

  3. Name the method

    A bridge and water can’t really talk. The poet gives them human voices. That is personification: giving human traits to things that are not human.

    Through those voices, they argue. Each tries to prove it matters more. The water calls the structure “a static lump,” which means a lump that doesn’t move. The structure calls the water “an accident.”

  4. Check each choice

    • A Empires come up only once. The speakers argue about themselves, not the future.
    • B There is a debate, but no narrator tells it. And it is about who matters more, not the environment.
    • C This names powers the speakers claim. It does not say how the poet builds their views.
    • D fits. Personification lets them argue about who is more important.
  5. Choose the answer

    The poet uses personification so the two can argue about who matters more. So the answer is D.

Why this answer and not the closest wrong one

B is the closest trap, because there really is a debate. But “narrating” means a storyteller tells it, and no one does. The speakers talk for themselves. B also gets the topic wrong. D gets both the method and the topic right.

The original DOE question
Question 49 as printed on page 75 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 75, question 49. Open page 75 of the handbook (PDF)

Question 43 of 51

2018 Test B English, question 18
Passage Excerpt from A Voice in the Wilderness

Excerpt from A Voice in the Wilderness

by Grace Livingston Hill

With a lurch the train came to a dead stop and Margaret Earle, hastily gathering up her belongings, hurried down the aisle and got out into the night.

It occurred to her, as she swung her heavy suit-case down the rather long step to the ground, and then carefully swung herself after it, that it was strange that neither conductor, brakeman, nor porter had come to help her off the train, when all three had taken the trouble to tell her that hers was the next station; but she could hear voices up ahead. Perhaps something was the matter with the engine that detained them and they had forgotten her for the moment.

The ground was rough where she stood, and there seemed no sign of a platform. Did they not have platforms in this wild Western land, or was the train so long that her car had stopped before reaching it?

She strained her eyes into the darkness, and tried to make out things from the two or three specks of light that danced about like fireflies in the distance. She could dimly see moving figures away up near the engine, and each one evidently carried a lantern. The train was tremendously long. A sudden feeling of isolation took possession of her. Perhaps she ought not to have got out until some one came to help her. Perhaps the train had not pulled into the station yet and she ought to get back on it and wait. Yet if the train started before she found the conductor she might be carried on somewhere and he justly blame her for a fool.

There did not seem to be any building on that side of the track. It was probably on the other, but she was standing too near the cars to see over. She tried to move back to look, but the ground sloped and she slipped and fell in the cinders1^1, bruising her knee and cutting her wrist.

In sudden panic she arose. She would get back into the train, no matter what the consequences. They had no right to put her out here, away off from the station, at night, in a strange country. If the train started before she could find the conductor she would tell him that he must back it up again and let her off. He certainly could not expect her to get out like this.

She lifted the heavy suit-case up the high step that was even farther from the ground than it had been when she came down, because her fall had loosened some of the earth and caused it to slide away from the track. Then, reaching to the rail of the step, she tried to pull herself up, but as she did so the engine gave a long snort and the whole train, as if it were in league against her, lurched forward crazily, shaking off her hold. She slipped to her knees again, the suit-case, toppled from the lower step, descending upon her, and together they slid and rolled down the short bank, while the train . . . ran giddily off into the night.

The horror of being deserted helped the girl to rise in spite of bruises and shock. She lifted imploring hands to the unresponsive cars as they hurried by her—one, two, three, with bright windows, each showing a passenger, comfortable and safe inside, unconscious of her need.

A moment of useless screaming, running, trying to attract some one’s attention, a sickening sense of terror and failure, and the last car slatted itself past with a mocking clatter, as if it enjoyed her discomfort.

Margaret stood dazed, reaching out helpless hands, then dropped them at her sides and gazed after the fast-retreating train, the light on its last car swinging tauntingly, blinking now and then with a leer in its eye, rapidly vanishing from her sight into the depth of the night.

She gasped and looked about her for the station that but a short moment before had been so real to her mind; and, lo! on this side and on that there was none!

The night was wide like a great floor shut in by a low, vast dome of curving blue set with the largest, most wonderful stars she had ever seen. Heavy shadows of purple-green, smoke-like, hovered over earth darker and more intense than the unfathomable blue of the night sky. It seemed like the secret nesting-place of mysteries wherein no human foot might dare intrude. It was incredible that such could be but common sage-brush, sand, and greasewood wrapped about with the beauty of the lonely night.

No building broke the inky outlines of the plain, nor friendly light streamed out to cheer her heart. Not even a tree was in sight, except on the far horizon, where a heavy line of deeper darkness might mean a forest. Nothing, absolutely nothing, in the blue, deep, starry dome above and the bluer darkness of the earth below save one sharp shaft ahead like a black mast throwing out a dark arm across the track.

As soon as she sighted it she picked up her baggage and made her painful way toward it, for her knees and wrist were bruised and her baggage was heavy.

A soft drip, drip greeted her as she drew nearer; something plashing down among the cinders by the track. Then she saw the tall column with its arm outstretched, and looming darker among the sage-brush the outlines of a water-tank. It was so she recognized the engine’s drinking-tank, and knew that she had mistaken a pause to water the engine for a regular stop at a station.

1^1cinders: track bed made from the residue of burnt coal

From A VOICE IN THE WILDERNESS by Grace Livingston Hill—Public Domain

Question

Read this sentence from paragraph 4.

Yet if the train started before she found the conductor she might be carried on somewhere and he justly blame her for a fool.

How does the sentence contribute to the development of the plot?

  • AIt shows how Margaret’s reliance on the guidance of others leads to the external conflict she faces.
  • BIt reveals how Margaret’s concern about the opinions of others causes the external conflict she faces.
  • CIt highlights how Margaret’s indecision results in the external conflict being prolonged.
  • DIt illustrates how Margaret’s confusion makes it difficult for her to fully understand the external conflict.
Show the answer

Correct answer: D

The question asks which sentence correctly explains the connection between the sentence from paragraph 4 and the overall plot of the excerpt. The train’s need to stop for water is not evident to Margaret, which causes the external conflict. The sentence from paragraph 4 reveals how Margaret’s confusion over her best course of action prevents her from recognizing the nature of the external conflict; therefore, Option D is correct.

Option A is incorrect because Margaret’s reliance on others is not demonstrated in the sentence, and her reliance on others does not contribute to the external conflict.

Option B is incorrect because her concern for the opinion of others is not the main cause for her external conflict.

Option C is incorrect because Margaret’s indecision has no effect on the cause of the conflict.

Question analysis

This plot-development question quotes one sentence from A Voice in the Wilderness in which Margaret worries the train will carry her off and the conductor will think her a fool. Students explain how that sentence connects her state of mind to the story’s external conflict. Every choice links a believable trait to the conflict, which makes this one of the trickier questions on the excerpt.

NYS standards
  • 7R3 plot elements and ideas
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 plot questions usually link one event to its result. This one asks how a single sentence of Margaret’s private worry bears on the external conflict, which students must first pin down using the whole excerpt.
Estimated difficulty
Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
Evidence
Answered from the whole text
Reading level
Passage: about grade 8, 981 words; question and choices: about grade 9, 101 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

This is one of the hardest questions on the excerpt because every choice is half plausible: Margaret does want the conductor, does fear being called a fool, and does waver. The decisive half is the second one, what the trait does to the conflict, and judging it requires knowing the conflict is a water stop she mistook for a station. Students who check only the first half will usually choose the worry about others’ opinions.

  1. Every choice must be checked major Choosing the answer

    Every choice pairs a trait, reliance, worry about opinion, indecision or confusion, with an effect on the conflict, so each must be tested twice: is the trait in the sentence, and does it do that? (Embretson & Wetzel, 1987)

  2. A very close wrong answer moderate Choosing the answer

    The indecision choice is nearly the right one: “indecision” and “confusion” name almost the same state in paragraph 4, so only the effect, prolonging the conflict versus making it hard to understand, separates them. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. Complex sentences moderate Understanding the question

    The sentence is old-fashioned and elliptical: “he justly blame her for a fool” silently shares the “might” of “she might be carried on,” which makes its meaning hard to parse. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

  4. Evidence in several places moderate Working it out

    The nature of the external conflict, a stop to water the engine rather than a station, is revealed only in the excerpt’s last paragraph, far from paragraph 4. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  5. Hard words minor Understanding the question

    The choices rely on the literary term “external conflict,” and students unsure what it means cannot judge how a thought in Margaret’s head relates to it. (Perfetti, 2007; Freedle & Kostin, 1993)

Strategy: Check each choice in two halves: is the trait really shown in this sentence, and does that trait truly cause or change the trouble Margaret ends up in?

Traps

  • Half right: One half of a two-part choice is right and the other is not.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks how one sentence helps build the plot, the events of the story. The choices use the term external conflict: a problem between a character and something outside her. Margaret’s problem is that she got off where there is no station, and the train leaves her behind.

  2. Read the sentence in plain words

    The sentence is: “Yet if the train started before she found the conductor she might be carried on somewhere and he justly blame her for a fool.” In plain words: If the train leaves with me still on it, I might miss my stop. Then the conductor could rightly call me foolish.

  3. See where it fits in paragraph 4

    Just before, she thinks “Perhaps she ought not to have got out” and “Perhaps the train had not pulled into the station yet.” Her thoughts go back and forth. She cannot tell whether she is at her station or not. She is confused.

  4. Learn what is really happening

    At the end of the excerpt, she learns the truth. She “had mistaken a pause to water the engine for a regular stop at a station.” Because she is confused, she worries about the wrong danger. She fears being carried too far. The real danger is being left behind.

  5. Check each choice

    • A is wrong. The sentence doesn’t show her depending on others, and that is not what strands her.
    • B is wrong. She does worry about being called a fool. But that worry doesn’t cause her problem. The water stop does.
    • C is wrong. Her back-and-forth doesn’t make the problem last longer. The trouble comes when the train pulls away.
    • D is right. Her confusion keeps her from seeing what is really going on.

    Watch out: B is half right, since she fears looking foolish. But the question asks what that does to the conflict, and her worry does not cause it.

  6. Choose the answer

    The sentence shows Margaret’s mixed-up thinking about a problem she does not understand yet. So the answer is D.

Why this answer and not the closest wrong one

B is the closest wrong answer. Its first half is true: Margaret worries the conductor will think she is a fool. But B says this worry causes her problem. It doesn’t. The train stopped for water, and she got off. D fits better, because the sentence shows how confused she is.

The original DOE question
Question 18 as printed on page 130 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 130, question 18. Open page 130 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).
The passage “Excerpt from A Voice in the Wilderness” as printed (pages 128–129)The passage “Excerpt from A Voice in the Wilderness” as printed on page 128 of the DOE handbook.The passage “Excerpt from A Voice in the Wilderness” as printed on page 129 of the DOE handbook.

Question 44 of 51

2018 Test B English, question 24

Uses the passage above: “Excerpt from A Voice in the Wilderness”.

Question

How do the details in paragraphs 12–13 about the setting help support the theme of the excerpt?

  • AThey show that Margaret is overwhelmed by the darkness that surrounds her.
  • BThey suggest that the situation is frustrating but that Margaret is hopeful.
  • CThey reveal that the landscape is beautiful and that Margaret is alone.
  • DThey demonstrate that Margaret is easily discouraged and frightened.
Show the answer

Correct answer: C

The question asks how the details about the setting support the theme of the excerpt. In paragraph 12, phrases such as “vast dome of curving blue” and “the beauty of the lonely night” describe the beauty of the place. However, in paragraph 13, the author writes, “no building broke the inky outlines of the plain, nor friendly light streamed out to cheer her heart” to express how alone Margaret really is. These phrases demonstrate that Option C is correct.

Option A is incorrect because positive phrases such as “largest, most wonderful stars” show that Margaret is not overwhelmed by the darkness.

Option B is incorrect because, while Margaret is feeling helpless and alone at the recent realization that there is no station (paragraph 11), the descriptions of the landscape, which focus on the beauty and mysteriousness of the place, do not signify hope but rather how quiet and isolated the location is.

Option D is incorrect because, while Margaret has expressed fear in paragraphs 9–11, the details in paragraphs 12–13 do not show that she is discouraged but rather that she is aware of her situation because she sees no buildings or light.

Question analysis

This theme question asks how the description of the night landscape in paragraphs 12 and 13 of A Voice in the Wilderness supports the excerpt’s theme. Students interpret details of sky, stars and plain and decide what they show about Margaret’s situation after the train leaves. Several choices sound reasonable for a stranded traveler, so students must stick to what the paragraphs actually show.

NYS standards
  • 7R2 theme or central idea
  • 7R3 plot elements and ideas
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Linking setting details to a theme is typical grade 7 literary analysis. What raises the load is the language: two paragraphs of dense, old-fashioned description with words like unfathomable and greasewood.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
What makes it hard
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 8, 981 words; question and choices: about grade 8, 61 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

These two paragraphs pull in opposite directions, wonder at the starry sky and emptiness on the plain, and the right answer is the one that keeps both. Students who notice only the dark imagery overstate her fear, and those who notice only that her situation is hard may add a hope the text denies when no “friendly light” comes to cheer her. Checking each half of a two-part choice separately is the safest way through.

  1. Figurative or literary language moderate Understanding the question

    Paragraph 12 calls the sky “a low, vast dome of curving blue” and the land a “secret nesting-place of mysteries,” beauty and menace mixed, so students must hold both feelings at once. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. Hard words minor Understanding the question

    Words such as “unfathomable,” “greasewood” and “sage-brush” slow the reading of two descriptive paragraphs where every detail matters to the theme. (Perfetti, 2007; Freedle & Kostin, 1993)

Strategy: List the main details in paragraphs 12 and 13, decide what they suggest about Margaret’s situation, then test every part of each choice against that list.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks how the setting in paragraphs 12 and 13 supports the theme. The setting is where and when a story happens. You need a choice that fits all the details, not just some.

  2. List the details in paragraph 12

    Paragraph 12 describes the sky and the land. It has “the largest, most wonderful stars she had ever seen.” It ends with “the beauty of the lonely night.” These details are beautiful. But notice the word “lonely,” too.

  3. List the details in paragraph 13

    Paragraph 13 says: “No building broke the inky outlines of the plain, nor friendly light streamed out to cheer her heart.” It adds, “Not even a tree was in sight.” There are no houses, no lights and no people. She is completely alone.

  4. Check each choice

    • A is wrong. There is darkness, but the wonderful stars show she also sees beauty. A leaves that half out.
    • B is wrong. No friendly light comes to cheer her, so nothing here shows hope.
    • C is right. The land is beautiful, and she is alone in it.
    • D is wrong. These paragraphs describe the place, not her character. Right after them, she sets off on her own.

    Watch out: A notices only the dark half of the description.

  5. Choose the answer

    The setting is lovely and empty at the same time. So the answer is C.

Why this answer and not the closest wrong one

A is the closest wrong answer, because the paragraphs do mention dark shadows and “inky outlines.” But A leaves out the beauty: the wonderful stars and the blue sky. The phrase “the beauty of the lonely night” holds both halves together, and so does C.

The original DOE question
Question 24 as printed on page 132 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 132, question 24. Open page 132 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).

Question 45 of 51

2018 Test B English, question 34
Passage Uncovering the Past

Uncovering the Past

Archaeology as a distinct branch of science is only about two centuries old. The first archaeological activities focused largely on the search for clues about earlier human societies. In the nineteenth century, most archaeologists were amateurs trained in ancient languages and history. Many were art historians whose interest lay in the artwork and monuments of ancient civilizations. For the most part, their excavations were aimed at uncovering and removing priceless artwork and other valuable artifacts for museum display. Collectively, these early archaeologists are now considered traditional archaeologists.

Today, however, there is a different approach to archaeology, one that tries to reconstruct the everyday life of people in ancient times by applying the scientific methods of a range of specialized fields. Modern archaeologists take full advantage of available technology. Laptop computers enable digging teams to record their finds at each level of an excavation. With sketchpad computer software, archaeologists can draw their finds in the field. Three-dimensional computer modeling enables researchers to create floor plans and elevations for the structures they uncover. Archaeologists can also use remote sensing technologies such as radar and lidar, which is similar to radar but it uses laser light instead of radio waves. These technologies enable scientists to detect traces of early settlements that are not visible to the human eye.

The excavations at Kourion, a Roman port city on the island of Cyprus in the Mediterranean Sea, serve as an example of the modern approach. Portions of Kourion had been unexpectedly buried by a massive earthquake in the fourth century A.D. Traditional archaeologists were interested primarily in the remains of Kourion’s theater, temple, and classical monuments. They also collected precious objects, such as jewelry, found in nearby tombs. Modern archaeologists, however, have focused their studies and excavations on the settlement itself. This preserved seaport has proved to be a gold mine of important information about everyday life sixteen centuries ago.

During one excavation of a house at Kourion, for example, forensic anthropologists were able to reconstruct the skeleton of a young girl, whom they called Camelia. On the basis of her teeth, they determined her age to be about thirteen, although measurement of her skeleton showed that she was only the size of a modern eleven-year-old. The study of the teeth also confirmed her sex and pointed to her excellent health; Camelia had no cavities. Even after centuries, the forensic scientists could study the physical evidence in ways similar to those used in criminal investigations to determine the circumstances of Camelia’s death.

Other specialists on this excavation included a zooarchaeologist, who identified animal remains, including the skeleton of a mule found near Camelia. Another specialist, a paleobotanist, studied the contents of a bake oven at the site and identified four domesticated grains among the charred crumbs—evidence of a kind of ancient multigrain bread.

Although the archaeologists at this site unearthed a few beautiful items, the excavation did not uncover any priceless artwork for museums. Nonetheless, the archaeological processes used in Kourion have given us a valuable insight into everyday life in a Roman city.

Question

What role does paragraph 2 play in the structure of the passage?

  • AIt provides a contrast to the topic discussed in the first paragraph.
  • BIt details examples that support the central idea of the first paragraph.
  • CIt states a theory that will be explained further in the third paragraph.
  • DIt summarizes the information found in the rest of the passage.
Show the answer

Correct answer: A

The question asks how paragraph 2 supports the structure of the passage. The first paragraph provides history on the field of archaeology, specifically what has come to be known as traditional archaeology. Paragraph 2 describes how modern archaeology differs from traditional archaeology, which is detailed in Option A.

Option B is incorrect because paragraph 2 provides no support for paragraph 1.

Option C is incorrect because paragraph 2 provides facts about modern archaeology and does not introduce a theory.

The remainder of the passage describes how modern archaeology was used at one specific dig, which is not mentioned in paragraph 2, making Option D incorrect.

Question analysis

Students explain the role paragraph 2 plays in the structure of “Uncovering the Past,” a short informational passage about how archaeology has changed over two centuries. The key is to see how the second paragraph relates to the first, and choices that describe common paragraph jobs can sound right if students skim.

NYS standards
  • 7R5 structure and genre features
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 This matches a routine grade 7 structure task: identify one paragraph’s job using the paragraph before it. The passage is short and clearly organized, so the demand lies mostly in reading the choices carefully.
Estimated difficulty
Straightforward: two steps or one careful reading.
What makes it hard
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 13, 514 words; question and choices: about grade 7, 59 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Paragraph 2 announces its own role with “however” and “different approach,” so students who read its first sentence closely find the answer quickly. Points are lost by students who judge the paragraph by its bulk, which is mostly a list of technologies, and so take it for support or a summary. The question rewards reading a paragraph’s opening for its relation to what came before.

  1. How, not what minor Working it out

    The stem asks for paragraph 2’s job, and the signal is its opening, “Today, however, there is a different approach,” which turns from paragraph 1’s traditional archaeologists to a contrasting method. (Anderson & Krathwohl, 2001)

Strategy: Summarize paragraph 1 and paragraph 2 in a phrase each, then describe in your own words how the second relates to the first before reading the choices.

Traps

  • Half right: One half of a two-part choice is right and the other is not.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This question is about structure, which means how the parts of a passage fit together. It asks what job paragraph 2 does. To answer, you need to know what paragraph 1 says. Then you need to see how paragraph 2 relates to it.

  2. Sum up paragraph 1

    Paragraph 1 starts, “Archaeology as a distinct branch of science is only about two centuries old.” It describes the early archaeologists. They dug up “priceless artwork and other valuable artifacts for museum display.” The paragraph ends by calling them “traditional archaeologists.”

  3. Look at how paragraph 2 begins

    Paragraph 2 opens with “Today, however, there is a different approach to archaeology.” The word “however” signals a contrast, a turn to something different. The words “different approach” say the same thing. The rest of the paragraph lists modern tools, like laptops, 3-D computer models, radar and lidar. So paragraph 2 sets modern archaeology against the traditional kind.

  4. Check each choice

    • A fits. Paragraph 2 contrasts the new approach with the old one in paragraph 1.
    • B is wrong. Paragraph 2 does give examples, but they show the new approach. They do not support paragraph 1’s picture of traditional archaeology.
    • C is wrong. Paragraph 2 describes methods and tools. It does not state a theory, an idea that still needs proof.
    • D is wrong. A summary would mention Kourion, Camelia or the experts. Paragraph 2 names none of them.
  5. Choose the answer

    Paragraph 2 turns away from paragraph 1 and describes a different way of doing archaeology. So the answer is A, “It provides a contrast to the topic discussed in the first paragraph.”

Why this answer and not the closest wrong one

B is the closest wrong choice, because paragraph 2 really is full of examples. But ask what the examples are examples of. They show modern tools, the opposite of the old approach. Examples of a different side create a contrast, not support.

The original DOE question
Question 34 as printed on page 139 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 139, question 34. Open page 139 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).
The passage “Uncovering the Past” as printed (page 138)The passage “Uncovering the Past” as printed on page 138 of the DOE handbook.

Question 46 of 51

2018 Test B English, question 39
Passage Snowy Mountains

Snowy Mountains

by John Gould Fletcher

Higher and still more high,
Palaces made for cloud,
Above the dingy city-roofs
Blue-white like angels with broad wings,
Pillars of the sky at rest
The mountains from the great plateau
Uprise.

But the world heeds them not;
They have been here now for too long a time.
The world makes war on them,
Tunnels their granite cliffs,
Splits down their shining sides,
Plasters their cliffs with soap-advertisements,
Destroys the lonely fragments of their peace.

Vaster and still more vast,
Peak after peak, pile after pile,
Wilderness still untamed,
To which the future is as was the past,
Barrier spread by Gods,
Sunning their shining foreheads,
Barrier broken down by those who do not need
The joy of time-resisting storm-worn stone,
The mountains swing along
The south horizon of the sky;
Welcoming with wide floors of blue-green ice
The mists that dance and drive before the sun.

“Snowy Mountains” by John Gould Fletcher—Public Domain

Question

Read line 1 and line 15 from the poem.

Higher and still more high,

Vaster and still more vast,

The parallel structure of the two lines

  • Aemphasizes how the sense of wonder the speaker has at the beginning of the poem changes to a fear of the mountains.
  • Breinforces the sense of awe the speaker experiences when considering the magnificence of the expansive mountains.
  • Creveals that the mountains are continually expanding both in height and land mass.
  • Dstresses a contrast between the height of the mountains and the area of land the mountains cover.
Show the answer

Correct answer: B

The question asks how the parallel structure of lines 1 and 15 affects the poem. Lines 1 and 15 communicate the feeling that the mountains are even higher and vaster than can be comprehended upon first view. This observation reflects the awe that the speaker feels, which is reinforced by the parallel structure of the lines, as stated in Option B.

Option A is incorrect because the speaker never hints at fear when describing the mountains.

Option C is incorrect because it reflects a literal interpretation of the figurative language in the two parallel lines: the mountains do not actually grow larger but are simply larger than can be understood at first.

Option D is incorrect because the parallel structure of lines 1 and 15 is not meant to stress any sort of contrast between height and area but to reinforce the speaker’s feeling by complementing each other.

Question analysis

Students analyze the effect of parallel structure in the poem “Snowy Mountains,” where line 1, “Higher and still more high,” and line 15, “Vaster and still more vast,” echo each other. The question asks what that repeated pattern adds to the poem, so noticing the echo is only the first step.

NYS standards
  • 7R5 structure and genre features
  • 7R6 point of view and author position
Grade level
Grade 8 reading and task
Compared with grade 7
At grade 7 Analyzing how a poetic device such as parallelism shapes meaning is solid grade 7 work. The lines are short and quoted, but students must move from a structural pattern to what it contributes to the poem.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
What makes it hard
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: 161 words (a poem; reading level not measured); question and choices: about grade 6, 92 words.
Corrected from the DOE handbook
  • A grammar slip in the explanation was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Seeing the parallel lines is easy because the stem quotes them; deciding what the echo achieves is the real task. The strongest wrong answer rests on a true difference between height and breadth, and another takes the comparative phrases literally. Students who ask how the speaker feels in both stanzas, rather than what each line measures, arrive at awe.

  1. How, not what moderate Working it out

    The stem asks what the shared pattern of lines 1 and 15 does, so students must move from noticing “still more” twice to naming the feeling the echo strengthens. (Anderson & Krathwohl, 2001)

  2. Figurative or literary language minor Understanding the question

    “Still more high” and “still more vast” express how the mountains seem to an awed viewer, not a measurement, and a literal reading makes them sound like mountains that keep growing. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

Strategy: Say what each line describes and what it suggests, then ask what using the same pattern twice adds, and check every part of each choice against the poem.

Traps

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: The handbook writes “how the parallel structure of lines 1 and 15 affect the poem.” The subject “structure” takes “affects,” as the site now reads.

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks about parallel structure. That means using the same pattern of words twice. Here, line 1 says “Higher and still more high,” and line 15 says “Vaster and still more vast.” You need to say what repeating this pattern does.

  2. Look at where the lines sit

    Line 1 opens the first stanza. Line 15 opens the third stanza. In between, stanza 2 shows people harming the mountains. Line 1 is about height. Line 15 is about vastness, which means huge size that spreads far. “Still more” means even more. Each line seems to say the mountains are bigger than you can take in.

  3. Name the feeling the pattern shows

    Both lines sound like a person staring up in amazement. That feeling is awe: wonder mixed with deep respect. Repeating the pattern brings the feeling back after the angry second stanza. So the echo reinforces, or makes stronger, the speaker’s awe. It is not a measurement. The mountains are not really growing.

  4. Check each choice

    • A is wrong. The speaker never shows fear. Line 15 brings back the same wonder as line 1.
    • B fits. The repeated pattern stresses the speaker’s awe at the huge mountains.
    • C is wrong. It reads the lines literally, as if the mountains keep growing. The words express a feeling, not a fact.
    • D is wrong. Height and spread are different. But the matching pattern joins them in one feeling. It does not set them against each other.
  5. Choose the answer

    The same pattern, used twice, repeats the speaker’s sense of wonder. So the answer is B, “reinforces the sense of awe the speaker experiences when considering the magnificence of the expansive mountains.”

Why this answer and not the closest wrong one

D is tempting because it is half true: one line is about height and one is about spread. But parallel structure makes two things sound alike, not opposite. Matching words link ideas. That is why B, which names one shared feeling, fits better than a contrast.

The original DOE question
Question 39 as printed on page 143 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 143, question 39. Open page 143 of the handbook (PDF) This is the DOE’s version, before the corrections listed in the analysis.
The passage “Snowy Mountains” as printed (page 142)The passage “Snowy Mountains” as printed on page 142 of the DOE handbook.

Question 47 of 51

2018 Test B English, question 40

Uses the passage above: “Snowy Mountains”.

Question

Read line 5 from the poem.

Pillars of the sky at rest

The line helps develop the theme of the poem by suggesting that the mountains

  • Aserve a noble and supportive purpose in the world.
  • Battract the clouds with their strength and permanence.
  • Cremain untamed through the ages.
  • Dprovide protection for the people.
Show the answer

Correct answer: A

The question asks how the line from the poem helps develop the theme of the poem. Line 5 helps develop the theme that the mountains are more important than people realize by suggesting that the mountains serve a noble, foundational purpose in the world, as explained in Option A.

Option B is incorrect because, while the poem does describe the strength and permanence of the mountains, the line does not suggest that these traits attract the clouds.

Option C is incorrect because, while the line states that the highest peaks are “at rest,” that phrase describes stillness, not wildness; the poem calls the mountains “still untamed” only later (line 17), and line 5 does not suggest it.

Option D is incorrect because, while pillars are strong and may indicate shelter, there is no suggestion in the line that the mountains are protecting the people. Additionally, this concept is not a theme of the poem.

Question analysis

This figurative language question asks how the metaphor “Pillars of the sky at rest” in “Snowy Mountains” helps develop the poem’s theme. Students must work out what calling mountains pillars of the sky suggests about them, and it is tricky because every choice sounds like something this poem could say.

NYS standards
  • 7R4 word meaning and choice
  • 7R2 theme or central idea
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 students interpret metaphors, but here they must also connect a short image to the poem’s theme and choose among abstract options, a step closer to grade 8 work on figurative meaning and theme.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from one sentence or line
Reading level
Passage: 161 words (a poem; reading level not measured); question and choices: about grade 3, 52 words.
Corrected from the DOE handbook
  • A claim in the explanation that the poem contradicts was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

This is hard because every choice says something the poem could plausibly mean, and two of them borrow real phrases from other lines. Students who test choices against the poem as a whole find support for the wrong ones; the question rewards testing them against the single image of pillars holding up the sky. Seeing that pillars both support and ennoble a structure leads directly to the key.

  1. Figurative or literary language major Understanding the question

    The answer depends on unpacking one metaphor: pillars hold up a roof, so “Pillars of the sky” casts the mountains as supports of the heavens, and “at rest” adds a calm, dignified strength. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. The right answer is reworded moderate Choosing the answer

    The key uses words the poem never does, “noble” and “supportive,” while wrong choices echo “cloud” from line 2 and “untamed” from line 17 and so look anchored in the text. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)

  3. Combines ideas minor Working it out

    Students must interpret the image and then link it to the poem’s theme, that the mountains matter more than the world below recognizes. (Embretson, 1998; Daniel & Embretson, 2010)

Strategy: Ask what a pillar is and why a poet might call mountains “pillars of the sky,” then test each choice against line 5 alone before thinking about the rest of the poem.

Traps

  • Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
  • Half right: One half of a two-part choice is right and the other is not.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: The handbook rejects Option C by saying the mountains “do not remain untamed or untouched,” but line 17 calls them “Wilderness still untamed,” and the handbook’s own explanation of the third-stanza question relies on that line. The site now says that “at rest” describes stillness, not wildness, and that the poem calls the mountains “still untamed” only later, in line 17, so line 5 does not suggest it.

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks what one image, line 5, adds to the poem’s theme. A theme is the big message of a poem. Here the theme is that the mountains are great and important, even though people ignore them. You need to decide what “Pillars of the sky” says about the mountains.

  2. Look closely at line 5

    Line 5 reads “Pillars of the sky at rest.” It is part of the first stanza’s list of grand pictures. The list also has “Palaces made for cloud” in line 2. Line 5 is a metaphor. A metaphor calls one thing by the name of another to compare them, without using “like” or “as.”

  3. Explain what pillars do

    A pillar is a tall, strong column that holds up a roof. Big, important buildings, like temples and courthouses, have pillars. So calling the mountains “Pillars of the sky” makes them seem to hold up the sky. That is a supporting job. It is also a grand, noble one. “At rest” adds calm. The pillars stand still and steady.

  4. Check each choice

    • A fits. Holding up the sky is a noble, supportive job.
    • B is wrong. Clouds come from line 2. Line 5 says nothing about pulling clouds in.
    • C is wrong. “Wilderness still untamed” is line 17, not line 5. Pillars “at rest” suggest calm, not wildness.
    • D is wrong. Pillars hold up roofs, and roofs can shelter people. But the line never shows the mountains protecting anyone.
  5. Choose the answer

    Pillars hold things up and make a building grand. So the answer is A, “serve a noble and supportive purpose in the world.”

Why this answer and not the closest wrong one

C is the strongest trap, because the poem really does call the mountains untamed. But that is line 17. Test each choice against line 5 alone. A pillar is a support, and a pillar of the sky is a grand one. Only A comes straight from that picture.

The original DOE question
Question 40 as printed on page 143 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 143, question 40. Open page 143 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D). This is the DOE’s version, before the corrections listed in the analysis.

Question 48 of 51

2018 Test B English, question 41

Uses the passage above: “Snowy Mountains”.

Question

How does isolating the word “Uprise” in line 7 affect the meaning of the poem?

  • AIt creates a contrast between the great plateau and the city buildings.
  • BIt reveals the similarity between the tall buildings in the city and the tall mountains on the horizon.
  • CIt creates a vision of the region before people developed the land.
  • DIt emphasizes that the mountains dominate the landscape.
Show the answer

Correct answer: D

The question asks how the isolation of the word affects the meaning of the poem. The isolation of the word “Uprise” powerfully emphasizes the first stanza’s description of the magnificent mountains standing tall above the land below, as expressed in Option D.

Option A is incorrect because the word describes the mountains and, therefore, does not create a contrast between the plateau and the city buildings, but rather between the mountains and the plateau.

Option B is incorrect because the word contrasts the mountains with the plateau; it does not compare the mountains to the buildings in the city.

Option C is incorrect because the first stanza describes the already developed land over which the mountains rise.

Question analysis

In “Snowy Mountains,” the opening stanza builds a long sentence about the mountains and saves its verb, “Uprise,” for a line of its own. This poetry structure question asks how isolating that single word affects the poem’s meaning, so students need to think about how a line break shapes what the reader notices, as well as about what the stanza describes.

NYS standards
  • 7R5 structure and genre features
  • 7R4 word meaning and choice
Grade level
Grade 8 reading and task
Compared with grade 7
At grade 7 Grade 7 poetry questions often ask about word choice; this one asks about a structural choice, a one-word line, which is less familiar, though the stanza’s images make the intended effect fairly easy to sense.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
What makes it hard
Evidence
Answered from one paragraph or stanza
Reading level
Passage: 161 words (a poem; reading level not measured); question and choices: about grade 8, 64 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Students who see that “Uprise” is the verb the whole stanza has been building toward recognize the effect quickly: the mountains rise over everything else in the picture. Those who treat the word as one more image look for a comparison instead and find several, because the stanza is full of buildings, roofs and a plateau. The real test is sorting which contrast belongs to the mountains.

  1. Complex sentences moderate Understanding the question

    The stanza is one long sentence that withholds its subject until line 6 and its verb until line 7, so “Uprise” lands as the payoff of five lines of images. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

  2. How, not what moderate Working it out

    The question asks about a line break, a structural choice, rather than a word’s meaning, and students must judge what setting one verb on its own line makes the reader notice. (Anderson & Krathwohl, 2001)

Strategy: Read the stanza aloud and notice where the long sentence finally reaches its verb, then ask what ending on that single word makes the reader see.

Traps

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks about a choice the poet made in how the poem looks. Line 7 is only one word: “Uprise.” You need to say what setting that word alone on its line does to the meaning.

  2. Find the sentence the word ends

    The whole first stanza is one long sentence. Lines 1 to 5 are a string of pictures: palaces, angels, pillars. The subject, “The mountains from the great plateau,” does not come until line 6. Line 7 then gives the verb, or action word, which is “Uprise.” A plateau is a wide area of high, flat land.

  3. Think about the effect

    “Uprise” means rise up. The reader waits six lines for this action. Then it stands by itself, like the mountains standing alone over the land. The short line makes you stop and picture them rising above everything, even “the dingy city-roofs.” So the mountains dominate the scene. To dominate is to tower over and be the main thing you notice.

  4. Check each choice

    • A is wrong. “Uprise” is about the mountains rising. It does not set the plateau against the city buildings.
    • B is wrong. The stanza does not show the city and the mountains as alike. The city roofs are “dingy,” while the mountains are like palaces.
    • C is wrong. Line 3 already shows a city, so this is not the land before people.
    • D fits. The lone word makes the mountains tower over the whole picture.
  5. Choose the answer

    Ending the long sentence on one lone word makes the mountains stand out over everything. So the answer is D, “It emphasizes that the mountains dominate the landscape.”

Why this answer and not the closest wrong one

A is the closest trap, because the stanza does contain a contrast. But it is between the mountains and everything below them. “Uprise” is the mountains’ own action, so its effect must be about the mountains. Only D keeps the focus there.

The original DOE question
Question 41 as printed on page 143 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 143, question 41. Open page 143 of the handbook (PDF)

Question 49 of 51

2018 Test B English, question 47

Uses the passage above: “Snowy Mountains”.

Question

Read lines 23–26 from the poem.

The mountains swing along
The south horizon of the sky;
Welcoming with wide floors of blue-green ice
The mists that dance and drive before the sun.

The personification in these concluding lines of the poem suggests that the mountains are

  • Agracious hosts who are untroubled by the actions of people.
  • Bunaware of their coming destruction.
  • Clively entertainers who are not bothered by the everyday concerns of people.
  • Dtoo proud to reveal their pain.
Show the answer

Correct answer: A

The question asks what the personification in the lines suggests in the poem. Line 25’s use of the word “Welcoming” suggests that the mountains are kind hosts. Lines 23 and 26, with language such as “The mountains swing along” and “The mists that dance and drive before the sun,” imply the carefree nature of the mountains as they resist the destructive work of humanity. Therefore, Option A is correct.

Option B is incorrect because the wording in the lines is positive and victorious, with no language to suggest coming destruction.

Option C is incorrect because, although the lines mention that “the mountains swing along” (line 23) and “the mists . . . dance” (line 26), the personification is used to describe the mountains’ perseverance, rather than to suggest that the mountains are entertaining others.

Option D is incorrect because the lines refer to the joy of the mountains as they “swing along” (line 23) and do not suggest pride.

Question analysis

This personification question asks what the final four lines of the poem “Snowy Mountains” suggest about the mountains, which “swing along” the south horizon of the sky. Students must interpret human qualities given to nature, and the trick is that several choices assign the mountains feelings or roles that only partly match the lines.

NYS standards
  • 7L5 figurative language and word relationships
  • 7R4 word meaning and choice
Grade level
Grade 7 reading and task
Compared with grade 7
At grade 7 Interpreting personification is a familiar grade 7 skill, and these lines are short and quoted. The challenge is choosing among character descriptions that each match part of the imagery, a typical rather than unusual demand.
Estimated difficulty
Moderate: several steps, or a close reading with one strong distractor.
Evidence
Answered from one sentence or line
Reading level
Passage: 161 words (a poem; reading level not measured); question and choices: about grade 6, 78 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The closing lines are calm and generous, and the question asks students to turn their personification into a character. The trap is assigning actions to the wrong actor: the dancing belongs to the mists, and taking it for the mountains’ makes them performers rather than hosts. Students who carry the destruction of earlier stanzas into these lines also misjudge the mountains’ ease.

  1. Figurative or literary language moderate Understanding the question

    The personification has to be sorted by actor: the mountains “swing along” and are “Welcoming,” while it is the mists that “dance and drive before the sun.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. A very close wrong answer moderate Choosing the answer

    The hosts choice and the entertainers choice share one frame, mountains unbothered by people; they differ only in the role, and line 26 settles it, since the mists, not the mountains, “dance.” (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. Complex sentences minor Understanding the question

    In “Welcoming with wide floors of blue-green ice / The mists,” the object comes after a long phrase and a line break, so who welcomes whom is easy to miss. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

Strategy: Note each human action in lines 23–26 and who performs it, then choose the description that fits every one of those actions.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks about personification in lines 23 to 26. Personification means giving human actions or feelings to something that is not human. You need to decide what kind of person the mountains seem to be.

  2. Sort the actions by who does them

    Line 23 says “The mountains swing along.” Line 25 says the mountains are “Welcoming with wide floors of blue-green ice.” Whom do they welcome? Line 26 answers: “The mists that dance and drive before the sun.” So the mountains swing and welcome. The mists are the ones that dance.

  3. Explain what the actions suggest

    To swing along is to move in an easy, carefree way. Welcoming guests onto your floors is what a host does. A host is a person who has guests over. The mountains are kind hosts to the mists. Gracious means kind and polite. They also seem calm. After all the harm in stanza 2, they are untroubled, or not bothered.

  4. Check each choice

    • A fits. The mountains welcome guests and stay calm.
    • B is wrong. These lines say nothing about harm still to come.
    • C is wrong. The mists dance, not the mountains. The mountains are hosts, not entertainers.
    • D is wrong. The lines show ease and welcome. Nothing hints at pride or hidden pain.
  5. Choose the answer

    The mountains swing along and welcome the mists like hosts. So the answer is A, “gracious hosts who are untroubled by the actions of people.”

Why this answer and not the closest wrong one

C is very close, since it also says the mountains don’t worry about people. The difference is the role. An entertainer performs for others. A host welcomes others in. In line 26 it is the mists that “dance,” and the mountains are “Welcoming” them. That makes the mountains hosts.

The original DOE question
Question 47 as printed on page 145 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 145, question 47. Open page 145 of the handbook (PDF)

Question 50 of 51

2018 Test B English, question 48
Passage Invention of the Telegraph

Samuel Morse, an American inventor, is credited with creating the electronic telegraph, a communication device that allows users to send messages using a system of short and long pulses that represent letters, numbers, and punctuation. In 1843 the United States Congress passed the Telegraph Bill, which provided Morse with the funds to build an electric telegraph system.

Invention of the Telegraph

Earlier Signal Systems

Long before Samuel F. B. Morse electrically transmitted his famous message “What hath God wrought?” from Washington to Baltimore on May 24, 1844, there were signaling systems that enabled people to communicate over distances. Most were visual or “semaphore” systems using flags or lights. In the eighteenth century, such systems used an observer who would decipher a signal from a high tower on a distant hill and then send it on to the next station. The young American republic wanted just such a system along its entire Atlantic coast and offered a prize of $30,000 for a workable proposal. The framers of this legislation1^1 had no way of knowing that when they used the word “telegraph” to refer to this visual semaphore system, they would be offered an entirely new and revolutionary means of communication—electricity.

The Growth of an Idea

The idea of using electricity to communicate over distance is said to have occurred to Morse during a conversation aboard ship when he was returning from Europe in 1832. Michael Faraday’s recently invented electromagnet was much discussed by the ship’s passengers, and when Morse came to understand how it worked, he speculated that it might be possible to send a coded message over a wire. While a student at Yale College years before, he had written his parents a letter about how interesting he found the lectures on electricity. Despite what he had learned at Yale, Morse found when he began to develop his idea that he had little real understanding of the nature of electricity, and after sporadic attempts to work with batteries, magnets, and wires, he finally turned for help to a colleague at the University of the City of New York, Leonard D. Gale.

Gale was a professor of chemistry and familiar with the electrical work of Princeton’s Joseph Henry, a true pioneer in the new field. Well before Morse had his shipboard idea about a telegraph, Henry rang a bell at a distance by opening and closing an electric circuit. In 1831, he had published an article, of which Morse was unaware, that contained details suggesting the idea of an electric telegraph. Gale’s help and his knowledge of this article proved crucial to Morse’s telegraph system because Gale not only pointed out flaws in the system but showed Morse how he could regularly boost the strength of a signal and overcome the distance problems he had encountered by using a relay system Henry had invented. Henry’s experiments, Gale’s assistance, and, soon after, hiring the young technician Alfred Vail were keys to Morse’s success.

Obstacles and Opportunities

By December 1837, Morse had enough confidence in his new system to apply for the federal government’s appropriation, and during the next year he conducted demonstrations of his telegraph both in New York and Washington.

However, when the economic disaster known as the Panic of 1837 took hold of the nation and caused a long depression, Morse was forced to wait for better times. It was during this period that Morse visited Europe again and tried not only to secure patent protection overseas but to examine competing telegraph systems in England. . . .

By 1843, the country was beginning to recover economically, and Morse again asked Congress for the $30,000 that would allow him to build a telegraph line from Washington to Baltimore, forty miles away. The House of Representatives eventually passed the bill containing the Morse appropriation, and the Senate approved it in the final hours of that Congress’s last session. With President Tyler’s signature, Morse received the cash he needed and began to carry out plans for an underground telegraph line.

Realizing a Great Invention

Morse had hired the ingenious construction engineer Ezra Cornell to lay the pipe carrying the wire, and although Cornell did his job superbly, one of Morse’s partners, Congressman F. O. J. Smith, had purchased wire with defective insulation. Too much time had been wasted laying bad wire, and with the project on a rigid deadline, something had to be done quickly. Cornell suggested that the fastest and cheapest way of connecting Washington and Baltimore was to string wires overhead on trees and poles. The desperate Morse gave the go-ahead, and the line was completed in time for the dramatic and spectacularly successful link between the Supreme Court chamber of the Capitol building and the railroad station in Baltimore.

Soon, as overhead wires connected cities up and down the Atlantic coast, the dots-and-dashes method2^2 that recorded messages on a long moving strip of paper was replaced by the operator’s ability to interpret the code in real time. . . . Telegraph lines soon extended westward, and within Morse’s own lifetime they connected the continents of Europe and America.

“Invention of the Telegraph”—Public Domain/Library of Congress

1^1legislation: Telegraph Bill

2^2dots-and-dashes method: the short and long pulses of Morse code that are sent and received by telegraph operators

World map titled “British All-Red Telegraph Line, 1902,” with a compass rose (N, S, E, W) and a key showing a thick black line as an electric telegraph line. The line runs from London across the Atlantic Ocean and Canada to Vancouver, then west into the Pacific Ocean off the map’s left edge; from London and from Canada’s east coast to Bermuda, then to Barbados, across the Atlantic to Cape Town, and across the Indian Ocean to Perth, which a second line links to India; and from Perth across Australia to Brisbane and Norfolk, with branches to New Zealand and east into the Pacific off the map’s right edge. Washington, D.C., in the United States, is marked with a dot but no line reaches it.

The first transatlantic electric telegraph message was sent in 1858, and by 1902 the British All-Red Line connected most of the world.

Bar graph titled “Telegraph Messages Transmitted, 1870–1920,” with the number of messages transmitted, in millions, on the vertical axis (0 to 180 in steps of 20) and the years 1870, 1880, 1890, 1900, 1910 and 1920 on the horizontal axis. The bars show about 10 million messages in 1870, 30 million in 1880, 55 million in 1890, 65 million in 1900, 75 million in 1910 and 155 million in 1920.

Source: U.S. Bureau of the Census. Historical Statistics of the United States, Colonial Times to 1970, Bicentennial Edition, Part 2. Washington, D.C., 1975.

Question

Which statement describes how the author’s use of problem-solution in paragraph 2 contributes to the development of ideas in the passage?

  • AMorse’s discussion on a ship about Faraday’s electromagnet reminded him of the Yale College lectures on electricity, which he had enjoyed but had not fully understood, inspiring him to learn more about electricity from his colleague Gale.
  • BMorse’s discouragement over his lack of knowledge of electricity prompted him to experiment with batteries, magnets, and wires, which led to the development of a new long-distance communication system.
  • CMorse’s difficulty in understanding how Faraday’s electromagnet worked was frustrating, and it pushed him to create a system for sending signals over wires.
  • DMorse’s longtime fascination was not enough to make up for his lack of knowledge about electricity, so he eventually sought help from Gale.
Show the answer

Correct answer: D

The question asks for the best explanation of how the use of problem-solution in paragraph 2 helps develop the ideas in the passage. Option D is correct because it explains that Morse realized his problem was that he was not knowledgeable enough to continue his experimentation without help, so the solution was to seek help from a colleague.

Option A is incorrect because, while the discussion on the ship fascinated Morse and reminded him of the lectures he had attended at Yale College, it was his failed attempts with electricity that caused him to reach out to Gale for help.

Option B is incorrect because, while “Morse found when he began to develop his idea that he had little real understanding of the nature of electricity” (paragraph 2), the paragraph does not state that he was discouraged; it was his failed experimentation that resulted in him first realizing that he needed help.

Option C is incorrect because the paragraph states that “Morse came to understand how [Faraday’s electromagnet] worked,” and that understanding is what caused him to think about sending messages over a wire. Also, Morse’s difficulty was in understanding the properties of electricity in general once he began his experimentation.

Question analysis

In this text structure question about “Invention of the Telegraph,” students explain how the problem-and-solution pattern in paragraph 2 develops ideas about Samuel Morse. All four choices are long sentences built from real details about the ship, Yale and Gale, so students must check each one’s account of what led to what.

NYS standards
  • 7R5 structure and genre features
  • 7R3 plot elements and ideas
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Identifying problem and solution is familiar from earlier grades, but these choices are long, detail-packed chains in which a single misplaced cause makes an option wrong, which demands closer checking than typical grade 7 items.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from one paragraph or stanza
Reading level
Passage: about grade 11, 910 words; question and choices: about grade 16, 132 words.
Corrected from the DOE handbook
  • A wrong paragraph number in the explanation was corrected.
  • A misspelled name in the explanation was corrected.
  • A punctuation slip in the explanation was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Every choice is assembled from things the paragraph really mentions, so recognition is useless and only the order of causes decides. The most tempting wrong choice ends with Gale, the right solution, but invents a reminder of the Yale lectures to get there; others turn the failed experiments into the solution or reverse what Morse understood. The question rewards reading each long choice clause by clause, which costs time.

  1. Every choice must be checked major Choosing the answer

    Each choice is a chain of two or three causes built from real details, the ship, Faraday, Yale, the batteries and wires, Gale, so every link has to be checked against paragraph 2’s order of events. (Embretson & Wetzel, 1987)

  2. A very close wrong answer moderate Choosing the answer

    The Yale-reminder choice and the key both join Morse’s enjoyment of electricity, his weak grasp of it and his turn to Gale; they part on one detail, the claim that the shipboard talk “reminded him” of Yale, which the paragraph never makes. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. The right answer is reworded moderate Choosing the answer

    The key turns the Yale letter and the shipboard speculation into “longtime fascination,” a phrase the passage never uses, while the wrong choices repeat its names and phrases and so look better supported. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)

  4. A lot to read moderate Understanding the question

    The four choices run to about 110 words, the longest 37, and paragraph 2 itself packs a voyage, a college letter, failed experiments and a colleague into four sentences. (Kintsch, 1998; Gorin & Embretson, 2006; Freedle & Kostin, 1993)

  5. How, not what minor Working it out

    Students must name the paragraph’s problem, too little understanding of electricity, and its solution, Gale, before judging which account of the pattern is accurate. (Anderson & Krathwohl, 2001)

Strategy: Name the problem and the solution in paragraph 2 in a few words each, then choose the option whose sequence of events matches the paragraph exactly.

Traps

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: The handbook places the sentence “Morse found when he began to develop his idea that he had little real understanding of the nature of electricity” in paragraph 3. It is in paragraph 2, the paragraph the question is about, so the site now says “(paragraph 2).”
  • Explanation: The handbook spells Leonard Gale’s name “Gail.” The passage spells it “Gale,” and so does the site now.
  • Explanation: The handbook capitalizes “Also” after a semicolon (“over a wire; Also, Morse’s difficulty…”). The site starts a new sentence instead: “over a wire. Also, Morse’s difficulty…”

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks about problem-solution in paragraph 2. Problem-solution is a way to organize writing. First you learn about a problem, then how someone solved it. Find the problem and the solution. Then pick the choice that tells them in the right order.

  2. Find the problem in paragraph 2

    Paragraph 2 starts with “The idea of using electricity to communicate over distance.” It says Morse had enjoyed the electricity lectures at Yale. But then comes the problem: “Morse found when he began to develop his idea that he had little real understanding of the nature of electricity.”

  3. Find the solution

    The same sentence goes on: “after sporadic attempts to work with batteries, magnets, and wires, he finally turned for help to a colleague.” “Sporadic” means now and then, not steady. A colleague is a coworker. So Morse was interested in the subject, tried on his own, and did not succeed. His interest was not enough. His solution was to ask Gale for help.

  4. Check each choice

    • A is wrong. It ends with Gale, but the paragraph never says the ship talk “reminded him” of Yale. It also skips the failed tries.
    • B is wrong. It has the order backward. The experiments showed the problem. They did not build the system.
    • C is wrong. The paragraph says Morse “came to understand how it worked,” meaning the electromagnet.
    • D fits. Long interest was not enough, so he got help from Gale.
  5. Choose the answer

    The problem was Morse’s weak grasp of electricity, and the solution was Gale. So the answer is D, “Morse’s longtime fascination was not enough to make up for his lack of knowledge about electricity, so he eventually sought help from Gale.”

Why this answer and not the closest wrong one

A is the closest trap. Like D, it mentions Yale, Morse’s weak grasp of electricity and Gale. But it adds a link the paragraph never makes, that the ship talk reminded him of Yale. With long choices, check every part. One made-up link makes the whole choice wrong.

The original DOE question
Question 48 as printed on page 149 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 149, question 48. Open page 149 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D). This is the DOE’s version, before the corrections listed in the analysis.
The passage “Invention of the Telegraph” as printed (pages 146–148)The passage “Invention of the Telegraph” as printed on page 146 of the DOE handbook.The passage “Invention of the Telegraph” as printed on page 147 of the DOE handbook.The passage “Invention of the Telegraph” as printed on page 148 of the DOE handbook.

Question 51 of 51

2018 Test B English, question 52

Uses the passage above: “Invention of the Telegraph”.

Question

The details of the section “The Growth of an Idea” convey a central idea of the passage by suggesting that

  • Athe collaborative efforts of colleagues resulted in successful communication over a wire.
  • Ba great deal of interest and work was devoted to understanding how to use electricity to send signals.
  • CFaraday’s invention of the electromagnet inspired the invention of the telegraph.
  • Dcolleges like Yale played a great role in making new discoveries about electricity and its applications.
Show the answer

Correct answer: B

The question asks how a passage section helps convey a central idea of the passage. Paragraph 3 states that “Henry’s experiments, Gale’s assistance, and, soon after, hiring the young technician Alfred Vail were keys to Morse’s success.” The level of interest inspired Morse and others to work together to find a way to use electricity to send long-distance messages.

Option B is correct; the section helps convey a central idea because, overall, the section focuses on what fascinated Morse enough to begin his work and how others were just as interested and willing to work to achieve this goal.

Option A is incorrect because, although the word collaborative suggests that multiple people contributed to the telegraph’s success, the option does not clarify the research and effort needed in order to understand how to use electricity to send signals.

Option C is incorrect because when Morse came to understand how Faraday’s electromagnet worked, Morse wondered if it might be possible to send a coded message over a wire, but that thought later evolved into the telegraph only after more research and experimentation.

Option D is incorrect because the influence of what Morse learned at Yale was only a minor factor in his development of the telegraph.

Question analysis

This central idea question asks what the details in the section “The Growth of an Idea” suggest about the passage “Invention of the Telegraph.” The section covers Faraday’s electromagnet, Morse’s Yale lectures, and help from Gale, Henry and Vail, so students must judge which statement those details support as a group, and more than one choice sounds right.

NYS standards
  • 7R2 theme or central idea
  • 7R5 structure and genre features
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 central-idea questions usually have one clearly best summary. Here two paragraphs of names and events must be weighed, and several choices restate true details, so judging which fits the whole section is unusually demanding.
Estimated difficulty
Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 11, 910 words; question and choices: about grade 12, 77 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

This is among the hardest questions in the set because the most tempting wrong choice reads like a paraphrase of the section’s final sentence. Rejecting it means noticing that the section never shows a message getting through and never shows Henry working with Morse, who had not even read his article. The right choice is vague by design, and only a summary of both paragraphs together shows that it fits better.

  1. A very close wrong answer major Choosing the answer

    The colleagues choice and the interest-and-work choice both describe effort spent on sending signals by wire; they part on one claim, that the effort “resulted in successful communication,” which the section never shows, the working line arriving in paragraph 7. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. Evidence in several places moderate Working it out

    The idea emerges only from details across two paragraphs, passengers discussing the electromagnet, Morse’s Yale letter, his failed attempts, Henry’s bell and article, Gale’s relay advice, taken together. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  3. The right answer is reworded moderate Choosing the answer

    The key names none of the section’s people, while the wrong choices echo its “colleague,” “over a wire,” Faraday’s electromagnet and Yale, and so look more firmly rooted in the text. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)

Strategy: Summarize paragraphs 2 and 3 together in one sentence of your own before reading the choices, then choose the statement closest to your summary, checking that every part of it is true of this section.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.
  • Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks what the section “The Growth of an Idea” says about a central idea, or main message. The section is paragraphs 2 and 3. Sum up both paragraphs together before you look at the choices.

  2. List the section’s details

    On the ship, Faraday’s electromagnet “was much discussed by the ship’s passengers.” Morse had found the electricity lectures at Yale interesting. He made “sporadic attempts” on his own. In paragraph 3, Henry “rang a bell at a distance by opening and closing an electric circuit.” Gale showed Morse how to use Henry’s relay system.

  3. Find what the details share

    Look at what links these details. Passengers talked about electricity. Morse was curious and kept trying. Henry ran tests and wrote an article. Gale gave advice. All of it is people taking an interest in electricity and working to send signals with it. That is the section’s main point. A working telegraph line does not appear until paragraph 7.

  4. Check each choice

    • A is close but wrong. Morse’s telegraph does not send a message until paragraph 7. Also, Henry never worked with Morse. At first, Morse did not even know about Henry’s article.
    • B fits. It covers the interest and the work in both paragraphs.
    • C is wrong. The electromagnet gave Morse the idea, but that is only the start of the section.
    • D is wrong. Yale is only a small part of paragraph 2. And “Despite what he had learned at Yale,” Morse still knew little.
  5. Choose the answer

    The section shows lots of interest and effort aimed at sending signals with electricity. So the answer is B, “a great deal of interest and work was devoted to understanding how to use electricity to send signals.”

Why this answer and not the closest wrong one

A sounds like a summary of the section’s last sentence, which is why it tempts. But it claims the teamwork “resulted in successful communication,” and that only happens in a later section. B claims less, so every detail in paragraphs 2 and 3 fits it.

The original DOE question
Question 52 as printed on page 150 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 150, question 52. Open page 150 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).