Author's purpose and point of view
Question 1 of 33
2026 Practice Test A English, question 4Passage Snowy Mountains
Snowy Mountains
by John Gould Fletcher
Higher and still more high,
Palaces made for cloud,
Above the dingy city-roofs
Blue-white like angels with broad wings,
Pillars of the sky at rest
The mountains from the great plateau
Uprise.
But the world heeds them not;
They have been here now for too long a time.
The world makes war on them,
Tunnels their granite cliffs,
Splits down their shining sides,
Plasters their cliffs with soap-advertisements,
Destroys the lonely fragments of their peace.
Vaster and still more vast,
Peak after peak, pile after pile,
Wilderness still untamed,
To which the future is as was the past,
Barrier spread by Gods,
Sunning their shining foreheads,
Barrier broken down by those who do not need
The joy of time-resisting storm-worn stone,
The mountains swing along
The south horizon of the sky;
Welcoming with wide floors of blue-green ice
The mists that dance and drive before the sun.
“Snowy Mountains” by John Gould Fletcher—Public Domain
Question
In which two ways does the poet develop the speaker’s point of view in the second stanza (lines 8–14)?
Select the two correct answers.
Choose every answer that is correct, then check. The DOE has not published how answers with several parts are scored; this site counts one right only when every part is right.
- Aby describing the mountains’ awe-inspiring size and strength
- Bby comparing the various methods humans use to control nature
- Cby criticizing the careless actions of humans that harm the natural environment
- Dby demonstrating how the mountains and the people are able to benefit from each other
- Eby depicting the unfortunate plight of the mountains with vivid details
Show the answer
Correct answer: C and E
The question asks for the two ways in which the poet develops the speaker’s point of view in the second stanza (lines 8–14).
A. Incorrect. The speaker’s descriptions of the mountains’ awe-inspiring size and strength mainly occur in the first and third stanzas, while in the second stanza, the speaker focuses on humanity and its negative effect on the mountains.
B. Incorrect. The wording of the second stanza—“makes war” (line 10), “Splits down their shining sides” (line 12), and “Destroys the lonely fragments” (line 14)—communicates the speaker’s position that people’s main impact on the mountains is destructive, but the stanza does not compare the various methods people use to control nature.
C. CORRECT. In the second stanza, the speaker criticizes the careless and destructive actions of society or “the world” (lines 8 and 10) that harm the natural environment. Humans are described as both heedless of the mountains (“heeds them not”) and harmfully warlike (“makes war on them”). The speaker cites the harm done to the mountains when people “[tunnel] their granite cliffs” (line 11) and “[split] down their shining sides” (line 12), thus “[destroying] the lonely fragments of their peace” (line 14).
D. Incorrect. In the second stanza, the speaker does not describe a mutually beneficial relationship between the mountains and the people. Although people clearly derive benefits from the mountains by plastering “their cliffs with soap-advertisements” (line 13), the stanza does not demonstrate that the mountains receive any benefit from the harmful actions of the people.
E. CORRECT. In the second stanza, the speaker depicts the unfortunate plight of the mountains with vivid details. Lines 11–14 feature expressive wording that sharply illustrates the mountains’ misfortune: “Tunnels their granite cliffs, / Splits down their shining sides, / Plasters their cliffs with soap-advertisements.”
Question analysis
This select-two question on John Gould Fletcher’s poem “Snowy Mountains” asks in which two ways the poet develops the speaker’s point of view in the second stanza, lines 8–14. It reworks a one-answer handbook question, now with five choices. Each choice has to be judged on its own, and a choice that fits the poem as a whole is not enough.
- Grade level
- Grade 6 reading and task
- Compared with grade 7
- At grade 7 Typical grade 7 point-of-view questions ask for one answer about a longer text. This stanza is only seven short lines with one steady attitude, but students must find two right choices out of five and judge each one separately.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- How, not what moderate
- Every choice must be checked moderate
- Hard words minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: 161 words (a poem; reading level not measured); question and choices: about grade 8, 79 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Most students sense the anger at “the world” in lines 8–14 and find the criticism of people quickly. The point is lost on the second pick, because the other right choice names a technique, vivid details of the mountains’ suffering, and can look like plain description. The choice about comparing methods tempts students who see a list of human actions, and the awe of the first and third stanzas pulls those who drift outside the stanza, while both picks must be right to score.
How, not what moderate Working it out
The stem asks how the viewpoint is built, and both right choices are methods: a judgment of “the world” that “makes war,” and the vivid verbs “Tunnels,” “Splits” and “Plasters” in lines 11–13. (Anderson & Krathwohl, 2001)
Every choice must be checked moderate Choosing the answer
All five choices must be tested and both picks must be right, so finding the criticism of people is only half the work; the second right choice is about imagery, not message. (Embretson & Wetzel, 1987)
Hard words minor Understanding the question
One right choice turns on “plight,” a hard situation; a student who does not know the word cannot see that it names the damage done to the mountains in lines 11–14. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Restate in your own words what lines 8–14 say and how they say it, then test each of the five choices on its own and keep only the two that fit this stanza rather than the whole poem.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
The wrong answers, classified
A Wrong part of the text (Kirsch & Mosenthal, 1990)
Brings in the awe of the first and third stanzas, “Higher and still more high” and “Vaster and still more vast,” though in lines 8–14 the cliffs appear only as things being damaged.
B Twists what the text says (King et al., 2004)
Sees that lines 11–13 list several human acts, tunneling, splitting and plastering, but the stanza never weighs one against another; all are blows in one war, not methods of control.
D Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Treats the soap advertisements as people getting some use from the cliffs and imagines an exchange, missing the hostility of “The world makes war on them” and “Destroys.”
E Wrong purpose or structure (Anderson & Krathwohl, 2001)
Left out by students who see the vivid verbs as mere description of damage rather than the way the speaker builds sympathy, or who do not know that “plight” means a bad situation.
Working it out, step by step
Figure out what the question asks
This asks about point of view: how the speaker, the voice talking in the poem, feels about the subject. It also asks how the poet shows that feeling. Stay inside the second stanza, lines 8 to 14. You must pick two answers, so test all five choices one at a time.
Read the second stanza closely
Line 8 says “But the world heeds them not.” To heed something is to pay attention to it. Here “the world” means people in general. Line 10 says “The world makes war on them.” Lines 11 to 13 list what people do: “Tunnels their granite cliffs, / Splits down their shining sides, / Plasters their cliffs with soap-advertisements.” Line 14 ends with “Destroys the lonely fragments of their peace.”
Name how the speaker feels
The speaker is on the mountains’ side. People ignore the mountains, yet they keep attacking them. The speaker blames people for this harm. Pointing out what someone does wrong is called criticizing. The speaker also makes you feel sorry for the mountains. Strong action words like “Tunnels,” “Splits” and “Plasters” paint a sharp picture of the damage. Sharp word pictures like these are called vivid details.
Check each of the five choices
- A does not fit. The mountains’ great size fills the first and third stanzas, as in “Higher and still more high.” In lines 8 to 14 they are only being hurt.
- B does not fit. The stanza lists several things people do, but it never compares them. They are all part of one “war.”
- C fits. The speaker criticizes people for careless acts that damage nature.
- D does not fit. The mountains get nothing good from people. The stanza shows only harm.
- E fits. A plight is a bad or sad situation. The vivid verbs in lines 11 to 13 show the mountains’ plight.
Watch out: B is tempting because the stanza names several acts. But a list is not a comparison.
Choose both answers
The speaker’s view comes through two things: blame for people, and a vivid picture of the mountains’ suffering. Select both choices on the screen. You need both to get the point. So the answers are C and E.
Why this answer and not the closest wrong one
E is the right answer that is easiest to miss, because it can look like plain description. But those vivid details are how the speaker makes you feel for the mountains. B is the closest wrong choice. The stanza does list several human acts, yet it never weighs one against another. Each act is just one more blow.
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The original DOE question

The passage “Snowy Mountains” as printed (page 142)

Question 2 of 33
2026 Practice Test A English, question 12Passage The Best Laid Plans of Ravens
The Best Laid Plans of Ravens
In Edgar Allan Poe’s poem “The Raven,” a raven visits a lonely man’s home and responds to the man’s pleading questions with only the word “nevermore.” The poem’s narrator interprets the word as a prediction of doom for his future. A talking, prophetic raven may seem to be the wild imaginings of the poet, but a new study published in the journal Science hints that one particular idea behind the poem might not be as far-fetched as it seems. For most of human history, people assumed that animals do not understand the passage of time in the same way people do. Some people believed that animals might remember events from the past and that instinct might drive them to make preparations in order to guarantee survival, but most people did not think that animals had the ability to plan. At Lund University in Sweden, researchers argue that ravens may be able to think ahead and even plan for the future.
It can be difficult to test an animal’s ability to plan because human observers must be certain they are not mistaking instinctual behavior for intentional planning. For example, many animals hoard food so that they will not run out later, but scientists who study animals would not call hoarding a decision to plan for the future. This action is merely instinctual. Cognitive scientists argue that in order for an animal’s behavior to qualify as preparing for the future, the animal must use specific decision-making skills to solve a problem.
To avoid mistaking instinctual behavior for evidence of decision-making, the Lund University researchers designed two experiments to test ravens’ ability to plan. Ravens belong to the corvid family, a group of birds known for their intelligence. A study in 2007 showed that corvids have the tendency to save only certain types of food, which suggests that they are planning for the future rather than acting on instinct. In order to investigate that theory, the researchers had to design experiments that would achieve results that could not be explained by an instinctual behavior of food hoarding. Therefore, the ravens were taught two behaviors that they do not normally perform in the wild.
For the first experiment, the researchers showed the birds how to use a small stone to open a box and get treats. Once the ravens learned the behavior, the researchers presented the birds with four stones. Only one stone was the right size to open the box. The birds learned to select that stone and set it aside until the researchers presented the box. The second experiment involved bartering. A researcher would trade the ravens a large treat for a bottle cap. Later, the researchers presented the ravens with a group of items, including small treats and the bottle cap. The ravens chose the bottle cap over the treats and waited for the original researcher to trade with them again so that they could get more treats. In both experiments, the ravens waited patiently for up to seventeen hours for the researcher to return.
The results of these experiments are exciting, but more evidence needs to be gathered before scientists can fully conclude that ravens can plan for the future. Some scientists argue that the ravens might be choosing the stone and bottle cap because the ravens have been trained to do so, not necessarily because the ravens are thinking ahead. Regardless, like other recent advances in animal science, these experiments show that ravens could be much smarter than first believed, and scientists now believe that ravens do actually think about their own future.
Question
The author conveys a point of view on the study of animal intelligence mainly by
- Asharing details about experiments that tested the ability of an animal to plan for the future.
- Bcomparing the results of different experiments that were designed to test animal intelligence.
- Ccritiquing experiments that aimed to demonstrate that certain animals are capable of planning for the future.
- Dexplaining how modern experiments show that previously held beliefs about animal intelligence are inaccurate.
Show the answer
Correct answer: A
The question asks how the author conveys a point of view on the study of animal intelligence.
A. CORRECT. Paragraphs 3 and 4 focus on the process and details of the experiments that scientists conducted. This detailed information from the author provides a sense of how the ravens demonstrated planning abilities beyond natural instinct. The author supports the claims from the experiments, calling the findings “exciting” and stating in the conclusion that “these experiments show that ravens could be much smarter than first believed” (paragraph 5).
B. Incorrect. Although two experiments are described in the passage, the description presents the experiments as building on each other and does not compare their results. The passage states that “these experiments show that ravens could be much smarter than first believed, and scientists now believe that ravens do actually think about their own future” (paragraph 5).
C. Incorrect. The author presents information from the experiments and the results that were gathered from them; while there is an admission that “more evidence needs to be gathered before scientists can fully conclude that ravens can plan for the future” (paragraph 5), the author does not criticize the experiments that are presented.
D. Incorrect. While the author does discuss some previously held beliefs about animal intelligence in paragraph 1, the focus of the passage is that experiments indicate that there is reason to question these beliefs, since “these experiments show that ravens could be much smarter than first believed” (paragraph 5). The previously held beliefs are not considered inaccurate by the discussion in the passage because only one example—the raven—is provided. The passage does not state that beliefs about animal intelligence as a whole are inaccurate.
Question analysis
This author’s point-of-view question asks how the writer of “The Best Laid Plans of Ravens” mainly conveys a view of research into animal intelligence. Students must look at the article as a whole and decide how it presents that view. The choices describe ways of writing in abstract terms, which makes them easy to blur together.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 point-of-view questions usually ask what an author thinks. This one asks how the author mainly conveys a view across the whole article, and the choices name methods that sound alike, closer to grade 8 work on how authors handle differing views.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- How, not what major
- Reading between the lines moderate
- Every choice must be checked minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 11, 599 words; question and choices: about grade 13, 74 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The right choice sounds too plain to carry a point of view, which is exactly what makes this question hard. Students expect a view to be argued, so they reach for the choice that says the experiments prove old beliefs wrong, an overstatement of the author’s hedged “could be,” or for criticism, which belongs to other scientists. The article persuades by reporting the experiments in detail and calling them exciting.
How, not what major Working it out
The question asks how the view comes across, not what it is, and the answer is a method: the author lets the detailed account of the experiments in paragraphs 3–4 carry a favorable view. (Anderson & Krathwohl, 2001)
Reading between the lines moderate Working it out
The author never states an opinion outright; the view must be pieced together from words such as “exciting” and “could be much smarter than first believed” in paragraph 5. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Every choice must be checked minor Choosing the answer
The choices name ways of writing in abstract terms, sharing, comparing, critiquing and explaining, so each must be held against what the whole article actually does. (Embretson & Wetzel, 1987)
Strategy: Settle first on how the author regards the raven research, then check each choice against what the article actually does from beginning to end, not against a single paragraph.
Traps
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
B Twists what the text says (King et al., 2004)
Notices that two experiments are described and assumes they are set side by side, but the article reports the stone test and the bartering test in turn without comparing results.
C Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Takes the doubt that “some scientists” raise about training for the author’s own criticism, though the author calls the results “exciting” and moves past the objection.
D Too broad or too strong (King et al., 2004)
Builds on the point that ravens may be smarter than believed but overstates it: the author hedges with “could be,” discusses only ravens, and never calls older beliefs wrong.
Working it out, step by step
Figure out what the question asks
This asks about the author’s point of view, what the author thinks about studying animal intelligence. It also asks how the author mainly shows that view. Think about the whole article, not one paragraph.
Find the author’s view
In paragraph 5, the author says the results “are exciting.” The author also says the experiments “show that ravens could be much smarter than first believed.” So the author is interested in this research and hopeful about it.
See how the article is built
Most of the article explains the experiments. Paragraph 3 tells why the researchers planned two of them. Paragraph 4 gives the details step by step: the stone, the box, the bottle cap, the trades and the long wait. The author lets these details show why the research matters. Then the author calls the results exciting.
Check each choice
- A fits. The author shares details of experiments that tested whether an animal can plan.
- B does not fit. The two experiments are told one after the other. Their results are never compared.
- C does not fit. The doubt comes from “some scientists,” not the author. The author answers it with “Regardless.”
- D does not fit. It goes too far. The author says ravens “could be” smarter, which means maybe. The article never calls old beliefs wrong.
Watch out: D is tempting because paragraph 1 describes old beliefs. But “could be” is not the same as “are.”
Choose the answer
The author shows a view mostly through details of the experiments. So the answer is A.
Why this answer and not the closest wrong one
D is the closest wrong choice. The author does think ravens may be smarter than people believed. But the author is careful and says they “could be.” D says experiments prove old beliefs wrong, which is too strong. What the author mostly does is share the experiments’ details. That is A.
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The original DOE question

The passage “The Best Laid Plans of Ravens” as printed (page 12)

Question 3 of 33
2026 Practice Test A English, question 13Uses the passage above: “The Best Laid Plans of Ravens”.
Question
With which statement would the author of the passage most likely agree?
- AScientists are unlikely to be able to conduct an experiment that can genuinely distinguish between instinctual and learned behaviors in animals.
- BScientists should continue researching to determine whether or not animals can demonstrate advanced intelligence.
- CScientists should be careful about making conclusions about animal intelligence based on experiments that rely on training animals.
- DScientists can confirm data on whether animals have the ability to plan by performing experiments on additional species known for their intelligence.
Show the answer
Correct answer: B
The question asks the reader to choose the statement with which the author of the passage would most likely agree.
A. Incorrect. It is very likely that additional experiments or changes to the experiments presented can help scientists tell the difference between the types of behavior that the animals are showing. The current research supports “other recent advances in animal science” and also shows that ravens are “much smarter” (paragraph 5) than previously believed, making them excellent candidates for further research.
B. CORRECT. As paragraph 5 notes, “more evidence needs to be gathered before scientists can fully conclude that ravens can plan for the future.” The evidence is not yet considered definitive because “some scientists argue that the ravens might be choosing the stone and bottle cap because the ravens have been trained to do so, not necessarily because the ravens are thinking ahead” (paragraph 5). Therefore, more research is needed in order to draw a complete conclusion as to whether or not the animals are demonstrating advanced intelligence or simply the results of training.
C. Incorrect. The passage shows that the scientists did not draw conclusions based on one experiment alone. The passage also states in paragraph 5 that additional research and experiments are necessary in order to obtain conclusive evidence of ravens’ abilities to think and plan ahead.
D. Incorrect. The passage claims that more evidence must be gathered in order to make a claim that animals can definitely plan for the future. The evidence presented helps scientists “believe that ravens do actually think about their own future” (paragraph 5), but more confirmation is needed. The passage does not discuss performing experiments on additional species.
Question analysis
This inference question asks which statement the author of “The Best Laid Plans of Ravens” would most likely agree with. Students must work out the author’s own view of the raven experiments and of research into animal thinking. The article reports more than one viewpoint, so students have to keep track of which ideas belong to the author.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Inferring which statement an author would accept is common grade 7 work. The author’s view is stated fairly plainly in the last paragraph, but that paragraph also reports what other scientists argue, so students must separate the author’s position from theirs.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Reading between the lines moderate
- A very close wrong answer moderate
- Much to keep track of minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 11, 599 words; question and choices: about grade 15, 87 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The passage reports several opinions, and the hard part is telling which one is the author’s. Students who notice the training objection in paragraph 5 often adopt it as the author’s warning, but “Regardless” shows the author weighing it and moving on to a hopeful view that still calls for more evidence. The other wrong choices either turn “difficult” into “unlikely” or bring in research the article never mentions.
Reading between the lines moderate Working it out
The author’s view is never stated as advice; it has to be read from paragraph 5, where “more evidence needs to be gathered” is followed by “Regardless” and a hopeful conclusion. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
A very close wrong answer moderate Choosing the answer
The choice about caution with experiments that train animals shares the right one’s careful stance and differs in one detail, training, the objection the author raises only to set aside. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Much to keep track of minor Working it out
The article mixes four voices, what people long assumed, the Lund researchers, “some scientists” who doubt them and the author, and each statement must be traced to the right one. (Sweller, 1988; Carpenter, Just & Shell, 1990)
Strategy: Find the sentences where the author speaks in their own voice, especially in paragraph 5, and pick the statement that follows from them without adding claims the article never makes.
Traps
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
The wrong answers, classified
A Too broad or too strong (King et al., 2004)
Builds on paragraph 2’s point that planning is “difficult” to test and hardens it into “unlikely,” a pessimism the author, who finds the results “exciting,” never expresses.
C Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Takes the objection that the ravens may only have been trained, which “some scientists” raise, as the author’s own view, though the author answers it with “Regardless.”
D Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Offers a sensible research idea, testing other clever species, that the article never suggests; the author’s call for more evidence concerns ravens alone.
Working it out, step by step
Figure out what the question asks
This asks which statement the author would most likely agree with. You must find the author’s own view. The article also reports what other people think, so keep those ideas apart.
Sort out the voices in paragraph 5
Paragraph 5 says “Some scientists argue that the ravens might be choosing the stone and bottle cap because the ravens have been trained to do so.” That is what other scientists think. The author’s own words are “The results of these experiments are exciting, but more evidence needs to be gathered.”
Put the author’s view in plain words
The author thinks the research is promising but not finished. After the doubt, the author says “Regardless,” which means “even so,” and stays hopeful. So the author wants scientists to keep studying until they can be sure.
Check each choice
- A does not fit. The author never says a good test is unlikely. The author finds the results exciting.
- B fits. The author says more evidence must be gathered.
- C does not fit. The worry about training belongs to “some scientists.” The author sets it aside with “Regardless.”
- D does not fit. The article never mentions testing other kinds of animals.
Watch out: C sounds careful, like a scientist. But it repeats the other scientists’ view, not the author’s.
Choose the answer
The author wants scientists to keep gathering evidence before anyone decides. So the answer is B.
Why this answer and not the closest wrong one
C is the closest wrong choice. It sounds careful, and the author is careful too. But the warning about training comes from “some scientists.” The author answers it with “Regardless” and stays hopeful. The author’s own point is that “more evidence needs to be gathered.” That matches B.
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The original DOE question

Question 4 of 33
2026 Practice Test B English, question 22Passage Excerpt from In Search of the Unknown
Excerpt from In Search of the Unknown
by Robert W. Chambers
It was at that time the policy of the trustees and officers of the Zoological Gardens neither to employ collectors nor to send out expeditions in search of specimens. The society decided to depend upon voluntary contributions, and I was always busy, part of the day, in dictating answers to correspondents who wrote offering their services as hunters of big game, collectors of all sorts of fauna, trappers, snarers, and also to those who offered specimens for sale, usually at exorbitant rates.
To the proprietors of . . . mangy lynxes, moth-eaten coyotes, and dancing bears I returned courteous but uncompromising refusals—of course, first submitting all such letters, together with my replies, to Professor Farrago.
One day towards the end of May, however, just as I was leaving Bronx Park to return to town, Professor Lesard, of the reptilian department, called out to me that Professor Farrago wanted to see me a moment; so I . . . retraced my steps to the temporary, wooden building occupied by Professor Farrago, general superintendent of the Zoological Gardens. The professor, who was sitting at his desk before a pile of letters and replies submitted for approval by me, pushed his glasses down and looked over them at me with a whimsical smile that suggested amusement, impatience, annoyance, and perhaps a faint trace of apology.
“Now, here’s a letter,” he said, with a deliberate gesture towards a sheet of paper impaled on a file—“a letter that I suppose you remember.” He disengaged the sheet of paper and handed it to me.
“Oh yes,” I replied, with a shrug; “of course the man is mistaken—or—”
“Or what?” demanded Professor Farrago, tranquilly, wiping his glasses.
“—Or a liar,” I replied.
After a silence he leaned back in his chair and bade me read the letter to him again, and I did so with a contemptuous tolerance for the writer, who must have been either a very innocent victim or a very stupid swindler. I said as much to Professor Farrago, but, to my surprise, he appeared to waver.
“I suppose,” he said, with his near-sighted, embarrassed smile, “that nine hundred and ninety-nine men in a thousand would throw that letter aside and condemn the writer as a liar or a fool?”
“In my opinion,” said I, “he’s one or the other.”
“He isn’t—in mine,” said the professor, placidly.
“What!” I exclaimed. “Here is a man living all alone on a strip of rock and sand between the wilderness and the sea, who wants you to send somebody to take charge of a bird that doesn’t exist!”
“How do you know,” asked Professor Farrago, “that the bird in question does not exist?”
“It is generally accepted,” I replied, sarcastically, “that the great auk has been extinct for years. Therefore I may be pardoned for doubting that our correspondent possesses a pair of them alive.”
“Oh, you young fellows,” said the professor, smiling wearily, “you embark on a theory for destinations that don’t exist.”
He leaned back in his chair, his amused eyes searching space for the imagery that made him smile.
“Like swimming squirrels, you navigate with the help of Heaven and a stiff breeze, but you never land where you hope to—do you?”
Rather red in the face, I said: “Don’t you believe the great auk to be extinct?”
“Audubon saw the great auk.”
“Who has seen a single specimen since?”
“Nobody—except our correspondent here,” he replied, laughing.
I laughed, too, considering the interview at an end, but the professor went on, coolly:
“Whatever it is that our correspondent has—and I am daring to believe that it is the great auk itself—I want you to secure it for the society.”
When my astonishment subsided my first conscious sentiment was one of pity. Clearly, Professor Farrago was on the verge of dotage—ah, what a loss to the world!
I believe now that Professor Farrago perfectly interpreted my thoughts, but he betrayed neither resentment nor impatience. I drew a chair up beside his desk—there was nothing to do but to obey, and this fool’s errand was none of my conceiving.
Together we made out a list of articles necessary for me and itemized the expenses I might incur, and I set a date for my return, allowing no margin for a successful termination to the expedition.
“Never mind that,” said the professor. “What I want you to do is to get those birds here safely. Now, how many men will you take?”
“None,” I replied, bluntly; “it’s a useless expense, unless there is something to bring back. If there is I’ll wire you, you may be sure.”
“Very well,” said Professor Farrago, good-humoredly, “you shall have all the assistance you may require. Can you leave to-night?”
The old gentleman was certainly prompt. I nodded, half-sulkily, aware of his amusement.
“So,” I said, picking up my hat, “I am to start north to find a place called Black Harbor, where there is a man named Halyard who possesses, among other household utensils, two extinct great auks—”
We were both laughing by this time. I asked him why on earth he credited the assertion of a man he had never before heard of.
“I suppose,” he replied, with the same half-apologetic, half-humorous smile, “it is instinct. I feel, somehow, that this man Halyard has got an auk—perhaps two. I can’t get away from the idea that we are on the eve of acquiring the rarest of living creatures. It’s odd for a scientist to talk as I do; doubtless you’re shocked—admit it, now!”
But I was not shocked; on the contrary, I was conscious that the same strange hope that Professor Farrago cherished was beginning, in spite of me, to stir my pulses, too.
“If he has—” I began, then stopped.
The professor and I looked hard at each other in silence.
“Go on,” he said, encouragingly.
But I had nothing more to say, for the prospect of beholding with my own eyes a living specimen of the great auk produced a series of conflicting emotions within me which rendered speech profanely superfluous.
From IN SEARCH OF THE UNKNOWN by Robert W. Chambers—Public Domain
Audubon: John James Audubon, an ornithologist and artist who created scientific illustrations of birds
dotage: a loss of reasoning brought about by old age
Question
How does the author develop the contrast between the narrator’s point of view and the professor’s point of view?
- Aby providing both the narrator’s and professor’s thoughts on how age and experience influence each other’s reasoning
- Bby using the conversation between the narrator and the professor to emphasize their reactions to the letter
- Cby describing the professor’s persistent efforts to change the narrator’s mind about the letter
- Dby including dialogue that explains why the professor is the supervisor and the narrator is his subordinate
Show the answer
Correct answer: B
The question asks how the author develops the contrast between the narrator’s point of view and the professor’s point of view.
A. Incorrect. The excerpt does not describe the narrator’s thoughts about how age and experience influence the professor’s reasoning in enough detail to fully contrast them against the thoughts about the narrator that the professor expresses in paragraphs 15–17. The narrator’s idea that the professor might be “on the verge of dotage” (paragraph 24) is meant in a humorous way.
B. CORRECT. The primary conflict of the excerpt revolves around the narrator’s disagreement with the professor about whether the letter about the great auks could be true. As the two men converse, their contrasting attitudes toward the letter become clear: the narrator dismisses the possibility of great auks out of hand (“ ‘of course the man is mistaken’ ” [paragraph 5]; “ ‘here is a man . . . who wants you to send somebody to take charge of a bird that doesn’t exist!’ ” [paragraph 12]), while the professor calmly admits that although “ ‘nine hundred and ninety-nine men in a thousand would throw that letter aside and condemn the writer’ ” (paragraph 9), he himself believes that the writer could be telling the truth (“ ‘How do you know,’ asked Professor Farrago, ‘that the bird in question does not exist?’ ” [paragraph 13]).
C. Incorrect. The professor explains why he disagrees with the narrator (paragraphs 19–21), but he does not make persistent efforts to convince the narrator to change his mind about the letter. Instead he states that the narrator will go on an expedition to retrieve “ ‘whatever it is that our correspondent has’ ” (paragraph 23), thereby requiring the narrator to go collect the great auks whether the narrator believes in them or not.
D. Incorrect. The point of the dialogue is not to explain the subordinate-supervisor relationship between the narrator and the professor but rather to contrast what each character believes about the contents of the letter.
Question analysis
This point-of-view question asks how Robert W. Chambers develops the contrast between the narrator’s outlook and Professor Farrago’s in the excerpt from In Search of the Unknown. Students must step back from single lines and judge the author’s method across the whole excerpt. The choices describe techniques in general terms, and several connect to real moments in the story.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Analyzing how an author contrasts two characters’ points of view is the grade 7 standard itself, but here students must judge the main method across the whole excerpt, and each choice names an abstract method that touches something in the text.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- How, not what major
- A very close wrong answer moderate
- Evidence in several places moderate
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 9, 1066 words; question and choices: about grade 11, 84 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The right choice is plain enough to seem too obvious, so students look for something more specific. The excerpt offers a candidate: the professor teases “you young fellows,” and the narrator decides the old man is near “dotage,” which makes age look like the method. Those remarks are passing jokes, while the men’s opposite reactions to Halyard’s letter run through the whole conversation. The question rewards judging what carries the contrast from start to end rather than what is most striking.
How, not what major Working it out
The question asks for the author’s method across the whole excerpt, and every choice names an abstract technique, so students must step back from single lines to see that the dialogue carries the contrast. (Anderson & Krathwohl, 2001)
A very close wrong answer moderate Choosing the answer
The choice about age and experience and the right one both describe the two men’s opposed views as they come out in the excerpt; they part on the subject, their ages or the letter. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Evidence in several places moderate Working it out
The contrast builds from the narrator’s “of course the man is mistaken” in paragraph 5 to the professor’s appeal to “instinct” in paragraph 33, so no single passage shows the method. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Strategy: For each choice, find where the excerpt does what the choice describes, and ask whether that method carries the contrast through the whole excerpt or appears only once or twice.
Traps
- Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.
The wrong answers, classified
A Too narrow (King et al., 2004)
Notices the jab at “you young fellows” and the narrator’s thought of “dotage,” but two passing remarks about age are not how the author builds the contrast across the excerpt.
C Twists what the text says (King et al., 2004)
Overstates the professor’s role, since he asks a few calm questions and then simply assigns the trip, never working to win the narrator over.
D Wrong purpose or structure (Anderson & Krathwohl, 2001)
Knows that the professor is the superior, but no line of dialogue explains how either man got his position; the talk is about the letter, not their ranks.
Working it out, step by step
Figure out what the question asks
This asks about the author’s method. How does the author show that the two men see things differently? Look at how the whole excerpt is built, not just one line.
Notice how the excerpt is told
Most of the excerpt is a conversation. The two men talk back and forth about the letter. Each answer shows how one man reacts to it. So their reactions to the letter are where the contrast shows up. A contrast is a clear difference between two things.
Find the two reactions
The narrator says “of course the man is mistaken” (paragraph 5). He laughs at the idea of “a bird that doesn’t exist!” (paragraph 12). The professor stays open. In paragraph 13 he asks how the narrator can be sure “that the bird in question does not exist.” In paragraph 23, he is “daring to believe” it is the great auk.
Check each choice
- A does not fit. Age comes up only twice: “you young fellows” and the narrator’s thought about “dotage.” Two short remarks do not build the contrast.
- B fits. The talk about the letter shows their opposite reactions.
- C does not fit. The professor asks a few calm questions and then simply sends the narrator. He does not keep trying to change his mind.
- D does not fit. No line explains how either man got his job.
Watch out: A is tempting because those remarks about age are real. But they are passing moments, not the author’s main method.
Choose the answer
The author builds the contrast through the two men’s talk about the letter. So the answer is B, “by using the conversation between the narrator and the professor to emphasize their reactions to the letter.”
Why this answer and not the closest wrong one
A is the closest wrong choice. The professor does tease “you young fellows,” and the narrator does think of “dotage.” But those are two quick remarks. From paragraph 5 to paragraph 33, the two men keep reacting to the letter in opposite ways. That steady back-and-forth builds the contrast, so B fits.
More questions like this
The original DOE question

The passage “Excerpt from In Search of the Unknown” as printed (page 21)

Question 5 of 33
2026 Practice Test B English, question 28Passage Looking for the Smallest Spark of Everything
Looking for the Smallest Spark of Everything
Located underground near Geneva, Switzerland, the Large Hadron Collider (LHC) helps scientists study and understand how the smallest particles of matter interact with one another. The LHC propels atomic particle beams along a 17-mile-long ring.
There are the things the world is made of,
things we can see and feel, and then
there are the things even smaller, things that seem
to exist only when we are looking right at them.
So beneath the level of molecules are atoms,
and beneath the level of atoms, we find
protons, electrons, neutrons; and beneath that—
what, exactly? Because we are talking about
everything here: your fingernail,
the candy at the back of your mouth,
the coffee your teacher drank this morning,
your little sister, and the stuffed dog
she used to carry around with her everywhere.
And everywhere.
Everything and everywhere
are made up of the same stuff, whatever
it is. How do we find it? We can listen for it
in the wavelengths from deep space,
talking back to us from unimaginable
distances. Or we can build long,
deep circular tunnels beneath the surface
of this Earth and race particles
(like racing cars, only very tiny cars
flashing along at close to the speed of light)
until everything we think we know
bangs against everything else we know.
And there, in the explosion, in the darkness,
briefly incandescent, they appear:
the quarks, the leptons, and the bosons;
the baryons and the mesons. Their names
sound like dinosaurs or maybe bands
playing terrible music in someone’s garage.
The one thing we know for sure
is that they spin. This is how gravity
enters our world, how our world is held
both together and apart, what keeps
together the pencil in your hand right now
as well as separate from, say,
Jupiter. They spin, and it is only down there
in the darkness—in the vast garage
where physicists jot down
what they can, whatever seems most real—
that they let us perceive their wild dancing,
combusting to the music they make.
Question
Read lines 39–44 from the poem.
They spin, and it is only down there
in the darkness—in the vast garage
where physicists jot down
what they can, whatever seems most real—
that they let us perceive their wild dancing,
combusting to the music they make.
The lines reveal the speaker’s
- Afrustration with the research facilities physicists use.
- Bbelief that physicists are frantically working toward a new discovery.
- Cinterest in physicists and their study of particles.
- Dcertainty that physicists are working in secrecy.
Show the answer
Correct answer: C
The question asks what lines 39–44 reveal about the speaker.
A. Incorrect. While the discoveries are made “in the darkness” (line 40), the imagery conveys the speaker’s positive tone through descriptions like “perceive their wild dancing” (line 43) and “combusting to the music they make” (line 44), not frustration.
B. Incorrect. In lines 39–44, the imagery of energetic movement (“They spin,” “their wild dancing,” and “combusting to the music they make”) is used to describe the particles, not the physicists.
C. CORRECT. The speaker uses the phrases “only down there” (line 39), “physicists jot down … whatever seems most real” (lines 41–42), and “they let us perceive” (line 43) to convey that the physicists have a rare role in studying the mysteries of the universe and that the speaker appreciates and is interested in their work.
D. Incorrect. While the description of the experiments occurring “in the darkness” (line 40) may create a sense of secrecy, the secrets that the darkness refers to are the mysteries of subatomic particles, not the work processes that the physicists use.
Question analysis
The final six lines of “Looking for the Smallest Spark of Everything” describe particles spinning in the darkness of a “vast garage” where physicists work. This question asks what those lines reveal about the speaker. The long sentence is broken by dashes and mixes images of the particles with images of the scientists, so students must sort out which words describe which.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 students infer a speaker’s attitude, usually from a clear statement. These six lines form one sentence broken by dashes, students must keep track of who does what, and the attitude is never stated, so the task is above typical grade 7 work.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Complex sentences major
- Figurative or literary language moderate
- Reading between the lines moderate
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: 346 words (a poem; reading level not measured); question and choices: about grade 8, 82 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The sentence is the hardest part: the physicists appear in a clause set off by dashes, and the two uses of “they” around them refer to different subjects. Students who attach “wild dancing” to the physicists see frantic work, and those who stop at “in the darkness” see secrecy. The right choice is mild and general, so it is easy to pass over, yet it fits because the speaker lingers on the scene with evident fascination and nothing in the lines expresses frustration or certainty.
Complex sentences major Understanding the question
Lines 39–44 are one sentence broken by a dash clause, and its two uses of “they” point different ways: “what they can” means the physicists, “they let us perceive” the spinning particles. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
Figurative or literary language moderate Understanding the question
The particles’ “wild dancing,” “combusting to the music they make,” and the lab as “the vast garage” are images whose tone, delight rather than complaint, students must judge. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Reading between the lines moderate Working it out
No line states the speaker’s attitude; interest has to be read from how closely the speaker follows the work of physicists who “jot down / what they can, whatever seems most real.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Untangle the sentence in lines 39–44 by finding who spins, who jots things down and who lets us perceive, then decide what the description reveals about how the speaker regards the scene.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
The wrong answers, classified
A Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Links “the vast garage” to the garage bands’ “terrible music” of line 32 and hears a complaint, though the lines end on the delighted image of “wild dancing.”
B Twists what the text says (King et al., 2004)
Gives the particles’ “wild dancing” and “combusting” to the physicists, misled by the pronouns around them, though the physicists only “jot down / what they can.”
D Reads too much in (Graesser, Singer & Trabasso, 1994)
Reads “only down there / in the darkness” as a sign of hidden work, though the darkness belongs to the underground tunnel, and nothing in the lines suggests secrecy.
Working it out, step by step
Figure out what the question asks
This asks what lines 39–44 show about the speaker. The lines are one long sentence. It uses the word “they” for two different groups. So first sort out who is doing what.
Sort out who does what
- “They spin” means the particles spin.
- “physicists jot down / what they can” means the physicists write down what they can. Here “they” is the physicists.
- “they let us perceive their wild dancing” means the particles let us see their dance. Perceive means notice or see. Here “they” is the particles again.
Put the sentence in plain words
The part between the dashes describes the place. It is the huge tunnel, “the vast garage,” where physicists take notes. Without that part, the sentence says this: only down there do the particles let us see their wild dance. Combusting means bursting into flame. It is a lively, joyful picture.
Decide what it shows about the speaker
The speaker brings the physicists into the scene and shows their careful work. They write down “whatever seems most real.” The speaker also shows that all of us see the particles only through this research. The speaker cares about the physicists and what they study. That is interest.
Check each choice
- A does not fit. “The vast garage” is playful, and the lines end in delight. There is no complaint.
- B does not fit. The wild motion belongs to the particles. The physicists only “jot down / what they can.”
- C fits. The speaker follows the physicists’ work and the particles they study.
- D does not fit. It is dark because the tunnel is underground. Nothing suggests the work is secret.
Watch out: B is tempting because the lines sound frantic, or wild and rushed. But “they let us perceive” means the particles, so the dancing is theirs, not the physicists’.
Choose the answer
The lines show the speaker paying close attention to physicists and the particles they study. So the answer is C, “interest in physicists and their study of particles.”
Why this answer and not the closest wrong one
B is the closest wrong choice. The words “wild dancing” and “combusting” do sound frantic. But they describe the particles. In “they let us perceive,” “they” means the particles. The physicists just “jot down / what they can.” So the lines do not show physicists rushing. They show the speaker’s interest, which is C.
More questions like this
The original DOE question

The passage “Looking for the Smallest Spark of Everything” as printed (pages 32–33)


Question 6 of 33
2026 Practice Test B English, question 34Passage Using Fire to Keep a Prairie Healthy
Using Fire to Keep a Prairie Healthy
Inside the 40,000-acre Joseph H. Williams Tallgrass Prairie Preserve in northern Oklahoma, herds of bison roam on the scenic land that is home to hundreds of different species of plants and animals. While one of the greatest threats to the prairie is wildfire, the use of controlled fires is actually an effective way to protect this idyllic landscape.
Fires that are started by lightning or other natural circumstances are inevitable, and the results can be disastrous. However, hundreds of years ago the American Indian people who inhabited the Great Plains area between Minnesota and Texas realized that these fires could also be helpful. The bison in the area seemed to prefer grazing on tender new grass on the recently burned land rather than on grass in the unburned areas. The American Indian people began to deliberately burn areas of land for bison to graze on, which enticed the herds away from the people’s crops.
Today conservationists at the Tallgrass Prairie Preserve and farmers in the Great Plains continue to use controlled burns for land management. Intentionally burning a portion of land can dramatically improve the quality of the vegetation that regrows there. The fires burn away weedy undergrowth and help limit the overcrowding of shrubs and trees in the burn area, creating less competition for water and nutrients. Additionally, the process of burning excess plant matter adds nitrogen, an essential element for plant growth, to the soil.
One common target of controlled burns at the preserve and the surrounding area is the invasive red cedar tree. A single red cedar tree can consume up to 40 gallons of water per day, taking this vital resource away from other plant life. These tall trees also cast shade that prevents sunlight from reaching the plants beneath them. The fast-growing red cedar trees tend to crowd out prairie grasses, the primary food source for wild and domestic animals that make the prairie their home. An imbalance in one component of the prairie’s ecosystem affects the entire web of life. Controlled burns help maintain this ecosystem’s delicate balance.
Of course, these controlled fires are intended to burn only a portion of an area. A total burn, which is a risk with an uncontrolled wildfire, would destroy all wildlife as well as the crops farmers plant for income. The key to using controlled fires is knowing which areas of land to burn and when. Conservation experts at the preserve employ the “patch-burn” approach, meaning they rotate which portion of land is burned each year. They study the land to find out which areas would most benefit from being burned, and then they arrange about a dozen burns over one-third of the land. This patch burning contains the fire within a specific area and allows animals in the burn area to safely relocate. The following year, conservationists will burn a different section of the preserve, while the land burned the previous year regrows healthier than before.
Researchers have tracked and studied the variety of plant species and animals that live on the preserve, and their studies show that the patch-burn approach has restored biodiversity to the area by promoting the growth of species that were at risk of being crowded out. The patch-burn system is so successful that the conservationists at the preserve provide training to prairie farmers about conducting controlled burns on their own land. Burning land to make it healthy may seem counterintuitive, but strategic controlled fires have helped the prairie sustain life for hundreds of years and, with careful management, will continue to do so.

Question
With which statement would the author most likely agree?
- AIt is important to explain the purposes and the risks of controlled burns to the people living near a proposed burn area.
- BIt is necessary to thoroughly examine a particular region in order to plan and execute a successful controlled burn.
- CMonitoring animals’ reactions after a controlled burn on the prairie is a minor part of scientists’ research.
- DConservationists should consider the helpful aspects of invasive species before executing a controlled burn.
Show the answer
Correct answer: B
The question asks with which statement the author of the passage would most likely agree.
A. Incorrect. In paragraph 5, the author states that “patch burning contains the fire within a specific area and allows animals in the burn area to safely relocate,” and paragraph 6 states that conservationists “provide [important] training to prairie farmers about conducting controlled burns on their own land.” However, the author does not explicitly take a position about the importance of explaining the purposes and the risks of controlled burns to the people living near a proposed burn area. Therefore, the evidence in the passage does not strongly suggest that the author would agree with this statement.
B. CORRECT. In paragraph 5, the author points out that conservationists “study the land to find out which areas would most benefit from being burned, and then they arrange about a dozen burns over one-third of the land” and “rotate which portion of land is burned each year” so that animals, such as bison, can “safely relocate.” Therefore, the author would most likely agree that it is necessary to thoroughly examine a particular region in order to plan and execute a successful controlled burn.
C. Incorrect. The author of the passage would be unlikely to agree that monitoring animals’ reactions after a controlled burn on the prairie is a minor part of scientists’ research. In paragraph 5, the author explains that patch burning “allows animals in the burn area to safely relocate” and that conservationists “burn a different section of the preserve” each year to ensure that animals have an abundant area to graze while other areas are being burned.
D. Incorrect. According to the information in paragraph 4, conservationists commonly target invasive red cedar trees because they are tall trees that “crowd out prairie grasses, the primary food source for wild and domestic animals that make the prairie their home.” Since the focus is on the harm that the invasive red cedar can cause, the author would be unlikely to agree that conservationists should consider the helpful aspects of invasive species before executing a controlled burn.
Question analysis
This point-of-view question asks which statement the author of the prairie-burning article would most likely agree with. Students infer the author's position from details spread through the passage, and since some choices sound like sensible advice in general, each must be traced back to what the article actually supports.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Inferring what an author would agree with is typical grade 7 work on point of view. The choices draw on different paragraphs, and the author's views are stated fairly plainly, so careful checking settles it without a long chain of inference.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Every choice must be checked moderate
- Reading between the lines minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 11, 598 words; question and choices: about grade 11, 81 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The right statement is close to a paraphrase of paragraph 5, where the experts study the land before choosing where to burn, so careful readers settle this quickly. The risk is a statement that sounds wise in general: explaining a burn’s purposes and risks to its neighbors is good practice, but the article never raises it. The other two contradict the text, which values research on animals and treats red cedars only as a harm.
Every choice must be checked moderate Choosing the answer
The statements touch different parts of the article, research in paragraph 6, invasive species in paragraph 4 and safety in general, so each must be traced to what the author says, if anything. (Embretson & Wetzel, 1987)
Reading between the lines minor Working it out
The author never gives an opinion on planning burns; agreement must be inferred from the report that experts “study the land” before arranging about a dozen burns. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: For each statement, find the paragraph it relates to and ask whether the author says something close to it, says the opposite, or says nothing; choose only a statement the text backs.
Traps
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Agrees with a sensible safety practice, telling neighbors about a burn’s purposes and risks, but the article discusses training farmers, never informing people who live near a burn.
C Twists what the text says (King et al., 2004)
Notices that the article says more about land than about animals and calls watching them minor, though paragraph 6 reports researchers tracking the preserve’s animals and finding biodiversity restored.
D Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Imagines a balanced view in which invasive species have helpful sides, though paragraph 4 presents the red cedar only as a threat that drinks water, blocks sunlight and crowds out grasses.
Working it out, step by step
Figure out what the question asks
This question asks which statement the author would most likely agree with. The author doesn’t state an opinion on these ideas outright. So check each statement against what the passage says. Pick the one the passage backs up.
Find what the author stresses
Paragraph 5 says “The key to using controlled fires is knowing which areas of land to burn and when.” Next it says the experts “study the land to find out which areas would most benefit from being burned.” Only after that do they plan “about a dozen burns over one-third of the land.” A dozen means 12.
Put it in your own words
The author calls knowing where and when to burn “the key.” A key is the most important part. The experts study the land before they plan a single burn. So the author thinks careful study comes first. A burn works only when people know the land well.
Check each choice
- A is wrong. This sounds like good advice. But the passage never talks about warning neighbors before a burn.
- B is right. It matches paragraph 5. The experts study the land, then plan the burns.
- C is wrong. Paragraph 6 says researchers “tracked and studied” the animals. The author treats that research as important, not minor.
- D is wrong. Paragraph 4 shows the invasive red cedar only as harmful. Invasive means spreading where it doesn’t belong.
Watch out: A is tempting because it is wise in real life. But you must pick what this author would agree with, based on the passage.
Choose the answer
The author shows the experts studying the land before they plan. Execute here means carry out. So the answer is B: “It is necessary to thoroughly examine a particular region in order to plan and execute a successful controlled burn.”
Why this answer and not the closest wrong one
A is the closest wrong answer, because explaining a burn to the neighbors is sensible. But the passage never raises it. B matches what paragraph 5 actually says: the experts “study the land” before they plan the burns.
More questions like this
The original DOE question

The passage “Using Fire to Keep a Prairie Healthy” as printed (page 41)

Question 7 of 33
2026 Practice Test C English, question 21Passage Bird Talk
Bird Talk
by Carl Sandburg
And now when the branches were beginning to be heavy,
It was the time when they once had said, “This is the
beginning of summer.”
The shrilling of the frogs was not so shrill as in the
first weeks after the broken winter;
The birds took their hops and zigzags a little more
anxious; a home is a home; worms are worms.
The yellow spreads of the dandelions and buttercups
reached across the green pastures.
Tee whee and tee whee came on the breezes, and the grackles
chuzzled their syllables.
And it was the leaves with a strong soft wind over them
that talked most of all and said more than any others
though speaking the fewest words.
It was the green leaves trickling out the gaunt nowhere
of winter, out on the gray hungry branches—
It was the leaves on the branches, beginning to be heavy,
who said as they said one time before, “This is the be-
ginning of summer.”
We shall never blame the birds who come
where the river and the road make the Grand Crossing
and talk there, sitting in circles talking bird talk.
If they ask in their circles as to who is here
and as to who is not here and who used to be here,
Or if instead of counting up last year as against
this year, they count up this year as against next
year, and have their bird chatter about who is here
this year who won’t be here next year,
We shall never blame the birds.
If I have put your face among leaf faces, child,
Or if I have put your voice among bird voices,
Blame me no more than the bluejays.
“Bird Talk” by Carl Sandburg—Public domain.
Question
Read lines 12–14 from the poem.
And it was the leaves with a strong soft wind over them
that talked most of all and said more than any others
though speaking the fewest words.
What does the phrase “talked most of all” in line 13 convey?
- AIt establishes that the speaker thinks the sound of wind in the leaves is the best indication that the season is changing.
- BIt introduces the idea that the sound of the wind in the leaves remains constant throughout the seasons.
- CIt suggests that the speaker is overwhelmed by the sounds of nature that emerge as the season changes.
- DIt emphasizes that the sounds of nature enable the speaker to appreciate each season of the year.
Show the answer
Correct answer: A
This question asks for what a phrase reveals about the speaker’s perspective on the change in seasons.
A. CORRECT. The first stanza of the poem establishes the way different parts of the natural world, including both plants and animals, respond to the change in season. These lines reflect the way the wind in the leaves is the best indication of the seasonal change because it is the wind in the leaves that “talked most of all and said more than any others / though speaking the fewest words” (lines 13–14).
B. Incorrect. Although the sound of the wind is the most obvious sign of the seasonal change per the speaker, it is in response to the “ ‘beginning of summer’ ” (line 3) that the wind speaks through the leaves. The poem does not reveal that this figurative speech occurs throughout the seasons, only that it occurs during the transition to summer.
C. Incorrect. While the language used by the speaker indicates a deep appreciation for the natural phenomenon being witnessed, the language used does not indicate a feeling of being overwhelmed but rather a feeling of awareness.
D. Incorrect. Using the personification of the wind “speaking” (line 14) indicates an appreciation by the speaker for the power and volume of the wind’s voice, but only one instance of the wind’s speech, that which occurs at the “ ‘beginning of summer’ ” (line 3), is chronicled by the speaker in the poem.
Question analysis
Students interpret the personification in lines 12–14 of “Bird Talk,” where the leaves under a strong soft wind “talked most of all,” and decide what that phrase conveys. Because the leaves also speak “the fewest words,” the line seems to contradict itself, and its meaning depends on how it fits Sandburg’s first stanza about the start of summer.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Explaining what a figurative phrase conveys about a speaker’s view is standard grade 7 work. The three lines are printed with the question, though the phrase still has to be read against the rest of the first stanza.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly understand
- What makes it hard
- Figurative or literary language moderate
- Reading between the lines moderate
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: 296 words (a poem; reading level not measured); question and choices: about grade 6, 119 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The phrase ranks the leaves above the shrilling frogs and chattering birds as voices of the season, but it never says what they are best at, so students must supply the idea of a sign. The tempting wrong readings take the speaker’s pleasure in nature and stretch it to every season, or hear “talked most of all” as noise. The quiet words around the phrase, “strong soft wind” and “fewest words,” point to a calm sound that tells the most.
Figurative or literary language moderate Understanding the question
The leaves are personified, and the line seems to contradict itself: they “talked most of all and said more than any others / though speaking the fewest words.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Reading between the lines moderate Working it out
Students must turn “said more than any others” into a judgment, that the leaves are the surest sign of summer, which lines 17–19 confirm when the leaves themselves announce “the beginning of summer.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Restate lines 12–14 in plain words, especially the contrast between saying more and speaking fewer words, then test each choice against the whole first stanza.
Traps
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
B Twists what the text says (King et al., 2004)
Stretches “as they said one time before” into a sound heard all year, though the leaves have only just come out of “the gaunt nowhere / of winter.”
C Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Hears “talked most of all” as a din that swamps the speaker, though the “strong soft wind” and “fewest words” describe a quiet sound noted calmly, with no sign of strain.
D Too broad or too strong (King et al., 2004)
Rightly senses the speaker’s pleasure in nature’s voices but widens it to “each season of the year,” though the poem watches only the turn to summer and singles out the leaves.
Working it out, step by step
Figure out what the question asks
This asks what a phrase conveys, or gets across. The phrase is “talked most of all” in line 13. Leaves can’t really talk. Giving a thing human actions, like talking, is called personification. You need to work out what the speaker means by saying the leaves talked the most.
Read lines 12–14
Lines 12–14 say “And it was the leaves with a strong soft wind over them / that talked most of all and said more than any others / though speaking the fewest words.” The others are the frogs and birds from earlier lines. The leaves “said more than any others,” yet they used “the fewest words.” So the quiet rustle of the leaves tells you more than all the frog and bird calls.
Find what the leaves say
The stanza ends with the leaves speaking. Lines 17–19 say it was “the leaves on the branches, beginning to be heavy,” who said “This is the beginning of summer.” So the leaves’ message is that the season has changed. The new leaves, rustling in the wind, are the clearest sign that summer has come.
Check each choice
- A fits. The leaves say the most about the season, so they are the best sign that it is changing.
- B does not fit. The leaves have just come out of “the gaunt nowhere / of winter.” Gaunt means thin and bare. The leaves do not rustle the same way all year.
- C does not fit. A “strong soft wind” and “the fewest words” describe a quiet sound. Nothing shows the speaker is overwhelmed, or swamped.
- D does not fit. The poem watches only one change, the start of summer, not each season.
Watch out: D is tempting because the speaker clearly enjoys nature’s sounds. But it stretches that to “each season of the year,” which the poem never covers.
Choose the answer
“Talked most of all” shows that the leaves tell the most about the change of season. So the answer is A, “It establishes that the speaker thinks the sound of wind in the leaves is the best indication that the season is changing.”
Why this answer and not the closest wrong one
D is the closest wrong choice. The speaker does seem to enjoy the sounds of nature. But the poem covers just one change, the turn to summer. And the phrase does more than show enjoyment. It ranks the leaves above the frogs and birds. They say the most about the change, so they are the best sign of it.
More questions like this
The original DOE question

The passage “Bird Talk” as printed (page 32)

Question 8 of 33
2026 Practice Test C English, question 24Uses the passage above: “Bird Talk”.
Question
Throughout the poem, the poet conveys the speaker’s point of view by
- Agradually moving the speaker’s attention from one element of nature to another.
- Bproviding the speaker’s motivation for describing the landscape in great detail.
- Chighlighting the speaker’s emotional response as each season passes.
- Dshifting the speaker’s focus from external observations to personal reflection.
Show the answer
Correct answer: D
This question asks for an explanation of how the poet conveys the speaker’s point of view on the natural world and the change of seasons as presented in the poem.
A. Incorrect. Though in the first stanza the speaker describes various elements of nature such as branches, frogs, birds, flowers, and leaves, these elemental shifts are not precisely gradual and occur only in the first stanza. Further, the first stanza, though appreciative of the natural world, is primarily descriptive and does not develop the speaker’s perspective to the degree that other parts of the poem do.
B. Incorrect. While it may be inferred that the speaker describes the landscape to such a degree because it has revealed a seasonal shift, that this is indeed the speaker’s motivation is never explicitly conveyed by the poet.
C. Incorrect. Multiple seasons do not pass in the poem; only the shift to the “ ‘beginning of summer’ ” (line 3) occurs in an endless cycle. Further, the speaker does not reveal an emotional response; it is the responses of nature that the speaker describes.
D. CORRECT. The first stanza is the speaker’s observations of the natural world embracing a new season. In the second stanza, the speaker begins to reflect on how the natural world, as embodied by the birds, calmly accepts seasonal change in its perpetual sameness. The reflection continues in the third stanza, where it is revealed that the speaker has been addressing these observations to a child.
Question analysis
This point-of-view question asks how the poet of “Bird Talk” conveys the speaker’s point of view throughout the poem. Students must keep in mind the long opening description of early summer and the two shorter stanzas after it, and decide which description of the poet’s method holds from the first line to the last.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 point-of-view questions often ask what a speaker thinks. This one asks how the poet conveys that view across all three stanzas of a long free-verse poem, and the choices name methods in general terms, closer to grade 8 work.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Evidence in several places moderate
- A very close wrong answer moderate
- How, not what moderate
- Figurative or literary language minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: 296 words (a poem; reading level not measured); question and choices: about grade 10, 54 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The first stanza takes up 19 of the poem’s 32 lines and moves steadily from branches to frogs, birds, flowers and leaves, so a choice that describes it alone feels right. The point of view shows only when the poem turns to “We” and then to “I” addressing a child, and that third stanza is three hard lines. Students must keep the whole poem’s course in mind and choose the method that holds from first line to last.
Evidence in several places moderate Working it out
The answer depends on all three stanzas at once: the long catalog of the season in lines 1–19, the shift to “We shall never blame the birds,” and the closing “If I have put your face … child.” (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
A very close wrong answer moderate Choosing the answer
The choice about moving from one element of nature to another and the key both describe a shift in the speaker’s attention; they differ in what shifts, nature to nature or the outside world to the speaker’s own thoughts. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
How, not what moderate Working it out
The stem asks how the poet conveys a point of view, a method, so a choice must describe what the speaker does across the poem, not what the speaker sees. (Anderson & Krathwohl, 2001)
Figurative or literary language minor Understanding the question
The last stanza is cryptic, “Blame me no more than the bluejays,” and students who miss that the speaker is now talking about putting a child into the poem lose the move to reflection. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Write one phrase for what the speaker attends to in each stanza, then keep only a choice that describes the whole sequence, not one stanza.
Traps
- Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Too narrow (King et al., 2004)
Describes the first stanza well, its walk from branches to frogs, birds, flowers and leaves, but misses the later turn to “We” and to the speaker’s own “I.”
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Supplies a reason for all the description, perhaps from the closing words to a child, but the speaker never says why the landscape is described, and the reflection is not a motive.
C Twists what the text says (King et al., 2004)
Sees that the poem follows nature through a change of season but makes it many seasons and hands the creatures’ reactions, such as the birds’ anxious hops, to the speaker as feelings.
Working it out, step by step
Figure out what the question asks
This asks about point of view: how the speaker, the voice talking in the poem, sees things. It also asks how the poet shows that view across the whole poem. So look at what the speaker pays attention to in each of the three stanzas. A stanza is a group of lines set apart by a blank line.
Follow the speaker through the stanzas
- Stanza 1, lines 1–19: the speaker describes the world outside. There are branches, frogs, birds, flowers and leaves at the start of summer.
- Stanza 2, lines 20–29: the speaker starts to judge and think. “We shall never blame the birds.”
- Stanza 3, lines 30–32: the speaker says “I” and talks to a child: “If I have put your face among leaf faces, child.”
Name the change in focus
The poem starts with external observations, or things the speaker sees and hears outside. It ends with personal reflection, or the speaker’s own thoughts. In the last stanza, the speaker admits to putting a child’s face and voice into the poem. The speaker asks to be blamed “no more than the bluejays.” Since “We shall never blame the birds,” that means not at all. This move from looking outward to looking inward is how the speaker’s view comes through.
Check each choice
- A does not fit. Moving from branches to frogs to birds happens only in stanza 1. It misses the turn to “We” and “I.”
- B does not fit. The speaker never says why the landscape is described.
- C does not fit. Only one change of season happens, the start of summer. The anxious feelings belong to the birds, not the speaker.
- D fits. The speaker moves from describing nature to thinking about it.
Watch out: A describes stanza 1 very well. But the question says “Throughout the poem,” so the answer must cover all three stanzas.
Choose the answer
The speaker starts by watching nature and ends by thinking aloud to a child. So the answer is D, “shifting the speaker’s focus from external observations to personal reflection.”
Why this answer and not the closest wrong one
A is the closest wrong choice. Stanza 1 really does move from one part of nature to another. But that is only 19 of the 32 lines. In stanzas 2 and 3, the speaker turns to “We” and then “I,” and shares personal thoughts. Only D describes the speaker’s path from the first line to the last.
More questions like this
The original DOE question

Question 9 of 33
2026 Practice Test C English, question 33Passage Serpent Mound
Serpent Mound
The Great Serpent Mound, located in Adams County, Ohio, is a human-made mound of earth that researchers believe was created between 300 B.C. and A.D. 1100 by an indigenous culture.
Ohio, 1846
Brush Creek stood low when the museum men came
with their measuring tapes and sketchbooks.
It was winter. Fringed with ice,
the creek doubled back on itself
as if it had forgotten something.
Pa was in Cincinnati, or else on his way home,
so Ma told me to lead the men
into the marshy low grounds. It being winter,
there was little underbrush to speak of—
in the summer there would have been
briars, poison ivy, biting flies. I listened
for the swish of a beaver’s heavy tail,
the chitter of a chickadee, or the cry of a hawk,
but the winter silence of the creek pressed
down on all of us like a weight.
The humps in the ground were all but
invisible until you were right up on them. The figure
was even less obvious: the sinuous body,
the tail coiled three times around,
and at the other end, the mouth wide open.
In the summer the creek bottom was crowded
with so much life that you could trip over
the ridges of earth before you saw
anything at all. In winter you could climb
a tree and get some idea of the whole thing:
the serpent’s body undulating, slithering
silently across the ancient
earth. At the mouth end, there was an oval mound
as if the snake were about to swallow an egg—
as snakes sometimes did in our rickety
henhouse—my Pa always said, or
as if swallowing the sun, one of the museum
men suggested, taking notes with his quill pen,
an old-style inkhorn slung at his side.
I liked that: swallowing the sun,
just the sort of thing a snake might do,
might want to do. When, later, I told my sister Ruth,
she disagreed. It is singing to the sun,
she insisted. That is why its mouth
is wide open. She said, “Sometimes I think
I hear it on summer nights. Not swallowing, singing.”
Question
The poet contrasts the speaker’s and Ruth’s points of view regarding the mound by using dialogue to
- Aimply that Ruth is worried that her interpretation of the mound will be seen as too abstract.
- Bindicate that Ruth hopes her interpretation of the mound will be shared by the men from the museum.
- Csuggest that Ruth wants the speaker to agree with her interpretation of the mound.
- Dshow that Ruth has already decided on her interpretation of the mound.
Show the answer
Correct answer: D
The question asks how the poet uses dialogue to contrast the points of view of the speaker and Ruth regarding the mound.
A. Incorrect. The interpretation Ruth offers of the mound as a snake singing is abstract, but Ruth does not seem concerned that it is an overly metaphorical or figurative interpretation. The dialogue serves to highlight that Ruth is firm in her belief.
B. Incorrect. There is no indication that the museum men are considering Ruth’s interpretation of the mound or that Ruth wants them to share her interpretation. Ruth’s interpretation is meant to convey an abstract idea, while the museum men would be looking for a firm academic explanation of the mound. Ruth is persistent in her belief, and the dialogue does not suggest that she is concerned with the museum men’s interpretation or findings.
C. Incorrect. Ruth merely states her interpretation and says that she thinks she hears the Serpent Mound singing sometimes. She does not seek to make the speaker agree with her.
D. CORRECT. Beginning in line 37, after the speaker suggests the mound is swallowing the sun, Ruth disagrees. The poet uses the word “insisted” in line 39 to show that Ruth firmly believes in her own interpretation of the mound.
Question analysis
This point-of-view question asks how the poet of “Serpent Mound” uses dialogue to contrast the speaker’s and Ruth’s views of the mound in the poem’s closing lines. Students must read Ruth’s few words closely, since each choice credits her with a different attitude toward her own interpretation.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Analyzing how a writer contrasts two characters’ points of view is exactly what the grade 7 standard describes. The dialogue is only a few lines long, but each choice describes Ruth’s attitude in a different way.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- A very close wrong answer moderate
- Reading between the lines moderate
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: 354 words (a poem; reading level not measured); question and choices: about grade 8, 78 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The dialogue is only a few lines, and every choice is about Ruth’s attitude toward her own reading. “Insisted” is the hinge: it can sound like pressing someone to agree, but nothing follows that asks the speaker anything. The hedge “Sometimes I think” can also be misread as worry, though it introduces what she hears, not doubt about her view.
A very close wrong answer moderate Choosing the answer
The choice about Ruth wanting agreement and the key both rest on “she insisted”; they differ in whether insisting aims to win the speaker over or shows her mind is already made up. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Reading between the lines moderate Working it out
Ruth’s attitude is never named, so students must read it from “she disagreed,” “she insisted” and the clipped “Not swallowing, singing,” and from what she does not do: ask for agreement. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Reread lines 37–41 and describe Ruth’s attitude in a few words of your own before looking at the choices, then pick the one the lines themselves show.
Traps
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
The wrong answers, classified
A Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Hears doubt in “Sometimes I think / I hear it,” but that hedge is about a sound on summer nights, and “insisted” shows confidence, not worry about seeming too fanciful.
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Brings the museum men into a talk they are not part of; Ruth speaks only to the speaker, later, and never mentions the men or their findings.
C Reads too much in (Graesser, Singer & Trabasso, 1994)
Reads “insisted” as an effort to win the speaker over, but Ruth only states her view and what she hears, and asks for no agreement.
Working it out, step by step
Figure out what the question asks
This asks what the poet shows by using dialogue, the words people say to each other. The speaker and Ruth have different points of view about the mound. You need to decide what Ruth’s words show about her attitude, or how she feels about her own idea.
Read the dialogue in lines 37–41
The speaker tells Ruth the idea of “swallowing the sun.” The poem says “she disagreed. It is singing to the sun, / she insisted. That is why its mouth / is wide open.” Then she says, “Sometimes I think / I hear it on summer nights. Not swallowing, singing.”
Look closely at the word insisted
To insist is to say something firmly and refuse to back down. Ruth doesn’t say “maybe.” She doesn’t ask what the speaker thinks. She ends with three short words: “Not swallowing, singing.” That sounds final. She has her own reason, too: what she hears on summer nights. Her mind was made up before this talk began.
Check each choice
- A does not fit. “Sometimes I think” is about a sound she hears. It is not worry that her idea is too abstract, or too far from real things.
- B does not fit. Ruth talks only to the speaker, later. She never mentions the museum men.
- C does not fit. Ruth states her view, but she never asks the speaker to agree.
- D fits. “Insisted” and her firm last words show that her mind is made up.
Watch out: “Insisted” can sound like pushing someone to agree, which leads to C. But nothing in her words asks for agreement.
Choose the answer
Ruth’s firm words show she is sure of her own idea. So the answer is D, “show that Ruth has already decided on her interpretation of the mound.”
Why this answer and not the closest wrong one
C is the closest wrong choice. Both C and D rest on the word “insisted.” But insisting can show that you are sure without trying to win anyone over. Ruth never asks whether the speaker agrees. She just states her view and what she hears. That shows her mind is already made up, which is what D says.
More questions like this
The original DOE question

The passage “Serpent Mound” as printed (page 40)

Question 10 of 33
2026 Practice Test C English, question 43Passage Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming”
Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming”
by Melanie Canales
The author, Melanie Canales, is a first-generation Peruvian American farmer and beekeeper based in Virginia’s Shenandoah Valley, on lands of the indigenous Monacan and Manahoac tribes. Her work focuses on creating healthy relationships between people and their surrounding ecosystems.
Unburdened by the constraints of gravity, red and green peppers jut out at 45-degree angles inside the Advanced Plant Habitat (APH), a sort of space terrarium not much larger than a microwave. Four chile pepper plants stand effortlessly upright, despite the dozens of glossy fruits weighing them down. These plants have lived entirely in space; their leaves have never been chewed on by insects or rustled by a summer breeze, [and] their stems are unfamiliar with bending toward the sun’s arc across the sky. Scissors glint under the tank’s white and blue lights as astronaut Mark Vande Hei and his team snip the stems of those that are ready for harvest. The peppers whirl around their heads until the astronauts catch them and tape them against a board to photograph.
Back on Earth, the Plant Habitat-04 team of engineers and plant scientists are observing and conferring with the astronauts. Of the 26 peppers in this batch, only the 14 finest will stay on the International Space Station [ISS] for consumption. The rest will be wrapped in foil, sealed in a Ziploc bag, then frozen at a brisk −80 degrees, until they can come roaring back to Earth in the next cargo capsule to be studied later. Now, after a 137-day growth cycle, the astronauts remove the plants from the module and trash them. Project Plant Habitat-04 is complete. It’s taco night on the ISS.
Since 2014, NASA1 has experimented with growing lettuces, brassicas,2 and zinnias3 in space, an endeavor that relies on highly specialized technology over 50 years in the making. [Fall 2021’s] two successful pepper harvests . . . will provide data on the nutritional and psychological benefits of growing vegetables on-craft, as well as a crop’s ability to reliably produce long-term in microgravity. While controlled environmental agriculture is not new, the APH experiment represents an evolution in specialized growth habitats. It doesn’t aim to re-create Earth’s conditions, but to perfect each isolated variable of plant growth in the clinical environment of a spaceship.
“The Advanced Plant Habitat is the most complex plant growth system on orbit today,” says Lashelle Spencer, a plant scientist at NASA’s Kennedy Space Center. Its more than 180 sensors control and monitor temperature, humidity, and carbon dioxide. The astronauts can adjust the color and intensity of the light, and how much moisture the plants’ roots are getting. It waters itself.
It’s the day after Thanksgiving, and Spencer has been at Kennedy since 5 a.m. to facilitate the peppers’ final harvest. As part of the project team, she played a crucial role in preparing the seeds that were sent hurtling into space in June and guiding the astronauts through maintaining the plants in orbit. . . . Though astronauts can spend upwards of 100 days in space, their on-mission meals come dehydrated and pre-packaged; their vitamins and minerals are isolated in supplements, which lose nutritional value the longer they’re stored. Spencer’s goal is to create the conditions necessary for cultivating healthy plants in space, so those plants can sustain healthy astronauts on long-term missions. Astronaut food is great, she says—“especially the shrimp cocktail. But you’re missing that crunch. You’re missing that fresh pop of flavor, the green flavor that’s not there in that packaged food.”
The sensory experience of growing productive crops can also help mitigate4 the psychological effects of long-term space travel. . . . Spencer says the team cracked open the door of the APH every day to observe their vegetable companions with all the tenderness of home gardeners. When harvest day came, they batted their bounty around the ISS, taking selfies and delighting in watching the fruits pirouetting around the spacecraft. . . .
“We were thinking no heat, so that [the peppers] wouldn’t be dangerous, but maybe the astronauts need a little spice in their life,” says Paul Bosland, who along with his colleagues at the Chile Pepper Institute genetically engineered5 the NuMex Española Improved chile pepper seeds grown in Plant Habitat-04. . . .
Working with NASA, Bosland cultivated a variety that could accommodate both the nutritional needs of astronauts as well as the logistics of growing a plant in space. . . .
. . . The experiment is helping gather the data necessary to determine the nutritional content of crops grown in space, and therefore how many people they can feed, and for how long. Though much is still unknown, Spencer is certain of one thing that future astronauts will need to do: “I think in an optimal world, a scientist like me would say that they would be growing plants from day one. From the day they left to the day they came back, they would be growing them.”
From “Growing Peppers on the ISS Is Just the Start of Space Farming” by Melanie Canales from WIRED, December 21, 2021. Copyright © 2021 Condé Nast. All rights reserved.
1NASA: National Aeronautics and Space Administration
2brassicas: a large genus of herbs, such as broccoli and cabbage
3zinnias: a genus of herbs and low shrubs that have flowers at their heads
4mitigate: to make something less severe or harmful
5genetically engineered: combined parts of DNA from different plants to produce a new plant
Question
With which statement would the author most likely agree?
- ASome plants are better adapted for growing in space than on Earth, and focus should be placed on them.
- BAttempting to grow plants in space the same way they are grown on Earth would not result in success.
- CPlants grown in space provide better nutritional value than plants grown on Earth.
- DSuccessfully growing plants in space is a challenge, so more research must first be completed on plants grown on Earth.
Show the answer
Correct answer: B
The question asks which statement the author would most likely agree with.
A. Incorrect. Although paragraphs 7 and 8 discuss plants that have been genetically engineered to “accommodate . . . the logistics of growing a plant in space,” the passage does not indicate that the plants are better adapted for growing in space rather than on Earth. Thus, the author is not likely to agree with this statement.
B. CORRECT. In paragraph 3, the author points out that growing plants in space “relies on highly specialized technology over 50 years in the making,” and in paragraph 4, the author explains that the Advanced Plant Habitat requires specialized controls and adaptations for light, moisture, and temperature. The author’s acknowledgment of the special conditions required to grow plants in space indicates that she would agree that growing methods used on Earth are unlikely to succeed in space.
C. Incorrect. Although paragraph 8 mentions that pepper plants were genetically engineered to meet “the nutritional needs of astronauts,” the passage gives no indication that astronauts have greater nutritional needs in space than they do on Earth or that plants grown in space are engineered to provide better nutrition than their counterparts on Earth. Thus, the author would not be likely to agree with this sentence.
D. Incorrect. Although the discussion in paragraph 4 of the rigorously controlled conditions indicates that growing plants in space is, indeed, challenging, the article indicates in paragraph 3 that NASA has been experimenting with growing plants in space “since 2014.” Because plant-growing experiments have already been under way in space for a number of years, it is unlikely that NASA or the author would agree that additional experiments on earth are necessary.
Question analysis
This inference question asks which statement the author of the space-farming excerpt, a Virginia farmer writing for WIRED about NASA’s pepper experiment, would most likely agree with. The author never states her view outright, so students must infer it from the way she reports the experiment, and every choice touches on a topic the article raises.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Inferring which statement an author would accept is regular grade 7 work, but this author mostly reports facts and quotes scientists, so her own view has to be pieced together from several paragraphs of technical description, more than grade 7 usually asks.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Reading between the lines major
- Evidence in several places moderate
- The right answer is reworded minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 10, 890 words; question and choices: about grade 6, 80 words.
- Corrected from the DOE handbook
- A misquotation of the excerpt in the explanation was corrected.
- A grammatical error in the explanation was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Because the article reports facts and quotes scientists, students must build the author’s view from her descriptions, and the key is a prediction she never makes outright. The half-right choice is the main trap: it begins with a view she does hold, that space farming is hard, then adds a demand for research on Earth that ignores NASA’s work in orbit since 2014. The other two turn the engineered variety and the nutrition theme into comparisons the article never draws.
Reading between the lines major Working it out
The author never states an opinion; her view must be drawn from how she describes the work, a habitat that “doesn’t aim to re-create Earth’s conditions” and technology “over 50 years in the making.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Evidence in several places moderate Working it out
The support is in paragraph 3’s description of the habitat and paragraph 4’s sensors and controls, while the wrong choices draw on paragraph 8’s engineered variety and paragraph 5’s supplements. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
The right answer is reworded minor Choosing the answer
The key’s “the same way they are grown on Earth would not result in success” restates paragraph 3 in new words, while wrong choices reuse “nutritional” and growing “in space.” (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
Strategy: Find the sentences where the author speaks in her own voice rather than quoting a scientist, then choose the statement those sentences support most directly, without adding claims the article never makes.
Traps
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Half right: One half of a two-part choice is right and the other is not.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Reads too much in (Graesser, Singer & Trabasso, 1994)
Takes paragraph 8’s variety, bred to suit the logistics of growing in space, and paragraph 1’s upright plants as proof that some plants grow better in space than on Earth.
C Twists what the text says (King et al., 2004)
Turns the contrast between fresh crops and supplements that lose value into a claim that space-grown plants beat Earth-grown ones, though the excerpt never compares the two.
D Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Agrees that the complex habitat shows space farming is hard, then adds a need for more research on Earth first, though NASA has grown plants in space since 2014.
What was corrected from the DOE handbook, and why
- Explanation: The handbook’s explanation of Option A says the plants were genetically engineered “to accommodate the logistics of growing a plant in space.” Paragraph 8 says Bosland “cultivated a variety that could accommodate both the nutritional needs of astronauts as well as the logistics of growing a plant in space”: “to” is not in the excerpt, and eight words are left out without an ellipsis. The site now says genetically engineered to “accommodate . . . the logistics of growing a plant in space.”
- Explanation: The handbook’s explanation of Option B says “The author’s acknowledgment of the special conditions required to grow plants in space indicate that she would agree.” The subject is “acknowledgment,” so the site now says “indicates.”
Working it out, step by step
Figure out what the question asks
You need to figure out the author’s view. She never states it outright. She mostly reports facts and quotes scientists. So look at how she describes the work. Then pick the statement her own words support best, without adding ideas she never gives.
Find the author’s own words
In paragraph 3, the author says growing plants in space “relies on highly specialized technology over 50 years in the making.” She also says the habitat “doesn’t aim to re-create Earth’s conditions, but to perfect each isolated variable of plant growth in the clinical environment of a spaceship.” In paragraph 4, she adds that its “more than 180 sensors control and monitor temperature, humidity, and carbon dioxide.”
Explain what she means
Specialized means made for one special job. To re-create means to copy. A variable is one thing that can change, like light or heat. Clinical means very clean and controlled, like a hospital. So she is saying that space is not like a garden on Earth. Plants there need special tools that control every condition, one by one. Simply copying Earth’s way of growing would not be enough.
Check each choice
- A is wrong. Paragraphs 7 and 8 show a pepper bred to “accommodate” growing in space. But nothing says some plants grow better in space than on Earth.
- B is right. She stresses special technology and says the habitat doesn’t copy Earth. So Earth’s usual methods alone would fail.
- C is wrong. She never says space plants are healthier than Earth plants.
- D is wrong. She does show that growing in space is hard. But NASA has grown plants in space “since 2014.” Nothing says Earth research must come first.
Watch out: D starts with an idea she holds, that space farming is hard. Then it adds a demand she never makes.
Choose the answer
The author shows that space farming needs special tools, not Earth’s usual ways. So the answer is B, “Attempting to grow plants in space the same way they are grown on Earth would not result in success.”
Why this answer and not the closest wrong one
D is the closest wrong answer. Its first half fits the author: growing plants in space takes complex tools. But its second half says more research on Earth must come first. The article shows the opposite: NASA has grown plants in space for years. B sticks to what her words show.
More questions like this
The original DOE question

The passage “Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming”” as printed (pages 50–51)


Question 11 of 33
2026 Practice Test D English, question 12Passage Excerpt from “How We Made the First Flight”
Excerpt from “How We Made the First Flight”
by Orville Wright
In 1903 brothers Wilbur and Orville Wright conducted experiments related to flying machines. These experiments would eventually lead to air travel becoming a reliable form of transportation.
During the night of December 16, 1903, a strong cold wind blew from the north. When we arose on the morning of the 17th, the puddles of water, which had been standing about camp since the recent rains, were covered with ice. The wind had a velocity of 10 to 12 meters per second (22 to 27 miles an hour). We thought it would die down before long, and so remained indoors the early part of the morning. But when ten o’clock arrived, and the wind was as brisk as ever, we decided that we had better get the machine out and attempt a flight. We hung out the signal for the men of the Life Saving Station.1 We thought that by facing the flyer into a strong wind, there ought to be no trouble in launching it from the level ground about camp. We realized the difficulties of flying in so high a wind, but estimated that the added dangers in flight would be partly compensated for by the slower speed in landing.
Final Preparations
We laid the track on a smooth stretch of ground about one hundred feet north of the new building. The biting cold wind made work difficult, and we had to warm up frequently in our living room, where we had a good fire in an improvised stove made of a large carbide2 can. By the time all was ready, J. T. Daniels, W. S. Dough and A. D. Etheridge, members of the Kill Devil3 Life Saving Station; W. C. Brinkley of Manteo, and Johnny Moore, a boy from Nags Head,4 had arrived.
We had a “Richard” hand anemometer with which we measured the velocity of the wind. Measurements made just before starting the first flight showed velocities of 11 to 12 meters per second, or 24 to 27 miles per hour. . . .
Audacity—and Calculation
Wilbur having used his turn in the unsuccessful attempt on the 14th, the right to the first trial now belonged to me. After running the motor a few minutes to heat it up, I released the wire that held the machine to the track, and the machine started forward in the wind. Wilbur ran at the side of the machine, holding the wing to balance it on the track. Unlike the start on the 14th, made in a calm, the machine, facing a 27-mile wind, started very slowly. Wilbur was able to stay with it till it lifted from the track after a forty-foot run. One of the Life Saving men snapped the camera for us, taking a picture just as the machine had reached the end of the track and had risen to a height of about two feet. The slow forward speed of the machine over the ground is clearly shown in the picture by Wilbur’s attitude. He stayed along beside the machine without any effort.
Flight
The course of the flight up and down was exceedingly erratic, partly due to the irregularity of the air, and partly to lack of experience in handling this machine. The control of the front rudder was difficult on account of its being balanced too near the center. This gave it a tendency to turn itself when started; so that it turned too far on one side and then too far on the other. As a result the machine would rise suddenly to about ten feet, and then as suddenly dart for the ground. A sudden dart when a little over a hundred feet from the end of the track, or a little over 120 feet from the point at which it rose into the air, ended the flight. As the velocity of the wind was over 35 feet per second and the speed of the machine over the ground against this wind ten feet per second, the speed of the machine relative to the air was over 45 feet per second, and the length of the flight was equivalent to a flight of 540 feet made in calm air. This flight lasted only 12 seconds, but it was nevertheless the first in the history of the world in which a machine carrying a man had raised itself by its own power into the air in full flight, had sailed forward without reduction of speed and had finally landed at a point as high as that from which it started.
From “How We Made the First Flight” by Orville Wright—Public Domain/Federal Aviation Administration
1Life Saving Station: one of the rescue stations along the Atlantic coastline that provided assistance to mariners in distress
2carbide: a very hard material composed of carbon and other heavy metals
3Kill Devil: the town of Kill Devil Hills in eastern North Carolina
4Nags Head: a town in eastern North Carolina
Question
Read this sentence from paragraph 5.
As the velocity of the wind was over 35 feet per second and the speed of the machine over the ground against this wind ten feet per second, the speed of the machine relative to the air was over 45 feet per second, and the length of the flight was equivalent to a flight of 540 feet made in calm air.
How does the sentence help convey Orville Wright’s perspective about this first flight?
- AIt suggests that he was frustrated by the poor flying conditions on the day of the flight.
- BIt emphasizes that he believed the flight was successful despite its short distance.
- CIt provides a comparison between flight distances under calm and high wind conditions.
- DIt highlights the importance of such calculations in the success of future flights.
Show the answer
Correct answer: B
The question asks how the sentence from paragraph 5 helps convey Orville Wright’s perspective about the first flight.
A. Incorrect. Although the sentence from paragraph 5 refers to the velocity of the wind during the flight, there is no indication that Orville felt a sense of frustration with the windy conditions. Instead, the sentence emphasizes the “speed of the machine relative to the air” and presents the equivalent flight length if the machine had flown through calm air (“the length of the flight was equivalent to a flight of 540 feet made in calm air”), details that emphasize the importance of the Wrights’ accomplishment.
B. CORRECT. In the sentence from paragraph 5, Orville uses the wind velocity and the machine speed to highlight the distance that the plane covered while in the air and to determine the distance that it would have flown on a day with calm winds, which emphasizes the magnitude of the accomplishment.
C. Incorrect. Since Orville does not suggest in the sentence from paragraph 5 how far the plane traveled under the actual conditions of high winds, the comparison is incomplete. Additionally, this statement does not address the reason that he would make such a comparison, which allowed him to describe the flight in more impressive terms (540 feet versus 120 feet).
D. Incorrect. Unlike the wind velocity calculations made in preparation for the flight, which might help in determining the success of future flights, the comparative calculations that Orville provides in the sentence from paragraph 5 help interpret the results of the first flight (by describing how fast and far the machine flew relative to the flying conditions) and thereby communicate its success. The calculations of the first flight’s relative speed and equivalent distance would not affect the success of future flights, but the information does provide context for understanding the Wright brothers’ accomplishment.
Question analysis
This point-of-view question quotes the long sentence from paragraph 5 in which Orville Wright works out the machine’s speed through the air and the length of an equivalent flight in calm air. Students must decide how this sentence helps convey his perspective on the first flight. The sentence is mostly numbers, from 35 feet per second to 540 feet, which makes its purpose easy to miss.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 point-of-view questions usually rest on words that show feeling. This sentence is a chain of speeds and distances with no feeling words, so students must work out why Orville bothers with the arithmetic, a step beyond typical grade 7 work.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- How, not what moderate
- Reading between the lines moderate
- Complex sentences minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 7, 816 words; question and choices: about grade 9, 132 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Point-of-view questions usually turn on feeling words, and this sentence has none, only speeds and a distance. Students must ask why Orville bothers with the arithmetic, and the answer is that 540 feet in calm air makes a 12-second hop look like the achievement he believed it was. The strongest pull describes the sentence’s content accurately, a comparison of calm and windy flight, without saying what it reveals, so students who answer what instead of why lose the point.
How, not what moderate Working it out
The question asks why Orville includes this calculation, so students must see that converting a short hop into “a flight of 540 feet made in calm air” is his way of showing that it counted. (Anderson & Krathwohl, 2001)
Reading between the lines moderate Working it out
The sentence holds no word of feeling or judgment; his view that the flight succeeded must be read from his choice to restate about 120 feet over the ground as 540 feet through the air. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Complex sentences minor Understanding the question
The 61-word sentence chains four measurements, a wind over 35 feet per second, a ground speed of ten, an airspeed over 45 and the 540-foot equivalent, joined by “As,” “and” and commas. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
Strategy: Work out what the speeds and distances in the sentence describe, then ask why Orville includes them at this point and what that choice tells you about his view of the flight.
Traps
- Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
The wrong answers, classified
A Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Links the high wind to the cold, hard morning of paragraphs 1 and 2 and assumes Orville resented it, though here he uses the wind’s speed to make the flight count for more.
C Wrong purpose or structure (Anderson & Krathwohl, 2001)
Describes what the sentence contains, a flight measured against one in calm air, without saying what that comparison shows about Orville’s view of the flight, which is what the question asks.
D Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Assumes careful calculations must be meant to guide later flights, a reasonable idea about early aviation, but this sentence measures the flight just made and looks no further ahead.
Working it out, step by step
Figure out what the question asks
This asks about Orville Wright’s perspective, or point of view. How did he feel about the first flight? The quoted sentence is full of numbers, not feelings. So ask why Orville bothered to do this math.
Sort out the numbers
The wind blew against the machine at over 35 feet per second. The machine moved over the ground at 10 feet per second. It was flying into the wind, so the air rushed past it even faster. Add them: it moved through the air at over 45 feet per second. The flight lasted 12 seconds. Over the ground, that is 10 × 12 = 120 feet. Through the air, it is 45 × 12 = 540 feet. That is how Orville gets “a flight of 540 feet made in calm air.”
Ask why Orville does this math
Paragraph 5 says the flight ended “a little over 120 feet from the point at which it rose into the air.” That sounds short. But Orville shows it was really much more. In calm air, the same flight would have gone 540 feet. He wants you to see that the short hop was a real flight. So his view is that the flight was a success.
Check each choice
- A does not fit. There is no sign of frustration. Orville uses the wind to make the flight count for more.
- B fits. The math turns a short flight into an impressive one.
- C does not fit. The sentence does compare calm and windy air. But that only says what the sentence contains, not what Orville thinks.
- D does not fit. The math measures the flight that just happened. It does not look ahead to future flights.
Watch out: C is tempting because it describes the sentence correctly. But the question asks about his perspective. C never says how he felt about the flight.
Choose the answer
Orville does the math to show that his short flight was a real success. So the answer is B, “It emphasizes that he believed the flight was successful despite its short distance.”
Why this answer and not the closest wrong one
C is the closest wrong choice. It is true that the sentence compares a windy flight with one “made in calm air.” But C only tells what the sentence says. The question asks why Orville says it. He turns about 120 feet into 540 feet to show the flight was a real achievement. B gives that reason.
More questions like this
The original DOE question

The passage “Excerpt from “How We Made the First Flight”” as printed (pages 13–14)


Question 12 of 33
2025 Practice Test A English, question 15Passage Excerpt from “Scribe Like an Egyptian”
Excerpt from “Scribe Like an Egyptian”
by Hilary Wilson
In ancient Egypt, literacy was the key to success. However, contrary to popular belief, not all Egyptian scribes understood hieroglyphs. Many relied instead on the simpler hieratic script for the multitude of everyday documents generated by the Egyptian bureaucracy.
Hieroglyphs—“the Words of God”—compose a writing system with more than 1,000 distinct characters, the meanings of which were lost for 1,500 years before they were deciphered by Jean-François Champollion in 1822. Including both ideograms (which convey a whole word or idea, either concrete or abstract, in a single sign) and phonograms (representing either an alphabetic sound or a group of consonants), [the writing system] was used in formal inscriptions on tomb and temple walls as well as on elaborate funerary papyri. For everyday purposes, however, scribes used a shorthand version of the hieroglyphic script known as hieratic, which was quicker to write and more economical of space. The two writings existed side by side for at least 2,500 years.
Scraps of ancient hieratic writing, mostly penned by student scribes on limestone flakes called ostraca, suggest that no matter how humble his origins, an educated Egyptian could achieve almost anything. Horemheb (d.1292 B.C.) is a good example. Born of middle-ranking parents, his scribal training led to an army career. From Scribe of Recruits, during the reign of Akhenaten (1353–1336 B.C.), Horemheb rose through the military ranks and, by the rule of Tutankhamun (1332–1323 B.C.), he was commander in chief of the Egyptian forces. As a close adviser of the young Pharaoh, Horemheb was appointed “Deputy of the King throughout the Two Lands,” and might have expected to succeed to the throne should the king die childless. He had to wait a few years, but eventually Horemheb achieved the pinnacle of his career by becoming the last king of the 18th Dynasty, making his mark by instituting dramatic reforms to the organisation of the army, the judiciary and administration in general. The lasting success of these changes owed much to his scribal background. . . .
But education was not available to all. Government departments and major temples supported schools, where boys commenced their training at six or seven, sometimes earlier. To these boarding establishments . . . family or household servants delivered the students’ food and drink rations daily for several years, during which time the student was not contributing to the family’s income. Boys from poorer families could only hope to be educated with support from a wealthier relative or patron, or through apprenticeship to an older scribe, perhaps the local clerk or land agent, who would teach them the basics of the scribe’s craft. This limited the scope for employment but such “on the job” training allowed apprentices to help out at home while learning. . . .
Scribal education began with the elementary principles of the hieratic script. The lowliest scribes, who trained for just five or six years, probably learned only the rudiments of the hieroglyphic script. Students were set exemplar documents and extracts from popular texts to copy, to practice their hieratic handwriting on basic-format letters, reports and contracts, while absorbing the good advice contained in the texts. Surviving examples of copy-work sometimes include tutors’ corrections added in red. Some significant Egyptian literary works survive almost exclusively from student copies.
A schoolboy “dictionary” of hieroglyphs with their hieratic equivalents shows that a knowledge of more than 450 signs was required for everyday writing purposes. Lessons in record-keeping and filing and labelling enabled any half-competent scribe to perform that most essential of all scribal functions: the making and updating of lists. For professions such as those of government official, priest or lawyer, a scribe would train for several more years, increasing his vocabulary to perhaps a thousand or more signs. Those with the best handwriting or drawing skills might follow the craft of creating beautifully illustrated copies of funerary texts, commonly called Books of the Dead. Others could become draughtsmen, artists or architects. Doctors compiled their own collections of medication recipes, treatments and associated incantations, many copied from texts found in the House of Life, the temple library. Lawyers had to be familiar with the corpus of civil and religious laws and precedents found in the official records, which were administered by archivists. Egypt’s bureaucratic society depended on the skills of an army of scribes of all ranks from filing clerk to tax assessor. For young Egyptians, “be a scribe” was the best of career advice.
From “Scribe Like an Egyptian” by Hilary Wilson from HISTORY TODAY, August 8, 2019. Copyright © 2019 by History Today Ltd. Company.

bureaucracy: an administrative staff of government officials
funerary papyri: a sheet or scroll of papyrus containing religious images and hieroglyphs meant to help the deceased be reborn in the afterlife
rudiments: basics
schoolboy: slang that refers to materials used during the course of receiving an education
draughtsmen: people who draw plans of machinery or structures
corpus: a collection of writings
Question
Based on the excerpt, which statement would the author most strongly agree with?
- ABoys in Egypt were encouraged to enter the same profession as older male relatives.
- BKnowledge of hieroglyphs was helpful to Egyptians who were interested in becoming scribes.
- CHieratic script was more practical to ancient Egyptians than hieroglyphs were.
- DBoys in Egypt who studied for only a few years were unlikely to find employment as scribes.
Show the answer
Correct answer: C
The question asks for a statement with which the author would most strongly agree.
A. Incorrect. The author only addresses boys who entered the profession of scribes. While the author does address the role of the family in supporting a boy’s education or securing an apprenticeship, the author does not provide any discussion to support the idea that boys were only encouraged to follow the professions of their male relatives.
B. Incorrect. The author explains that communication using hieroglyphs was not widely practiced in everyday correspondence and that hieratic script was the more popular form of writing. While being able to read and use hieroglyphs would have been helpful, it was not common for citizens to use this formal form of communication. In addition, scribes were trained to learn hieroglyphs and hieratic script as part of their education, so prior ability to read or compose hieroglyphs was not a requirement.
C. CORRECT. As described in paragraph 2, hieratic script was more efficient and economical than hieroglyphs. Because this script was used for “everyday purposes,” it was the more practical of the scripts as hieroglyphs were reserved for “formal inscriptions.”
D. Incorrect. In paragraph 6, the author indicates that “any half-competent scribe” could become employed in making and updating lists. While the paragraph later indicates that scribes would need to study several more years to be employed in a wider range of professions, there is no indication that employment as a scribe would be unavailable to a boy who studied for only a few years.
Question analysis
This point-of-view question asks which statement the author of “Scribe Like an Egyptian” would most strongly agree with. The four statements deal with family careers, knowledge of hieroglyphs, Egypt’s two scripts and the length of training, so students must test each one against the article and separate what the author says from what merely sounds likely.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- At grade 7 Inferring which statement an author would accept is typical grade 7 work. The four statements draw on different parts of a dense article, and some sound sensible without being backed by it, so each must be checked carefully.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Every choice must be checked moderate
- Reading between the lines moderate
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 12, 810 words; question and choices: about grade 9, 68 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The right statement is a comparison the author never makes in so many words, while the statement about hieroglyphs sounds like something any author on scribes would accept. The question rewards asking which statement the excerpt itself backs most firmly, and paragraph 2’s contrast between everyday and formal writing does that directly. The two statements about boys rest on assumptions, sons following relatives and short training leaving boys jobless, that the excerpt never makes and partly contradicts.
Every choice must be checked moderate Choosing the answer
The four statements cover four topics, family careers, hieroglyphs, the two scripts and length of training, so each has to be traced to its own paragraph before they can be compared. (Embretson & Wetzel, 1987)
Reading between the lines moderate Working it out
The author never ranks the scripts; “more practical” has to be drawn from paragraph 2, where hieratic is for “everyday purposes” and quicker to write, while hieroglyphs go on “formal inscriptions.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: For each statement, find the paragraph that deals with its topic and decide whether the author says it, implies it or never addresses it; keep the one with the firmest support.
Traps
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
The wrong answers, classified
A Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Applies the familiar idea that sons follow their fathers’ trades, perhaps prompted by paragraph 4’s “wealthier relative,” though the excerpt never says boys were steered toward relatives’ professions.
B Twists what the text says (King et al., 2004)
Builds on paragraph 6, where more signs led to better posts, but shifts the benefit to the time before training, though boys learned the signs at school starting at six or seven.
D Reads too much in (Graesser, Singer & Trabasso, 1994)
Infers from paragraph 6’s extra years for officials, priests and lawyers that short training meant no job, though “any half-competent scribe” could keep lists and the least-trained scribes studied only five or six years.
Working it out, step by step
Figure out what the question asks
This asks which statement the author would most strongly agree with. The author may not say it in the same words, but the excerpt must clearly back it. The four choices cover four topics, so find the paragraph for each one.
Find what the author says about the scripts
Paragraph 1 says many scribes used the simpler hieratic script for everyday papers. Paragraph 2 says hieroglyphs went on “formal inscriptions,” such as tomb and temple walls. Hieratic was used for “everyday purposes.” It was faster to write and took less space. Formal means used for special, serious occasions.
Work out what that means
Practical means useful for real, everyday needs. The author shows hieratic doing the daily work, such as letters, reports and contracts. Hieroglyphs were kept for special uses. So the author would agree that hieratic was more practical than hieroglyphs. The author never uses the words “more practical,” but the facts point there.
Check each choice
- A does not fit. The excerpt never says boys were pushed into a relative’s job.
- B does not fit. Boys learned the signs at school, starting at six or seven. The excerpt never says knowing hieroglyphs beforehand helped. Paragraph 1 even says not all scribes understood them.
- C fits. Hieratic was quicker, smaller and used for everyday work.
- D does not fit. Paragraph 6 says “any half-competent scribe” could keep lists. Half-competent means only partly skilled. The lowest scribes studied only five or six years and still worked.
Watch out: B sounds like something any author would accept. But the excerpt does not back it.
Choose the answer
The excerpt shows hieratic doing the everyday work, faster and in less space. So the answer is C.
Why this answer and not the closest wrong one
B is the closest wrong choice. Knowing hieroglyphs sounds helpful for a future scribe. But boys learned their signs at school, and paragraph 1 says not all scribes understood hieroglyphs at all. C rests on paragraph 2, where hieratic is quicker to write and used for “everyday purposes.”
More questions like this
The original DOE question

The passage “Excerpt from “Scribe Like an Egyptian”” as shown on the test






Question 13 of 33
2025 Practice Test B English, question 48Passage Letter from Brooklyn
Letter from Brooklyn
by Jacob Scheier
I can already see how this will end.
How I will grow tired of the bridge’s
steep incline, and the absent-minded tourists
wandering into the bicycle path.
The weather will turn cold.
But that all happens later.
For now it is the early edge of fall,
leaves green still while the air narrows,
is slightly crisp, almost grazing
the hair of my arm like a passing stranger,
as though the air has been forced into intimacy
by the brevity of daylight.
But when it starts darkening at 4,
this closeness, I know, will be a felt distance,
like someone drawing your attention
to their lack of intimacy.
These days I am still walking at a cathedral pace
beneath the branches bending across avenues,
brownstones like rows of lived-in chapels,
like a pop-up picture book I could have had as a child,
but didn’t. How Brooklyn makes me nostalgic
for the moment I am walking inside of.
These late afternoons filled
with a loneliness that makes me feel
distinctly myself, and an awareness
of how rare that is.
“Letter from Brooklyn” from LETTER FROM BROOKLYN: POEMS by Jacob Scheier, published by ECW Press. Copyright © 2013 by Jacob Scheier All rights reserved.
brevity: briefness
cathedral: meditative
chapels: private places of prayer or worship
nostalgic: yearning for the past
Question
The poet develops the speaker’s point of view by
- Aproviding details about the speaker’s longing to be in a different place.
- Bshowing the speaker’s sense of unease about the passing seasons.
- Cincluding details about the speaker’s hope that life will remain unchanged.
- Dshowing the speaker’s desire to treasure and appreciate the changes taking place.
Show the answer
Correct answer: D
The question asks how the poet develops the speaker’s point of view.
A. Incorrect. The speaker concedes that at some point, Brooklyn will become tiresome (lines 2–4). However, the bulk of the poem reveals the speaker’s appreciation for experiencing Brooklyn, not a desire to be in some other place.
B. Incorrect. Cold weather is inevitable, and the speaker is well aware of this future shift as well as the change in attitude it will bring. Nevertheless, the speaker does not focus on this future but rather embraces the current season, describing it in vivid detail.
C. Incorrect. The speaker is not hopeful that life will remain unchanged. Rather, the speaker accepts and appreciates the seasonal changes that occur.
D. CORRECT. The speaker’s point of view is largely positive and appreciative of the shift in seasons. This point of view is developed by language that shows a close connection between the speaker and the setting. For example, the speaker uses words such as “intimacy” (line 11) and “closeness” (line 14) and the description of the “pop-up picture book” (line 20). Finally, the conclusion emphasizes the point of view: “These late afternoons filled / with a loneliness that makes me feel / distinctly myself, and an awareness / of how rare that is” (lines 23–26).
Question analysis
This point-of-view question asks how the poet develops the speaker’s point of view in “Letter from Brooklyn,” in which the speaker walks through the city at the start of fall knowing that colder, darker days lie ahead. The speaker’s thoughts move between the present and the future, so students must weigh the whole poem, and each choice names a different attitude.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Typical grade 7 point-of-view questions focus on one passage or stanza. This one asks for the speaker’s attitude across a whole poem of shifting moods, and several choices rest on real lines, so judging the overall view takes more than typical grade 7 work.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Evidence in several places moderate
- Reading between the lines moderate
- Every choice must be checked minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: 217 words (a poem; reading level not measured); question and choices: about grade 7, 54 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The poem opens by predicting its own end and returns to the coming dark in lines 13–16, so a reader who weighs those lines heavily finds unease, and the speaker does feel some. But the speaker turns back to the present each time, with “But that all happens later” and “These days I am still walking,” and the closing lines call the moment rare. The point of view is a wish to savor what is passing, and only a choice that fits the whole poem, not its most anxious lines, matches it.
Evidence in several places moderate Working it out
The point of view has to hold from line 1 to line 26 while the poem swings between the future, tiring of the bridge and darkening at 4, and the present walk under the branches. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Reading between the lines moderate Working it out
No line names the speaker’s attitude; it has to be drawn from “For now,” the walk “at a cathedral pace,” the nostalgia “for the moment I am walking inside of” and “how rare that is.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Every choice must be checked minor Choosing the answer
Three wrong choices rest on real lines, tiring of the bridge’s “steep incline,” the “felt distance” of line 14 and the nostalgia of lines 21–22, so each must be weighed against the whole poem. (Embretson & Wetzel, 1987)
Strategy: Sum up in one sentence how the speaker feels about the present walk and about the season ahead, then pick the choice that holds true from the first line to the last.
Traps
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Twists what the text says (King et al., 2004)
Turns the forecast that the speaker “will grow tired” of the bridge and the tourists into a present longing to be elsewhere, though the rest of the poem savors Brooklyn’s streets.
B Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Fixes on the coming cold and the “felt distance” of lines 13–16, real notes of unease, and takes them for the whole view, though “But that all happens later” sets the future aside.
C Reads too much in (Graesser, Singer & Trabasso, 1994)
Reads nostalgia “for the moment I am walking inside of” as a wish that nothing change, though the speaker opens by accepting “how this will end” and treasures the moment because it passes.
Working it out, step by step
Figure out what the question asks
This asks about point of view: how the speaker, the voice talking in the poem, feels about what is happening. The question is about the whole poem, not a few lines. So follow the speaker’s feelings from line 1 to line 26. The right choice must fit all of it.
Follow the speaker’s thoughts
The poem moves back and forth in time. Lines 1–5 look ahead: “I can already see how this will end.” The speaker will tire of the bridge, and “The weather will turn cold.” Line 6 turns back: “But that all happens later.” Lines 7–12 describe the cool air of early fall. Lines 13–16 look ahead again, to days that get dark at 4 o’clock. Line 17 returns to now: “These days I am still walking at a cathedral pace.”
See how the speaker treats now
The glossary says cathedral means “meditative,” or calm and thoughtful. The speaker walks slowly to take everything in. Brownstones look “like a pop-up picture book.” Lines 21–22 say “How Brooklyn makes me nostalgic / for the moment I am walking inside of.” Nostalgic means “yearning for the past.” Yet the speaker longs for right now. In the last lines, even the loneliness of late afternoon is welcome. It makes the speaker feel “distinctly myself,” and aware “of how rare that is.”
Put the point of view in words
The speaker knows this season will end. That is why each moment matters. The speaker notices the first signs of fall, like the crisp air, and savors them. To treasure something is to value it highly. So the speaker wants to treasure and appreciate the changes happening now.
Check each choice
- A does not fit. Lines 2–4 say the speaker will tire of the bridge someday. But the speaker enjoys Brooklyn now and never wishes to be elsewhere.
- B does not fit. Lines 13–16 show some unease about the dark days ahead. But each time, the speaker turns back to the present.
- C does not fit. The speaker knows from line 1 that this will end, and treasures the moment because it will pass.
- D fits. The speaker savors the early-fall walk while it lasts.
Watch out: B rests on real lines: the closeness the speaker feels now “will be a felt distance” (line 14). But that is one part of the poem, not the whole view.
Choose the answer
The speaker knows the season will change and holds on to each moment of it. So the answer is D, “showing the speaker’s desire to treasure and appreciate the changes taking place.”
Why this answer and not the closest wrong one
B is the closest wrong choice, because lines 13–16 do show unease. But each time the poem looks ahead, the speaker turns back to now: “But that all happens later” and “These days I am still walking.” The poem ends by calling the moment rare. The main feeling is a wish to treasure the present, which is D.
More questions like this
The original DOE question

The passage “Letter from Brooklyn” as printed (page 50)

Question 14 of 33
2024 Test A English, question 14Passage Excerpt from “Impressions of an Indian Childhood”
Excerpt from “Impressions of an Indian Childhood”
by Zitkala-Sa
Zitkala-Sa (Gertrude Simmons Bonnin) was a Native American writer, musician, teacher, and political activist who was raised on the Yankton Sioux Reservation in South Dakota. In 1900 she published “Impressions of an Indian Childhood” (the term Indian was commonly used at the time to refer to Native American people) to expose readers to what life is like on a reservation.
Soon after breakfast Mother sometimes began her beadwork. On a bright, clear day, she pulled out the wooden pegs that pinned the skirt of our wigwam1 to the ground, and rolled the canvas part way up on its frame of slender poles. Then the cool morning breezes swept freely through our dwelling, now and then wafting the perfume of sweet grasses from newly burnt prairie.
Untying the long tasseled strings that bound a small brown buckskin2 bag, my mother spread upon a mat beside her bunches of colored beads, just as an artist arranges the paints upon his palette. On a lapboard she smoothed out a double sheet of soft white buckskin; and drawing from a beaded case that hung on the left of her wide belt a long, narrow blade, she trimmed the buckskin into shape. Often she worked upon small moccasins for her small daughter. Then I became intensely interested in her designing. With a proud, beaming face, I watched her work. In [my] imagination, I saw myself walking in a new pair of snugly fitting moccasins. I felt the envious eyes of my playmates upon the pretty red beads decorating my feet.
Close beside my mother I sat on a rug, with a scrap of buckskin in one hand and an awl in the other. This was the beginning of my practical observation lessons in the art of beadwork. From a skein3 of finely twisted threads of silvery sinews my mother pulled out a single one. With an awl she pierced the buckskin, and skillfully threaded it with the white sinew. Picking up the tiny beads one by one, she strung them with the point of her thread, always twisting it carefully after every stitch.
It took many trials before I learned how to knot my sinew thread on the point of my finger, as I saw her do. Then the next difficulty was in keeping my thread stiffly twisted, so that I could easily string my beads upon it. My mother required of me original designs for my lessons in beading. At first I frequently ensnared many a sunny hour into working a long design. Soon I learned from self-inflicted punishment to refrain from drawing complex patterns, for I had to finish whatever I began.
After some experience I usually drew easy and simple crosses and squares. These were some of the set forms. My original designs were not always symmetrical nor sufficiently characteristic, two faults with which my mother had little patience. The quietness of her oversight made me feel strongly responsible and dependent upon my own judgment. She treated me as a dignified little individual as long as I was on my good behavior; and how humiliated I was when some boldness of mine drew forth a rebuke from her!
In the choice of colors she left me to my own taste. I was pleased with an outline of yellow upon a background of dark blue, or a combination of red and myrtle-green. There was another of red with a bluish-gray that was more conventionally used. When I became a little familiar with designing and the various pleasing combinations of color, a harder lesson was given me. It was the sewing on, instead of beads, some tinted porcupine quills, moistened and flattened between the nails of the thumb and forefinger. My mother cut off the prickly ends and burned them at once in the centre fire. These sharp points were poisonous, and worked into the flesh wherever they lodged. For this reason, my mother said, I should not do much alone in quills until I was as tall as my cousin Warca-Ziwin.
Always after these confining lessons I was wild with surplus spirits, and found joyous relief in running loose in the open again. Many a summer afternoon a party of four or five of my playmates roamed over the hills with me. We each carried a light sharpened rod about four feet long, with which we pried up certain sweet roots. When we had eaten all the choice roots we chanced upon, we shouldered our rods and strayed off into patches of a stalky plant under whose yellow blossoms we found little crystal drops of gum. Drop by drop we gathered this nature’s rock-candy, until each of us could boast of a lump the size of a small bird’s egg. Soon satiated with its woody flavor, we tossed away our gum, to return again to the sweet roots.
From “Impressions of an Indian Childhood” by Zitkala-Sa—Public Domain
A BRIEF HISTORY OF BEADWORK IN SOUTH DAKOTA
| Date | Event |
|---|---|
| 1500s | The Dakota use beads made from bones, shells, stones, and animal teeth. European traders bring glass beads to North America. |
| Late 1600s | The Dakota begin trading with the French in Minnesota. |
| 1830s | The Dakota begin using glass beads in clothing, artwork, and decorations in place of Native-made beads. |
| 1862–1865 | The Dakota are expelled from their homelands in Minnesota as a result of the U.S.-Dakota War. |
| 1900s–1920s | The Dakota create items to sell outside their community. |
Source: MNopedia
1wigwam: hut with an arched framework of poles covered with bark, mats, or animal hides
2buckskin: leather made from the skin of a male deer
3skein: coiled length of yarn or other thread loosely wound on a reel
Question
How does the author distinguish her point of view from that of her mother?
- Aby describing their techniques for knotting sinew thread (paragraph 4)
- Bby describing their approaches to beadwork design (paragraph 5)
- Cby stating her mother’s instructions on working with quills (paragraph 6)
- Dby stating her mother’s ideas about activities after lessons (paragraph 7)
Show the answer
Correct answer: B
The question asks how the author distinguishes her point of view from that of her mother.
A. Incorrect. In paragraph 4, the author explains that “it took many trials before I learned how to knot my sinew thread on the point of my finger, as I saw her do” and that the “difficulty was in keeping my thread stiffly twisted, so that I could easily string my beads upon it.” Although this explanation describes the author’s difficulty in performing the same task as her mother, it does not distinguish her point of view from that of her mother. In fact, they seem to share the same point of view regarding the importance of the technique the author is attempting to learn.
B. CORRECT. In paragraph 5, the author distinguishes her point of view from that of her mother by describing their approaches to beadwork design. In the paragraph, the author states, “I usually drew easy and simple crosses and squares” and “My original designs were not always symmetrical nor sufficiently characteristic, two faults with which my mother had little patience.” The author also distinguishes her point of view from that of her mother by stating that “the quietness of [my mother’s] oversight made me feel strongly responsible and dependent upon my own judgment.”
C. Incorrect. In paragraph 6, the author states, “My mother cut off the prickly ends and burned them at once in the centre fire. These sharp points were poisonous, and worked into the flesh wherever they lodged. For this reason, my mother said, I should not do much alone in quills until I was as tall as my cousin Warca-Ziwin.” Although these instructions explain the importance of having experience and skill when working with quills, they do not distinguish the author’s point of view from that of her mother.
D. Incorrect. In paragraph 7, the author describes her beadwork lessons as “confining” and states that she liked to roam “over the hills” with her playmates after the lessons. However, she makes no mention of her mother in paragraph 7; the activities and ideas stated there belong to the author, not the mother.
Question analysis
This reading question asks how Zitkala-Sa separates her own point of view from her mother's in an excerpt about learning beadwork as a girl. Each choice points to a different paragraph, so students must revisit all four and find where the two perspectives actually differ, not just where one person speaks or acts.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Analyzing how an author sets her view apart from another person's is a grade 7 standard. The memoir's sentences are long and old-fashioned, but its paragraphs are short and concrete, so the demand is typical of grade 7 reading.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Every choice must be checked moderate
- How, not what moderate
- Hard words minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 8, 946 words; question and choices: about grade 9, 51 words.
- Corrected from the DOE handbook
- A word-order slip in the explanation was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Every paragraph named shows mother and daughter together, or the daughter alone, so each looks like a candidate until it is tested for an actual difference in outlook. The struggle to knot sinew is a difference in skill, not in view, and the warning about quills gives only the mother's side. Paragraph 5 is the one place where the girl's own designs and her mother's impatience with their faults are set side by side.
Every choice must be checked moderate Choosing the answer
Each choice points to a different paragraph, 4 through 7, so all four have to be reread and tested for two outlooks that actually differ, not just one person's action or advice. (Embretson & Wetzel, 1987)
How, not what moderate Working it out
The question asks how the author sets her view apart, so students must find where two outlooks meet and clash: her simple, imperfect designs against the faults her mother “had little patience” with. (Anderson & Krathwohl, 2001)
Hard words minor Understanding the question
The key sentence turns on “not always symmetrical nor sufficiently characteristic,” formal words that must be understood to see the mother's standards behind them. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: For each paragraph named, ask whether it shows both the mother's view and the narrator's and sets them against each other; a paragraph with one perspective cannot be the answer.
Traps
- True but not the answer: A choice says something accurate about the text that does not answer this question.
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
The wrong answers, classified
A True but not the answer (King et al., 2004; Embretson & Wetzel, 1987)
Sees the girl struggle to knot sinew the way her mother does, a real contrast in skill, but she learns the same method “as I saw her do,” so their views do not differ.
C True but not the answer (King et al., 2004; Embretson & Wetzel, 1987)
Picks the mother's warning about poisonous quills because it states her view, but the narrator reports it without setting any opinion of her own against it.
D Wrong part of the text (Kirsch & Mosenthal, 1990)
Credits the mother with ideas about play after lessons, though paragraph 7 gives only the narrator's own “joyous relief,” and the mother does not appear in it.
What was corrected from the DOE handbook, and why
- Explanation: The handbook reads “The author also distinguishes her point of view from that her of mother.” It now reads “from that of her mother,” as earlier in the same explanation.
Working it out, step by step
Figure out what the question asks
A point of view is how a person sees or judges something. You need a place where the author shows that she and her mother see things differently. Each choice names a different paragraph. Check each one for two views that don’t match.
Find two views in paragraph 5
The girl “usually drew easy and simple crosses and squares.” Then she says: “My original designs were not always symmetrical nor sufficiently characteristic, two faults with which my mother had little patience.”
Work out what it means
Symmetrical means the same on both sides. “Sufficiently characteristic” means typical enough of the usual style. The girl kept her designs easy and simple. Her mother cared about something else. She saw “faults,” or mistakes, in them. Having “little patience” means being quickly annoyed. So the two judge the designs differently.
Check each choice
- A is wrong. In paragraph 4 the girl learns to knot thread “as I saw her do.” She learns her mother’s way, so their views match.
- B is right. Paragraph 5 sets the girl’s designs against her mother’s standards.
- C is wrong. Paragraph 6 gives only the mother’s warning about quills. The girl does not disagree.
- D is wrong. The mother doesn’t appear in paragraph 7 at all.
Watch out: A is tempting because the girl struggles with something her mother can do. But that is a difference in skill, not in point of view.
Choose the answer
Paragraph 5 is the one place where the two views are set side by side. So the answer is B.
Why this answer and not the closest wrong one
A is the closest wrong answer. The girl does struggle to knot thread the way her mother does. But they agree on how it should be done. In paragraph 5, the girl’s simple designs meet her mother’s impatience with their “faults.” That is a real difference in how they see the work.
More questions like this
The original DOE question

The passage “Excerpt from “Impressions of an Indian Childhood”” as printed (pages 42–43)


Question 15 of 33
2024 Test A English, question 31Passage Champion of the Channel
Champion of the Channel
In 1926 an editor at the London Daily News predicted that Gertrude Ederle, an American swimmer with eighteen world records and three Olympic medals, would fail in her attempt to swim across the English Channel. He claimed that “even the most uncompromising champion of the rights and capacities of women must admit that in contests of physical skill, speed and endurance they must remain forever the weaker sex.” Yet, at only nineteen years old, Ederle not only became the first woman to accomplish this feat, she also broke the men’s record by two hours. Gertrude Ederle’s triumphant swim across the English Channel was a testimony to her determination, innovative spirit, and passion for swimming.
Crossing the English Channel is a daunting task for any swimmer. At its narrowest point, the channel measures twenty-one miles across. Its icy waters hover around sixty degrees Fahrenheit, and its unruly tides and currents toss swimmers about like bobbing corks. Stinging jellyfish, seaweed, and floating debris from shipwrecks and lost cargoes present added hazards.
For decades the channel’s perils have defeated countless swimmers. Ederle, too, failed in her first attempt to cross the channel in 1925. Just six miles short of finishing, she became ill, and her coach had to haul her out of the water. Undeterred, Ederle decided to try again. Ederle knew that if she did not complete the challenge this time, she might never get the opportunity to set this record, because a rival female swimmer was preparing to make her second attempt at the crossing as well.
To prepare for the marathon swim, Ederle found ways to improve her equipment. She and her sister Meg discovered that melted candle wax perfectly sealed goggle edges, effectively waterproofing Ederle’s goggles against hammering waves. The sisters also designed a two-piece silk swimsuit for Ederle. During her first channel-crossing attempt she had worn a standard one-piece swimsuit that, after the lengthy hours of swimming across the channel, had stretched out, filling with water and creating drag, making an already challenging task almost insurmountable. Unlike the cumbersome typical bathing suit, this silk invention weighed little and allowed for easy movement.
On August 6, 1926, Ederle waded into the channel near Cape Gris-Nez, France. At first she shivered in the bone-chilling water even though she had covered her body in eight layers of grease for insulation. Her limbs felt stiff. Her strokes were irregular. Driving forward, she fought to clear her mind and find what she called her “sphere,” a place where the sea became her only companion and the shrieks of gulls and the humming of boat engines faded away. Using a new overhand stroke called the American crawl, Ederle eventually settled into a steady pace, briskly breaking through waves.
Throughout Ederle’s swim, two tugboats accompanied her. One carried newspaper reporters who wired dispatches of her progress to shore. The other, displaying a sign that read “This way, ole kid!” with an arrow pointing forward, transported her coach, family, and friends. Her coach played songs, such as “Yes, We Have No Bananas,” on a phonograph so that Ederle could time her strokes to the rhythm. Using a net, her coach also passed her baby bottles of broth for nourishment.
For hours Ederle swam, dodging debris with an amused smile. However, as she neared the English shore, a sudden fierce storm erupted. The tides and waves forced Ederle backward, and she fought the stubborn swells for several hours. The salty water caused her tongue to swell and inflamed her ears. Yet Ederle felt indescribably happy as she churned through the sea. Finally, as she neared the English shore, the storm abated, and the tide turned. No longer fighting against her, the sea pushed her toward the shore and victory.
After fourteen hours and thirty-one minutes, Ederle, on wobbly legs, stepped onto the English shore. The waiting crowd roared, honked their automobile horns, blasted their tugboat whistles, and set off flares that flashed in the sky. Ederle had swum into history.
When Ederle returned to New York, she received a parade, where thousands of people shouted “Trudy!” Not only were everyday American citizens proud of Ederle, but she also inspired them to be more active. Over the next few years, more than 60,000 people credited her with motivating them to earn their American Red Cross swimming certificates. Gertrude Ederle’s accomplishment proved to the world that with determination and passion, it was possible for a person to achieve his or her goals.
SOLO SWIMS ACROSS THE ENGLISH CHANNEL
|
Earliest Speed Records |
||
| Year | Swimmer | Time |
| 1875 | Matthew Webb (M) | 21 hours, 45 minutes |
| 1923 | Enrico Tiraboschi (M) | 16 hours, 33 minutes |
| 1926 | Gertrude Ederle (F) | 14 hours, 31 minutes |
| 1926 | Arnst Vierkotter (M) | 12 hours, 38 minutes |
| Current Speed Records | ||
| Year | Swimmer | Time |
| 2012 | Trent Grimsey (M) | 6 hours, 55 minutes |
| 2006 | Yvetta Hlavacova (F) | 7 hours, 25 minutes |
Question
Which sentence from the passage best conveys the author’s perspective regarding the impact of Ederle’s accomplishment?
- A“Undeterred, Ederle decided to try again.” (paragraph 3)
- B“For hours Ederle swam, dodging debris with an amused smile.” (paragraph 7)
- C“Yet Ederle felt indescribably happy as she churned through the sea.” (paragraph 7)
- D“Ederle had swum into history.” (paragraph 8)
Show the answer
Correct answer: D
The question asks for the sentence from the passage that best conveys the author’s perspective about the impact of Ederle’s swim.
A. Incorrect. Although this option shows Ederle’s determination to accomplish her goal, it does not convey the author’s perspective. Rather, the option reinforces Ederle’s own perspective about the challenge that she was facing.
B. Incorrect. The sentence presented in this option is incorrect because it relates to Ederle’s state of mind as she came closer to achieving her goal and does not provide details about the author’s opinion of the impact of Ederle’s accomplishment.
C. Incorrect. The sentence presented in this option is incorrect because it simply presents Ederle’s emotional state as she nears her goal and does not provide information about the author’s perspective.
D. CORRECT. This option is correct because, throughout the passage, the author emphasizes that Ederle’s accomplishment was memorable and great, which is best stated in the sentence from paragraph 8.
Question analysis
What did Gertrude Ederle's English Channel swim mean in the author's eyes? This point-of-view question asks which quoted sentence best shows the author's perspective on its impact, and because the quotations all come from the story of her attempts, students must tell the author's judgment apart from sentences reporting what Ederle did or felt.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Telling an author's perspective apart from a subject's actions and moods is ordinary grade 7 point-of-view work. Each choice is a single sentence with its paragraph given, so little searching is needed and the demand is typical.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- How, not what moderate
- Figurative or literary language minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 9, 790 words; question and choices: about grade 11, 52 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Two tests apply at once: whose view a sentence gives, and whether that view concerns the swim's impact. Three sentences narrate Ederle herself, before the swim and in the water, and the word “Undeterred” can make the first sound like the author's praise. The five-word sentence that closes paragraph 8 is easy to skim past, because it states impact through an image rather than in plain terms.
How, not what moderate Working it out
The question asks for the author's judgment, so sentences that narrate Ederle's choices and moods, her decision to try again, her “amused smile”, her happiness in the storm, have to be set aside. (Anderson & Krathwohl, 2001)
Figurative or literary language minor Understanding the question
The only sentence about impact states it as a figure of speech, “Ederle had swum into history”, which must be read as a claim that the swim earned a lasting place. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Ask of each quotation whether it reports Ederle's actions or feelings, or whether it is the author stepping back to judge what the swim meant. Only the second kind answers this question.
Traps
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- True but not the answer: A choice says something accurate about the text that does not answer this question.
The wrong answers, classified
A True but not the answer (King et al., 2004; Embretson & Wetzel, 1987)
Hears the author admiring her resolve in “Undeterred”, a real touch of judgment, but it concerns her decision after the 1925 failure, not what her eventual swim meant or changed.
B Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Takes Ederle's “amused smile” while dodging debris as the author's opinion, though it records her mood in the water and says nothing about the swim's impact.
C Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Reads “indescribably happy” as the author's enthusiasm, but the happiness is Ederle's own, felt while she fought the storm, and it says nothing about lasting effects.
Working it out, step by step
Unpack the key words
A perspective is a point of view, the way someone sees a subject. Impact means the effect something has on the world. So you need a sentence where the author judges what Ederle’s swim meant. A sentence that only tells what Ederle did or felt won’t count.
Test each sentence two ways
Ask two questions about each choice. First, is this the author’s own judgment, or does it just tell what Ederle did or felt? Second, is it about the effect of the swim, or about something else? The right sentence passes both tests.
Check each choice
- A: “Undeterred, Ederle decided to try again” (paragraph 3) tells her choice after failing in 1925, so it comes before the swim and can’t show its effect.
- B: “dodging debris with an amused smile” (paragraph 7) shows her mood in the water.
- C: “Ederle felt indescribably happy” (paragraph 7) tells her own feelings, not the author’s view.
- D: “Ederle had swum into history” (paragraph 8) is the author stepping back to judge what the swim meant.
Watch out: Undeterred means not discouraged, so A can sound like praise from the author. But it is about her decision, not the swim’s effect.
Explain the figure of speech
“Swum into history” is a figure of speech, words that mean more than they literally say. History is not a place you can swim to. The phrase means her swim was so important that people will remember it for a long time. So the sentence judges the swim’s impact.
Choose the answer
Only choice D gives the author’s own view of what the swim achieved. So the answer is D.
Why this answer and not the closest wrong one
A is the closest wrong answer, since the word “Undeterred” holds a note of praise. But the sentence reports Ederle’s choice to try again after she failed. That happened before the big swim, so it can’t show the swim’s impact. D is the author’s own claim that the swim made history.
More questions like this
The original DOE question

The passage “Champion of the Channel” as printed (pages 56–57)


Question 16 of 33
2024 Test A English, question 39Passage 5 Reasons Physical Books Might Be Better Than E-Books
5 Reasons Physical Books Might Be Better Than E-Books
by Shaunacy Ferro
Though e-book1 readers have become a more common sight around town, traditional books still have their evangelists.2 According to The New York Times, e-book sales have been falling in 2015. Print definitely isn’t dead. In fact, according to some research, it may actually be a better choice for some readers. While scientists are still trying to tease out exactly how digital reading affects us differently, here are five ways e-books might be inferior to their dead-tree cousins.
E-books can reduce reading comprehension.
In a study of middle schoolers, West Chester University researchers found that students who read on iPads3 had lower reading comprehension than when they read traditional printed books. They discovered that the kids sometimes skipped text in favor of interactive features in the e-books, suggesting that certain multimedia in children’s e-books can be detrimental to the practice of reading itself. However, the researchers noted that some interactive features in e-books are designed to enhance comprehension, and that those might be more helpful than game-type interactive graphics.
Young kids can get distracted by e-books.
Similar results were found by a small study by the Joan Ganz Cooney Center that consisted of 32 kids reading e-books and print books with their parents. It found that “enhanced” e-books might be distracting. Kids who read enhanced e-books—ones with interactive, multimedia experiences—were more engaged with them physically, but in the end they remembered fewer narrative details than those who read print books or basic e-books.
You remember less about a book’s timeline.
Another study of adults also found that e-books can be hard to absorb. The researchers asked 25 people to read a 28-page story on a Kindle4 and 25 to read the story in paperback, then asked the readers to put 14 events from the story in chronological order. Those who read the story on a Kindle performed worse on the chronology test than the book readers, though they performed about the same as print readers in other tests. Earlier research by the same scholars, from Stavanger University in Norway, found that Norwegian 10th graders also remembered more about texts if they read them in print rather than on a computer screen.
They’re not great as textbooks.
While e-book textbooks are often cheaper (and easier to carry) than traditional door-stop5 textbooks, college students often don’t prefer them. In some surveys of college kids, the majority of students have reported preferring print books. However, a 2012 study from the UK’s National Literacy Trust of kids ages 8 to 16 found that more than 50 percent of children reported preferring screen reading.
They’re tiring.
Staring at a lit screen can be tiring for the eyes and the brain. A 2005 study from Sweden found that reading digitally required a higher cognitive workload than reading on paper. Furthermore, staring at LED6 screens at night can disrupt sleep patterns. A 2014 Harvard study found that people who used e-readers with LED screens at night slept worse and were more tired the next day. So, if you’re going to go for an e-book, go for one without the backlight.
The take-away message? If you’re really trying to absorb material, you might want to go for a physical book. And if you’re going to be up all night studying, turn off the backlight.
However, all this may not mean that reading on a Kindle is really going to melt your brain. For instance, reading an e-book on a computer is a much different experience than reading on a Kindle, which is specifically designed for consuming books. So, too, is playing with an interactive e-book on an iPad, compared to using a simpler e-book device that only presents the text, with no opportunities to click away into digital distractions.
And some studies have found that part of the difference between the way people absorb information from e-books versus paper might be due to approaching e-books differently—in one test, participants didn’t regulate their study time with digital books like they did with paper texts, leading to worse performances. It’s possible that our expectations of e-book reading—as well as the different designs of the digital reading experience on a computer or iPad or Kindle—might affect how we approach the text and how much effort we put into studying them. As generations of e-book readers evolve, and people become more accustomed to the idea of sitting down with a digital textbook, these factors could change—for better or for worse.
“5 Reasons Physical Books Might Be Better Than E-Books” by Shaunacy Ferro from MENTAL FLOSS, October 2, 2015. Copyright © 2015 Mental Floss, Inc.
1e-book: an electronic book, a publication made available digitally for reading on a computer or other device
2evangelists: advocates or supporters
3iPads: tablet computers
4Kindle: device for reading e-books
5door-stop: a reference to the idea that some textbooks are large and heavy enough to hold a door open
6LED: Light-emitting diode; LEDs are often used as a backlight for electronic devices such as smart phones and tablets.
Question
Which sentence from the passage best reveals the author’s point of view about e-books?
- A“While scientists are still trying to tease out exactly how digital reading affects us differently, here are five ways e-books might be inferior to their dead-tree cousins.” (paragraph 1)
- B“While e-book textbooks are often cheaper (and easier to carry) than traditional door-stop textbooks, college students often don’t prefer them.” (paragraph 5)
- C“For instance, reading an e-book on a computer is a much different experience than reading on a Kindle, which is specifically designed for consuming books.” (paragraph 8)
- D“So, too, is playing with an interactive e-book on an iPad, compared to using a simpler e-book device that only presents the text, with no opportunities to click away into digital distractions.” (paragraph 8)
Show the answer
Correct answer: A
The question asks which sentence from the passage best reveals the author’s point of view about e-books.
A. CORRECT. The sentence from paragraph 1 best reveals the author’s point of view because it introduces the author’s argument that “e-books might be inferior,” which is illustrated throughout the text.
B. Incorrect. The sentence from paragraph 5 provides a small detail about college students preferring traditional books over e-books despite the fact that e-books may seem ideal by being “cheaper (and easier to carry).” This statement supports one point made in the text but not the author’s broader point of view about e-books in general.
C. Incorrect. In the second sentence from paragraph 8, the author discusses answers to why “all this may not mean that reading on a Kindle is really going to melt your brain” and compares reading on a Kindle with reading on a computer to explain how they are different. The sentence focuses on the experiences with using two types of e-book devices rather than on the author’s broader opinion about e-books.
D. Incorrect. In the last sentence from paragraph 8, the author uses the previous comparison between reading on a Kindle and reading on a computer to illustrate the differences between “playing with an interactive e-book on an iPad” and using “a simpler e-book device that only presents the text” and limits distractions. However, similar to the sentence in Option C, this sentence focuses on the experiences of using two types of e-book devices rather than on the author’s broader point of view about e-books.
Question analysis
This point-of-view question asks which sentence best reveals the author's own view of e-books in a magazine article weighing them against printed books. Students must separate a sentence that states the author's position from sentences that support or qualify it, and the article's later hedging about e-books can blur the picture.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Identifying an author's point of view in an informational article is standard grade 7 work. The quotations are labeled by paragraph and the article's stance stays consistent, so the demand matches a typical grade 7 point-of-view item.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- How, not what minor
- Complex sentences minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 10, 829 words; question and choices: about grade 14, 122 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The article announces its stance in the first paragraph, so the question rewards recognizing the sentence where the author sets up the whole list of reasons. The pull comes from a sentence about college students passing up cheaper e-book textbooks, which agrees with the author but reports one finding. The two sentences from paragraph 8 compare devices, and their mention of “digital distractions” can sound like a verdict without being one.
How, not what minor Working it out
Point of view must be told apart from reported fact: three sentences describe students' habits or devices, and only one carries the author's verdict, “might be inferior”. (Anderson & Krathwohl, 2001)
Complex sentences minor Understanding the question
The right sentence holds its point behind a long “While scientists are still trying to tease out” clause, and paragraph 8's “So, too, is playing with” sentence borrows its meaning from the one before. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
Strategy: First decide in a few words what the author thinks about e-books overall, then find the sentence that states that view rather than one piece of support for it.
Traps
- Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.
- True but not the answer: A choice says something accurate about the text that does not answer this question.
The wrong answers, classified
B Too narrow (King et al., 2004)
Takes the finding that college students pass up cheaper e-book textbooks, one supporting detail for one of the five reasons, as the author's overall view of e-books.
C True but not the answer (King et al., 2004; Embretson & Wetzel, 1987)
Picks paragraph 8's contrast between reading on a computer and on a Kindle, an accurate comparison of two devices that passes no judgment on e-books as such.
D True but not the answer (King et al., 2004; Embretson & Wetzel, 1987)
Hears criticism in “digital distractions”, but the sentence explains how an interactive iPad e-book differs from a text-only device, part of the article's hedge, not its verdict.
Working it out, step by step
Know what point of view means
An author’s point of view is what the author thinks about a topic. You need the sentence that shows how the author sees e-books overall. One small fact, or a comparison of two devices, isn’t enough.
Sum up the author’s view
The title says physical books “Might Be Better Than E-Books.” The article then gives five reasons, one under each bold heading. So the author thinks e-books may be worse than print for some kinds of reading.
Find where the author says it
Choice A comes from paragraph 1. It ends, “here are five ways e-books might be inferior to their dead-tree cousins.” Inferior means worse. “Dead-tree cousins” is a joke name for paper books, since paper is made from trees. This sentence states the author’s view and sets up the whole list.
Check each choice
- A fits: it states the author’s overall view that e-books “might be inferior.”
- B is wrong because it reports one finding about college students, which supports just one reason.
- C is wrong because it compares a computer and a Kindle without judging e-books.
- D is wrong because it explains how an iPad e-book differs from a simpler device, not what the author thinks.
Watch out: B agrees with the author, so it seems right. But it is one small piece of support, not the view itself.
Choose the answer
Choice A is where the author announces the opinion behind the whole article. So the answer is A.
Why this answer and not the closest wrong one
B comes closest, because it fits the author’s view. But it reports what college students prefer, one detail in one section. A is where the author states the opinion the whole article supports: e-books “might be inferior” to print.
More questions like this
The original DOE question

The passage “5 Reasons Physical Books Might Be Better Than E-Books” as printed (pages 58–59)


Question 17 of 33
2024 Test A English, question 50Passage Excerpt from The Highest Tide
Excerpt from The Highest Tide
by Jim Lynch
The narrator’s summer job is collecting marine specimens in Puget Sound, Washington. In this excerpt, he is looking for specimens in the mudflats before daybreak. Mudflats, or flats, are coastal landforms created when sediment and silt from tides are deposited as the tides recede.
I rounded the oyster beds, to the far side. . . . It was low tide by then, and I saw the water hesitating at its apex, neither leaving nor returning, patiently waiting for the gravitational gears to shift. Dozens of anxious clams started squirting in unison like they did whenever vibrating grains of sand warned them predators were approaching. I stopped and waited with them, to actually see the moment when the tide started returning with its invisible buffet of plankton for the clams, oysters, mussels and other filter feeders. It was right then, ankle deep in the Sound, feet numbing, eyes relaxed, that I saw the nudibranch.1
In all my time on the flats I’d never seen one before. I’d read about them, sure. I’d handled them at aquariums but never in the wild, and I’d never even seen a photo of one this stunning. It was just three inches long but with dozens of fluorescent, orange-tipped hornlike plumes jutting from the back of its see-through body that appeared to be lit from within.
Nudibranchs are often called the butterflies of the sea, but even that understates their dazzle. Almost everything else in the northern Pacific is dressed to blend with pale surroundings. Nudibranchs don’t bother, in part because they taste so lousy they don’t need camouflage to survive. But also, I decided right then, because their beauty is so startling it earns them a free pass, the same way everyday life brakes for peacocks, parade floats. . . .
The dark mudflats loomed like wet, flattened dunes stretching deep into Skookumchuck Bay in front of our house. From a distance, they looked too barren to support sea life. Up close, they still did, unless you knew where to find the hearty clams, worms and tiny creatures that flourish in mud. . . . I’m not sure why I decided to take a look. It was still an hour before sunrise, and I knew exactly what the bars2 looked like in the moonlight, but for some reason, I couldn’t resist.
I heard it long before I saw it. It was an exhale, a release of sorts, and I instantly wondered if a whale was stranded again. We had a young minke3 stuck out there two summers prior, and it made similar noises until the tide rose high enough for rescuers to help free it. . . . I looked for a hulking silhouette but couldn’t find one. I waited, but there were no more sounds. Still, I went toward what I thought I’d heard, avoiding stepping into the mud until I had to. I knew the flats well enough to know I could get stuck just about anywhere. The general rule was you didn’t venture out past the shells and gravel with an incoming tide. I sank up to my knees twice, and numbing water filled my boots.
. . . I kept stepping toward the one sound I’d heard, a growing part of me hoping I’d find nothing at all. When I stopped to rest and yank up my socks, my headlamp crossed it. My first thought? A giant octopus.
Puget Sound has some of the biggest octopi in the world. They often balloon to a hundred pounds. Even the great Jacques Cousteau4 himself came to study them. But when I saw the long tubular shape of its upper body and the tangle of tentacles below it, I knew it was more than an octopus. I came closer, within fifty feet, close enough to see its large cylindrical siphon5 quiver. I couldn’t tell if it was making any sounds at that point, because it was impossible to hear anything over the blood in my ears. . . .
The creature’s body came to a triangular point above narrow fins that lay flat on the mud like wings, but it was hard to be sure exactly where it all began or ended, or how long its tentacles truly were, because I was afraid to pry my eyes off its jumble of arms for more than half a second. I didn’t know whether I was within reach, and its arms were as big around as my ankle and lined with suckers the size of half-dollars. If they even twitched I would have run. So, I was looking at it and not looking at it while my heart spangled my vision. I saw fragments, pieces, and tried to fuse them in my mind but couldn’t be certain of the whole. I knew what it had to be, but I wouldn’t allow myself to even think the two words. Then I gradually realized the dark shiny disc in the middle of the rubbery mass was too perfectly round to be mud or a reflection.
It was too late to smother my scream. Its eye was the size of a hubcap.6
From THE HIGHEST TIDE by Jim Lynch. Copyright © 2005 by Jim Lynch. Used by permission of Bloomsbury USA. All rights reserved.
1nudibranch: type of sea slug
2bars: sandbars
3minke: species of small whale
4Jacques Cousteau: renowned French oceanographer
5siphon: tube-like organ that is used for drawing in or removing fluids
6hubcap: removable cap over the end of a wheel axle
Question
The author develops the narrator’s point of view when the narrator sees the creature by
- Adescribing the narrator’s movements as he approaches the creature.
- Bemphasizing the odds of finding the creature in an area inhabited by a rival species.
- Cshowing the narrator’s growing realization of the creature’s identity.
- Dcomparing the size of the creature to the size of a vehicle.
Show the answer
Correct answer: C
The question asks how the author develops the narrator’s point of view when the narrator sees the creature.
A. Incorrect. The author’s description of how the narrator moves toward the creature has to do with the terrain and the narrator’s sense of awe. The narrator’s perspective is not represented through how he approaches the creature; it is presented later in the excerpt when the narrator is studying the creature.
B. Incorrect. In this excerpt, while the narrator does discuss other large animals (minke whale, paragraph 5; octopi, paragraph 7) that have appeared on the mudflats, these are examples to show the variety of animal life that can be discovered on the mudflats, not rivals of the creature discovered at the end of the excerpt.
C. CORRECT. In paragraph 7, the narrator describes the largest octopi in the world and then states that this creature is “more than an octopus.” The narrator then states that it is “impossible to hear anything over the blood in my ears,” and in paragraph 8, he describes the creature’s body in detail, as well as his growing fear and amazement as he begins to realize what the creature really is.
D. Incorrect. While the narrator observes that the creature’s eye is as large as a hubcap in paragraph 9, a comparison to an entire car is never made. This detail is for description but does not give the narrator’s point of view.
Question analysis
This point-of-view question asks how the author develops the narrator's perspective at the moment he comes upon a huge, unknown sea creature at the end of the excerpt from The Highest Tide. Students must track the narration over the last paragraphs and decide which technique shapes what readers see through his eyes.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- At grade 7 Analyzing how an author develops a narrator's point of view is a grade 7 standard. The key paragraphs are dense with description and suspense, but the choices are fairly distinct, so the overall demand is typical of grade 7 work.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- How, not what moderate
- Evidence in several places minor
- Reading between the lines minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 6, 902 words; question and choices: about grade 9, 60 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The narrator's guesses change from paragraph to paragraph, octopus, then something more, then a name he refuses to say, and the answer is that progression rather than any single detail. The wrong choices fasten on details, his approach across the mud, the octopi of Puget Sound, the hubcap, and each misdescribes or misplaces it. Readers who track what he believes at each step see the growing realization.
How, not what moderate Working it out
The question asks how the author builds the narrator's point of view, so the student must name a technique, a step-by-step realization, rather than any single thing he sees or does. (Anderson & Krathwohl, 2001)
Evidence in several places minor Working it out
The realization unfolds across paragraphs 6 to 9: “A giant octopus” becomes “more than an octopus”, then “I knew what it had to be”, and finally an eye the size of a hubcap. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Reading between the lines minor Working it out
The creature is never named; “the two words” the narrator will not let himself think have to be understood as a name he already suspects. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Reread paragraphs 6 through 9 and track what the narrator notices, thinks and feels at each step, then pick the choice that describes the technique the author uses across those steps.
Traps
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Wrong part of the text (Kirsch & Mosenthal, 1990)
Looks to paragraphs 5 and 6, where he wades and sinks toward the sound, but the question is about the moment he sees the creature, when moving gives way to looking.
B Twists what the text says (King et al., 2004)
Turns the octopi of paragraph 7 into a rival species and talks of odds, though the narrator mentions octopi only as his first guess and never weighs any chances.
D Twists what the text says (King et al., 2004)
Misremembers the last line, where the creature's eye, not its body, is compared to a hubcap, a part of a wheel, not a whole vehicle.
Working it out, step by step
Know what the question asks
Point of view here means how the narrator sees and understands what is happening. The question asks how the author shows his view once the creature appears. Look for a method the author uses across several paragraphs.
Track his guesses
Follow what the narrator thinks the creature is:
- Paragraph 6: “My first thought? A giant octopus.”
- Paragraph 7: “I knew it was more than an octopus.”
- Paragraph 8: “I knew what it had to be, but I wouldn’t allow myself to even think the two words.”
- Paragraph 9: “Its eye was the size of a hubcap.”
See the pattern
Each step brings him closer to knowing what the creature is. First comes a guess, then a doubt, then a name he won’t let himself think. Finally a huge eye makes him scream. The author shows his growing realization, his slow understanding, one step at a time.
Check each choice
- C fits: “growing realization of the creature’s identity” matches his changing guesses, and identity means what something is.
- A is wrong because his steps closer reveal little, while his thoughts change from paragraph to paragraph.
- B is wrong because the octopus is only his first guess, not a rival, and he never talks about odds.
- D is wrong because only the eye is compared to a hubcap, a cover on a car wheel.
Watch out: D uses a real detail but gets it wrong. A hubcap is part of a wheel, not a whole vehicle.
Choose the answer
The author builds the narrator’s view by showing him slowly work out what he is looking at. So the answer is C.
Why this answer and not the closest wrong one
A comes closest, because the narrator does move closer after he sees the creature, to “within fifty feet.” But his steps tell little about how he sees it. What changes from paragraph to paragraph is his thinking: his guesses grow until he understands. That is C.
More questions like this
The original DOE question

The passage “Excerpt from The Highest Tide” as printed (pages 64–65)


Question 18 of 33
2024 Test B English, question 21Passage Excerpt from “How Exercise Could Help You Learn a New Language”
Excerpt from “How Exercise Could Help You Learn a New Language”
by Gretchen Reynolds
Many scientists suspect that exercise alters the biology of the brain in ways that make it more malleable and receptive to new information, a process that scientists refer to as plasticity.
But many questions have remained unanswered about movement and learning, including whether exercise is most beneficial before, during or after instruction and how much and what types of exercise might be best.
So for a new study, which was published recently in PLOS One, researchers in China and Italy decided to home in on language learning and the adult brain.
Language learning is interesting. As young children, almost all of us picked up our first language easily. We didn’t have to be formally taught; we simply absorbed words and concepts.
But by early adulthood, the brain generally begins to lose some of its innate language capability. It displays less plasticity in areas of the brain related to language. As a result, for most of us, it becomes harder to learn a second language after childhood.
To see what effects exercise might have on this process, the researchers first recruited 40 college-age Chinese men and women who were trying to learn English. The students had some facility with this second language but were far from proficient.
The researchers then divided the students into two groups. Those in one group would continue to learn English as they had before, primarily while seated in rote vocabulary-memorization sessions.
The others would supplement these sessions with exercise.
Specifically, the students would ride exercise bikes at a gentle pace (about 60 percent of their maximum aerobic capacity) beginning 20 minutes before the start of the lessons and continuing throughout the 15 minutes or so of instruction.
Both groups learned their new vocabulary by watching words projected onto large screens, together with comparable pictures, such as “apple” and a Red Delicious. They were shown 40 words per session, with the sequence repeated several times.
Afterward, the students all rested briefly and then completed a vocabulary quiz, using computer keys to note as quickly as possible whether a word was with its correct picture. They also responded to sentences using the new words, marking whether the sentences were accurate or, in the case of “The apple is a dentist,” nonsensical. Most linguists1 feel that understanding sentences shows greater mastery of a new language than does simple vocabulary improvement.
The students completed eight vocabulary sessions over the course of two months.
And at the end of each lesson, the students who had ridden bikes performed better on the subsequent vocabulary tests than did the students who sat still.
They also became more proficient at recognizing proper sentences than the sedentary students, although that difference did not emerge until after several weeks of instruction.
Perhaps most interesting, the gains in vocabulary and comprehension lingered longest for the cyclists. When the researchers asked the students to return to the lab for a final round of testing a month after the lessons—without practicing in the meantime—the cyclists remembered words and understood them in sentences more accurately than did the students who had not moved.
“The results suggest that physical activity during learning improves that learning,” says Simone Sulpizio, a professor of psychology and linguistics at the University Vita-Salute San Raffaele in Milan, Italy, and a study co-author.
These improvements extend beyond simply aiding in memorization, she added. The exercise also deepened language learners’ grasp of how to use their newly acquired words.
This study involved college students performing relatively light exercise, though, and cannot tell us whether other people completing other types of exercise would achieve the same results.
It also offers no clues about what is occurring inside the brain that might be contributing to the benefits of the exercise. But many past studies have shown that exercise prompts the release of multiple neurochemicals in the brain that increase the number of new brain cells and the connections between neurons, Dr. Sulpizio says. These effects improve the brain’s plasticity and augment the ability to learn.
From a real-world standpoint, the study’s implications might seem at first to be impractical. Few classrooms are equipped with stationary bicycles. But specialized equipment is probably unnecessary, Dr. Sulpizio says.
“We are not suggesting that schools or teachers buy lots of bicycles,” she says. “A simpler take-home message may be that instruction should be flanked by physical activity.”
From “How Exercise Could Help You Learn a New Language” by Gretchen Reynolds from THE NEW YORK TIMES, August 16, 2017. Copyright © 2017 The New York Times Company.
1linguists: scientists who study language
Question
Paragraph 18 shows that the author’s perspective toward the study described in the excerpt is that
- Athough the study allowed some conclusions to be drawn, these conclusions are limited.
- Bwhile the study focused on moderate exercise, it would have been better to focus on difficult exercise.
- Cwhile the study was performed appropriately, it is doubtful the results can be duplicated.
- Dthough the study was about learning language, its conclusions can be applied to learning in general.
Show the answer
Correct answer: A
The question asks what paragraph 18 reveals about the author’s perspective toward the study in the excerpt.
A. CORRECT. As paragraph 18 says, the study cannot address “whether other people completing other types of exercise would achieve the same results” as college students riding bikes.
B. Incorrect. While paragraph 18 mentions that the students performed “relatively light exercise,” it never suggests that more rigorous exercise should have been studied, only that it is still unknown what the impact on language learning would be for other populations doing other types of exercise.
C. Incorrect. Paragraph 18 points out only that the study’s results cannot be generalized to other populations performing other types of exercise and never speculates on whether the study’s results could be duplicated.
D. Incorrect. Far from claiming that the study’s results could be applied more broadly to learning in general, paragraph 18 points out the ways in which the study’s results cannot be applied more broadly.
Question analysis
This author’s perspective question asks what paragraph 18 of the article on exercise and language learning shows about how the author views the study. The paragraph is a single sentence, so the difficulty lies in the four choices, each of which pairs a fair-sounding statement about the study with a judgment that must be checked against the paragraph.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Identifying how an author judges a study is grade 7 work on author’s position. Paragraph 18 is a single plain sentence, but the choices make fine distinctions about what research can and cannot show, which keeps the task at grade level.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- A very close wrong answer moderate
- Reading between the lines minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 11, 764 words; question and choices: about grade 10, 75 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Paragraph 18 is a single plain sentence, but its “though” marks a turn from reporting the study to limiting it. Every choice frames the author’s view as a concession followed by a doubt or a hope, so students must test the second half against what the sentence says cannot be known. Confusing results that may not apply to other people with results that may not be repeatable is the main trap.
A very close wrong answer moderate Choosing the answer
The right choice and the one about duplicating the results both grant the study something and then cast doubt; they differ only in the doubt, about applying the results to others or about repeating the study. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Reading between the lines minor Working it out
Paragraph 18 states a fact, that the study “cannot tell us whether other people completing other types of exercise would achieve the same results,” and the author’s judgment must be read from it. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Restate paragraph 18 in your own words before looking at the choices, then pick the choice that says the same thing, checking each word of it against the paragraph.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
The wrong answers, classified
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Reads “relatively light exercise” as a complaint and invents a wish for harder exercise, when the author only notes that other kinds remain untested.
C Twists what the text says (King et al., 2004)
Rightly hears doubt in paragraph 18 but changes its object: the author questions whether the results apply to other people and exercise, not whether the study could be repeated.
D Too broad or too strong (King et al., 2004)
Echoes the upbeat take-home message of paragraphs 16 and 21 and stretches the findings to all learning, the opposite of paragraph 18’s caution.
Working it out, step by step
Figure out what the question asks
This asks how the author feels about the study, based on paragraph 18. The author’s perspective is the author’s point of view. Paragraph 18 is just one sentence, so read it closely.
Read paragraph 18
It says: “This study involved college students performing relatively light exercise, though, and cannot tell us whether other people completing other types of exercise would achieve the same results.” The word though signals a turn. Up to now, the author has reported good results. Here the author points out a limit.
Put it in your own words
The study tested only one kind of person doing one kind of exercise. So we know what happened to college students on bikes. We don’t know if older people, or people who run or swim, would get the same results. The study tells us something, but not everything. Its conclusions are limited, which means they only go so far.
Check each choice
- A fits. The study gave some answers, but they are limited.
- B says the study should have used hard exercise. The author never wishes for that. “Relatively light” is just a fact about the study.
- C says the results may not be duplicated, which means done again with the same results. The author doubts something else: whether the results apply to other people and exercise.
- D says the results apply to all learning. Paragraph 18 says the opposite.
Pick the answer
Watch out: C sounds doubtful, just like paragraph 18. But it doubts the wrong thing. So the answer is A.
Why this answer and not the closest wrong one
C is the closest wrong answer, because paragraph 18 does raise a doubt. But the doubt is not about repeating the study. It is about whether “other people completing other types of exercise would achieve the same results.” That means the conclusions are limited, which is A.
More questions like this
The original DOE question

The passage “Excerpt from “How Exercise Could Help You Learn a New Language”” as printed (pages 171–172)


Question 19 of 33
2024 Test B English, question 45Passage Snowy Mountains
Snowy Mountains
by John Gould Fletcher
Higher and still more high,
Palaces made for cloud,
Above the dingy city-roofs
Blue-white like angels with broad wings,
Pillars of the sky at rest
The mountains from the great plateau
Uprise.
But the world heeds them not;
They have been here now for too long a time.
The world makes war on them,
Tunnels their granite cliffs,
Splits down their shining sides,
Plasters their cliffs with soap-advertisements,
Destroys the lonely fragments of their peace.
Vaster and still more vast,
Peak after peak, pile after pile,
Wilderness still untamed,
To which the future is as was the past,
Barrier spread by Gods,
Sunning their shining foreheads,
Barrier broken down by those who do not need
The joy of time-resisting storm-worn stone,
The mountains swing along
The south horizon of the sky;
Welcoming with wide floors of blue-green ice
The mists that dance and drive before the sun.
“Snowy Mountains” by John Gould Fletcher—Public Domain
Question
How does the poet develop the speaker’s point of view in the second stanza (lines 8–14)?
- Aby describing images of the mountains’ awe-inspiring size and strength
- Bby illustrating the differences among the various ways humans can affect the natural environment
- Cby criticizing society for taking careless, harmful courses of action against nature
- Dby demonstrating how the mountains and the people are able to benefit from each other
Show the answer
Correct answer: C
The question asks how the poet develops the speaker’s point of view in the second stanza.
A. Incorrect. The speaker’s descriptions of the mountains’ awe-inspiring size and strength mainly occur in the first and third stanzas, while in the second stanza, the speaker focuses on humanity and its negative effect on the mountains.
B. Incorrect. The wording of the second stanza—“makes war” (line 10), “Splits down their shining sides” (line 12), and “Destroys the lonely fragments” (line 14)—communicates the speaker’s position that people’s main impact on the mountains is destructive; the wording does not illustrate different ways people impact the natural environment.
C. CORRECT. In the second stanza, the speaker criticizes the destructive actions of “the world” (lines 8 and 10) against the mountains—actions such as tunneling “their granite cliffs” (line 11) and destroying “the lonely fragments of their peace” (line 14).
D. Incorrect. In the second stanza, the speaker does not describe a positive relationship between the mountains and the people.
Question analysis
This point-of-view question on the poem “Snowy Mountains” asks how the poet develops the speaker’s outlook in the second stanza, lines 8–14. Students must read the stanza on its own, decide what attitude its images and verbs express, and then find the choice that names both that attitude and the way it comes across.
- Grade level
- Grade 6 reading and task
- Compared with grade 7
- Below grade 7 Below typical grade 7 demand. Grade 7 point-of-view questions often require weighing subtle or shifting attitudes; this stanza is seven short lines with one consistent stance, carried by strong action words, so it suits grade 6.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- How, not what moderate
- Figurative or literary language minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: 161 words (a poem; reading level not measured); question and choices: about grade 10, 66 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The speaker’s anger in lines 8–14 is plain, and most students sense that the stanza blames people. Points are lost to choices that describe the poem’s admiration of the peaks, which belongs to the stanzas around this one, or that list the stanza’s actions without their hostility. Staying inside the seven lines and reading the attitude in verbs such as “makes war” and “Destroys” settles it quickly.
How, not what moderate Working it out
The stem asks how the viewpoint is built, and the answer lies in what the world does in lines 10–14: it “makes war,” “Tunnels,” “Splits,” “Plasters” and “Destroys.” (Anderson & Krathwohl, 2001)
Figurative or literary language minor Understanding the question
The stanza personifies the mountains as victims, ignored and robbed of “the lonely fragments of their peace,” so the criticism of people comes through sympathy for the peaks. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Read lines 8–14 by themselves and put the speaker’s attitude into a few words of your own before looking at the choices.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
The wrong answers, classified
A Wrong part of the text (Kirsch & Mosenthal, 1990)
Describes the first and third stanzas, which marvel at the peaks’ height and vastness; in lines 8–14 the “granite cliffs” and “shining sides” appear only as things being damaged.
B Twists what the text says (King et al., 2004)
Sees that the stanza names several human actions, tunneling, splitting and plastering, but they are all blows in one “war,” not different kinds of effect laid side by side.
D Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Reads tunnels and advertisements as people putting the mountains to use, a kind of exchange, and misses the hostility of “The world makes war on them.”
Working it out, step by step
Figure out what the question asks
This asks about point of view. That is how the speaker, the voice talking in the poem, feels about the subject. It also asks how the poet shows that feeling. Look only at the second stanza, lines 8 to 14.
Read the second stanza closely
The stanza opens with “But the world heeds them not” (line 8). To heed something is to pay attention to it. Then “the world” starts to act. It “makes war on them,” “Tunnels their granite cliffs,” and “Splits down their shining sides.” It covers them with ads. Finally, in line 14, it “Destroys the lonely fragments of their peace.”
Decide what the speaker thinks
Here “the world” means people in general. People ignore the mountains, yet keep hurting them. Each action is an attack: making war, tunneling, splitting, plastering, destroying. The speaker is clearly on the mountains’ side. By listing these acts, the speaker blames people for being careless and harmful. Blaming someone for what they do wrong is called criticism.
Check each choice
- A does not fit. Size and strength fill the first and third stanzas, as in “Higher and still more high” and “Vaster and still more vast.” In lines 8 to 14, the mountains are only victims.
- B does not fit. The stanza lists several acts, but it does not compare them. They are all part of one “war.”
- C fits. The stanza blames society for ignoring and harming the mountains.
- D does not fit. The stanza shows no give-and-take. People only harm the mountains, and the mountains get nothing back.
Choose the answer
The speaker’s view comes through a list of careless, harmful acts that the poem plainly condemns. So the answer is C.
Why this answer and not the closest wrong one
B is the closest wrong choice, because the stanza really does name several ways people affect the mountains. But the speaker is not studying how they differ. Each one is another blow in the same attack, and the speaker is upset by all of them. C names that anger as criticism, which is what the stanza does.
More questions like this
The original DOE question

The passage “Snowy Mountains” as printed (page 142)

Question 20 of 33
2024 Test B English, question 47Uses the passage above: “Snowy Mountains”.
Question
Read lines 21–22 from the poem.
Barrier broken down by those who do not need
The joy of time-resisting storm-worn stone,
How do the lines help convey the speaker’s point of view?
- AThey suggest that the speaker wants to remove the obstacles that prevent others from experiencing the wonders of nature.
- BThey reveal the speaker’s opinion that some people are too busy to appreciate natural beauty.
- CThey reflect the speaker’s dismay that people destroy the natural landscape without understanding the ramifications of their actions.
- DThey explain that the speaker is confident that nature will never be fully destroyed by people.
Show the answer
Correct answer: C
The question asks how lines 21–22 help convey the speaker’s point of view.
A. Incorrect. The word “barrier” (line 21) refers to the speaker’s opinion that the mountains were “spread by Gods” (line 19) and not to an obstacle that the speaker thinks should be removed.
B. Incorrect. While the lines indicate that people have lost the need to connect with nature, they do not reveal that the speaker thinks that the cause of this loss is busyness.
C. CORRECT. The words “those who do not need / The joy” in lines 21–22 reflect the speaker’s sadness that people do not realize that they are destroying something wonderful and irreplaceable.
D. Incorrect. Although the speaker does say that the stone is “time-resisting” (line 22), this belief is only a small detail of the speaker’s point of view.
Question analysis
Two lines from the final stanza of “Snowy Mountains” describe a barrier broken down by people who do not need “The joy of time-resisting storm-worn stone,” and students must explain how these lines convey the speaker’s point of view. The phrasing is compact and old-fashioned, with an unusual use of “need,” so working out the plain meaning comes before choosing among close descriptions of the speaker’s feelings.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 students often infer a speaker’s attitude from clear statements. Here the attitude must be drawn from a compressed sentence broken across two lines, and the choices differ in fine shades of feeling and cause.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Complex sentences major
- Reading between the lines moderate
- Hard words minor
- Evidence
- Answered from one sentence or line
- Reading level
- Passage: 161 words (a poem; reading level not measured); question and choices: about grade 9, 99 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Before any choice can be judged, the compressed, inverted verse has to be put into plain English: people with no use for the old stone’s joy have broken the barrier down. Once that paraphrase is in hand, the speaker’s sorrow is clear, yet two wrong choices offer nearby readings. One supplies a cause the lines never give, busyness, and the other turns the stone’s endurance into a promise that the same sentence contradicts.
Complex sentences major Understanding the question
The lines break mid-phrase, “those who do not need / The joy of time-resisting storm-worn stone,” inside a sentence whose subject arrives only in line 23, so who breaks what must be untangled first. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
Reading between the lines moderate Working it out
Neither dismay nor ignorance is stated; both must be inferred from describing the people as not needing “The joy” of the stone they break down. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Hard words minor Understanding the question
“Barrier” here means the mountain range as a great wall, not an obstacle, and the key turns on “ramifications,” a word many seventh graders will not know. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Read lines 21–22 with the lines just before them, restate the sentence in your own words, and then decide what the speaker thinks of the people it describes.
Traps
- Dictionary meaning, not meaning here: A common meaning of the word that does not fit its use in this text.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
The wrong answers, classified
A Dictionary meaning, not meaning here (Perfetti, 2007)
Hears “Barrier” in its everyday sense of something blocking the way, but here it is the mountain range itself, “spread by Gods,” and the speaker regrets its breaking.
B Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Supplies a familiar modern explanation, people too busy for nature, though the lines say only that some people do not need this joy and never say why.
D Too broad or too strong (King et al., 2004)
Stretches “time-resisting” into certainty that nature can never be destroyed, overlooking that these lines show the barrier already “broken down” by people.
Working it out, step by step
Figure out what the question asks
This asks about point of view: what the speaker thinks and feels. Read lines 21 and 22, and decide what they show about the speaker’s attitude toward the people in them.
Read the lines with the ones before
Two lines earlier, the poem names the mountains a “Barrier spread by Gods” (line 19). A barrier is a wall, and here the wall is the mountain range itself. Line 21 says this barrier is “broken down by those who do not need” something. Line 22 says what that something is: “The joy of time-resisting storm-worn stone.”
Put the lines in plain words
Time-resisting means the stone has held out against ages of time. Storm-worn means storms have rubbed it down. So this stone is very old and very tough. In plain words: the mountains are being torn down by people who have no use for the joy this ancient stone can give. The speaker sounds sad and troubled that something so lasting is wrecked by people who do not value it.
Check each choice
- A does not fit. Here “Barrier” means the mountains, not something blocking the way. The speaker is sorry it was broken, not eager to remove it.
- B does not fit. The lines never give a reason, such as being too busy. That idea comes from outside the poem.
- C fits. Dismay is a mix of sadness and alarm. Ramifications are the effects an action leads to later on. The speaker is dismayed that people wreck the mountains with no thought for what they are losing.
- D does not fit. The stone is “time-resisting,” but the same lines show it broken down. They express sorrow, not confidence.
Choose the answer
The lines show the mountains being broken by people who see no value in them, and the speaker is upset. So the answer is C.
Why this answer and not the closest wrong one
B is the strongest trap, because being too busy for nature sounds like a fair reason. But lines 21 and 22 never explain why these people do not need the stone’s joy. B adds a cause from outside the poem. C stays with what the lines show: damage to the mountains, done by people who do not value them, and the speaker’s distress.
More questions like this
The original DOE question

Question 21 of 33
2024 Test B English, question 57Passage Excerpt from “The Past and the Future of the Earth’s Oldest Trees”
Excerpt from “The Past and the Future of the Earth’s Oldest Trees”
by Alex Ross
About forty-five hundred years ago, not long after the completion of the Great Pyramid at Giza, a seed of Pinus longaeva, the Great Basin bristlecone pine, landed on a steep slope in what are now known as the White Mountains, in eastern California. The seed may have travelled there on a gust of wind, its flight aided by a winglike attachment to the nut. Or it could have been planted by a bird known as the Clark’s nutcracker, which likes to hide pine seeds in caches; nutcrackers have phenomenal spatial1 memory and can recall thousands of such caches. This seed, however, lay undisturbed. On a moist day in fall, or in the wake of melting snows in spring, a seedling appeared above ground—a stubby one-inch stem with a tuft of bright-green shoots.
Most seedlings die within a year; the mortality rate is more than ninety-nine percent. The survivors are sometimes seen growing in the shadow of a fallen tree. The landscape of the Ancient Bristlecone Pine Forest, as this area of the White Mountains is called, is littered with fragments of dead trees—trunks, limbs, roots, and smaller chunks. Pinus longaeva grows exclusively in subalpine regions of the Great Basin, which stretches from the eastern slopes of the Sierra Nevada to the Wasatch Range, in Utah. Conditions are generally too arid for the dead wood to rot; instead, it erodes, sanded down like rock. The remnants may harbor nutrients and fungi that help new trees grow. Bristlecones rise from the bones of their ancestors—a city within a cemetery.
Coast redwoods and giant sequoias, California’s gargantuan world-record-holding trees, can grow fifty feet or more in their first twenty years. Bristlecones rise agonizingly slowly. After four or five years, the seedling on the steep slope would have been just a few inches higher, sprouting needles in place of the embryonic shoots. The needles are a deep green, tough, resinous, and closely bunched in groups of five. On a mature tree, they live for fifty years or more. Decades may have passed before the tree was human height, and decades more before it resembled a conventional pine. Bristlecone saplings grow straight up, with relatively sparse foliage, looking like undernourished Christmas trees. After a few hundred years—by which time the Old Kingdom of Egypt had fallen—it was probably forty or fifty feet in height.
Many tree species live for hundreds of years. A smaller but not inconsiderable number, including the sequoias and certain yews, oaks, cypresses, and junipers, survive for thousands. Once a bristlecone has established itself in the unforgiving conditions of the White Mountains, it can last almost indefinitely. The trees tend to grow some distance from one another, so fires almost never destroy an entire stand. Because only a few other plant species can handle the dry, cold climate, the bristlecones face little competition. Unlike most plants, they tolerate dolomite soil, which is composed of a chalky type of limestone that is heavily alkaline and low in nutrients. As for insect threats, bristlecone wood is so dense that mountain-pine beetles and other pests can rarely burrow their way into it.
Empires rose and fell; wars raged; . . . and the tree from 2500 B.C. continued its implacable slow-motion existence, adding about two-hundredths of an inch to the diameter of its trunk each year. Minute changes in the tree-ring record make bristlecones an exceptionally useful source of data about changing conditions on Earth. When rains are heavier than normal, the rings widen. When volcanic eruptions cause global cooling, frost rings make the anomaly2 visible. . . .
As the millennia go by, bristlecones become contorted and wraithlike.3 The main stem, or leader, dies back. Entire branches, even the trunk itself, become fossils. At first glance, the tree may look dead. Such is the case of the forty-five-hundred-year-old tree that clings to life near the tourist path that now runs through the Ancient Bristlecone Pine Forest. Spears of dead wood jut into the air. The trunk is a marbled hulk stripped of bark, like driftwood thrown from a vanished ocean. A ribbon of live bark runs up one side, funneling water and nutrients to clumps of green needles high above. All told, the tree is an unprepossessing specimen; most people march past it without giving it a second glance. . . .
. . . No two super-elderly trees look alike, to the point where they have acquired the characteristics of individuals. Trees are prone to anthropomorphism; we project our dreams and our anxieties onto them. Bristlecones have been called elders, sentinels, sages. The possibility that climate change will cause their extinction has inspired a spate4 of alarmed news stories, although tree scientists tend to discount the idea that the bristlecones are in immediate danger. They have survived any number of catastrophes in the past; they may survive humanity.
From “The Past and the Future of the Earth’s Oldest Trees” by Alex Ross from THE NEW YORKER, January 20, 2020. Copyright © 2020 by Condé Nast. All rights reserved.
1spatial: relating to physical space
2anomaly: oddity
3wraithlike: ghostly
4spate: sudden abundance
Question
Throughout the excerpt, the author conveys his point of view mainly by
- Asharing details about the qualities of the bristlecone pine that make it an unusual tree.
- Bcomparing the bristlecone pine to global empires that lasted thousands of years before falling.
- Cexplaining the way the seemingly sickly appearance of the bristlecone pine contrasts with its ability to survive.
- Darguing that the bristlecone pine has survived past threats to its survival and will continue to thrive.
Show the answer
Correct answer: A
The question asks how the author mainly conveys his point of view throughout the excerpt.
A. CORRECT. The author clearly conveys his interest in and admiration of the bristlecone pine by sharing many details throughout the excerpt that show how unusual the tree is; these include details about the tree using remnants from previous generations (paragraph 2), details about the tree’s “agonizingly” slow growth rate (paragraph 3), and details about the incredibly difficult growing conditions that the tree thrives in (paragraph 4).
B. Incorrect. While the author does briefly compare the bristlecone pine to global empires (paragraphs 1, 3, and 5), he mainly offers many details throughout the excerpt about what makes the bristlecone pine so unusual.
C. Incorrect. While paragraph 6 largely focuses on the contrast of the pine’s sickly appearance with its ability to survive, this is just one detail about the pine that makes it unusual. The author offers many such details throughout the excerpt.
D. Incorrect. The author suggests in paragraph 7 that the bristlecone pine “may survive humanity,” but this is just one detail about the bristlecone that the author offers in an excerpt full of details, each of which contributes to an understanding of how unusual this tree is.
Question analysis
This point-of-view question asks how Alex Ross mainly conveys his view of the bristlecone pine throughout an excerpt from his article “The Past and the Future of the Earth’s Oldest Trees.” His attitude is never stated directly, and each choice is tied to something in the piece, so students must judge what he does most consistently.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Grade 7 readers are regularly asked how an author reveals a point of view in nonfiction. This excerpt is long and descriptive, and every choice grows out of a real detail, so students must weigh the whole piece before choosing.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Evidence in several places moderate
- How, not what moderate
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 8, 851 words; question and choices: about grade 9, 75 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Every choice grows from something real in the excerpt, so the question turns on the word “throughout.” The strongest lure describes paragraph 6 well but nothing else, another inflates the closing “may survive humanity” into an argument, and a third makes the history references the method. Students who sum up each paragraph in a few words see that most of them describe an unusual feature of the tree, which is how the author’s admiration comes through.
Evidence in several places moderate Working it out
The author’s view has to be gathered from across the excerpt: seedlings rising from dead wood, growth “agonizingly slowly,” wood too dense for beetles, the ring record and the fossilized trunk. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
How, not what moderate Working it out
The stem asks how the view is conveyed, a method, so students must notice that the author seldom states an opinion and instead piles up details that make the tree remarkable. (Anderson & Krathwohl, 2001)
Strategy: Note in a few words what the author does in each paragraph, then test each choice against that list, keeping in mind that the question says “throughout.”
Traps
- Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
B Twists what the text says (King et al., 2004)
Turns the brief mentions of the Great Pyramid, the Old Kingdom and fallen empires, which mark how long the tree has lived, into a comparison with empires that lasted millennia.
C Too narrow (King et al., 2004)
Takes paragraph 6’s contrast between a tree that “may look dead” and one that “clings to life” for the author’s method throughout, though it is one striking detail among many.
D Too broad or too strong (King et al., 2004)
Hardens the closing “they may survive humanity” into a confident claim that the tree will thrive, and calls the excerpt an argument, though it mostly describes.
Working it out, step by step
Figure out what the question asks
This asks how the author mainly shows his point of view, his attitude toward the bristlecone. The word “throughout” means across the whole excerpt. So the answer must describe something he does in most paragraphs, not just one.
Note what each paragraph does
- Paragraph 1: a seed lands about 4,500 years ago.
- Paragraph 2: young trees grow from the dead wood of old ones.
- Paragraph 3: they grow “agonizingly slowly.”
- Paragraph 4: they survive cold, dry air, poor soil and insects.
- Paragraph 5: their rings record changes on Earth.
- Paragraph 6: an ancient tree looks dead but “clings to life.”
- Paragraph 7: the trees “may survive humanity.”
Find the pattern
Almost every paragraph adds a fact about something unusual in the tree. The author rarely states his opinion outright. Instead, he piles up amazing details: its great age, its slow growth, its toughness. These details show his wonder and respect without his having to say so.
Check each choice
- A fits. Across the whole excerpt, the author shares details that make the tree unusual.
- B does not fit. The pyramid, the Old Kingdom and the fallen empires come up only briefly, to mark how long the tree has lived. They are not the author’s main method.
- C does not fit. The contrast between looking sickly and staying alive belongs to paragraph 6 only.
- D does not fit. The excerpt mostly describes rather than argues. And “they may survive humanity” is a maybe, not a promise that the trees will thrive.
Choose the answer
The author’s view comes through the many unusual details he gathers. So the answer is A.
Why this answer and not the closest wrong one
C is the strongest trap, because paragraph 6 really does contrast a tree that “may look dead” with one that “clings to life.” But the question says “throughout.” That contrast is one detail in one paragraph. A describes what the author does in nearly every paragraph.
More questions like this
The original DOE question

The passage “Excerpt from “The Past and the Future of the Earth’s Oldest Trees”” as printed (pages 193–194)


Question 22 of 33
2023 Test B English, question 14Passage Excerpt from “The Food Business Incubator”
Excerpt from “The Food Business Incubator”
by Mandalit Del Barco
“La Cocina” means “the kitchen” in Spanish. It’s also the name of a business incubator1 based in San Francisco’s Mission District. Since it began in 2005, it’s been helping local food entrepreneurs, many of whom are low-income immigrant women, develop their small businesses.
Over the years, many of its alumni have found success: more than 50 chefs in its program have become self-sufficient business owners, and many of them have opened their own brick-and-mortar restaurants. Two alumnae of its culinary program . . . were even recognized as semi-finalists for prestigious James Beard awards.2
A new cookbook, We Are La Cocina: Recipes in Pursuit of the American Dream, tells some of their stories.
Executive director Caleb Zigas says the nonprofit La Cocina grew out of two grassroots economic development organizations3 who found many people cooking at their homes and selling food on the streets. The vendors needed an affordable commercial kitchen space and technical assistance in order for their businesses to be legally viable. La Cocina provided just such a space, in addition to helping them develop business plans, pull city permits and more.
Zigas says as many as eight businesses can work in the kitchen space at La Cocina at any one time. Some can prep for a farmers’ market sale, corporate catering gigs or weddings, while others might be making and packaging their food products.
“It’s just an incredible and exciting range of techniques, flavors, perspectives, age, language. And that’s a really beautiful thing,” he says. . . .
Twice a year, La Cocina hosts “F&B: Voices from the Kitchen,” a storytelling project where their chefs can tell their own stories, as they do in the new cookbook. Some of the chefs will be on tour to promote the book, whose proceeds will go to support La Cocina entrepreneurs.
NPR4 caught up with . . . La Cocina chefs, who shared their stories:
Mariko Grady, Aedan Fermented Foods
At La Cocina, you can often hear Mariko Grady singing or humming as she prepares miso, koji, and amasake. Her fermented products come in four different flavors, including mushroom and chicken, to be used in soups and sauces. She originally brought the fermenting rice and barley koji seeds from Japan, where she had a 30-year career as a singer and dancer with the prestigious modern theatrical dance group she founded, Pappa Tarahumara. They performed around the world, and 16 years ago, had a one-night show in San Francisco. The man who would become her husband was in the audience. She soon joined him in San Francisco, often returning to Tokyo to rehearse. But after the earthquake and tsunami hit Japan in 2011, her company disbanded. . . . Grady focused on nourishing her family and creating a line of fermented products that she sells online, at local Bay Area stores and at the Ferry Plaza Farmers Market. She began at La Cocina in 2012 and named her business after her son, Aedan. (Written in Kanji characters, the name means “wisdom” and “handed down from generation to generation.”) . . . Her fermented products are “also full of wisdom about how to relate to nature and how to create a healthy life,” she says. . . .
Shani Jones, Peaches Patties
Shani Jones is a native San Franciscan. Her father was born in New Orleans, her mother, in Jamaica. She says their home was always filled with a variety of spices and dishes like jerk chicken and Jamaican patties—savory pastries filled with beef or chicken. Jones says she learned to cook from her mother, whose nickname was Peaches. After returning from college in Atlanta, Jones worked on her doctorate in organizational leadership and management while driving a Lyft5 car. She often told passengers about her idea of opening a catering company with her mom’s recipes. They steered her to La Cocina, where she developed her own business, named after her mother. Five years later, she caters and runs a kiosk6 at a small food cooperative in Bernal Heights, where some of her handmade patties have an Ethiopian twist, “because my husband is Ethiopian.” Jones has big aspirations for Peaches Patties: “The ultimate goal,” she says, “is to be the patty kingpin7 of the West Coast.”
From “The Food Business Incubator That Helps Immigrant Women Pursue The American Dream” by Mandalit Del Barco from WEEKEND EDITION SUNDAY, June 19, 2019. Copyright © 2019 NPR.
QUALIFICATIONS FOR LA COCINA APPLICANTS
| Level of Income | La Cocina considers assets and access to opportunity when screening applicants. La Cocina’s mission is to support entrepreneurs who face barriers to becoming successful in the food industry. Applicants must be classified as low- or very-low-income earners according to the Housing and Urban Development (HUD) Guidelines for San Francisco. |
|---|---|
| Business Plan | Applicants must have a business plan that is ready to be put into action. La Cocina will help applicants refine an existing business plan. Applicants without a business plan should contact one of La Cocina’s partner organizations for guidance in developing one. |
| Viable Product | The applicant’s food must not only be delicious but also stand out. For a business to make a profit, there also has to be a market for the food. |
| Entrepreneurial Work Ethic | La Cocina is excited to work with entrepreneurs who are motivated and passionate about growing their business. Succeeding in the food industry requires a lot of heart and hard work. |
| Community Spirit | The 30+ entrepreneurs who share La Cocina’s kitchen are from many different backgrounds. La Cocina values the community it has created and expects each entrepreneur to be active in bringing the spirit of La Cocina to the wider world. In order to succeed in the La Cocina kitchen, accepted applicants must be flexible and willing to work closely with others. |
Source: La Cocina
1business incubator: company that helps new and startup companies develop by providing services such as management training and office space
2James Beard awards: an award named after American cook and author James Beard, considered one of the highest honors in the culinary industry
3economic development organizations: organizations whose mission is to promote economic improvement within a specific geographical area
4NPR: National Public Radio, a nonprofit media organization that produces and distributes news and cultural programming
5Lyft: ride-sharing company where people use their own cars to provide rides to customers
6kiosk: cart or small structure with one or more open sides that is used to vend merchandise or services
7kingpin: the leader in a group or undertaking
Question
Which statement would the author most likely agree with?
- AThe publicity efforts La Cocina engages in will help its business design spread to other cities.
- BThe variety of exciting food available in San Francisco is due to the work of La Cocina.
- CLa Cocina offers a method that will guarantee business ownership for qualified entrepreneurs.
- DLa Cocina does admirable work in supporting the efforts of ambitious cooks who may have few resources.
Show the answer
Correct answer: D
The question asks with which statement the author would most likely agree.
A. Incorrect. The author does not suggest at any point that La Cocina would like to expand its work and mission to other cities.
B. Incorrect. While the author describes some of the work of talented chefs from La Cocina, at no point does the author imply that the many food choices that exist in San Francisco are because of La Cocina.
C. Incorrect. While the author does describe how La Cocina can help entrepreneurs find success, at no point does the author suggest that La Cocina can guarantee success.
D. CORRECT. The descriptions of the income requirements as well as the information that some of the chefs are James Beard award semi-finalists and others have achieved success with their businesses all help show that the author admires the work of La Cocina in helping chefs who have few resources.
Question analysis
This point-of-view question asks which statement the author of the NPR article about La Cocina, a San Francisco nonprofit that helps food entrepreneurs, would most likely agree with. The author reports facts and profiles two chefs rather than giving opinions outright, so students must infer the author’s attitude from what the article chooses to report and test each statement against it.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Inferring which statement an author would accept is typical grade 7 point-of-view work. This reporter lets facts and two chefs’ stories carry the view, but each statement can be checked directly against the article, which keeps the demand ordinary.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Reading between the lines moderate
- Evidence in several places minor
- The right answer is reworded minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 10, 1057 words; question and choices: about grade 11, 72 words.
- Corrected from the DOE handbook
- An inaccurate detail in the explanation was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Because the author reports rather than argues, students must build the author’s attitude from the facts chosen, then test four statements that all speak well of La Cocina. Three of them claim more than the article does: that it will spread to other cities, that it accounts for the city’s food, that it guarantees ownership. The right statement is the modest one, and students drawn to bigger praise lose the point.
Reading between the lines moderate Working it out
The reporter never states an opinion; admiration has to be read from what the article chooses to include: the income rule, the 50-plus self-sufficient owners, the James Beard semi-finalists and two chefs’ stories. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Evidence in several places minor Working it out
Support for the author’s view is scattered from paragraph 1’s low-income immigrant women through paragraph 2’s successes to the table’s Level of Income row, so no single passage settles it. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
The right answer is reworded minor Choosing the answer
The right statement speaks of “ambitious cooks” with “few resources,” words the article never uses, while wrong ones echo its own “exciting” and “San Francisco” or the table’s talk of qualifications. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
Strategy: Ask what the article’s choice of facts and stories shows about how the author regards La Cocina, then measure each statement against that view and against what the article actually reports.
Traps
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Reads too much in (Graesser, Singer & Trabasso, 1994)
Takes the chefs’ book tour and the twice-yearly storytelling events as a growth plan, but the article reports promotion of a cookbook, not any intention to take La Cocina’s model to other cities.
B Twists what the text says (King et al., 2004)
Stretches the “exciting range” of flavors inside La Cocina’s kitchen into the cause of all the food variety in San Francisco, a link the author never makes.
C Too broad or too strong (King et al., 2004)
Builds on the more than 50 chefs who became self-sufficient owners and the table’s qualifications, but “guarantee” overstates, since the author reports successes, not a promise to every qualified applicant.
What was corrected from the DOE handbook, and why
- Explanation: The handbook’s explanation of Option D says that “some of the chefs are James Beard award recipients.” The excerpt never says any chef won the award: paragraph 2 says two alumnae “were even recognized as semi-finalists for prestigious James Beard awards.” The site now says “some of the chefs are James Beard award semi-finalists.” The answer is unchanged.
Working it out, step by step
Think about the author’s view
This asks about the author’s point of view, or how the author feels about the topic. The author is a reporter who mostly gives facts. So you have to read the author’s feelings from the facts the author chose to include.
Gather the clues
- Paragraph 1: La Cocina helps cooks, “many of whom are low-income immigrant women.” Low-income means earning little money.
- Paragraph 2: “more than 50 chefs in its program have become self-sufficient business owners.” Self-sufficient means able to support themselves.
- Paragraph 2 also says two alumnae “were even recognized as semi-finalists” for top cooking awards. Semi-finalists reach the round before the final. They did not win.
- Paragraph 10: Shani Jones hopes “to be the patty kingpin of the West Coast.” A kingpin is the leader of a group.
Work out the author’s opinion
Put the clues together. The cooks often start with little money. Many of them dream big, like Jones. La Cocina helps them, and many succeed. The word “even” shows the author is impressed. So the author admires La Cocina’s work. Admirable means deserving praise. Ambitious means wanting to achieve a lot.
Check each choice
- A is wrong. Some chefs will tour to promote a cookbook. That is not a plan to bring La Cocina to other cities.
- B is wrong. The author never says La Cocina is the reason San Francisco has so many kinds of food.
- C is wrong. To guarantee means to promise for sure. The author reports successes but promises nothing.
- D is right. It matches the clues: cooks with little money, big dreams and praise for the help they get.
Watch out: A is tempting because a book tour does spread the word. But spreading the word is not opening in new cities.
Choose the answer
The author would agree that La Cocina deserves praise for helping driven cooks who have little money. So the answer is D.
Why this answer and not the closest wrong one
A is the most tempting wrong choice. The chefs’ book tour and storytelling events do share La Cocina’s story. But the article never mentions taking its model to other cities. D claims only what the article supports, so it is the better choice.
More questions like this
The original DOE question

The passage “Excerpt from “The Food Business Incubator”” as printed (pages 158–160)



Question 23 of 33
2023 Test B English, question 42Passage Cross-Purposes
Cross-Purposes
What I am is built: concrete and steel.
I defy gravity. I am what every athlete
wants: to remain at the apex of the leap,
up in the air. And yet I am useful, too:
cars, trucks, people, even trains
make their way across my broad back.
Swallows and ospreys nest in my trusses.
What I am is motion. I am water, and I am older
than anything else you know. No human
built me. I am gravity’s best friend; I pool
and flow wherever gravity takes me.
I am the blood flowing in the runner’s chest,
and I catch everything: from the hills,
the mountains. It all washes down through me.
What you are is an accident,
what happens to rain when rain gives in
to Earth’s gravitational pull.
You are some tears dribbling from a mountain’s
eye, running down the pavements
of small towns, into the cities, to the sea.
You are the path of least resistance.
What I am is power. You, of course,
have none: you are a static lump, an artifact
slowly decaying. But my regal flow
nourishes grasses, permits empires to rise.
Those who made you will break you,
in time, replacing you with yet another
clumsy structure. I have seen. I know.
“Clumsy”? Being rebuilt makes me
a friend of time, does it not? And it means
that I have siblings—those “clumsy” structures,
my sisters and brothers.
We stitch across the rip you make.
We are steel thread to the human needle.
We bind you up. We sew you.
And I sow into you; in every cranny
of your superstructure my vapors cling.
They bring out your softness, your rust.
Boast your best, and boast better yet.
I am listening to the bright hum
of the wind in your wires. Because I am,
above all else, patient. I will wait for you.
ospreys: large birds
Question
How does the poet develop the points of view of the structure and the water?
- Aby giving an account of a discussion between them about the future of human civilization
- Bby narrating a debate they have over their impact on the environment
- Cby illustrating the unique power they each possess over nature
- Dby using personification to allow them to debate who is more important
Show the answer
Correct answer: D
The question asks how the poet develops the two points of view.
A. Incorrect. While the poem relates how the water views the structure as “an artifact / slowly decaying” (lines 23–24) and the structure refers to itself as “a friend of time” (line 30), the poet does not give an account of a discussion about the future of human civilization.
B. Incorrect. While the speakers do discuss their impact on the environment, there is no narrator speaking for them.
C. Incorrect. Although the structure states it is made of “concrete and steel” (line 1) and is a “steel thread to the human needle” (line 34), only the water claims to possess power over nature, stating that “all washes down through me” (line 14) and “what I am is power” (line 22).
D. CORRECT. The poet develops the speakers’ points of view by personifying (giving human characteristics to something nonhuman such as an object or animal) the structure and the water, allowing them to debate by criticizing each other and declaring their own importance.
Question analysis
This point-of-view question asks how the poet of “Cross-Purposes” develops the viewpoints of its two speakers, a human-made structure and a body of water, across six alternating stanzas. Each answer pairs a way of presenting the voices with a subject for their exchange, so students must check both halves against the poem, since a choice can be right about one and wrong about the other.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 This is exactly the grade 7 standard on how a writer develops and contrasts the points of view of different speakers. The choices are short, but each joins a way of presenting the voices to a subject, so two things must be checked at once.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- How, not what moderate
- Something you must already know minor
- Every choice must be checked minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: 316 words (a poem; reading level not measured); question and choices: about grade 9, 64 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The poem is a direct exchange: stanzas alternate between two speakers who address each other as “you,” with no voice outside them. Most students sense the argument, which makes the narrated-debate choice the strongest pull, since its subject, the speakers’ effects on the land, does come up in the poem. The question is decided by the method half of each choice, and only one names a device the poet actually uses, letting the two speak for themselves about which matters more.
How, not what moderate Working it out
The stem asks how the poet develops the two viewpoints, so the right choice must name a method, speakers given voices to argue for themselves, and a choice that only reports what they say falls short. (Anderson & Krathwohl, 2001)
Something you must already know minor Working it out
The right choice relies on the term “personification,” which the poem never names, so students must recognize concrete and water that speak and boast as that device. (Anderson & Krathwohl, 2001)
Every choice must be checked minor Choosing the answer
Each choice pairs a way of presenting the voices, an account, narration, illustration or personification, with a subject, so both halves must be tested against all six stanzas. (Embretson & Wetzel, 1987)
Strategy: Go through the six stanzas noting who is speaking and what each speaker claims, then judge each choice twice: once for how it says the voices are presented, once for what it says they discuss.
Traps
- Half right: One half of a two-part choice is right and the other is not.
- Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.
The wrong answers, classified
A Too narrow (King et al., 2004)
Builds the whole exchange on passing references such as “permits empires to rise” and “the human needle,” though the speakers argue about themselves and never discuss where civilization is headed.
B Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Rightly sees a debate, and the speakers do touch on their effects on the land and on each other, but “narrating” adds a narrator, while each speaker talks in its own voice.
C Wrong purpose or structure (Anderson & Krathwohl, 2001)
Lists the powers the speakers boast of, which is what the poem says rather than how the poet builds the viewpoints, and only the water claims power over nature.
Working it out, step by step
Figure out what the question asks
This asks about the poet’s method: how the poet shows what each speaker thinks. Each choice names a method and a topic. The right choice must get both parts right.
Notice who is speaking
The poem has six stanzas, or groups of lines. The structure speaks in stanzas 1, 3 and 5. The water speaks in stanzas 2, 4 and 6. Each one says “I” about itself and “you” to the other. No outside voice tells the story. A voice like that is called a narrator, and this poem has none.
Name the poet’s method
In real life, concrete and water have no voices. The poet lets them speak like people anyway. This is called personification: treating a thing as if it were a person. Then the two argue. The structure calls the water “an accident” (line 15). The water answers, “What I am is power. You, of course, / have none” (lines 22–23).
See what they argue about
Each speaker brags about itself and puts the other down. The structure says it is useful, carrying “cars, trucks, people, even trains” (line 5). The water says it is older and stronger. It ends by saying it will outlast the structure: “I will wait for you” (line 42). Their real fight is over which of them matters more.
Check each choice
- A is wrong. Empires come up only once, in line 25. The speakers argue about themselves, not the future of civilization.
- B is wrong. The speakers do mention their effects on the land. The water says it “nourishes grasses” (line 25). But “narrating” means a narrator tells the debate, and no one does. The two speak for themselves.
- C is wrong. It names what the speakers brag about, not how the poet presents them. Also, only the water claims power over nature: “It all washes down through me” (line 14).
- D is right. Personification lets the two argue about who is more important.
Choose the answer
The poet uses personification so the structure and the water can argue over who matters more. So the answer is D.
Why this answer and not the closest wrong one
B is the closest wrong answer. It is right that there is a debate, and the speakers do talk about their effects on the world around them. But B says the debate is narrated. In the poem, the structure and the water speak in their own voices. D names that method.
More questions like this
The original DOE question

The passage “Cross-Purposes” as printed (pages 72–73)


Question 24 of 33
2022 Test B English, question 31Passage Going Solar in China
Going Solar in China
In the Anhui province of China, 166,000 floating solar panels are strung together atop the rippling surface of a lake. It is the largest solar-power farm in the world, an immense blanket of renewable energy strong enough to power 15,000 homes.
The floating solar-power farm, which harvests the sun’s rays for power, was first conceived by the Sungrow Power Supply Company after heavy rains flooded a collapsed coal mine and created a lake. Sang Dajie, a former coal miner from the area, is now an electrician for the farm, which occupies the original mine site where he used to work. Now, instead of working under the dangerous conditions at the mine, he spends his days maintaining the solar panels on the water. “The coal mine,” says Dajie, “was very hot and the air was bad. . . . But here I feel safe. The new energy is safe.” People in China rely primarily on the burning of coal in massive power plants to create electricity. While the burning of fossil fuels, like coal, is a reliable source of energy, the process releases massive amounts of carbon dioxide into the atmosphere, creating air pollution and harming Earth. Solar power, on the other hand, is clean and safe for the environment.
Solar panels are typically placed on rooftops or in open fields, but experts in China determined that the newly formed lake was a great spot for the solar-power farm. Solar-power farms over water are efficient because the water keeps the panels cool. A water-based solar-power farm can potentially generate more power than one based on land. Additionally, with the solar-power farm on the lake, the land in the surrounding area remains available for farming, which is another source of income for Anhui residents.
Originally, China displayed minimal interest in solar energy. The use of solar energy was limited primarily to rural areas that had no access to a power grid. Without access to other means of electricity, people in these areas used solar panels as an alternative to lighting candles and kerosene lamps. China began to manufacture solar panels for other countries in the late 1990s when the German government offered its people financial incentives for installing solar panels. The heightened demand for solar panels was instantaneous, and Chinese businesses were quick to seize the opportunity. Soon the governments of Spain and Italy also offered incentives for using solar technology, and Chinese manufacturers were ready for the increased demand.
Between 2008 and 2013, China improved its manufacturing technology and processes so much that it effectively lowered the worldwide cost of using solar energy by 80 percent, further increasing demand. However, a point came when Chinese manufacturers had become so efficient at producing solar-power equipment that they outpaced the demand. The manufacturers were producing two solar panels for every one solar panel they sold. In order to make manufacturing a profitable industry again, the Chinese government offered its own financial incentives to Chinese citizens for using solar energy. Now, projects like the floating solar-power farm are putting those surplus panels to use, in addition to providing jobs and cleaner energy.
A second solar-power farm has already been constructed near the massive one in Anhui as part of a government initiative to build more low-emission power plants. The goal is to meet 20 percent of the country’s energy needs with renewable, clean energy sources by the year 2030.
As Sang Dajie puts it, “I’m glad we are reusing this area to create a better future.” China’s dedication to increasing its production of renewable energy through solar power demonstrates that patience, time, and flexibility can result in transformation.
Question
The author’s purpose for writing the article is best conveyed by the
- Ainformation about the positive outcomes China has achieved by producing renewable energy.
- Bfacts about how China has influenced other countries to use solar power as a source of renewable energy.
- Cstatements that present solar power as one of several forms of energy used throughout China.
- Ddetails that emphasize how China developed its solar-power industry primarily as a means of financial gain.
Show the answer
Correct answer: A
The question asks how the author’s purpose is conveyed in the article.
A. CORRECT. Throughout the article, the author provides details about the positive outcomes of China’s focus on solar and renewable energy. In paragraph 2, the author discusses the improvements in working conditions and the environmental benefits of renewable energy, and in paragraphs 4 and 5, the author focuses on how Chinese businesses benefited from producing solar panels. In paragraph 6, the author discusses the increase in China’s use of solar and renewable energy before concluding in paragraph 7 that this change will create a better future.
B. Incorrect. Based on paragraph 4, the demand for solar power was initiated by countries such as Germany, Spain, and Italy. China responded to these demands but did not influence the other countries to use solar power.
C. Incorrect. While the author does discuss China’s use of coal power, the author focuses on the developments regarding solar power in China rather than on other forms of energy.
D. Incorrect. The author does explain that Chinese businesses became interested in solar power for financial reasons, but the author does not focus on the economic benefit or impact of solar power on China. Instead, the author focuses on the other benefits of solar and renewable energy.
Question analysis
This author’s purpose question asks which content in “Going Solar in China” best conveys why the article was written. The article covers a floating solar-power farm, a former coal miner, decades of solar-panel manufacturing and the government’s energy goals, so students must step back from the details and judge what the article as a whole sets out to do.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Determining an author’s purpose across a whole informational article is standard grade 7 work. The article is plainly written, but students must weigh its paragraphs on business and policy against its opening and closing, a typical grade 7 judgment.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- How, not what moderate
- Evidence in several places moderate
- Reading between the lines minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 13, 598 words; question and choices: about grade 12, 73 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Two of the seven paragraphs are about business, so a reader who weights them heavily can see the article as a story about money, and that is the main trap. The rest of the article, from safer work and cleaner air to the closing word “transformation,” presents what solar power has done for China. Students who state the purpose in one sentence first, using the opening and the end, test each choice against that sentence instead of against single paragraphs.
How, not what moderate Working it out
The stem asks which content best conveys the purpose, so students must first decide why the article was written, from its opening farm and its closing line about “transformation,” before matching content to it. (Anderson & Krathwohl, 2001)
Evidence in several places moderate Working it out
The purpose runs through all seven paragraphs: safer work and clean air in paragraph 2, free farmland in paragraph 3, surplus panels put to use in paragraph 5 and the 2030 goal in paragraph 6. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Reading between the lines minor Working it out
The article never states its purpose; it has to be inferred from the closing claim that “patience, time, and flexibility can result in transformation” and from Dajie’s hope for “a better future.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Say in one sentence what the author wants readers to come away with, using the opening and closing paragraphs as a guide, and pick the content that serves that aim throughout.
Traps
- Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.
- Reversed relationship: Cause and effect, or the order of events, turned around.
- True but not the answer: A choice says something accurate about the text that does not answer this question.
The wrong answers, classified
B Reversed relationship (King et al., 2004)
Turns the direction of influence around: paragraph 4 says Germany, Spain and Italy created the demand that Chinese manufacturers met, not that China persuaded other countries to use solar power.
C True but not the answer (King et al., 2004; Embretson & Wetzel, 1987)
Notes that the article mentions coal, candles and kerosene lamps beside solar power, which is accurate, but the author tracks solar power’s progress, not China’s mix of energy sources.
D Too narrow (King et al., 2004)
Takes the business details of paragraphs 4–5, an opportunity seized and an industry made “profitable” again, as the article’s purpose, missing the safer work, clean energy and better future around them.
Working it out, step by step
Know what the question asks
This asks about the author’s purpose, the reason the article was written. First decide what the author wants you to take away. Then pick the content that serves that aim across the whole article, not just in one or two paragraphs.
Look at the opening and the ending
The article opens with a huge floating farm that could power 15,000 homes. It ends by saying China’s effort “demonstrates that patience, time, and flexibility can result in transformation.” Transformation means a big change. Flexibility means being willing to change plans. So the author wants to show that China’s turn to solar power has led somewhere good.
Collect the good results
- Paragraph 2: safer work than the coal mine, and clean energy instead of coal’s pollution.
- Paragraph 3: the land nearby stays free for farming, which earns income for local people.
- Paragraph 5: extra panels are put to use, with new jobs and cleaner energy.
- Paragraph 6: a second farm and a goal for more clean energy.
Almost every paragraph adds a positive outcome, meaning a good result.
Weigh each choice
- A fits. Good results show up from the start of the article to its end.
- B does not fit. It turns around who led. Germany, Spain and Italy created the demand, and China answered it.
- C does not fit. Coal, candles and kerosene come up only briefly. The article follows solar power, not every kind of energy in China.
- D does not fit. Money matters in paragraphs 4 and 5. But the rest of the article stresses safety, clean air and a better future.
Choose the answer
Watch out: D is tempting because two paragraphs talk about business and profit. But two paragraphs out of seven are not the article’s purpose. So the answer is A.
Why this answer and not the closest wrong one
D is the trap most likely to catch you. Businesses did jump at a chance to sell panels, and the government wanted a “profitable industry again.” But the article mostly shows other good results: safer jobs, clean energy, free farmland and a better future. A covers all of them, while D fits only paragraphs 4–5.
More questions like this
The original DOE question

The passage “Going Solar in China” as printed (page 174)

Question 25 of 33
2018 Test A English, question 24Passage Champion of the Channel
Champion of the Channel
In 1926 an editor at the London Daily News predicted that Gertrude Ederle, an American swimmer with eighteen world records and three Olympic medals, would fail in her attempt to swim across the English Channel. He claimed that “even the most uncompromising champion of the rights and capacities of women must admit that in contests of physical skill, speed and endurance they must remain forever the weaker sex.” Yet, at only nineteen years old, Ederle not only became the first woman to accomplish this feat, she also broke the men’s record by two hours. Gertrude Ederle’s triumphant swim across the English Channel was a testimony to her determination, innovative spirit, and passion for swimming.
Crossing the English Channel is a daunting task for any swimmer. At its narrowest point, the channel measures twenty-one miles across. Its icy waters hover around sixty degrees Fahrenheit, and its unruly tides and currents toss swimmers about like bobbing corks. Stinging jellyfish, seaweed, and floating debris from shipwrecks and lost cargoes present added hazards.
For decades the channel’s perils have defeated countless swimmers. Ederle, too, failed in her first attempt to cross the channel in 1925. Just six miles short of finishing, she became ill, and her coach had to haul her out of the water. Undeterred, Ederle decided to try again. Ederle knew that if she did not complete the challenge this time, she might never get the opportunity to set this record, because a rival female swimmer was preparing to make her second attempt at the crossing as well.
To prepare for the marathon swim, Ederle found ways to improve her equipment. She and her sister Meg discovered that melted candle wax perfectly sealed goggle edges, effectively waterproofing Ederle’s goggles against hammering waves. The sisters also designed a two-piece silk swimsuit for Ederle. During her first channel-crossing attempt she had worn a standard one-piece swimsuit that, after the lengthy hours of swimming across the channel, had stretched out, filling with water and creating drag, making an already challenging task almost insurmountable. Unlike the cumbersome typical bathing suit, this silk invention weighed little and allowed for easy movement.
On August 6, 1926, Ederle waded into the channel near Cape Gris-Nez, France. At first she shivered in the bone-chilling water even though she had covered her body in eight layers of grease for insulation. Her limbs felt stiff. Her strokes were irregular. Driving forward, she fought to clear her mind and find what she called her “sphere,” a place where the sea became her only companion and the shrieks of gulls and the humming of boat engines faded away. Using a new overhand stroke called the American crawl, Ederle eventually settled into a steady pace, briskly breaking through waves.
Throughout Ederle’s swim, two tugboats accompanied her. One carried newspaper reporters who wired dispatches of her progress to shore. The other, displaying a sign that read “This way, ole kid!” with an arrow pointing forward, transported her coach, family, and friends. Her coach played songs, such as “Yes, We Have No Bananas,” on a phonograph so that Ederle could time her strokes to the rhythm. Using a net, her coach also passed her baby bottles of broth for nourishment.
For hours Ederle swam, dodging debris with an amused smile. However, as she neared the English shore, a sudden fierce storm erupted. The tides and waves forced Ederle backward, and she fought the stubborn swells for several hours. The salty water caused her tongue to swell and inflamed her ears. Yet Ederle felt indescribably happy as she churned through the sea. Finally, as she neared the English shore, the storm abated, and the tide turned. No longer fighting against her, the sea pushed her toward the shore and victory.
After fourteen hours and thirty-one minutes, Ederle, on wobbly legs, stepped onto the English shore. The waiting crowd roared, honked their automobile horns, blasted their tugboat whistles, and set off flares that flashed in the sky. Ederle had swum into history.
When Ederle returned to New York, she received a parade, where thousands of people shouted “Trudy!” Not only were everyday American citizens proud of Ederle, but she also inspired them to be more active. Over the next few years, more than 60,000 people credited her with motivating them to earn their American Red Cross swimming certificates. Gertrude Ederle’s accomplishment proved to the world that with determination and passion, it was possible for a person to achieve his or her goals.
SOLO SWIMS ACROSS THE ENGLISH CHANNEL
|
Earliest Speed Records |
||
| Year | Swimmer | Time |
| 1875 | Matthew Webb (M) | 21 hours, 45 minutes |
| 1923 | Enrico Tiraboschi (M) | 16 hours, 33 minutes |
| 1926 | Gertrude Ederle (F) | 14 hours, 31 minutes |
| 1926 | Arnst Vierkotter (M) | 12 hours, 38 minutes |
| Current Speed Records | ||
| Year | Swimmer | Time |
| 2012 | Trent Grimsey (M) | 6 hours, 55 minutes |
| 2006 | Yvetta Hlavacova (F) | 7 hours, 25 minutes |
Question
Which sentence from the passage best conveys the author’s perspective regarding the impact of Ederle’s accomplishment?
- A“Gertrude Ederle’s triumphant swim across the English Channel was a testimony to her determination, innovative spirit, and passion for swimming.” (paragraph 1)
- B“For hours Ederle swam, dodging debris with an amused smile.” (paragraph 7)
- C“Yet Ederle felt indescribably happy as she churned through the sea.” (paragraph 7)
- D“Ederle had swum into history.” (paragraph 8)
Show the answer
Correct answer: D
The answer is (D)
The question asks for the sentence from the passage that best conveys the author’s perspective about the impact of Ederle’s swim.
Option D is correct because, throughout the passage, the author emphasizes that Ederle’s accomplishment was memorable and great, which is best stated in the sentence from paragraph 8.
The sentence presented in Option A is incorrect because it focuses on Ederle’s personal attributes that allowed her to successfully complete her swim, not the author’s perspective about the impact of her achievement.
The sentence presented in Option B is incorrect because the details in the sentence relate to Ederle’s state of mind as she came closer to achieving her goal and do not provide details about the author’s opinion of the impact of Ederle’s accomplishment.
The sentence presented in Option C is incorrect because it simply presents Ederle’s emotional state as she nears her goal and does not provide information about the author’s perspective.
Question analysis
This reading question asks which quoted sentence best conveys the author's own perspective on the impact of Gertrude Ederle's English Channel swim. Every quotation shows the swim in a positive light, so students must tell the author's judgment apart from description and keep the question's focus on impact in mind.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Identifying an author's own perspective is typical grade 7 point-of-view work. The quotations are short and labeled, and the main demand is attending to the word impact in the question.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- How, not what moderate
- Figurative or literary language minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 9, 790 words; question and choices: about grade 12, 66 words.
- Corrected from the DOE handbook
- A grammar slip in the explanation was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Two tests apply at once: whose view a sentence gives and whether that view concerns impact. The thesis sentence passes the first and fails the second, which makes it the main trap, while the two sentences from paragraph 7 report Ederle's feelings, not the author's judgment. The short sentence in paragraph 8 is easy to skim past because it states impact in five words and a figure of speech.
How, not what moderate Working it out
The question asks for the author's perspective, so narration of Ederle's own feelings, her “amused smile” and being “indescribably happy”, has to be set apart from the author's judgment. (Anderson & Krathwohl, 2001)
Figurative or literary language minor Understanding the question
“Ederle had swum into history” states the impact through a figure of speech, so the student must read it as a claim that the swim earned a lasting place. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Ask two questions of each quotation: whose view does it express, and is it about the swim's impact or about something else? Only one quotation passes both tests.
Traps
- True but not the answer: A choice says something accurate about the text that does not answer this question.
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
The wrong answers, classified
A True but not the answer (King et al., 2004; Embretson & Wetzel, 1987)
Picks the passage's thesis, a real statement of the author's view, but it praises her determination and passion rather than saying what the swim meant or changed.
B Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Takes Ederle's “amused smile” while dodging debris as the author's opinion, but it describes her mood mid-swim, not any judgment about the swim's impact.
C Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Reads “indescribably happy” as the author's enthusiasm, but the sentence reports how Ederle felt during the storm, not how the author sees her achievement's impact.
What was corrected from the DOE handbook, and why
- Explanation: In the reason for rejecting F (B on this site), the handbook reads “the details in the sentence relate to … and does not provide details”. It now reads “do not provide”, to agree with “details”.
Working it out, step by step
Figure out what the question asks
A perspective is a point of view. Impact means the effect something has. So you need a sentence that shows the author’s opinion about what Ederle’s swim meant. A sentence about how Ederle felt does not count.
Ask two questions of each quote
For each choice, ask: Whose view is this, the author’s or Ederle’s? Then ask: Is it about the effect of the swim, or about something else? Only one choice will pass both tests.
Check each choice
- A: the swim was “a testimony to her determination, innovative spirit, and passion for swimming.” This is the author’s view, but it is about her qualities, not the swim’s effect.
- B: “dodging debris with an amused smile” describes Ederle’s mood during the swim.
- C: “Ederle felt indescribably happy” describes her feelings, not the author’s judgment.
- D: “Ederle had swum into history” (paragraph 8). This is the author speaking about what the swim meant.
Explain the key phrase
“Swum into history” is a figure of speech, words that mean more than their exact sense. She didn’t really swim into a history book. It means her swim was so important that people will remember it for a long time. That is a judgment about its impact.
Pick the answer
Watch out: A is the author’s main claim, so it is tempting. But it explains what made her succeed, not what her success meant. So the answer is D.
Why this answer and not the closest wrong one
A is the closest wrong answer, because it is also the author’s own opinion. But it tells what the swim showed about Ederle: her determination and passion. D tells what the swim meant: it made history. Only D is about impact.
More questions like this
The original DOE question

The passage “Champion of the Channel” as printed (pages 56–57)


Question 26 of 33
2018 Test A English, question 26Passage Excerpt from A Tramp Abroad
Excerpt from A Tramp Abroad
by Mark Twain
Now and then, while we rested, we watched the laborious ant at his work. I found nothing new in him—certainly nothing to change my opinion of him. It seems to me that in the matter of intellect the ant must be a strangely overrated bird. During many summers now I have watched him, when I ought to have been in better business, and I have not yet come across a living ant that seemed to have any more sense than a dead one. I refer to the ordinary ant, of course; I have had no experience of those wonderful Swiss and African ones which vote, keep drilled armies, . . . and dispute about religion. Those particular ants may be all that the naturalist paints them, but I am persuaded that the average ant is a sham.
I admit his industry, of course; he is the hardest working creature in the world—when anybody is looking—but his leather-headedness is the point I make against him. He goes out foraging, he makes a capture, and then what does he do? Go home? No; he goes anywhere but home. He doesn’t know where home is. His home may be only three feet away; no matter, he can’t find it. He makes his capture, as I have said; it is generally something which can be of no sort of use to himself or anybody else; it is usually seven times bigger than it ought to be; he hunts out the awkwardest place to take hold of it; he lifts it bodily up in the air by main force, and starts—not toward home, but in the opposite direction; not calmly and wisely, but with a frantic haste which is wasteful of his strength; he fetches up against a pebble, and, instead of going around it, he climbs over it backwards, dragging his booty after him, tumbles down on the other side, jumps up in a passion, kicks the dust off his clothes, moistens his hands, grabs his property viciously, yanks it this way, then that, shoves it ahead of him a moment, turns tail and lugs it after him another moment, gets madder and madder, then presently hoists it into the air and goes tearing away in an entirely new direction; comes to a weed; it never occurs to him to go around it. No; he must climb it, and he does climb it, dragging his worthless property to the top—which is as bright a thing to do as it would be for me to carry a sack of flour from Heidelberg to Paris by way of Strasburg steeple; when he gets up there he finds that that is not the place; takes a cursory glance at the scenery, and either climbs down again or tumbles down, and starts off once more—as usual, in a new direction. At the end of half an hour he fetches up within six inches of the place he started from, and lays his burden down. Meantime, he has been over all the ground for two yards around, and climbed all the weeds and pebbles he came across. Now he wipes the sweat from his brow, strokes his limbs, and then marches aimlessly off, in as violent a hurry as ever. He traverses a good deal of zig-zag country, and by and by stumbles on his same booty again. He does not remember to have ever seen it before; he looks around to see which is not the way home, grabs his bundle, and starts. He goes through the same adventures he had before; finally stops to rest, and a friend comes along.
Evidently the friend remarks that a last year’s grasshopper leg is a very noble acquisition, and inquires where he got it. Evidently the proprietor does not remember exactly where he did get it, but thinks he got it “around here somewhere.” Evidently the friend contracts to help him freight it home. Then, with a judgment peculiarly antic (pun not intentional), they take hold of opposite ends of that grasshopper leg and begin to tug with all their might in opposite directions. Presently they take a rest, and confer together. They decide that something is wrong, they can’t make out what. Then they go at it again, just as before. Same result. Mutual recriminations follow. Evidently each accuses the other of being an obstructionist. They warm up, and the dispute ends in a fight. They lock themselves together and chew each other’s jaws for a while; then they roll and tumble on the ground till one loses a horn or a leg and has to haul off for repairs. They make up and go to work again in the same old insane way, but the crippled ant is at a disadvantage; tug as he may, the other one drags off the booty and him at the end of it. Instead of giving up, he hangs on, and gets his shins bruised against every obstruction that comes in the way. By and by, when that grasshopper leg has been dragged all over the same old ground once more, it is finally dumped at about the spot where it originally lay. The two perspiring ants inspect it thoughtfully and decide that dried grasshopper legs are a poor sort of property after all, and then each starts off in a different direction to see if he can’t find an old nail or something else that is heavy enough to afford entertainment and at the same time valueless enough to make an ant want to own it. . . .
Science has recently discovered that the ant does not lay up anything for winter use. . . . He does not work, except when people are looking, and only then when the observer has a green, naturalistic look, and seems to be taking notes. This amounts to deception, and will injure him for the Sunday schools. He has not judgment enough to know what is good to eat from what isn’t. This amounts to ignorance, and will impair the world’s respect for him. . . . He cannot stroll around a stump and find his way home again. This amounts to idiocy, and once the damaging fact is established, thoughtful people will cease to look up to him. It is strange beyond comprehension that so manifest a humbug as the ant has been able to fool so many nations and keep it up so many ages without being found out.
we: the author and his fictional travel companion
From A TRAMP ABROAD by Mark Twain—Public Domain
Question
The phrase “those wonderful Swiss and African ones which vote, keep drilled armies, . . . and dispute about religion” in paragraph 1 shows that the author
- Abelieves that the behavior of the ants is reflected in other living creatures.
- Backnowledges that his observations of a few do not necessarily apply to all.
- Cknows that disproving a commonly held belief is challenging.
- Daccepts that there are flaws in his interpretation of the behavior of the ants.
Show the answer
Correct answer: B
The answer is (B)
The question asks about the phrase, which highlights the behavior of ants from different parts of the world, and about what the inclusion of the phrase shows about the author.
Option B is correct because the phrase is meant to communicate a caution that while the author believes most ants are foolish, his observations in the excerpt do not apply to all types of ants.
Option A is incorrect because, in the excerpt, the author is comparing species of ants to one another and not to other living creatures.
Option C is incorrect because the author never comments in the excerpt that challenging common or strongly held beliefs is, in general, difficult.
Option D is incorrect because the author never expresses in the excerpt the idea that the conclusions drawn about the ants’ behavior are flawed; the reference to Swiss and African ants is meant to show that those ants are an exception.
Question analysis
In this Mark Twain excerpt about ants, students must decide what a mocking aside about Swiss and African ants that “vote” and “keep drilled armies” reveals about the author's point of view. The tricky part is reading past the sarcasm to see what the aside does for his larger case against ants.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 readers usually judge a narrator's stance from direct statements. Here the stance sits inside a sarcastic aside in long nineteenth-century sentences, so students must separate what Twain means from what he mocks, which goes beyond typical grade 7 work.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Figurative or literary language major
- A very close wrong answer moderate
- Reading between the lines moderate
- Evidence
- Answered from one sentence or line
- Reading level
- Passage: about grade 9, 1099 words; question and choices: about grade 8, 72 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Most misses come from reading the aside as a sincere comparison or as a confession. Twain mocks the naturalists' stories of voting, warring ants while making clear that his verdict covers only the ordinary ant he has watched, so the phrase narrows his claim without weakening it. The key's wording, “observations of a few,” is abstract and does not echo the text, and students who catch the concession but not its limits drift to the choice about flaws in his interpretation.
Figurative or literary language major Understanding the question
The aside is mock praise: “wonderful” ants that “vote” and “dispute about religion” poke fun at the naturalists, so students must see that the joke also fences off which ants his verdict covers. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
A very close wrong answer moderate Choosing the answer
B and D both read the aside as a concession about his conclusions; they part only on its kind, since B narrows which ants his verdict covers while D admits the verdict itself is flawed. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Reading between the lines moderate Working it out
The phrase says nothing about the author directly; his stance comes from its frame, “I refer to the ordinary ant, of course” before it and “the average ant is a sham” after. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Reread the whole sentence the quoted phrase sits in, not just the quoted words, and decide what job the aside does there; then drop any choice describing an idea the paragraph never expresses.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Taking figurative language literally: A choice reads a figure of speech or image at face value.
The wrong answers, classified
A Taking figurative language literally (Graesser, Singer & Trabasso, 1994)
Takes the voting, army-keeping ants at face value as a likeness between ants and people, though the aside mocks those claims and compares only kinds of ants.
C Reads too much in (Graesser, Singer & Trabasso, 1994)
Carries the closing complaint that the ant has fooled “so many nations” into this sentence and decides the author finds disproving the belief hard, which he never says.
D Twists what the text says (King et al., 2004)
Rightly hears a concession in “I have had no experience,” but turns a limit on which ants he means into an admission that his reading of ants is wrong.
Working it out, step by step
Figure out what the question asks
This question is about the author’s point of view. In paragraph 1, Twain mentions some very special ants. You need to decide what that mention shows about Twain himself.
Read the whole sentence
Don’t read only the quoted words. Read the whole sentence in paragraph 1: “I refer to the ordinary ant, of course; I have had no experience of those wonderful Swiss and African ones which vote, keep drilled armies, . . . and dispute about religion.”
Then read the next sentence: “Those particular ants may be all that the naturalist paints them, but I am persuaded that the average ant is a sham.”
Work out what the phrase means
Twain is joking. No ant really votes or argues about religion. He is poking fun at wild stories told by naturalists (people who study nature).
But the joke also does a job. Twain says his opinion is about the “ordinary ant,” the kind he has watched. He has never seen those other ants. So he limits his claim to the ants he knows. He does not say his claim is wrong.
Check each choice
- A says ant behavior shows up in other creatures. No. Twain compares kinds of ants, not ants and other animals.
- B fits. He has watched only some ants, so his verdict may not fit every ant.
- C says he finds it hard to disprove a common belief. He never says that.
- D says he admits his view of ants is flawed. He doesn’t. He stays sure the ant is a sham.
Choose the answer
The phrase shows that Twain knows what he saw in the ants he watched may not be true of all ants. So the answer is B.
Why this answer and not the closest wrong one
D is the closest trap. Both B and D hear Twain admitting something. But D says he admits he is wrong. B says only that he limits which ants he means. Right after the phrase he writes, “I am persuaded that the average ant is a sham.” He is not backing down.
More questions like this
The original DOE question

The passage “Excerpt from A Tramp Abroad” as printed (pages 62–63)


Question 27 of 33
2018 Test A English, question 30Uses the passage above: “Excerpt from A Tramp Abroad”.
Question
Which of the following best explains the author’s fascination with the ants?
- A“During many summers now I have watched him, when I ought to have been in better business, and I have not yet come across a living ant that seemed to have any more sense than a dead one.” (paragraph 1)
- B“I admit his industry, of course; he is the hardest working creature in the world—” (paragraph 2)
- C“Science has recently discovered that the ant does not lay up anything for winter use.” (paragraph 4)
- D“It is strange beyond comprehension that so manifest a humbug as the ant has been able to fool so many nations and keep it up so many ages without being found out.” (paragraph 4)
Show the answer
Correct answer: D
The answer is (D)
The question asks for the text from the passage that explains why the author finds the behavior of the ants fascinating. The author’s purpose in describing the excessively foolish actions of the ants is to prove his argument that in spite of what people have long believed, ants are completely lacking in intelligence.
Option D is correct because the quoted text in Option D shows the author’s interest in the difference between public opinion and observed truth.
Option A is incorrect because the quoted text in Option A provides details that reflect the author’s basic interest, but this observation does not extend to the level of fascination.
Option B is incorrect because the author’s main message in the excerpt is that the ant, however industrious, is foolish.
Option C is incorrect because the quoted text in Option C also provides details that would reflect a basic interest and observation but that do not extend to fascination.
Question analysis
This textual evidence question asks which of four quotations from Mark Twain's ant excerpt best explains why the narrator is so fascinated by ants. Nowhere does the excerpt say outright what draws him to them, so students must infer it and then weigh quotations that all show him paying attention to ants.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 evidence questions usually match a quotation to a claim the text states. Here the claim, the narrator's fascination, is never named, so students must infer its cause from four quotations in a satirical, old-fashioned text.
- Estimated difficulty
- Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly evaluate
- What makes it hard
- Reading between the lines major
- Hard words moderate
- A lot to read minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 9, 1099 words; question and choices: about grade 10, 116 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The stem's word “fascination” clashes with a narrator who sneers at ants, and that clash is what makes the item hard. Students must recast fascination as puzzled interest and then look for the quotation that names its cause, the gap between the ant's reputation and its behavior. The quotation about years of watching is the trap: it shows interest without explaining it, and many careful readers settle on it.
Reading between the lines major Working it out
The excerpt never says the author is fascinated, and his tone is contempt, so students must infer that what holds his attention is the puzzle of how a “humbug” fooled whole nations. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Hard words moderate Understanding the question
The key turns on “so manifest a humbug,” meaning so obvious a fraud, and “strange beyond comprehension”; a student who skips those words cannot see that the line expresses wonder. (Perfetti, 2007; Freedle & Kostin, 1993)
A lot to read minor Understanding the question
Each choice is a full quotation, the longest 38 words, so the four together form a short passage of archaic prose to weigh. (Kintsch, 1998; Gorin & Embretson, 2006; Freedle & Kostin, 1993)
Strategy: Before reading the quotations, state in your own words what most seems to interest the narrator about ants; then pick the quotation that gives the reason behind his interest.
Traps
- Supports only part of the claim: In a question about evidence: a line that backs one half of the claim but not the other, or a related point rather than the claim itself.
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
The wrong answers, classified
A Supports only part of the claim (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Shows he has watched ants for many summers, real evidence of interest, but it describes his habit and verdict rather than what makes ants fascinating to him.
B Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Treats the grudging “I admit his industry” as admiration, missing the dig “when anybody is looking” that follows and the attack on his “leather-headedness.”
C Supports only part of the claim (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Picks a scientific finding that the author uses as a charge against the ant; it belongs to his case, not to the reason the ant intrigues him.
Working it out, step by step
Figure out what the question asks
This question is about the author’s point of view. Twain sounds mostly annoyed with ants. So what keeps him so interested in them? You need the quote that gives the reason for his interest.
Think about the word fascination
Fascination means a strong interest, the kind that makes you keep watching. Twain mocks ants, so he does not admire them. What puzzles him is their good name. People all over the world think ants are wise. Twain thinks they are not.
Find the reason in paragraph 4
Look at the last sentence of paragraph 4: “It is strange beyond comprehension that so manifest a humbug as the ant has been able to fool so many nations.”
A humbug is a fake or a fraud. Manifest means plain to see. “Beyond comprehension” means too strange to understand. So Twain is amazed that such an obvious fake has fooled people for ages.
Check each choice
- A shows he has watched ants for years. It shows interest, but not the reason for it.
- B sounds like praise, but he adds “when anybody is looking.” It is really a dig at the ant.
- C is one fact he uses against the ant. It does not explain his interest.
- D fits. It names the puzzle: how a plain fake fooled so many people.
Choose the answer
Only choice D gives the reason Twain can’t stop thinking about ants. So the answer is D.
Why this answer and not the closest wrong one
A is the strongest trap, because watching ants for “many summers” shows real interest. But A only tells what he did. D tells why: he is amazed that the ant fooled “so many nations.” A question about fascination wants the cause.
More questions like this
The original DOE question

Question 28 of 33
2018 Test A English, question 49Passage Cross-Purposes
Cross-Purposes
What I am is built: concrete and steel.
I defy gravity. I am what every athlete
wants: to remain at the apex of the leap,
up in the air. And yet I am useful, too:
cars, trucks, people, even trains
make their way across my broad back.
Swallows and ospreys nest in my trusses.
What I am is motion. I am water, and I am older
than anything else you know. No human
built me. I am gravity’s best friend; I pool
and flow wherever gravity takes me.
I am the blood flowing in the runner’s chest,
and I catch everything: from the hills,
the mountains. It all washes down through me.
What you are is an accident,
what happens to rain when rain gives in
to Earth’s gravitational pull.
You are some tears dribbling from a mountain’s
eye, running down the pavements
of small towns, into the cities, to the sea.
You are the path of least resistance.
What I am is power. You, of course,
have none: you are a static lump, an artifact
slowly decaying. But my regal flow
nourishes grasses, permits empires to rise.
Those who made you will break you,
in time, replacing you with yet another
clumsy structure. I have seen. I know.
“Clumsy”? Being rebuilt makes me
a friend of time, does it not? And it means
that I have siblings—those “clumsy” structures,
my sisters and brothers.
We stitch across the rip you make.
We are steel thread to the human needle.
We bind you up. We sew you.
And I sow into you; in every cranny
of your superstructure my vapors cling.
They bring out your softness, your rust.
Boast your best, and boast better yet.
I am listening to the bright hum
of the wind in your wires. Because I am,
above all else, patient. I will wait for you.
ospreys: large birds
Question
How does the poet develop the points of view of the structure and the water?
- Aby relating a discussion between them about the future of human civilization
- Bby narrating a debate they have over their impact on the environment
- Cby illustrating the unique power they each possess over nature
- Dby using personification to allow them to debate who is more important
Show the answer
Correct answer: D
The Answer is (D)
The question asks how the poet develops the two points of view. The poet develops the two speakers’ points of view by personifying (giving human characteristics to something nonhuman, such as an object or animal) the structure and the water, allowing them to debate by criticizing each other and declaring their own importance. Thus, Option D is correct.
Option A is incorrect because future civilizations do not play a significant role in the development of points of view.
Option B is incorrect because, while the speakers do discuss their impact on the environment, there is no narrator speaking for them.
Option C is incorrect because these details do not convey points of view.
Question analysis
This question asks how the poet of “Cross-Purposes” develops the points of view of its two speakers, a structure and the water. Students must decide both how the poet presents the two voices and what the exchange between them is mainly about, and each choice sounds partly true.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Analyzing how a writer develops and contrasts two speakers' points of view is exactly what the grade 7 standard describes. The choices are short, though each mixes a method with a topic, so the demand is typical for grade 7.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- How, not what moderate
- Something you must already know minor
- Every choice must be checked minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: 316 words (a poem; reading level not measured); question and choices: about grade 9, 61 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Each choice joins a way of presenting the speakers with a subject for their exchange, and most get one half right. The poem gives no narrator and no neutral voice, only two personified things arguing about which of them matters more, so students must check the method and the topic separately. The close miss is the debate described as narrated and as being about the environment.
How, not what moderate Working it out
The question asks for the poet's method, so a choice must name how the voices are built, personified speakers trading boasts and insults, not just what they talk about. (Anderson & Krathwohl, 2001)
Something you must already know minor Working it out
The key uses the literary term “personification,” which the poem never names, so students must recognize talking concrete and water as that device. (Anderson & Krathwohl, 2001)
Every choice must be checked minor Choosing the answer
Each choice pairs a method with a topic, a discussion, a debate, an illustration, so both halves must be checked against the six stanzas. (Embretson & Wetzel, 1987)
Strategy: Reread the stanzas in order and note who speaks, to whom, and what each speaker says; then test both halves of each choice against those notes.
Traps
- Half right: One half of a two-part choice is right and the other is not.
- Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.
The wrong answers, classified
A Too narrow (King et al., 2004)
Takes passing mentions, “permits empires to rise” and “the human needle,” as the subject of the exchange, though the speakers argue about themselves, not civilization's future.
B Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Gets the debate right but adds a narrator, though the speakers talk for themselves, and the argument is over who matters more, not the environment.
C Wrong purpose or structure (Anderson & Krathwohl, 2001)
Describes the powers each speaker claims, what the poem says, rather than the device the poet uses to develop their viewpoints.
Working it out, step by step
Figure out what the question asks
This asks about the poet’s method. How does the poet show us what each speaker thinks? The right choice must name both the method and the topic correctly.
Notice who speaks
Read the stanzas in order. The structure speaks first, then the water, and they take turns. There is no narrator (a storyteller outside the action). Each one talks to the other as “you” and brags about itself. The structure says, “I am useful, too.” The water says, “What I am is power.”
Name the method
A bridge and water can’t really talk. The poet gives them human voices. That is personification: giving human traits to things that are not human.
Through those voices, they argue. Each tries to prove it matters more. The water calls the structure “a static lump,” which means a lump that doesn’t move. The structure calls the water “an accident.”
Check each choice
- A Empires come up only once. The speakers argue about themselves, not the future.
- B There is a debate, but no narrator tells it. And it is about who matters more, not the environment.
- C This names powers the speakers claim. It does not say how the poet builds their views.
- D fits. Personification lets them argue about who is more important.
Choose the answer
The poet uses personification so the two can argue about who matters more. So the answer is D.
Why this answer and not the closest wrong one
B is the closest trap, because there really is a debate. But “narrating” means a storyteller tells it, and no one does. The speakers talk for themselves. B also gets the topic wrong. D gets both the method and the topic right.
More questions like this
The original DOE question

The passage “Cross-Purposes” as printed (pages 72–73)


Question 29 of 33
2018 Test B English, question 31Passage Excerpt from “Niagara Falls”
Excerpt from “Niagara Falls”
by Rupert Brooke
The real secret of the beauty and terror of the Falls is not their height or width, but the feeling of colossal power and of unintelligible disaster caused by the plunge of that vast body of water. If that were taken away, there would be little visible change, but the heart would be gone.
The American Falls do not inspire this feeling in the same way as the Canadian. It is because they are less in volume, and because the water does not fall so much into one place. By comparison their beauty is almost delicate and fragile. They are extraordinarily level, one long curtain of lacework and woven foam. Seen from opposite, when the sun is on them, they are blindingly white, and the clouds of spray show dark against them. With both Falls the colour of the water is the ever-altering wonder. Greens and blues, purples and whites, melt into one another, fade, and come again, and change with the changing sun. Sometimes they are as richly diaphanous as a precious stone, and glow from within with a deep, inexplicable light. Sometimes the white intricacies of dropping foam become opaque and creamy. And always there are the rainbows. If you come suddenly upon the Falls from above, a great double rainbow, very vivid, spanning the extent of spray from top to bottom, is the first thing you see. If you wander along the cliff opposite, a bow springs into being in the American Falls, accompanies you courteously on your walk, dwindles and dies as the mist ends, and awakens again as you reach the Canadian tumult. And the bold traveller who attempts the trip under the American Falls sees, when he dare open his eyes to anything, tiny baby rainbows, some four or five yards in span, leaping from rock to rock among the foam, and gambolling beside him, barely out of hand’s reach, as he goes. One I saw in that place was a complete circle, such as I have never seen before, and so near that I could put my foot on it. It is a terrifying journey, beneath and behind the Falls. The senses are battered and bewildered by the thunder of the water and the assault of wind and spray; or rather, the sound is not of falling water, but merely of falling; a noise of unspecified ruin. So, if you are close behind the endless clamour, the sight cannot recognise liquid in the masses that hurl past. You are dimly and pitifully aware that sheets of light and darkness are falling in great curves in front of you. Dull omnipresent foam washes the face. Farther away, in the roar and hissing, clouds of spray seem literally to slide down some invisible plane of air.
Beyond the foot of the Falls the river is like a slipping floor of marble, green with veins of dirty white, made by the scum that was foam. It slides very quietly and slowly down for a mile or two, sullenly exhausted. Then it turns to a dull sage green, and hurries more swiftly, smooth and ominous. As the walls of the ravine close in, trouble stirs, and the waters boil and eddy. These are the lower rapids, a sight more terrifying than the Falls, because less intelligible. Close in its bands of rock the river surges tumultuously forward, writhing and leaping as if inspired by a demon. It is pressed by the straits into a visibly convex form. Great planes of water slide past. Sometimes it is thrown up into a pinnacle of foam higher than a house, or leaps with incredible speed from the crest of one vast wave to another, along the shining curve between, like the spring of a wild beast. Its motion continually suggests muscular action. The power manifest in these rapids moves one with a different sense of awe and terror from that of the Falls. Here the inhuman life and strength are spontaneous, active, almost resolute. . . . A place of fear.
One is drawn back, strangely, to a contemplation of the Falls, at every hour, and especially by night, when the cloud of spray becomes an immense visible ghost, straining and wavering high above the river, white and pathetic and translucent. The Victorian lies very close below the surface in every man. There one can sit and let great cloudy thoughts of destiny and the passage of empires drift through the mind; for such dreams are at home by Niagara. I could not get out of my mind the thought of a friend, who said that the rainbows over the Falls were like the arts and beauty and goodness, with regard to the stream of life—caused by it, thrown upon its spray, but unable to stay or direct or affect it, and ceasing when it ceased. In all comparisons that rise in the heart, the river, with its multitudinous waves and its single current, likens itself to a life, whether of an individual or of a community. A man’s life is of many flashing moments, and yet one stream; a nation’s flows through all its citizens, and yet is more than they. In such places, one is aware, with an almost insupportable and yet comforting certitude, that both men and nations are hurried onwards to their ruin or ending as inevitably as this dark flood. Some go down to it unreluctant, and meet it, like the river, not without nobility. And as incessant, as inevitable, and as unavailing as the spray that hangs over the Falls, is the white cloud of human crying. . . . With some such thoughts does the platitudinous heart win from the confusion and thunder of a Niagara peace that the quietest plains or most stable hills can never give.
From LETTERS FROM AMERICA by Rupert Brooke—Public Domain
diaphanous: sheer, translucent
platitudinous: clichéd, common
Question
With which statement would the author of this excerpt most likely agree?
- AA sense of ease and assurance comes with accepting one’s fate.
- BNo matter where one’s path goes in life, one will always have regrets.
- CThe best way to overcome fear is to recognize it and then defy it.
- DReason will die out with humanity, but art will remain immortal.
Show the answer
Correct answer: A
The question asks for the statement the author would agree with most. In paragraph 4, the author states that the Falls make a person feel “with an almost insupportable and yet comforting certitude, that both men and nations are hurried onwards to their ruin or ending.” Later, the final sentence says, “With some such thoughts does the platitudinous heart win from the confusion and thunder of a Niagara peace.” This sentence supports the author’s belief that a person can find peace in accepting the certainty of his or her own ending, as expressed in Option A.
Option B is incorrect because the author does not discuss regrets in the excerpt.
Option C is incorrect because, while the excerpt discusses fear when looking at the power of the Falls, the excerpt does not support the idea that one should defy fear.
Option D is incorrect because the excerpt states in paragraph 4 that art and beauty are “caused by” the stream of life and end with it, “ceasing when it ceased.”
Question analysis
This question asks students to infer which statement about life the author of “Niagara Falls” would most likely agree with, based on the reflections that close his essay. It is hard because the evidence sits in long, abstract sentences of century-old prose and must be pieced together from more than one place in the final paragraph.
- Grade level
- Grade 9 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 point-of-view questions usually rest on a clearly stated opinion. Here the author’s view must be pieced together from abstract reflection on lives, nations and the river, with words like “insupportable” and “platitudinous,” which is closer to high school reading.
- Estimated difficulty
- Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Reading between the lines major
- Complex sentences major
- The right answer is reworded moderate
- Hard words moderate
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 9, 987 words; question and choices: about grade 6, 61 words.
- Corrected from the DOE handbook
- A misreading of a word in the passage was corrected in the explanation.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
This question asks for the author’s outlook, which he reaches only in the closing sentences of a long, abstract paragraph. The mood there is gloomy, with ruin, a dark flood and human crying, so students who read the mood but not the argument choose regret. The comfort and peace he finds in that certainty are easy to miss in the inverted final sentence, and they are exactly what the answer rests on.
Reading between the lines major Working it out
The author never states a belief; students must combine “comforting certitude,” people who meet their end “unreluctant” and “not without nobility,” and the closing “peace” into an attitude of accepting fate. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Complex sentences major Understanding the question
The last sentence inverts normal order, “With some such thoughts does the platitudinous heart win from the confusion and thunder of a Niagara peace,” so its subject and object are hard to find. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
The right answer is reworded moderate Choosing the answer
The right statement uses none of the passage’s words, turning “certitude” into “assurance” and “peace” into “ease,” while wrong choices pick up “fear” and “art.” (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
Hard words moderate Understanding the question
“Certitude,” “unreluctant,” “unavailing” and “platitudinous” carry the author’s attitude, and the glossary defines only the last of them. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Reread the second half of paragraph 4 slowly, translating each long sentence into plain words, then choose the statement those lines support without adding ideas the author never mentions.
Traps
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
The wrong answers, classified
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Reads “the white cloud of human crying” and the dark flood as a claim about lifelong regret, though the author never mentions regret and finds comfort in the end.
C Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Falls back on familiar advice about facing fears, prompted by the excerpt’s talk of terror, but the author recommends accepting what is inevitable, not defying it.
D Twists what the text says (King et al., 2004)
Reverses the friend’s rainbow comparison: art and beauty are “caused by” the stream of life and end with it, “ceasing when it ceased,” so art is not immortal.
What was corrected from the DOE handbook, and why
- Explanation: The handbook rejects Option D because paragraph 4 says art is “unable to stay.” In the passage, art and beauty are “unable to stay or direct or affect” the stream of life: “stay” means to stop or hold back the stream, not to last. What shows that art is not immortal is that it is “caused by” the stream of life and ends with it, “ceasing when it ceased,” which the site now quotes.
Working it out, step by step
Figure out what the question asks
This asks which statement the author would most likely agree with. He never states his belief outright, so you must infer it from his words, especially at the end of paragraph 4.
Find what he says about endings
In paragraph 4, he says that at Niagara one feels “with an almost insupportable and yet comforting certitude” that people and nations reach an end. He adds: “Some go down to it unreluctant, and meet it, like the river, not without nobility.” His last sentence says the heart can “win from the confusion and thunder of a Niagara peace.”
Put his words in plain English
“Certitude” means being sure. “Insupportable” means too hard to bear. So knowing that everything ends is hard, yet it is also comforting. “Unreluctant” means willing. Some people meet their end willingly, with dignity. And the Falls give the heart peace. Put together: accepting what must happen brings calm.
Check each choice
- A is right. He finds comfort and peace in accepting fate. That is “ease and assurance.”
- B is wrong. He never mentions regrets.
- C is wrong. He talks about accepting what must happen, not about fighting fear.
- D is wrong. Art and beauty are “caused by” life and end with it, “ceasing when it ceased.” So art does not last forever.
Watch out: “The white cloud of human crying” sounds sad, so B may tempt you. But sadness is not regret, and the author ends on peace.
Choose the answer
The author finds calm and comfort in accepting what must come. So the answer is A.
Why this answer and not the closest wrong one
B is the closest wrong answer, because paragraph 4 mentions human crying and ruin. But the author never talks about regret. He calls the certainty of an ending “comforting,” and the essay closes on the word “peace.” Feeling calm by accepting fate is what A says.
More questions like this
The original DOE question

The passage “Excerpt from “Niagara Falls”” as printed (pages 134–135)


Question 30 of 33
2018 Test B English, question 39Passage Snowy Mountains
Snowy Mountains
by John Gould Fletcher
Higher and still more high,
Palaces made for cloud,
Above the dingy city-roofs
Blue-white like angels with broad wings,
Pillars of the sky at rest
The mountains from the great plateau
Uprise.
But the world heeds them not;
They have been here now for too long a time.
The world makes war on them,
Tunnels their granite cliffs,
Splits down their shining sides,
Plasters their cliffs with soap-advertisements,
Destroys the lonely fragments of their peace.
Vaster and still more vast,
Peak after peak, pile after pile,
Wilderness still untamed,
To which the future is as was the past,
Barrier spread by Gods,
Sunning their shining foreheads,
Barrier broken down by those who do not need
The joy of time-resisting storm-worn stone,
The mountains swing along
The south horizon of the sky;
Welcoming with wide floors of blue-green ice
The mists that dance and drive before the sun.
“Snowy Mountains” by John Gould Fletcher—Public Domain
Question
Read line 1 and line 15 from the poem.
Higher and still more high,
Vaster and still more vast,
The parallel structure of the two lines
- Aemphasizes how the sense of wonder the speaker has at the beginning of the poem changes to a fear of the mountains.
- Breinforces the sense of awe the speaker experiences when considering the magnificence of the expansive mountains.
- Creveals that the mountains are continually expanding both in height and land mass.
- Dstresses a contrast between the height of the mountains and the area of land the mountains cover.
Show the answer
Correct answer: B
The question asks how the parallel structure of lines 1 and 15 affects the poem. Lines 1 and 15 communicate the feeling that the mountains are even higher and vaster than can be comprehended upon first view. This observation reflects the awe that the speaker feels, which is reinforced by the parallel structure of the lines, as stated in Option B.
Option A is incorrect because the speaker never hints at fear when describing the mountains.
Option C is incorrect because it reflects a literal interpretation of the figurative language in the two parallel lines: the mountains do not actually grow larger but are simply larger than can be understood at first.
Option D is incorrect because the parallel structure of lines 1 and 15 is not meant to stress any sort of contrast between height and area but to reinforce the speaker’s feeling by complementing each other.
Question analysis
Students analyze the effect of parallel structure in the poem “Snowy Mountains,” where line 1, “Higher and still more high,” and line 15, “Vaster and still more vast,” echo each other. The question asks what that repeated pattern adds to the poem, so noticing the echo is only the first step.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- At grade 7 Analyzing how a poetic device such as parallelism shapes meaning is solid grade 7 work. The lines are short and quoted, but students must move from a structural pattern to what it contributes to the poem.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- How, not what moderate
- Figurative or literary language minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: 161 words (a poem; reading level not measured); question and choices: about grade 6, 92 words.
- Corrected from the DOE handbook
- A grammar slip in the explanation was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Seeing the parallel lines is easy because the stem quotes them; deciding what the echo achieves is the real task. The strongest wrong answer rests on a true difference between height and breadth, and another takes the comparative phrases literally. Students who ask how the speaker feels in both stanzas, rather than what each line measures, arrive at awe.
How, not what moderate Working it out
The stem asks what the shared pattern of lines 1 and 15 does, so students must move from noticing “still more” twice to naming the feeling the echo strengthens. (Anderson & Krathwohl, 2001)
Figurative or literary language minor Understanding the question
“Still more high” and “still more vast” express how the mountains seem to an awed viewer, not a measurement, and a literal reading makes them sound like mountains that keep growing. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Say what each line describes and what it suggests, then ask what using the same pattern twice adds, and check every part of each choice against the poem.
Traps
- Taking figurative language literally: A choice reads a figure of speech or image at face value.
- Half right: One half of a two-part choice is right and the other is not.
The wrong answers, classified
A Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Senses that the mood shifts after the first stanza, but the shift is to criticism of people in stanza 2, and the echo in line 15 returns to admiration, not fear.
C Taking figurative language literally (Graesser, Singer & Trabasso, 1994)
Reads “still more high” and “still more vast” as physical growth, when the comparatives express how the mountains’ size keeps impressing the speaker.
D Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Correctly notes that line 1 is about height and line 15 about breadth, but the parallel wording joins the two dimensions in one feeling rather than setting them against each other.
What was corrected from the DOE handbook, and why
- Explanation: The handbook writes “how the parallel structure of lines 1 and 15 affect the poem.” The subject “structure” takes “affects,” as the site now reads.
Working it out, step by step
Figure out what the question asks
This asks about parallel structure. That means using the same pattern of words twice. Here, line 1 says “Higher and still more high,” and line 15 says “Vaster and still more vast.” You need to say what repeating this pattern does.
Look at where the lines sit
Line 1 opens the first stanza. Line 15 opens the third stanza. In between, stanza 2 shows people harming the mountains. Line 1 is about height. Line 15 is about vastness, which means huge size that spreads far. “Still more” means even more. Each line seems to say the mountains are bigger than you can take in.
Name the feeling the pattern shows
Both lines sound like a person staring up in amazement. That feeling is awe: wonder mixed with deep respect. Repeating the pattern brings the feeling back after the angry second stanza. So the echo reinforces, or makes stronger, the speaker’s awe. It is not a measurement. The mountains are not really growing.
Check each choice
- A is wrong. The speaker never shows fear. Line 15 brings back the same wonder as line 1.
- B fits. The repeated pattern stresses the speaker’s awe at the huge mountains.
- C is wrong. It reads the lines literally, as if the mountains keep growing. The words express a feeling, not a fact.
- D is wrong. Height and spread are different. But the matching pattern joins them in one feeling. It does not set them against each other.
Choose the answer
The same pattern, used twice, repeats the speaker’s sense of wonder. So the answer is B, “reinforces the sense of awe the speaker experiences when considering the magnificence of the expansive mountains.”
Why this answer and not the closest wrong one
D is tempting because it is half true: one line is about height and one is about spread. But parallel structure makes two things sound alike, not opposite. Matching words link ideas. That is why B, which names one shared feeling, fits better than a contrast.
More questions like this
The original DOE question

The passage “Snowy Mountains” as printed (page 142)

Question 31 of 33
2018 Test B English, question 42Uses the passage above: “Snowy Mountains”.
Question
How does the poet develop the speaker’s point of view in the second stanza (lines 8–14)?
- Aby describing images of the mountains’ awe-inspiring size and strength
- Bby illustrating the differences among the various ways humans can impact the natural environment
- Cby criticizing society for taking careless, destructive courses of action against nature
- Dby demonstrating how the mountains and the people are able to benefit from each other
Show the answer
Correct answer: C
The question asks how the poet develops the speaker’s point of view in the second stanza. In the second stanza, the speaker criticizes the destructive actions of “the world” (lines 8 and 10) against the mountains—actions such as tunneling “their granite cliffs” (line 11) and destroying “the lonely fragments of their peace” (line 14)—as described in Option C.
Option A is incorrect because the speaker’s descriptions of the mountains’ grandeur mainly occur in the first and third stanzas, while in the second stanza, the speaker focuses on humanity and its negative effect on the mountains.
Option B is incorrect because the wording of the second stanza—“makes war” (line 10), “Splits down their shining sides” (line 12), and “Destroys the lonely fragments” (line 14)—communicates the speaker’s position that people’s main impact on the mountains is destructive; the wording does not illustrate different ways people impact the natural environment.
Option D is incorrect because no benefit to the mountains is described by the speaker in the second stanza.
Question analysis
Students explain how the poet develops the speaker’s point of view in the second stanza of the poem “Snowy Mountains,” the seven lines about what “the world” does to the mountains. The main challenge is staying focused on these lines and their word choice while the four choices range across the poem’s ideas.
- Grade level
- Grade 6 reading and task
- Compared with grade 7
- Below grade 7 Easier than typical grade 7 work: the stanza is short and its attitude comes through plainly in its verbs, so the task resembles grade 6 questions that ask how a point of view is developed.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- How, not what moderate
- Figurative or literary language minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: 161 words (a poem; reading level not measured); question and choices: about grade 10, 66 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The speaker’s disapproval is loud in lines 8–14, so most students identify the criticism quickly. The wrong choices work by describing the poem rather than this stanza, or by describing the stanza’s list neutrally and missing its anger. The question rewards staying inside the seven lines and reading the attitude in their verbs.
How, not what moderate Working it out
The stem asks how the point of view is built, and the answer is in the verbs: the world “makes war,” “Tunnels,” “Splits,” “Plasters” and “Destroys,” each casting people as attackers. (Anderson & Krathwohl, 2001)
Figurative or literary language minor Understanding the question
The stanza personifies the mountains as victims, with “the lonely fragments of their peace,” so the speaker’s criticism of people comes through sympathy for the mountains. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Underline the verbs in lines 8–14 and ask what attitude toward people they show, then match both that attitude and the way it is expressed to a choice.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
The wrong answers, classified
A Wrong part of the text (Kirsch & Mosenthal, 1990)
Describes the first and third stanzas, which admire the mountains’ height and vastness; stanza 2 mentions “granite cliffs” and “shining sides” only as things people damage.
B Twists what the text says (King et al., 2004)
Sees the list of actions, tunneling, splitting, plastering, but these are all attacks in one “war,” not different kinds of impact laid side by side for comparison.
D Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Reads the tunnels and advertisements as people making use of the mountains, a kind of benefit, and misses the hostility of “makes war on them.”
Working it out, step by step
Figure out what the question asks
This asks how the poet shows the speaker’s point of view in lines 8 to 14, the second stanza. Point of view here means the speaker’s attitude, or feelings and opinion. Stay inside these seven lines.
Find the action words
Line 8 says, “But the world heeds them not.” “Heeds” means pays attention to. Then come the verbs, the action words. The world “makes war on them,” “Tunnels their granite cliffs,” “Splits down their shining sides,” and “Plasters their cliffs with soap-advertisements.” Line 14 ends, “Destroys the lonely fragments of their peace.”
Name the speaker’s attitude
Every verb shows people attacking the mountains. “War” is a strong, angry word. The mountains even seem to have feelings. They are lonely, and their peace is broken. So the speaker is criticizing people, or pointing out what they do wrong. People hurt the mountains without caring. That is careless and destructive.
Check each choice
- A is wrong. Awe at the mountains’ size is in stanzas 1 and 3, not stanza 2.
- B is wrong. The stanza lists several harms, but they are all part of one “war.” It does not compare different kinds of impact.
- C fits. The speaker blames people for destroying the mountains.
- D is wrong. No one benefits here. People attack, and the mountains lose their peace.
Choose the answer
The second stanza blames people for attacking the mountains. So the answer is C, “by criticizing society for taking careless, destructive courses of action against nature.”
Why this answer and not the closest wrong one
B is the closest trap, because the stanza does list several actions. But a list of differences would treat them calmly, side by side. These lines are angry. Words like “war” and “Destroys” show blame, which is exactly what C says.
More questions like this
The original DOE question

Question 32 of 33
2018 Test B English, question 46Uses the passage above: “Snowy Mountains”.
Question
Read lines 21–22 from the poem.
Barrier broken down by those who do not need
The joy of time-resisting storm-worn stone,
How do the lines help convey the speaker’s point of view?
- AThey suggest that the speaker wants to remove the obstacles that prevent others from experiencing the wonders of nature.
- BThey reveal the speaker’s opinion that some people are too busy to appreciate natural beauty.
- CThey suggest the speaker’s dismay that people destroy the natural landscape without understanding the ramifications of their actions.
- DThey explain that the speaker is confident that nature will never be fully destroyed by people.
Show the answer
Correct answer: C
The question asks how the lines help convey the speaker’s point of view. The words “those who do not need / The joy” in lines 21–22 suggest the speaker’s sadness that people do not realize that they are destroying something wonderful and irreplaceable, as expressed in Option C.
Option A is incorrect because the word “barrier” (line 21) refers to the speaker’s opinion that the mountains were “spread by Gods” (line 19) and not to an obstacle that the speaker thinks should be removed.
Option B is incorrect because, while the lines indicate that people have lost the need to connect with nature, they do not reveal that the speaker thinks that the cause of this loss is busyness.
Option D is incorrect because, although the speaker does say that the stone is “time-resisting” (line 22), this belief is only a small detail of the speaker’s point of view.
Question analysis
Students explain how lines 21–22 of the poem “Snowy Mountains” convey the speaker’s point of view about people who break down the mountains’ barrier. The lines are hard to parse because a phrase runs across the line break and “need” is used in an unusual way, so students must first work out what the sentence says before judging the speaker’s feeling.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Reading a speaker’s attitude is grade 7 work, but this sentence runs across a line break with unusual phrasing, and the choices require fine distinctions between feelings and reasons, which pushes it above typical grade 7 demand.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Complex sentences major
- Reading between the lines moderate
- Hard words minor
- Evidence
- Answered from one sentence or line
- Reading level
- Passage: 161 words (a poem; reading level not measured); question and choices: about grade 9, 99 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Two lines of compressed, inverted verse must be untangled before any choice can be judged, and the meaning of “need” in them is unusual. Once the lines are paraphrased as people who do not value the old stone breaking it down, the speaker’s sorrow is clear, but two wrong choices offer neighboring readings. One supplies a reason the poem never gives, and the other carries the stanza’s idea of endurance into a certainty the lines contradict.
Complex sentences major Understanding the question
The sentence breaks mid-phrase, “those who do not need / The joy of time-resisting storm-worn stone,” and has no main verb of its own, so students must first work out who breaks what. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
Reading between the lines moderate Working it out
Neither dismay nor ignorance is stated; both have to be inferred from describing people as not needing “the joy” of what they break down. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Hard words minor Understanding the question
“Barrier” here means the mountain range as a wall, not an obstacle, and the key uses “ramifications,” a word many students will not know. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Rephrase the two lines in plain words, starting with who breaks the barrier and what they do not need, then decide which feeling of the speaker that wording reveals.
Traps
- Dictionary meaning, not meaning here: A common meaning of the word that does not fit its use in this text.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
The wrong answers, classified
A Dictionary meaning, not meaning here (Perfetti, 2007)
Takes “Barrier” in its everyday sense of an obstacle to clear away, but here it is the mountain range itself, “spread by Gods,” which the speaker values.
B Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Supplies a familiar modern explanation, that people are too busy for nature, though the lines say only that some people do not need this joy, not why.
D Too broad or too strong (King et al., 2004)
Stretches “time-resisting” into certainty that nature can never be destroyed, though the same sentence shows the barrier being broken down by people.
Working it out, step by step
Figure out what the question asks
This asks what lines 21 and 22 show about the speaker’s point of view, or feelings and opinion. The lines are tangled, so first you need to put them in plain words.
Read the lines in their place
The two lines are “Barrier broken down by those who do not need / The joy of time-resisting storm-worn stone,” in the third stanza. Two lines earlier, line 19 calls the mountains a “Barrier spread by Gods,” or a wall made by the gods. So the barrier is the mountain range itself. It is not an obstacle in someone’s way.
Put the lines in plain words
Here is the meaning. The mountains are being broken down by people who feel no need for the joy that old, strong stone gives. These people do not value what they are destroying. The speaker is sad and upset about this. That feeling is dismay. Ramifications are the results that follow from an action. People break the mountains without seeing what they lose.
Check each choice
- A is wrong. The “barrier” is the mountains, which the speaker loves. The speaker does not want them removed.
- B is wrong. The lines never say why people don’t value the stone. Being too busy is a reason brought in from outside.
- C fits. The speaker is dismayed that people destroy the mountains without seeing their worth.
- D is wrong. The same lines show the barrier being “broken down.” They show worry about harm, not confidence that nature is safe.
Choose the answer
The lines show sorrow at people breaking down something they do not value. So the answer is C, “They suggest the speaker’s dismay that people destroy the natural landscape without understanding the ramifications of their actions.”
Why this answer and not the closest wrong one
B is the closest trap. It also says people fail to value nature. But it adds a reason, being busy, that the poem never gives. The lines only say these people “do not need” the joy. C stays with what the lines show: harm done by people who don’t see its cost.
More questions like this
The original DOE question

Question 33 of 33
2018 Test B English, question 57Passage Invention of the Telegraph
Samuel Morse, an American inventor, is credited with creating the electronic telegraph, a communication device that allows users to send messages using a system of short and long pulses that represent letters, numbers, and punctuation. In 1843 the United States Congress passed the Telegraph Bill, which provided Morse with the funds to build an electric telegraph system.
Invention of the Telegraph
Earlier Signal Systems
Long before Samuel F. B. Morse electrically transmitted his famous message “What hath God wrought?” from Washington to Baltimore on May 24, 1844, there were signaling systems that enabled people to communicate over distances. Most were visual or “semaphore” systems using flags or lights. In the eighteenth century, such systems used an observer who would decipher a signal from a high tower on a distant hill and then send it on to the next station. The young American republic wanted just such a system along its entire Atlantic coast and offered a prize of $30,000 for a workable proposal. The framers of this legislation had no way of knowing that when they used the word “telegraph” to refer to this visual semaphore system, they would be offered an entirely new and revolutionary means of communication—electricity.
The Growth of an Idea
The idea of using electricity to communicate over distance is said to have occurred to Morse during a conversation aboard ship when he was returning from Europe in 1832. Michael Faraday’s recently invented electromagnet was much discussed by the ship’s passengers, and when Morse came to understand how it worked, he speculated that it might be possible to send a coded message over a wire. While a student at Yale College years before, he had written his parents a letter about how interesting he found the lectures on electricity. Despite what he had learned at Yale, Morse found when he began to develop his idea that he had little real understanding of the nature of electricity, and after sporadic attempts to work with batteries, magnets, and wires, he finally turned for help to a colleague at the University of the City of New York, Leonard D. Gale.
Gale was a professor of chemistry and familiar with the electrical work of Princeton’s Joseph Henry, a true pioneer in the new field. Well before Morse had his shipboard idea about a telegraph, Henry rang a bell at a distance by opening and closing an electric circuit. In 1831, he had published an article, of which Morse was unaware, that contained details suggesting the idea of an electric telegraph. Gale’s help and his knowledge of this article proved crucial to Morse’s telegraph system because Gale not only pointed out flaws in the system but showed Morse how he could regularly boost the strength of a signal and overcome the distance problems he had encountered by using a relay system Henry had invented. Henry’s experiments, Gale’s assistance, and, soon after, hiring the young technician Alfred Vail were keys to Morse’s success.
Obstacles and Opportunities
By December 1837, Morse had enough confidence in his new system to apply for the federal government’s appropriation, and during the next year he conducted demonstrations of his telegraph both in New York and Washington.
However, when the economic disaster known as the Panic of 1837 took hold of the nation and caused a long depression, Morse was forced to wait for better times. It was during this period that Morse visited Europe again and tried not only to secure patent protection overseas but to examine competing telegraph systems in England. . . .
By 1843, the country was beginning to recover economically, and Morse again asked Congress for the $30,000 that would allow him to build a telegraph line from Washington to Baltimore, forty miles away. The House of Representatives eventually passed the bill containing the Morse appropriation, and the Senate approved it in the final hours of that Congress’s last session. With President Tyler’s signature, Morse received the cash he needed and began to carry out plans for an underground telegraph line.
Realizing a Great Invention
Morse had hired the ingenious construction engineer Ezra Cornell to lay the pipe carrying the wire, and although Cornell did his job superbly, one of Morse’s partners, Congressman F. O. J. Smith, had purchased wire with defective insulation. Too much time had been wasted laying bad wire, and with the project on a rigid deadline, something had to be done quickly. Cornell suggested that the fastest and cheapest way of connecting Washington and Baltimore was to string wires overhead on trees and poles. The desperate Morse gave the go-ahead, and the line was completed in time for the dramatic and spectacularly successful link between the Supreme Court chamber of the Capitol building and the railroad station in Baltimore.
Soon, as overhead wires connected cities up and down the Atlantic coast, the dots-and-dashes method that recorded messages on a long moving strip of paper was replaced by the operator’s ability to interpret the code in real time. . . . Telegraph lines soon extended westward, and within Morse’s own lifetime they connected the continents of Europe and America.
“Invention of the Telegraph”—Public Domain/Library of Congress
legislation: Telegraph Bill
dots-and-dashes method: the short and long pulses of Morse code that are sent and received by telegraph operators

The first transatlantic electric telegraph message was sent in 1858, and by 1902 the British All-Red Line connected most of the world.

Source: U.S. Bureau of the Census. Historical Statistics of the United States, Colonial Times to 1970, Bicentennial Edition, Part 2. Washington, D.C., 1975.
Question
With which statement would the author most likely agree?
- AMorse’s telegraph was successful because the wires were strung aboveground rather than underground as originally planned.
- BUnderstanding the importance of Morse’s telegraph requires detailed knowledge of electrical systems.
- CThe implementation of Morse’s telegraph system was overly influenced by economic factors.
- DMorse’s invention of the telegraph made a great stride toward better connecting people across the United States and across the world.
Show the answer
Correct answer: D
The question asks which statement best represents a viewpoint held by the author of the passage. Paragraph 8 states that “Telegraph lines soon extended westward, and within Morse’s own lifetime they connected the continents of Europe and America.”
Therefore, Option D is correct because the author presents Morse’s telegraph as a great leap in the ability to quickly communicate messages over distances never before imagined.
Option A is incorrect because the author explains that the aboveground wiring was used only because “Cornell suggested that [it was] the fastest and cheapest way” (paragraph 7), not because it would be more successful.
Option B is incorrect because the author conveys the importance of this advancement in communication without providing detailed information about electrical systems.
Option C is incorrect because, while the Panic of 1837 caused a delay in Morse’s funding, the author shows that Morse received the appropriation in 1843 and was able to overcome the financial setback he faced.
Question analysis
This question asks which statement the author of “Invention of the Telegraph” would most likely agree with, based on the passage’s account of Samuel Morse’s work. Students must infer the author’s view from the passage as a whole, and every choice takes up a real topic from the story, so each must be checked for how strongly it is supported.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Inferring an author’s position from an informational text is typical grade 7 work. The author’s attitude is fairly clear in the passage’s word choice, so this matches a routine state-test question in demand.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Reading between the lines moderate
- Evidence in several places minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 11, 910 words; question and choices: about grade 12, 70 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The passage’s admiration for Morse’s achievement is steady from the first paragraph to the map, so most students recognize the author’s view. The wrong choices each take a real episode, the overhead wires, Morse’s struggle with electricity, the depression, and turn it into a judgment the author never makes. Watching for evaluative words such as “overly” and “because” separates them.
Reading between the lines moderate Working it out
The author never states an opinion outright; it shows in word choice such as “revolutionary,” “ingenious,” “spectacularly successful” and the heading “Realizing a Great Invention.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Evidence in several places minor Working it out
Support for the key is spread from paragraph 1’s “revolutionary means of communication” to paragraph 8’s lines that “connected the continents” and the map caption’s line that “connected most of the world.” (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Strategy: Look for the author’s own judgments, the words that show approval or criticism, then choose the statement those words support most directly.
Traps
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
The wrong answers, classified
A Reads too much in (Graesser, Singer & Trabasso, 1994)
Turns a deadline fix into the reason for success: Cornell proposed overhead wires as “the fastest and cheapest way” after bad wire wasted time, not as a better design.
B Twists what the text says (King et al., 2004)
Shifts Morse’s own need to understand electricity onto the reader, though the author conveys the invention’s importance with almost no technical detail about how it works.
C Too broad or too strong (King et al., 2004)
Economic factors did matter, the Panic of 1837 delayed funding and cost drove the overhead wires, but “overly” adds a criticism the author never makes.
Working it out, step by step
Figure out what the question asks
This asks which statement the author would most likely agree with. The author never states an opinion directly. So look for word choice that shows approval or criticism. Then pick the statement those words support.
Find the author’s judging words
Start with paragraph 1. There the author calls electricity “an entirely new and revolutionary means of communication,” which is strong praise. The last section has the heading “Realizing a Great Invention,” more praise. In paragraph 8, the lines spread until “they connected the continents of Europe and America” in Morse’s lifetime. The map caption adds that by 1902 the line “connected most of the world” as well.
Put the author’s view in plain words
“Revolutionary” means bringing a huge change. “Great Invention” is plain praise. The author also shows the lines spreading from city to city, then across oceans. So the author admires the telegraph as a big step forward in linking people. That is what “a great stride” means: a big step forward.
Check each choice
- A is wrong. Overhead wires were used because they were “the fastest and cheapest way” after bad wire wasted time. That doesn’t make them the reason for success.
- B is wrong. The author shows the telegraph’s importance with almost no technical detail.
- C is wrong. Money problems did delay Morse. But “overly” means too much, and the author never makes that complaint.
- D fits. The author praises how the telegraph connected the country and the world.
Choose the answer
The author’s words praise the telegraph for linking people far apart. So the answer is D, “Morse’s invention of the telegraph made a great stride toward better connecting people across the United States and across the world.”
Why this answer and not the closest wrong one
C is the closest trap, because money troubles really did matter. The Panic of 1837 delayed the funding. But the word “overly” turns a fact into a complaint, and the author never complains. D matches the praise the author gives from the first paragraph to the map.
More questions like this
The original DOE question

The passage “Invention of the Telegraph” as printed (pages 146–148)


