Also in 2025 Practice Test A English, question 4.
Passage Snowy Mountains
Snowy Mountains
by John Gould Fletcher
Higher and still more high,
Palaces made for cloud,
Above the dingy city-roofs
Blue-white like angels with broad wings,
Pillars of the sky at rest
The mountains from the great plateau
Uprise.
But the world heeds them not;
They have been here now for too long a time.
The world makes war on them,
Tunnels their granite cliffs,
Splits down their shining sides,
Plasters their cliffs with soap-advertisements,
Destroys the lonely fragments of their peace.
Vaster and still more vast,
Peak after peak, pile after pile,
Wilderness still untamed,
To which the future is as was the past,
Barrier spread by Gods,
Sunning their shining foreheads,
Barrier broken down by those who do not need
The joy of time-resisting storm-worn stone,
The mountains swing along
The south horizon of the sky;
Welcoming with wide floors of blue-green ice
The mists that dance and drive before the sun.
“Snowy Mountains” by John Gould Fletcher—Public Domain
Question
In which two ways does the poet develop the speaker’s point of view in the second stanza (lines 8–14)?
Select the two correct answers.
Choose every answer that is correct, then check. The DOE has not published how answers with several parts are scored; this site counts one right only when every part is right.
- Aby describing the mountains’ awe-inspiring size and strength
- Bby comparing the various methods humans use to control nature
- Cby criticizing the careless actions of humans that harm the natural environment
- Dby demonstrating how the mountains and the people are able to benefit from each other
- Eby depicting the unfortunate plight of the mountains with vivid details
Show the answer
Correct answer: C and E
The question asks for the two ways in which the poet develops the speaker’s point of view in the second stanza (lines 8–14).
A. Incorrect. The speaker’s descriptions of the mountains’ awe-inspiring size and strength mainly occur in the first and third stanzas, while in the second stanza, the speaker focuses on humanity and its negative effect on the mountains.
B. Incorrect. The wording of the second stanza—“makes war” (line 10), “Splits down their shining sides” (line 12), and “Destroys the lonely fragments” (line 14)—communicates the speaker’s position that people’s main impact on the mountains is destructive, but the stanza does not compare the various methods people use to control nature.
C. CORRECT. In the second stanza, the speaker criticizes the careless and destructive actions of society or “the world” (lines 8 and 10) that harm the natural environment. Humans are described as both heedless of the mountains (“heeds them not”) and harmfully warlike (“makes war on them”). The speaker cites the harm done to the mountains when people “[tunnel] their granite cliffs” (line 11) and “[split] down their shining sides” (line 12), thus “[destroying] the lonely fragments of their peace” (line 14).
D. Incorrect. In the second stanza, the speaker does not describe a mutually beneficial relationship between the mountains and the people. Although people clearly derive benefits from the mountains by plastering “their cliffs with soap-advertisements” (line 13), the stanza does not demonstrate that the mountains receive any benefit from the harmful actions of the people.
E. CORRECT. In the second stanza, the speaker depicts the unfortunate plight of the mountains with vivid details. Lines 11–14 feature expressive wording that sharply illustrates the mountains’ misfortune: “Tunnels their granite cliffs, / Splits down their shining sides, / Plasters their cliffs with soap-advertisements.”
Question analysis
This select-two question on John Gould Fletcher’s poem “Snowy Mountains” asks in which two ways the poet develops the speaker’s point of view in the second stanza, lines 8–14. It reworks a one-answer handbook question, now with five choices. Each choice has to be judged on its own, and a choice that fits the poem as a whole is not enough.
- Grade level
- Grade 6 reading and task
- Compared with grade 7
- At grade 7 Typical grade 7 point-of-view questions ask for one answer about a longer text. This stanza is only seven short lines with one steady attitude, but students must find two right choices out of five and judge each one separately.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- How, not what moderate
- Every choice must be checked moderate
- Hard words minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: 161 words (a poem; reading level not measured); question and choices: about grade 8, 79 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Most students sense the anger at “the world” in lines 8–14 and find the criticism of people quickly. The point is lost on the second pick, because the other right choice names a technique, vivid details of the mountains’ suffering, and can look like plain description. The choice about comparing methods tempts students who see a list of human actions, and the awe of the first and third stanzas pulls those who drift outside the stanza, while both picks must be right to score.
How, not what moderate Working it out
The stem asks how the viewpoint is built, and both right choices are methods: a judgment of “the world” that “makes war,” and the vivid verbs “Tunnels,” “Splits” and “Plasters” in lines 11–13. (Anderson & Krathwohl, 2001)
Every choice must be checked moderate Choosing the answer
All five choices must be tested and both picks must be right, so finding the criticism of people is only half the work; the second right choice is about imagery, not message. (Embretson & Wetzel, 1987)
Hard words minor Understanding the question
One right choice turns on “plight,” a hard situation; a student who does not know the word cannot see that it names the damage done to the mountains in lines 11–14. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Restate in your own words what lines 8–14 say and how they say it, then test each of the five choices on its own and keep only the two that fit this stanza rather than the whole poem.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
The wrong answers, classified
A Wrong part of the text (Kirsch & Mosenthal, 1990)
Brings in the awe of the first and third stanzas, “Higher and still more high” and “Vaster and still more vast,” though in lines 8–14 the cliffs appear only as things being damaged.
B Twists what the text says (King et al., 2004)
Sees that lines 11–13 list several human acts, tunneling, splitting and plastering, but the stanza never weighs one against another; all are blows in one war, not methods of control.
D Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Treats the soap advertisements as people getting some use from the cliffs and imagines an exchange, missing the hostility of “The world makes war on them” and “Destroys.”
E Wrong purpose or structure (Anderson & Krathwohl, 2001)
Left out by students who see the vivid verbs as mere description of damage rather than the way the speaker builds sympathy, or who do not know that “plight” means a bad situation.
Working it out, step by step
Figure out what the question asks
This asks about point of view: how the speaker, the voice talking in the poem, feels about the subject. It also asks how the poet shows that feeling. Stay inside the second stanza, lines 8 to 14. You must pick two answers, so test all five choices one at a time.
Read the second stanza closely
Line 8 says “But the world heeds them not.” To heed something is to pay attention to it. Here “the world” means people in general. Line 10 says “The world makes war on them.” Lines 11 to 13 list what people do: “Tunnels their granite cliffs, / Splits down their shining sides, / Plasters their cliffs with soap-advertisements.” Line 14 ends with “Destroys the lonely fragments of their peace.”
Name how the speaker feels
The speaker is on the mountains’ side. People ignore the mountains, yet they keep attacking them. The speaker blames people for this harm. Pointing out what someone does wrong is called criticizing. The speaker also makes you feel sorry for the mountains. Strong action words like “Tunnels,” “Splits” and “Plasters” paint a sharp picture of the damage. Sharp word pictures like these are called vivid details.
Check each of the five choices
- A does not fit. The mountains’ great size fills the first and third stanzas, as in “Higher and still more high.” In lines 8 to 14 they are only being hurt.
- B does not fit. The stanza lists several things people do, but it never compares them. They are all part of one “war.”
- C fits. The speaker criticizes people for careless acts that damage nature.
- D does not fit. The mountains get nothing good from people. The stanza shows only harm.
- E fits. A plight is a bad or sad situation. The vivid verbs in lines 11 to 13 show the mountains’ plight.
Watch out: B is tempting because the stanza names several acts. But a list is not a comparison.
Choose both answers
The speaker’s view comes through two things: blame for people, and a vivid picture of the mountains’ suffering. Select both choices on the screen. You need both to get the point. So the answers are C and E.
Why this answer and not the closest wrong one
E is the right answer that is easiest to miss, because it can look like plain description. But those vivid details are how the speaker makes you feel for the mountains. B is the closest wrong choice. The stanza does list several human acts, yet it never weighs one against another. Each act is just one more blow.
More questions like this
The original DOE question

The passage “Snowy Mountains” as printed (page 142)
