Development of ideas and characters
Question 1 of 30
2026 Practice Test A English, question 17Passage Excerpt from A Voice in the Wilderness
Excerpt from A Voice in the Wilderness
by Grace Livingston Hill
With a lurch the train came to a dead stop and Margaret Earle, hastily gathering up her belongings, hurried down the aisle and got out into the night.
It occurred to her, as she swung her heavy suit-case down the rather long step to the ground, and then carefully swung herself after it, that it was strange that neither conductor, brakeman, nor porter had come to help her off the train, when all three had taken the trouble to tell her that hers was the next station; but she could hear voices up ahead. Perhaps something was the matter with the engine that detained them and they had forgotten her for the moment.
The ground was rough where she stood, and there seemed no sign of a platform. Did they not have platforms in this wild Western land, or was the train so long that her car had stopped before reaching it?
She strained her eyes into the darkness, and tried to make out things from the two or three specks of light that danced about like fireflies in the distance. She could dimly see moving figures away up near the engine, and each one evidently carried a lantern. The train was tremendously long. A sudden feeling of isolation took possession of her. Perhaps she ought not to have got out until some one came to help her. Perhaps the train had not pulled into the station yet and she ought to get back on it and wait. Yet if the train started before she found the conductor she might be carried on somewhere and he justly blame her for a fool.
There did not seem to be any building on that side of the track. It was probably on the other, but she was standing too near the cars to see over. She tried to move back to look, but the ground sloped and she slipped and fell in the cinders, bruising her knee and cutting her wrist.
In sudden panic she arose. She would get back into the train, no matter what the consequences. They had no right to put her out here, away off from the station, at night, in a strange country. If the train started before she could find the conductor she would tell him that he must back it up again and let her off. He certainly could not expect her to get out like this.
She lifted the heavy suit-case up the high step that was even farther from the ground than it had been when she came down, because her fall had loosened some of the earth and caused it to slide away from the track. Then, reaching to the rail of the step, she tried to pull herself up, but as she did so the engine gave a long snort and the whole train, as if it were in league against her, lurched forward crazily, shaking off her hold. She slipped to her knees again, the suit-case, toppled from the lower step, descending upon her, and together they slid and rolled down the short bank, while the train . . . ran giddily off into the night.
The horror of being deserted helped the girl to rise in spite of bruises and shock. She lifted imploring hands to the unresponsive cars as they hurried by her—one, two, three, with bright windows, each showing a passenger, comfortable and safe inside, unconscious of her need.
A moment of useless screaming, running, trying to attract some one’s attention, a sickening sense of terror and failure, and the last car slatted itself past with a mocking clatter, as if it enjoyed her discomfort.
Margaret stood dazed, reaching out helpless hands, then dropped them at her sides and gazed after the fast-retreating train, the light on its last car swinging tauntingly, blinking now and then with a leer in its eye, rapidly vanishing from her sight into the depth of the night.
She gasped and looked about her for the station that but a short moment before had been so real to her mind; and, lo! on this side and on that there was none!
The night was wide like a great floor shut in by a low, vast dome of curving blue set with the largest, most wonderful stars she had ever seen. Heavy shadows of purple-green, smoke-like, hovered over earth darker and more intense than the unfathomable blue of the night sky. It seemed like the secret nesting-place of mysteries wherein no human foot might dare intrude. It was incredible that such could be but common sage-brush, sand, and greasewood wrapped about with the beauty of the lonely night.
No building broke the inky outlines of the plain, nor friendly light streamed out to cheer her heart. Not even a tree was in sight, except on the far horizon, where a heavy line of deeper darkness might mean a forest. Nothing, absolutely nothing, in the blue, deep, starry dome above and the bluer darkness of the earth below save one sharp shaft ahead like a black mast throwing out a dark arm across the track.
As soon as she sighted it she picked up her baggage and made her painful way toward it, for her knees and wrist were bruised and her baggage was heavy.
A soft drip, drip greeted her as she drew nearer; something plashing down among the cinders by the track. Then she saw the tall column with its arm outstretched, and looming darker among the sage-brush the outlines of a water-tank. It was so she recognized the engine’s drinking-tank, and knew that she had mistaken a pause to water the engine for a regular stop at a station.
cinders: track bed made from the residue of burnt coal
From A VOICE IN THE WILDERNESS by Grace Livingston Hill—Public Domain
Question
How do Margaret’s earlier interactions with the conductor, brakeman, and porter affect the plot?
- AThey prompt Margaret to get off the train without further assistance.
- BThey cause Margaret to think that she knows what to do once she gets off the train.
- CThey compel Margaret to wonder whether the train has not pulled all the way into the station.
- DThey lead Margaret to believe that train stations in rural areas lack platforms.
Show the answer
Correct answer: A
The question asks how Margaret’s earlier interactions with the conductor, brakeman, and porter affect the plot.
A. CORRECT. Because the conductor, brakeman, and porter have all “taken the trouble to tell her that hers was the next station” (paragraph 2), Margaret assumes that the next time the train stops, she will have reached her station. This assumption causes Margaret to get off the train at the next stop without waiting for help or confirmation, but the stop turns out to be just “a pause to water the engine” (paragraph 15). This mistaken assumption creates the main problem that Margaret confronts in the passage.
B. Incorrect. Although Margaret’s earlier interactions with the three railroad employees cause her to think that she knows when to get off the train, it is clear from paragraph 4 that Margaret is deeply confused and does not know what to do once she has exited the train car. She muses uneasily, “Perhaps she ought not to have got out until some one came to help her. Perhaps the train had not pulled into the station yet and she ought to get back on it and wait” (paragraph 4).
C. Incorrect. Margaret wonders in paragraph 3 whether the train is “so long that her car had stopped before reaching [the station]” and speculates in paragraph 4 that “the train had not pulled into the station yet.” These thoughts reflect her assumption (based on her interactions with the three railroad employees) that the next stop is her station. However, Margaret’s speculation that the train has not fully pulled into the station does not significantly affect the plot.
D. Incorrect. Margaret wonders in paragraph 3 whether they “have platforms in this wild Western land” and is expecting to see a platform because her interactions with the three railroad employees have led her to believe that she has reached a station. However, it is unclear whether Margaret really believes that rural stations all lack platforms, and her speculation on this point is not further developed in the passage and does not affect the plot.
Question analysis
This plot question on A Voice in the Wilderness asks how Margaret’s earlier dealings with the conductor, brakeman and porter, mentioned only in passing in paragraph 2, affect what happens to her. Students must connect that brief remark to later events in the excerpt. Several choices describe things that do happen, so students must judge which one those conversations truly cause.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 plot questions ask how story elements affect one another, usually through an event and its result. Here the cause is a clause inside a long sentence of century-old prose, and students must trace its effect across the excerpt rather than within one paragraph.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Evidence in several places moderate
- Reading between the lines moderate
- Complex sentences minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 8, 981 words; question and choices: about grade 7, 72 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The talks with the trainmen are mentioned once, in the middle of a long sentence, and the question asks students to see them as the start of the whole plot. Several choices describe thoughts Margaret really has right after she steps down, which makes them feel connected, but those thoughts change nothing. The point goes to students who trace cause to consequence: told her stop was next, she gets off alone at a water tank.
Evidence in several places moderate Working it out
The cause sits in paragraph 2, where all three men had told her “hers was the next station,” and the effect shows only in paragraph 15, when the stop proves to be a water tank. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Reading between the lines moderate Working it out
The excerpt never says the men’s words made her step off; students must infer that their assurance is why she left the train at the first stop without waiting for anyone. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Complex sentences minor Understanding the question
The interactions appear in a 66-word sentence in paragraph 2, tucked into a “when” clause after a run of commas, so they read as a passing detail rather than a cause. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
Strategy: Reread paragraph 2 to find what the three men told Margaret, then trace how that information shapes the events that follow, and choose the effect that matters most to the plot.
Traps
- True but not the answer: A choice says something accurate about the text that does not answer this question.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
The wrong answers, classified
B Twists what the text says (King et al., 2004)
Rightly links the men’s words to her confidence about when to get off, but stretches it to knowing what to do afterward, when paragraph 4 shows her at a loss.
C True but not the answer (King et al., 2004; Embretson & Wetzel, 1987)
Names a real result of the men’s words, her guess in paragraphs 3 and 4 that the train has not yet reached the station, but that passing worry changes nothing in the plot.
D Reads too much in (Graesser, Singer & Trabasso, 1994)
Turns her puzzled question about platforms in “this wild Western land” into a firm belief about rural stations, an idea the excerpt never develops.
Working it out, step by step
Figure out what the question asks
This asks how something from earlier affects the plot. The plot is the chain of events in a story. What did the three train workers tell Margaret, and what did that cause?
Find what the workers told her
Paragraph 2 says it was strange that “neither conductor, brakeman, nor porter had come to help her off the train, when all three had taken the trouble to tell her that hers was the next station.” A conductor, a brakeman and a porter are all people who work on a train.
Trace what happened because of it
Three workers told her that her stop was next. So when the train stopped, she was sure she had arrived. She got off alone, without waiting for anyone to help. But in paragraph 15 she learns it was only “a pause to water the engine.” Their words set off the whole problem: she is left alone in the dark.
Check each choice
- A fits. Their words led her to get off by herself.
- B does not fit. They told her when to get off, not what to do next. In paragraph 4 she is lost: “Perhaps she ought not to have got out until some one came to help her.”
- C does not fit. She does wonder this, but the thought changes nothing in the story.
- D does not fit. She only asks a question about platforms. She never decides anything about country stations.
Choose the answer
The workers’ words made Margaret step off the train on her own at the wrong stop. So the answer is A.
Why this answer and not the closest wrong one
C is the closest wrong choice. The workers’ words do make her guess that the train has not reached the station yet. But that guess goes nowhere. What changes the story is that she gets off alone at a stop that is not a station. That is A.
More questions like this
The original DOE question

The passage “Excerpt from A Voice in the Wilderness” as printed (pages 128–129)


Question 2 of 30
2026 Practice Test A English, question 19Uses the passage above: “Excerpt from A Voice in the Wilderness”.
Question
How does paragraph 11 contribute to the plot of the excerpt?
- AIt reveals that the reality of the situation is different from Margaret’s assumptions.
- BIt illustrates that Margaret’s main problem is her own imagination.
- CIt shows that Margaret is surprised by the unexpected adventure she is about to undertake.
- DIt provides insight into how Margaret reacts to stressful situations.
Show the answer
Correct answer: A
The question asks how paragraph 11 contributes to the plot of the excerpt.
A. CORRECT. In paragraph 5, Margaret assumes there is a station (“It was probably on the other [side], but she was standing too near the cars to see”), but in paragraph 11, the station that had been “so real” in Margaret’s mind actually does not exist.
B. Incorrect. Margaret’s main problem is not that her imagination has led her astray but rather that her inexperience with this train route has caused her to misinterpret the events that have occurred. Paragraph 11 reveals that she has been acting on faulty assumptions; however, her assumptions are somewhat justified by the events that have occurred.
C. Incorrect. While Margaret seems somewhat in awe of her surroundings in paragraph 12 and she “gasped” in paragraph 11, her exclamation is one of shock at the discovery, not surprise over an unexpected adventure.
D. Incorrect. While paragraph 11 describes how Margaret responds to the distressing situation that her actions and decisions have created, the paragraph does not offer insight into how Margaret generally responds to problems or conflicts.
Question analysis
This plot-structure question asks how paragraph 11 of A Voice in the Wilderness, a single exclaiming sentence that begins “She gasped,” contributes to the plot once Margaret is alone beside the track. Students relate the paragraph to what comes before and after it. Its archaic phrasing, with “lo!” and an inverted clause, makes the plain meaning harder to see.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Explaining what a single paragraph adds to a plot is standard grade 7 structure work. Paragraph 11 is one short sentence, but its old-fashioned exclamation has to be linked to the paragraphs around it, which adds a step.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Evidence in several places moderate
- A very close wrong answer moderate
- Hard words minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 8, 981 words; question and choices: about grade 10, 58 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Paragraph 11 is a single exclaiming sentence whose job is to overturn what Margaret, and the reader, have believed since she stepped down. Students who link it to her earlier guesses about a platform and a building see the reversal at once. Those who read it alone fasten on her gasp or on the words “so real to her mind,” and choose a reading about her character or her imagination rather than the plot.
Evidence in several places moderate Working it out
The assumption the paragraph overturns was built earlier: in paragraph 3 she wonders about a platform, and in paragraph 5 she decides the station is “probably on the other” side. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
A very close wrong answer moderate Choosing the answer
The choice about her imagination and the right one both describe a gap between what Margaret pictured and what is there; they differ on whether the fault lies in her mind or in the missing station. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Hard words minor Understanding the question
The paragraph announces its reversal in old-fashioned words, “lo! on this side and on that there was none,” which students unused to such phrasing may read past. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Translate paragraph 11 into plain modern English, reread the paragraphs just before and after it, and judge each choice by what this paragraph itself shows.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
The wrong answers, classified
B Twists what the text says (King et al., 2004)
Seizes on “so real to her mind” and blames her imagination, though the station she expected is truly missing and the danger she faces is real.
C Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Hears surprise in “gasped” and “lo!” but takes it for eagerness about an adventure, when it is shock at finding no station on either side.
D Too broad or too strong (King et al., 2004)
Makes a general claim about how Margaret handles stress, which could fit almost any paragraph, while this one reports a single discovery that turns the plot.
Working it out, step by step
Figure out what the question asks
This asks how paragraph 11 moves the plot, the chain of events, forward. What changes for Margaret in this paragraph?
Read paragraph 11
Paragraph 11 is one sentence: “She gasped and looked about her for the station that but a short moment before had been so real to her mind; and, lo! on this side and on that there was none!”
Put it in plain words
“Lo!” is an old word that means “Look!” The words “on this side and on that there was none” mean there was no station on either side of the track. Earlier, in paragraph 5, she guessed the building “was probably on the other” side. An assumption is something you believe without checking. Now she sees that her assumption was wrong. There is no station at all.
Check each choice
- A fits. What she assumed, a station, is different from what is real, no station.
- B does not fit. Her imagination is not the problem. The missing station is a real problem.
- C does not fit. Her gasp is shock, not excitement about an adventure.
- D does not fit. She gasps, but the paragraph’s job is the discovery. It does not show how she usually handles stress.
Choose the answer
Paragraph 11 shows that the station Margaret counted on is not there. So the answer is A.
Why this answer and not the closest wrong one
B is the closest wrong choice. Both A and B notice a gap between what Margaret pictured and what is there. But B blames her imagination. Her trouble is real: there is no station, and the train is gone. A says what the paragraph does. It shows the truth is different from what she assumed.
More questions like this
The original DOE question

Question 3 of 30
2026 Practice Test A English, question 31Passage Excerpt from “The Spirit of the Herd”
Excerpt from “The Spirit of the Herd”
by Dallas Lore Sharp
In this excerpt, published in 1914, author and professor Dallas Lore Sharp describes a summer cattle roundup in Oregon. The heat and dust had been relentless for three days. The cowboys were exhausted, and the cattle were restless. The ranch boss, Wade, had led the drive to a watering place, only to find it empty.
Along with the wagon had come the fresh horses—one of them being Peroxide Jim, a supple, powerful, clean-limbed buckskin, a horse, I think, that had as fine and intelligent an animal-face as any creature I ever saw. Wade had been saving this horse for emergency work. And why should he not have been saved fresh for just such a need as this? Are there not superior horses as well as superior men—a Peroxide Jim to complement a Wade?
The horse knew the cattle business and knew his rider perfectly; and though there was nothing like sentiment about the boss of the P Ranch riders, his faith in Peroxide Jim was complete. . . .
The desert, where the herd was camped, was one of the highest of a series of tablelands, or benches; it lay as level as a floor, rimmed by sheer rock, from which there was a drop to the bench of sage below. The herd when overtaken by the dusk had been headed for a pass descending to the next lower bench, but was now halted within a mile of the rim rock on the east, where there was a perpendicular fall of about three hundred feet. . . .
In the taut silence of the stirless desert night, with the tension of the herd at the snapping-point, any quick, unwonted sight or sound would stampede them. The sneezing of a horse, the flare of a match, would be enough to send the whole four thousand headlong—blind, frenzied, trampling—till spent and scattered over the plain.
And so, as he rode, Wade began to sing. The rider ahead of him took up the air and passed it on until, above the stepping stir of the hoofs rose the faint voices of the men, and all the herd was bound about by the slow plaintive measures of some old song. It was not to soothe their savage breasts that the riders sang to the cattle, but rather to preempt the dreaded silence, to relieve the tension, and so to prevent the shock of any sudden startling noise.
So they sang and rode and the night wore on to one o’clock, when Wade, coming up on the rim-rock side, felt a cool breeze fan his face, and caught a breath of fresh, moist wind with the taste of water in it.
He checked his horse instantly, listening as the wind swept past him over the cattle. But they must already have smelled it, for they had ceased their milling, the whole herd standing motionless, the indistinct forms close to him in the dark showing their bald faces lifted to drink the sweet wet breath that came over the rim. Then they started on again, but faster, and with a rumbling now from their hoarse throats that tightened Wade’s grip on the reins.
The sound seemed to come out of the earth, a low, rumbling mumble, as dark as the night and as wide as the plain, a thick, inarticulate bellow that stood every rider stiff in his stirrups. . . .
Then the breeze caught the dust and carried it back from the gray-coated, ghostly shapes, and Wade saw that the animals were still moving in a circle. He must keep them going. He touched his horse to ride on with them, when across the black sky flashed a vivid streak of lightning.
There was a snort from the steers, a quick clap of horns and hoofs from far within the herd, a tremor of the plain, a roar, a surging mass—and Wade was riding the flank of a wild stampede. Before him, behind him, beside him, pressing hard upon his horse, galloped the frenzied steers, and beyond them a multitude borne on, and bearing him on, by the heave of the galloping herd.
Wade was riding for his life. He knew it. His horse knew it. He was riding to turn the herd, too, back from the rim, as the horse also knew. The cattle were after water—water-mad—ready to go over the precipice to get it, carrying horse and rider with them. Wade was the only rider between the herd and the rim. It was black as death. He could see nothing in the sage, could scarcely discern the pounding, panting shadows at his side. He knew that he was being borne toward the rim, how fast he could not tell, but he knew by the swish of the brush against his tapaderos and the plunging of the horse that the ground was growing stonier, that they were nearing the rocks.
To outrun the herd was his only chance for life. If he could come up with the leaders he might not only escape, but even stand a chance of heading them off upon the plain and saving the herd. There were cattle still ahead of him; how many, what part of them all, he could not make out in the dark. But the horse knew. The reins hung on his straight neck, where his rider had dropped them, as, yelling and firing over the wild herd, he had given this horse the race to win, to lose.
They were riding the rim. Close on their left bore down the flank of the herd, and on their right, under their very feet, was a precipice, so close that they felt its blackness—its three hundred feet of fall! . . .
. . . Then Wade found himself racing neck and neck with a big white steer, which the horse, with marvelous instinct, seemed to pick out from a bunch, and to cling to, forcing him gradually ahead, till, cutting him free from the bunch entirely, he bore him off into the swishing sage.
The steers coming on close behind followed their leader, and in, after them, swung others. The tide was turning from the rim. More and more were veering, and within a short time the whole herd, bearing off from the cliffs, was pounding over the open plains.
Whose race was it? It was Peroxide Jim’s, according to Wade, for not by word or by touch of hand or knee had the horse been directed in the run. From the flash of the lightning the horse had taken the bit, had covered an indescribably perilous path at top speed, had outrun the herd and turned it from the edge of the rim rock, without a false step or a tremor of fear.
From “The Spirit of the Herd” by Dallas Lore Sharp—Public Domain
tablelands: plateaus, flat areas of land sharply elevated from the surrounding area
tapaderos: leather covers for stirrups
Question
How does paragraph 3 convey the effect of the setting on the cattle drive?
- AIt shows how the growing darkness created challenges for the riders in getting the herd to move.
- BIt describes how the changing elevation contributed to the dangerousness of the environment.
- CIt describes how the desert created an uncomfortable feeling of isolation for the riders and the cattle.
- DIt shows how the steep terrain made it difficult for the cattle to keep moving forward.
Show the answer
Correct answer: B
The question asks how paragraph 3 conveys the effect of the setting on the cattle drive.
A. Incorrect. The riders were not trying to move the herd through the darkness. Instead, the reference to the growing darkness (“overtaken by the dusk”) indicates that the riders had halted the animals for the night because moving the herd across the desert in the darkness would have been much too dangerous because of the sheer drop-off at the edge of the tableland. The riders needed the daylight to navigate the herd safely through the “pass descending to the next lower bench.”
B. CORRECT. Paragraph 3 describes the land where the herd was as being “as level as a floor” but “rimmed by sheer rock, from which there was a drop to the bench of sage below.” The drop was “a perpendicular fall of about three hundred feet”—any animal or person could fall over that edge. It was the change in height, from flat tableland to sheer drop-off, that made the terrain so dangerous.
C. Incorrect. The use of the word “desert” in the first sentence of the paragraph does not highlight the isolation of the setting or indicate that the riders and the herd were uncomfortable being alone. Instead, the word merely establishes the setting where the action occurred: “it lay as level as a floor, rimmed by sheer rock, from which there was a drop to the bench of sage below.”
D. Incorrect. The excerpt does not indicate that the steep terrain made it difficult for the herd to move forward. The herd was not expected to navigate the steep terrain. Instead, the steep terrain presented a danger to the herd that must be avoided. The riders intended to move the herd safely through passes that descended gradually to lower elevations.
Question analysis
This setting question on “The Spirit of the Herd” asks how paragraph 3, which describes the high desert where the herd has stopped for the night, conveys the setting’s effect on the cattle drive. Students must understand unusual landform words, one explained in a footnote, and work out what the land means for the herd. Several choices name a real feature of the scene.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 students analyze how setting affects a story, usually from plainly worded description. This paragraph relies on terms such as tablelands, benches and rim rock, and never names the effect, so students must work it out from the description.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- A very close wrong answer moderate
- Hard words moderate
- Reading between the lines minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 8, 1160 words; question and choices: about grade 9, 76 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Paragraph 3 reads like a surveyor’s report, flat land ending in a sheer drop, with no word of fear. Students must turn its landforms into a picture and see that a herd camped a mile from a three-hundred-foot fall is in danger. The strongest wrong answer gets the cliff right but makes it a barrier to the drive, and others seize on the dusk or on the loneliness a desert suggests.
A very close wrong answer moderate Choosing the answer
The choice about steep terrain blocking the herd and the right one both rest on the drop at the rim; they differ only in its effect, a hazard to avoid or an obstacle to movement. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Hard words moderate Understanding the question
The paragraph’s landforms, “tablelands, or benches,” “rim rock,” a “pass descending to the next lower bench” and a “perpendicular fall,” must be pictured before the danger is clear. (Perfetti, 2007; Freedle & Kostin, 1993)
Reading between the lines minor Working it out
The paragraph never calls the drop dangerous; students must infer it from “sheer rock” and “about three hundred feet,” a danger that becomes real only when the herd stampedes toward the rim. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Make a quick sketch of the land paragraph 3 describes and mark where the herd is halted, then ask what that setting means for the drive and test each choice against it.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
The wrong answers, classified
A Twists what the text says (King et al., 2004)
Turns “overtaken by the dusk” into a struggle to get the herd moving, though the herd was halted for the night and the paragraph stresses the drop, not darkness.
C Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Assumes a desert must feel lonely, a common association, though the paragraph uses “desert” only to place the herd on a level plain and says nothing of isolation.
D Twists what the text says (King et al., 2004)
Rightly notices the sheer drop but makes it an obstacle to forward movement, when the herd was headed for a pass and the cliff was a hazard to avoid.
Working it out, step by step
Figure out what the question asks
This asks about setting, the place and time of a story. How does the land in paragraph 3 affect the cattle drive? A cattle drive is a trip where riders move a large herd of cattle across the land.
Read paragraph 3
The herd is camped on high, flat land “rimmed by sheer rock, from which there was a drop to the bench of sage below.” The herd “was now halted within a mile of the rim rock on the east, where there was a perpendicular fall of about three hundred feet.”
Picture the land
The note says tablelands are “flat areas of land sharply elevated from the surrounding area.” A bench is another name for one. Picture giant steps. The herd is on a high step. Its edge is sheer rock, a straight drop. Perpendicular means straight up and down. So the herd has stopped within a mile of a cliff about 300 feet high.
Work out the effect
Elevation is how high the land is. Here the elevation changes suddenly, from flat ground to a steep cliff. A scared herd could run right over the edge. That makes the place dangerous. Later, this danger comes true when the stampede races toward the rim.
Check each choice
- A does not fit. The herd was halted for the night. The riders were not trying to move it.
- B fits. The sudden drop makes the place dangerous.
- C does not fit. The paragraph says nothing about feeling lonely.
- D does not fit. The herd was headed for a pass, an easier way down. The cliff was a danger to avoid.
Choose the answer
The change in height, from flat land to a sheer drop, makes the setting dangerous. So the answer is B.
Why this answer and not the closest wrong one
D is the closest wrong choice, because it also points to the steep drop. But the herd was not trying to climb down the cliff. It was headed for a pass and had stopped for the night. The drop matters because the herd could fall over it. That danger is what B describes.
More questions like this
The original DOE question

The passage “Excerpt from “The Spirit of the Herd”” as printed (page 41)

Question 4 of 30
2026 Practice Test B English, question 12Passage A Miracle Mile
A Miracle Mile
In the 1950s people compared running one mile in four minutes to scaling Mount Everest and nicknamed the feat a “dream mile.” Although such an accomplishment was considered humanly impossible, several elite runners aimed to break that supposedly impenetrable barrier. One of them was a twenty-five-year-old medical student named Roger Bannister.
Roger Bannister had tasted failure during the 1952 Olympics. There, he was favored to win the 1,500-meter competition, a distance slightly shorter than a mile, but he finished in a dismal fourth place instead. Bannister’s performance was a disappointment for him and his country, Great Britain. Determined to redeem himself, Bannister postponed his plans to retire from racing and focused on the ultimate prize—breaking the four-minute-mile barrier.
Bannister attacked the elusive milestone with a positive attitude and logical planning. The amateur athlete decided to use intensive interval training to develop endurance and speed. For these workouts, Bannister ran an interval of ten consecutive laps on a quarter-mile track, aiming for sixty seconds each lap. In between intervals, he let his body recover for two minutes.
By early 1954, Bannister had succeeded in lowering his quarter-mile pace to sixty-one seconds, but he had to shave off at least one more second in order to reach his target. Frustrated by the plateau he had reached, Bannister took a break from training and went mountain climbing for three days. The rest from running permitted his muscles to recuperate and left him feeling refreshed. When Bannister returned to the track, he completed ten quarter-mile-long intervals at fifty-nine seconds each. He finally felt prepared to attempt to break the world record.
As a member of the Amateur Athletic Association (AAA), Bannister joined the AAA team for a track meet against Oxford University. The event took place on a cinder track in Oxford on May 6, 1954. Bannister and his two AAA teammates, Chris Chataway and Chris Brasher, were close friends and frequent running partners. Chataway and Brasher agreed to help Bannister accomplish his goal by being his “rabbits.”
In track and field, rabbits are runners who enter the race solely to pace a teammate for a segment of the course. Typically, a runner settles in behind the rabbit and allows the rabbit to set an appropriate tempo. Additionally, by running behind the rabbit, the runner conserves about 15 percent of his or her effort. When the starting pistol fired, Brasher pounced into the lead, and Bannister followed behind his first rabbit.
Propelled by the excitement, Bannister lost his instinctive feel for his pace and shouted “Faster!” at Brasher. Brasher, however, remained composed and maintained his current steady but grueling pace, completing the first two laps in a desirable one minute and fifty-eight seconds. Then Chataway surged forward, leading Bannister at this same punishing rate for another lap and a half. At the beginning of the back straightaway of the track, Bannister bolted past Chataway. Bannister said, “I felt that the moment of a lifetime had come. There was no pain, only a great unity of movement and aim.” Bannister crossed the finish line in 3 minutes 59.4 seconds. The ecstatic crowd erupted the moment the timekeeper announced the word “three.”
Soon after Bannister’s achievement, four other athletes matched his performance. A new mindset had taken root among runners. Over the years, the record continued to fall. However, the current record, 3 minutes 43.13 seconds, has stood unbroken since 1999. Some question whether this record represents the limits of human ability. But perhaps there is another Bannister, an athlete who, with willpower and dedication, will accomplish the miraculous.
Question
Bannister’s loss in the 1952 Olympics influenced his decision to pursue breaking the four-minute-mile barrier by
- Aallowing him to recognize his weaknesses and improve his running ability.
- Bprompting him to take a different approach to his regular training.
- Cmotivating him to prove to himself that he could set and achieve a goal.
- Dgiving him the opportunity to reach a goal no runner had ever accomplished.
Show the answer
Correct answer: C
The question asks how Bannister’s loss in the 1952 Olympics influenced his decision to pursue breaking the four-minute-mile barrier.
A. Incorrect. While Bannister recognized the weaknesses that led to his poor performance in the Olympics and worked “to develop endurance and speed” (paragraph 3), the loss made him “determined to redeem himself” (paragraph 2). The desire for redemption influenced Bannister to focus specifically on running a mile in under four minutes, rather than on winning other races or training for other distances.
B. Incorrect. Although Bannister developed an “intensive interval training” plan to improve his “endurance and speed” (paragraph 3), he applied a different approach only after his progress toward a four-minute mile reached a “plateau” (paragraph 4) in 1954. It was his desire to “shave off at least one more second in order to reach his target” (paragraph 4) that prompted him to take a break from interval training and go mountain climbing for three days.
C. CORRECT. Bannister sought to redeem himself after “he finished in a dismal fourth place” at the Olympics (paragraph 2). He thought that his performance “was a disappointment for him and his country, Great Britain,” and he responded by setting a goal to successfully conquer the four-minute mile, which was considered the “ultimate prize” (paragraph 2).
D. Incorrect. Bannister’s loss at the 1952 Olympics motivated him to change his training focus to reaching the “ultimate prize” (paragraph 2) of breaking the four-minute-mile barrier, which no other runner had accomplished. His loss at the Olympics did not present him with a specific opportunity to reach this goal.
Question analysis
This cause-and-effect question on “A Miracle Mile” asks how Roger Bannister’s disappointing finish at the 1952 Olympics shaped his decision to chase the four-minute mile. Students trace how one event led to a choice. The passage gives the reason in a single phrase, and the choices restate it alongside effects that sound believable for any athlete after a loss.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Explaining how one event influenced a person’s decision is standard grade 7 work, and the cause is set out in one short paragraph. The choices put the passage’s ideas in new words, so students must match meaning rather than phrases.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly understand
- What makes it hard
- The right answer is reworded moderate
- Hard words minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 10, 587 words; question and choices: about grade 10, 64 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The answer sits in a single phrase, but the choices compete with stories that fit any athlete after a loss, such as learning from weaknesses or changing a routine. Both sound right because Bannister did train hard afterward, yet the passage ties the loss only to his wish to redeem himself, and the change of routine comes later, from the 1954 plateau. Students who keep to the question’s focus, the decision to chase the record, find a motive rather than a method.
The right answer is reworded moderate Choosing the answer
Paragraph 2 says the loss left Bannister “determined to redeem himself”; the right choice recasts this as proving to himself he could set and reach a goal, while a wrong one reuses the passage’s word “training.” (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
Hard words minor Understanding the question
“Redeem himself,” to make up for a failure, is the key phrase, and a student unsure of it may not see that the loss gave him a reason rather than a lesson. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Find the sentence in paragraph 2 that tells how Bannister responded to the 1952 loss, restate it in your own words, and compare each choice with your restatement.
Traps
- Half right: One half of a two-part choice is right and the other is not.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
The wrong answers, classified
A Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Supplies a familiar sports lesson, that a loss shows an athlete what to fix, but paragraph 2 makes the loss a reason to redeem himself and names no weaknesses.
B Wrong part of the text (Kirsch & Mosenthal, 1990)
Borrows the change of routine from paragraph 4, where the 1954 plateau, not the Olympic loss, sent Bannister off to climb mountains for three days.
D Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Gets right that no runner had yet broken four minutes, but the loss opened no door for him; finishing fourth gave him a motive, not a chance.
Working it out, step by step
Figure out what the question asks
This asks about cause and effect. The cause is Bannister’s loss at the 1952 Olympics. The effect is his decision to chase the four-minute mile. You need to find how the first led to the second.
Read paragraph 2
Paragraph 2 says he “finished in a dismal fourth place instead.” Dismal means very disappointing. Then it says “Bannister’s performance was a disappointment for him and his country, Great Britain. Determined to redeem himself, Bannister postponed his plans to retire from racing and focused on the ultimate prize.” The prize was breaking the four-minute mile.
Understand what redeem himself means
To redeem yourself means to make up for a failure. You show that you are better than your worst moment. Bannister had let himself down. So he set a huge new goal to prove what he could do. The loss gave him a reason to try, which is a motive.
Check each choice
- A does not fit. Paragraph 2 never names any weaknesses he found.
- B does not fit. He changed his routine in paragraph 4, in 1954. That was because of a plateau, not the Olympic loss.
- C fits. He wanted to make up for the loss by reaching a big goal.
- D does not fit. Losing did not give him a chance at the record. It gave him a reason.
Watch out: A sounds like a common sports lesson: losing shows you what to fix. But the passage does not say that.
Choose the answer
The loss made Bannister “determined to redeem himself” with a new goal. So the answer is C, “motivating him to prove to himself that he could set and achieve a goal.”
Why this answer and not the closest wrong one
A is the closest wrong choice. Athletes often learn from a loss, so it sounds right. But paragraph 2 never says what Bannister was bad at. It says the loss made him “determined to redeem himself.” That is about motivation, so C fits better.
More questions like this
The original DOE question

The passage “A Miracle Mile” as printed (page 13)

Question 5 of 30
2026 Practice Test B English, question 13Uses the passage above: “A Miracle Mile”.
Question
How did interval training affect Bannister’s performance?
- AIt helped him learn how to moderate his pace while running.
- BIt helped him conserve effort when running with teammates.
- CIt helped him improve his pace and stamina while running.
- DIt helped him decrease his recovery time after an intense run.
Show the answer
Correct answer: C
The question asks how interval training affected Bannister’s performance.
A. Incorrect. The moderation of his pace was achieved through the use of “rabbits,” described in paragraph 6, more than through his method of interval training.
B. Incorrect. Bannister worked individually during the interval training period and then paced himself with a two-person team of “rabbits,” which were introduced in paragraph 5 and explained in paragraph 6. It was the use of “rabbits” during the race that helped him conserve some of his effort, not the interval training.
C. CORRECT. As paragraph 3 states, the goal of Bannister’s training program was to “develop endurance and speed,” which are synonyms of the words “stamina” and “pace.”
D. Incorrect. Although Bannister “let his body recover for two minutes” (paragraph 3) during interval training, this was not the primary effect of the training on Bannister’s performance. Instead, interval training allowed him to develop greater endurance and speed.
Question analysis
This question asks how interval training affected Roger Bannister’s performance as he prepared to run a mile in under four minutes, according to “A Miracle Mile.” It tests finding a detail the passage states and recognizing it in a choice that may use different words. The passage describes several parts of his preparation and race, so students must keep track of which one the question is about.
- Grade level
- Grade 6 reading and task
- Compared with grade 7
- Below grade 7 Below typical grade 7 demand: the passage states the purpose of the training in a single sentence. A grade 7 student only needs to locate it and compare the choices with it, without inferring anything.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 1, recall and reproduction · mainly understand
- What makes it hard
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 10, 587 words; question and choices: about grade 7, 48 words.
- Corrected from the DOE handbook
- The DOE’s 2026 explanations appendix skips this question; the explanation and answer key here are the DOE’s own, from its 2021–2022 guide (question 40), relettered.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Paragraph 3 states what the training was for, so the task is to match that sentence and ignore details from elsewhere. The rabbits of paragraph 6, who set Bannister’s tempo and save his effort, supply two tempting effects that belong to the race, not the workouts. The two-minute rests sit in the training paragraph itself, so a student skimming for “recover” can mistake part of the method for its result.
A very close wrong answer minor Choosing the answer
The choice about moderating his pace and the right one both concern pace; only the right one matches the training’s stated aim, to “develop endurance and speed.” (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
The right answer is reworded minor Choosing the answer
The right choice turns “endurance and speed” into stamina and pace, while two wrong ones reuse the passage’s own words, “conserves” effort from paragraph 6 and “recover” from paragraph 3. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
Strategy: Find the paragraph that introduces interval training, note what the training was meant to develop, and pick the choice that means the same thing.
Traps
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
- Word match: Repeats striking words or phrases from the text, so it looks supported, but its meaning does not fit the question.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Twists what the text says (King et al., 2004)
Sees the sixty-second laps as practice in holding a pace, but the training aimed to build speed and endurance, and in the race his rabbits had to hold his tempo for him.
B Wrong part of the text (Kirsch & Mosenthal, 1990)
Matches the saving of “about 15 percent of his or her effort,” which paragraph 6 credits to running behind a rabbit in the race, not to interval training.
D Word match (Freedle & Kostin, 1993)
Spots “recover” in paragraph 3 and picks the choice about recovery time, though the two-minute rest is part of the workout, and nothing says it grew shorter.
What was corrected from the DOE handbook, and why
- Explanation and answer key: The 2026 printable test includes this question (Passage Set 2, Item 6), but the explanations appendix skips it: it explains only five of the six questions on “A Miracle Mile.” The question is question 40 of the DOE’s NYC Guide to the SHSAT for 2022 Admissions (the 2021–2022 guide, page 165), with the same stem and options lettered E–H. The explanation is the guide’s (page 218) and its key is G; both are relettered E–H to A–D here, so the key is C.
Working it out, step by step
Figure out what the question asks
This asks what interval training did for Bannister’s running. So find the paragraph that first describes interval training. Look for what it was meant to build.
Find interval training in paragraph 3
Paragraph 3 says “The amateur athlete decided to use intensive interval training to develop endurance and speed.” In each workout he ran ten laps, aiming for sixty seconds a lap. Then he rested for two minutes and ran again. That is what an interval is here: a hard stretch of running between rests.
See what the training did
Endurance means being able to keep going for a long time. Another word for it is stamina. Speed is how fast you run, which is your pace. Paragraph 4 shows the result. By early 1954, he had lowered “his quarter-mile pace to sixty-one seconds.” He was getting faster.
Check each choice
- A does not fit. To moderate your pace means to keep it steady and not too fast. In the race, his rabbits did that for him. He even lost his feel for his pace.
- B does not fit. Saving effort came from running behind rabbits in the race (paragraph 6).
- C fits. Stamina and pace are other words for endurance and speed.
- D does not fit. He rested two minutes between runs. Nothing says that rest got shorter.
Watch out: D is tempting because paragraph 3 mentions rest: “he let his body recover for two minutes.” But the rest is part of the workout, not a result of it.
Choose the answer
Interval training built Bannister’s speed and endurance. So the answer is C, “It helped him improve his pace and stamina while running.”
Why this answer and not the closest wrong one
A is the closest wrong choice, because it is also about pace. But the training aimed “to develop endurance and speed,” not to keep his pace in check. In the race, Bannister “lost his instinctive feel for his pace,” and Brasher had to keep it steady. C matches what the training was for.
More questions like this
The original DOE question

Question 6 of 30
2026 Practice Test B English, question 14Passage Excerpt from In Search of the Unknown
Excerpt from In Search of the Unknown
by Robert W. Chambers
It was at that time the policy of the trustees and officers of the Zoological Gardens neither to employ collectors nor to send out expeditions in search of specimens. The society decided to depend upon voluntary contributions, and I was always busy, part of the day, in dictating answers to correspondents who wrote offering their services as hunters of big game, collectors of all sorts of fauna, trappers, snarers, and also to those who offered specimens for sale, usually at exorbitant rates.
To the proprietors of . . . mangy lynxes, moth-eaten coyotes, and dancing bears I returned courteous but uncompromising refusals—of course, first submitting all such letters, together with my replies, to Professor Farrago.
One day towards the end of May, however, just as I was leaving Bronx Park to return to town, Professor Lesard, of the reptilian department, called out to me that Professor Farrago wanted to see me a moment; so I . . . retraced my steps to the temporary, wooden building occupied by Professor Farrago, general superintendent of the Zoological Gardens. The professor, who was sitting at his desk before a pile of letters and replies submitted for approval by me, pushed his glasses down and looked over them at me with a whimsical smile that suggested amusement, impatience, annoyance, and perhaps a faint trace of apology.
“Now, here’s a letter,” he said, with a deliberate gesture towards a sheet of paper impaled on a file—“a letter that I suppose you remember.” He disengaged the sheet of paper and handed it to me.
“Oh yes,” I replied, with a shrug; “of course the man is mistaken—or—”
“Or what?” demanded Professor Farrago, tranquilly, wiping his glasses.
“—Or a liar,” I replied.
After a silence he leaned back in his chair and bade me read the letter to him again, and I did so with a contemptuous tolerance for the writer, who must have been either a very innocent victim or a very stupid swindler. I said as much to Professor Farrago, but, to my surprise, he appeared to waver.
“I suppose,” he said, with his near-sighted, embarrassed smile, “that nine hundred and ninety-nine men in a thousand would throw that letter aside and condemn the writer as a liar or a fool?”
“In my opinion,” said I, “he’s one or the other.”
“He isn’t—in mine,” said the professor, placidly.
“What!” I exclaimed. “Here is a man living all alone on a strip of rock and sand between the wilderness and the sea, who wants you to send somebody to take charge of a bird that doesn’t exist!”
“How do you know,” asked Professor Farrago, “that the bird in question does not exist?”
“It is generally accepted,” I replied, sarcastically, “that the great auk has been extinct for years. Therefore I may be pardoned for doubting that our correspondent possesses a pair of them alive.”
“Oh, you young fellows,” said the professor, smiling wearily, “you embark on a theory for destinations that don’t exist.”
He leaned back in his chair, his amused eyes searching space for the imagery that made him smile.
“Like swimming squirrels, you navigate with the help of Heaven and a stiff breeze, but you never land where you hope to—do you?”
Rather red in the face, I said: “Don’t you believe the great auk to be extinct?”
“Audubon saw the great auk.”
“Who has seen a single specimen since?”
“Nobody—except our correspondent here,” he replied, laughing.
I laughed, too, considering the interview at an end, but the professor went on, coolly:
“Whatever it is that our correspondent has—and I am daring to believe that it is the great auk itself—I want you to secure it for the society.”
When my astonishment subsided my first conscious sentiment was one of pity. Clearly, Professor Farrago was on the verge of dotage—ah, what a loss to the world!
I believe now that Professor Farrago perfectly interpreted my thoughts, but he betrayed neither resentment nor impatience. I drew a chair up beside his desk—there was nothing to do but to obey, and this fool’s errand was none of my conceiving.
Together we made out a list of articles necessary for me and itemized the expenses I might incur, and I set a date for my return, allowing no margin for a successful termination to the expedition.
“Never mind that,” said the professor. “What I want you to do is to get those birds here safely. Now, how many men will you take?”
“None,” I replied, bluntly; “it’s a useless expense, unless there is something to bring back. If there is I’ll wire you, you may be sure.”
“Very well,” said Professor Farrago, good-humoredly, “you shall have all the assistance you may require. Can you leave to-night?”
The old gentleman was certainly prompt. I nodded, half-sulkily, aware of his amusement.
“So,” I said, picking up my hat, “I am to start north to find a place called Black Harbor, where there is a man named Halyard who possesses, among other household utensils, two extinct great auks—”
We were both laughing by this time. I asked him why on earth he credited the assertion of a man he had never before heard of.
“I suppose,” he replied, with the same half-apologetic, half-humorous smile, “it is instinct. I feel, somehow, that this man Halyard has got an auk—perhaps two. I can’t get away from the idea that we are on the eve of acquiring the rarest of living creatures. It’s odd for a scientist to talk as I do; doubtless you’re shocked—admit it, now!”
But I was not shocked; on the contrary, I was conscious that the same strange hope that Professor Farrago cherished was beginning, in spite of me, to stir my pulses, too.
“If he has—” I began, then stopped.
The professor and I looked hard at each other in silence.
“Go on,” he said, encouragingly.
But I had nothing more to say, for the prospect of beholding with my own eyes a living specimen of the great auk produced a series of conflicting emotions within me which rendered speech profanely superfluous.
From IN SEARCH OF THE UNKNOWN by Robert W. Chambers—Public Domain
Audubon: John James Audubon, an ornithologist and artist who created scientific illustrations of birds
dotage: a loss of reasoning brought about by old age
Question
Read paragraph 2 from the excerpt.
To the proprietors of . . . mangy lynxes, moth-eaten coyotes, and dancing bears I returned courteous but uncompromising refusals—of course, first submitting all such letters, together with my replies, to Professor Farrago.
This paragraph helps develop the plot by establishing that the narrator
- Adislikes writing refusal letters for the animals offered to the zoological society.
- Battempts to predict what the professor would say in the refusal letters.
- Cbelieves that many of the animals offered are not acceptable for the zoological society.
- Dresents the professor’s insistence on reviewing the refusal letters.
Show the answer
Correct answer: C
The question asks how paragraph 2 helps develop the plot.
A. Incorrect. As paragraph 1 indicates, writing such letters is one of the main parts of the narrator’s job (“and I was always busy, part of the day, in dictating answers to correspondents”), and he shows no indication of disliking this work. The letters are to inform people whether the zoo will accept their animals.
B. Incorrect. Paragraph 2 indicates that the narrator offers his letters to the professor merely for official approval. At the start of the excerpt, the narrator is confident in his reply and does not anticipate that his response will differ from that of the professor, so he has no need to “predict what the professor would say.”
C. CORRECT. The phrase “uncompromising refusals” in paragraph 2 indicates the confidence that the narrator initially has in his belief that the animals described in the letters are not of value to the society. This confidence is badly shaken as the plot unfolds, as when Professor Farrago states that “ ‘I am daring to believe that it is the great auk itself’ ” (paragraph 23). The narrator’s transition from an attitude of dismissive doubt to one of budding hopefulness is a major part of the plot (“But I was not shocked; on the contrary, I was conscious that the same strange hope that Professor Farrago cherished was beginning, in spite of me, to stir my pulses, too” [paragraph 34]).
D. Incorrect. The narrator does not resent the professor’s review of the letters; instead, the phrase “of course” in paragraph 2 shows that he expects to submit the letters to the professor as part of his job.
Question analysis
In this plot question on an excerpt from Robert W. Chambers’s novel In Search of the Unknown, students read paragraph 2, in which a zoo employee describes answering people who offer animals for sale. The question asks what the paragraph establishes about the narrator. Its old-fashioned vocabulary and its long, dash-broken sentence make the narrator’s attitude harder to pin down.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Explaining how one paragraph develops a plot is regular grade 7 work, and this one is quoted in full. Its early-1900s wording, with words such as “proprietors” and “uncompromising,” adds some load but no unusual reasoning.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Hard words moderate
- Complex sentences minor
- The right answer is reworded minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 9, 1066 words; question and choices: about grade 11, 94 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The paragraph’s attitude sits in its adjectives: lynxes that are “mangy,” coyotes that are “moth-eaten” and refusals that are “uncompromising.” Students who read that scorn as the narrator’s mood about his job, or who hear grumbling in “of course,” choose a feeling about the work instead of a judgment of the animals. The plot point is that the narrator starts out sure the offers are worthless, the confidence the great auk letter is about to test.
Hard words moderate Understanding the question
“Proprietors,” “uncompromising,” “mangy” and “moth-eaten” carry the meaning: the owners of shabby animals get firm refusals, and a student who misses these words cannot tell what the narrator thinks of the offers. (Perfetti, 2007; Freedle & Kostin, 1993)
Complex sentences minor Understanding the question
The paragraph is one inverted sentence that opens with “To the proprietors of,” reaches “I returned” only midway and ends with a dash clause about the professor’s review. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
The right answer is reworded minor Choosing the answer
Three wrong choices repeat the paragraph’s “refusals” and “letters,” while the right one restates the scorn for the animals as a judgment that they do not suit the society. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
Strategy: Paraphrase paragraph 2 in plain modern words, noting what each descriptive word reveals about the narrator, then keep only a choice those words actually support.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
The wrong answers, classified
A Twists what the text says (King et al., 2004)
Moves the scorn of “mangy” and “moth-eaten” from the animals to the task, though the refusals are “courteous” and paragraph 1 presents answering letters as routine daily work.
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Builds a guessing game from his sending each reply to Professor Farrago, though he expects his refusals simply to be approved and nothing shows him second-guessing the professor.
D Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Hears irritation in the dash and “of course,” but the phrase marks the review as routine, and his clash with the professor begins only with the great auk letter.
Working it out, step by step
Figure out what the question asks
This asks what paragraph 2 tells you about the narrator, the person telling the story. It also asks how that sets up the plot, the chain of events in a story. The paragraph is one long, old-fashioned sentence. So put it in plain words first.
Put paragraph 2 in plain words
Proprietors are owners. People wrote offering animals to the zoo. The narrator lists some: “mangy lynxes, moth-eaten coyotes, and dancing bears.” Mangy means with patchy, sick-looking fur. Moth-eaten means old and worn out. He sent the owners “courteous but uncompromising refusals.” Courteous means polite. Uncompromising means firm, with no chance of changing his mind.
Decide what it shows about him
The words “mangy” and “moth-eaten” show what he thinks of the animals. To him, they are shabby and not good enough for the zoo. He turns them all down. This sets up the plot. When the letter about the great auk comes, he is ready to reject it too. That is where the story’s conflict begins.
Check each choice
- A does not fit. His refusals are polite, and paragraph 1 shows that answering letters is his everyday job. Nothing says he dislikes it.
- B does not fit. He sends his replies to the professor to be approved. He is not guessing what the professor would say.
- C fits. He judges that the animals offered are not good enough.
- D does not fit. “Of course” shows that the review is normal. He does not resent it, or feel bitter about it.
Watch out: A is tempting because the narrator sounds scornful. But his scorn is for the animals, not for the job.
Choose the answer
Paragraph 2 shows the narrator turning down animals he thinks are unfit. So the answer is C, “believes that many of the animals offered are not acceptable for the zoological society.”
Why this answer and not the closest wrong one
A is the closest wrong choice. The narrator’s words do sound scornful. But the scorn is aimed at the animals, “mangy” and “moth-eaten,” not at the job of writing letters. His refusals are even “courteous.” C names his real judgment: these animals are not right for the zoo.
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The original DOE question

The passage “Excerpt from In Search of the Unknown” as printed (page 21)

Question 7 of 30
2026 Practice Test B English, question 16Uses the passage above: “Excerpt from In Search of the Unknown”.
Question
How does the exchange between the professor and the narrator in paragraphs 8–11 contribute to the development of the characters?
- AIt establishes the conflict between the professor and the narrator concerning the validity of the letter.
- BIt suggests a theme of collaboration because the narrator and the professor regularly work together.
- CIt reveals the characters’ traits by contrasting the narrator’s distrust with how easily the professor is deceived by what he reads.
- DIt hints that the resolution will involve the narrator accepting the professor’s opinion about the content of the letter.
Show the answer
Correct answer: A
The question asks how the exchange between the professor and the narrator in paragraphs 8–11 contributes to the development of the characters.
A. CORRECT. Paragraphs 8–11 help develop the characters by revealing the difference between the opinions of the narrator and the professor. The narrator believes without any doubts that Halyard, the man who wrote the letter about the auks, is either “ ‘a liar or a fool’ ” (paragraph 9), while the professor believes in the possibility that the writer of the letter could actually be telling the truth (“I said as much to Professor Farrago, but, to my surprise, he appeared to waver” [paragraph 8]).
B. Incorrect. In paragraph 8, the narrator reacts to the letter writer with “a contemptuous tolerance,” and he is shocked to learn that the professor actually agrees with the man (paragraph 11) whom the narrator has bluntly condemned as a liar or a fool (“ ‘In my opinion,’ said I, ‘he’s one or the other.’ ” [paragraph 10]). The exchange presents an emphatic disagreement between the narrator and the professor, and it does not show them working together in a collaborative manner.
C. Incorrect. Although the narrator initially distrusts the contents of the letter and shows “contemptuous tolerance for the writer” (paragraph 8), the excerpt portrays the professor as experienced and intelligent, not as one who is easily deceived.
D. Incorrect. While the narrator does begin to consider the professor’s perspective at the end of the excerpt, paragraphs 8–11 primarily serve to establish the difference of opinion between the narrator and the professor about the writer of the letter.
Question analysis
This question on the excerpt from In Search of the Unknown asks how a short exchange in paragraphs 8–11, in which the narrator and Professor Farrago discuss a letter about a bird, contributes to the development of the two characters. Students must read what each man says and decide what the exchange adds. Some choices describe the pair accurately in part only.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- At grade 7 The task matches the grade 8 standard on how lines of dialogue reveal character, but the four paragraphs are short and the two speakers’ positions are stated outright, so the demand stays at a typical grade 7 level.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- A very close wrong answer moderate
- How, not what minor
- Reading between the lines minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 9, 1066 words; question and choices: about grade 13, 90 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The four paragraphs are short and the disagreement is plain, so most students see that the men differ about the letter. The difficulty lies in the wording of the choices. One describes the contrast in terms of character, which suits the stem, but calls the professor easily deceived, a judgment only the narrator holds. The right choice speaks of a conflict, which sounds like plot rather than character, so students must trust that the conflict is what reveals the two men.
A very close wrong answer moderate Choosing the answer
The choice that contrasts the narrator’s distrust with an easily deceived professor and the right one both set the men’s views of the letter against each other; they part on whether the professor is fooled. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
How, not what minor Working it out
The stem asks about the characters, while the right choice names a conflict over the letter, so students must see that the disagreement itself is what reveals each man. (Anderson & Krathwohl, 2001)
Reading between the lines minor Working it out
The professor’s side is four words, “He isn’t—in mine,” and students must read them as openness to the letter’s truth, set against the narrator’s flat “one or the other.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Sum up in a phrase what each man says and does in paragraphs 8–11, then check every part of each choice against those four paragraphs, since a choice can describe one character correctly and the other not.
Traps
- Half right: One half of a two-part choice is right and the other is not.
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
- True but not the answer: A choice says something accurate about the text that does not answer this question.
The wrong answers, classified
B True but not the answer (King et al., 2004; Embretson & Wetzel, 1987)
Rests on a true fact, that the narrator submits his work to the professor, but in paragraphs 8–11 the two disagree sharply and nothing shows them cooperating.
C Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Gets the narrator’s distrust right but adopts his view that the professor is gullible, though the professor only declines to call the writer a liar or a fool and stays calm.
D Wrong part of the text (Kirsch & Mosenthal, 1990)
Knows that the narrator later comes to share the professor’s hope, in paragraph 34, but in paragraphs 8–11 he still insists the writer is “one or the other.”
Working it out, step by step
Figure out what the question asks
This asks what paragraphs 8–11 show about the two characters. Look at what each man says about the letter. Then compare their views.
Find the narrator’s view
In paragraph 8, the narrator reads the letter with “a contemptuous tolerance for the writer.” Contemptuous means full of scorn. He thinks the writer is “either a very innocent victim or a very stupid swindler.” A swindler is a cheat. In paragraph 10, he says the writer is a liar or a fool: “he’s one or the other.”
Find the professor’s view
The professor does not agree. In paragraph 8, the narrator notices that “to my surprise, he appeared to waver.” To waver means to be unsure. In paragraph 11, the professor answers, “He isn’t—in mine.” He means that in his opinion the writer is not a liar or a fool. So the two men clash over whether the letter is true. A clash like this is a conflict.
Check each choice
- A fits. The two men disagree about whether the letter can be trusted. Validity means whether something is true.
- B does not fit. They do work together, but here they disagree.
- C does not fit. The narrator’s distrust is right, but the professor is not fooled. He calmly refuses to call the writer a liar.
- D does not fit. The narrator starts to hope later, in paragraph 34. In paragraphs 8–11 he does not budge.
Watch out: C is tempting because half of it is true. The narrator does distrust the letter. But the idea that the professor has been fooled is only the narrator’s view.
Choose the answer
Paragraphs 8–11 set the narrator’s scorn against the professor’s open mind. So the answer is A, “It establishes the conflict between the professor and the narrator concerning the validity of the letter.”
Why this answer and not the closest wrong one
C is the closest wrong choice. It is right about the narrator’s distrust. But it speaks of “how easily the professor is deceived.” Deceived means tricked. The story never shows that. He stays calm and thinks for himself. A describes both men correctly: they disagree about the letter.
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The original DOE question

Question 8 of 30
2026 Practice Test B English, question 17Uses the passage above: “Excerpt from In Search of the Unknown”.
Question
The professor’s observations in paragraphs 15–17 create tension in the excerpt by causing the narrator to feel
- Aflustered by the professor’s criticism of his logic.
- Bannoyed by the professor’s sarcasm about his inexperience.
- Cconfused by the professor’s lack of respect for his opinion.
- Dfrustrated by the professor’s lack of interest in his theory.
Show the answer
Correct answer: A
The question asks how the professor’s observations in paragraphs 15–17 create tension in the excerpt.
A. CORRECT. The professor criticizes “ ‘you young fellows’ ” (paragraph 15), suggesting that the ideas of young scientists like the narrator are unsupported (“ ‘like swimming squirrels’ ” [paragraph 17]) and inaccurate (“ ‘but you never land where you hope to—do you?’ ” [paragraph 17] and “ ‘you embark on a theory for destinations that don’t exist’ ” [paragraph 15]). The narrator then becomes “red in the face” (paragraph 18), indicating that the narrator is upset by the professor’s criticism, and asks the professor about the great auk in an attempt to defend himself.
B. Incorrect. While the narrator does experience a negative reaction to the professor’s words, the professor is being genuine, not sarcastic. In fact, the sarcasm comes from the narrator in paragraph 14 (“ ‘It is generally accepted,’ I replied, sarcastically, ‘that the great auk has been extinct for years. Therefore I may be pardoned for doubting that our correspondent possesses a pair of them alive’ ”), not from the professor.
C. Incorrect. The professor’s observations cause the narrator to blush with embarrassment (“rather red in the face” [paragraph 18]), but the narrator understands the point that the professor is making about the narrator’s acceptance of the idea that great auks do not exist. The narrator recognizes that the professor is criticizing his youthful ideas, not his opinion.
D. Incorrect. The professor shows amusement with the narrator’s perspective. The narrator is embarrassed and upset by the professor’s words, but the narrator does not display frustration with the professor’s lack of interest in a commonly held view of the existence of a certain species of bird.
Question analysis
In this question on In Search of the Unknown, Professor Farrago makes remarks about “you young fellows,” comparing them to swimming squirrels that never land where they hope. Students must decide how these remarks in paragraphs 15–17 make the narrator feel and so create tension. The comparison is odd and old-fashioned, and the four choices name similar negative feelings with different causes.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 students infer feelings from a character’s reactions, usually from plainly stated emotions. Here the cause is a puzzling figurative jab about “swimming squirrels,” the reaction is shown only through a physical sign, and the choices offer four close negative feelings.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Figurative or literary language major
- A very close wrong answer moderate
- Reading between the lines moderate
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 9, 1066 words; question and choices: about grade 9, 52 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The professor’s two images are odd, and students must decode them as a comment on how the narrator reasons before they can say why he blushes. Every choice names an unpleasant feeling, so the decision rests on its cause. “You young fellows” makes sarcasm about inexperience the natural guess, but the sarcasm in this scene is the narrator’s own, and the professor smiles “wearily” and speaks in earnest. The narrator’s pointed reply shows he followed the criticism, not that it confused him.
Figurative or literary language major Understanding the question
The criticism comes in images: young men who “embark on a theory for destinations that don’t exist” and who, like swimming squirrels, “never land where you hope to,” a picture of reasoning that goes astray. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
A very close wrong answer moderate Choosing the answer
The choice about annoyance at sarcasm and the right one both name a bad reaction to the professor’s remarks; they part on the cause, sincere criticism of his logic or mockery of his youth. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Reading between the lines moderate Working it out
The narrator never names his feeling; it shows only in “Rather red in the face” and in the defensive question that follows about whether the great auk is extinct. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Paraphrase what the professor says about “you young fellows” in paragraphs 15–17, find how the narrator reacts in paragraph 18, and choose the feeling and the cause that both fit.
Traps
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Word match: Repeats striking words or phrases from the text, so it looks supported, but its meaning does not fit the question.
The wrong answers, classified
B Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Hears mockery in “Oh, you young fellows,” but the professor is sincere; the sarcasm belongs to the narrator, who “sarcastically” insists in paragraph 14 that the great auk is extinct.
C Twists what the text says (King et al., 2004)
Takes the blush in paragraph 18 as confusion, though the narrator answers at once with a pointed question, which shows he understood the professor’s point well enough to push back.
D Word match (Freedle & Kostin, 1993)
Is drawn by “theory” in paragraph 15 and calls the professor uninterested, though he engages the narrator’s view closely enough to answer it with two vivid images.
Working it out, step by step
Figure out what the question asks
This asks how the professor’s words in paragraphs 15–17 make the narrator feel. Tension is a feeling of strain between characters. Each choice names a feeling and a cause. Both parts must be right.
Read what the professor says
In paragraph 15 he says, “Oh, you young fellows,” and “you embark on a theory for destinations that don’t exist.” To embark means to set out on a trip. He means young men set out with an idea toward places that are not there. Their reasoning leads them to wrong answers. In paragraph 17 he adds, “Like swimming squirrels, you navigate with the help of Heaven and a stiff breeze, but you never land where you hope to—do you?”
Understand the picture
A swimming squirrel can’t really steer. It drifts with luck and the wind. The professor is saying the narrator’s thinking drifts the same way and misses the truth. That is a criticism of his logic, or reasoning. In paragraph 18, the narrator is “Rather red in the face.” He is flustered, which means embarrassed and upset.
Check each choice
- A fits. He turns red after the professor criticizes his reasoning.
- B does not fit. Sarcasm is saying the opposite of what you mean in order to mock. The professor means what he says. The sarcastic one is the narrator, in paragraph 14.
- C does not fit. He is not confused. He fires back a sharp question right away.
- D does not fit. The professor answers the narrator’s idea closely, so he is interested in it.
Watch out: B is tempting because “you young fellows” points to the narrator’s youth. But the professor is sincere, not sarcastic.
Choose the answer
The professor says the narrator’s reasoning goes astray, and the narrator turns red. So the answer is A, “flustered by the professor’s criticism of his logic.”
Why this answer and not the closest wrong one
B is the closest wrong choice. Both A and B say the narrator feels bad. But B blames sarcasm. Paragraph 14 says the narrator “replied, sarcastically,” so the sarcasm is his own. The professor means his words seriously. A names the real cause: criticism of the narrator’s thinking.
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Question 9 of 30
2026 Practice Test B English, question 20Uses the passage above: “Excerpt from In Search of the Unknown”.
Question
How does paragraph 34 help develop the plot of the excerpt?
- AIt shows that the narrator is beginning to consider the possibility of finding the great auks.
- BIt demonstrates that the narrator is struggling to understand why the professor thinks the great auks exist.
- CIt establishes that the narrator is willing to let the professor overrule him about the great auks.
- DIt emphasizes that the narrator feels a sense of urgency to complete the expedition to locate the great auks.
Show the answer
Correct answer: A
The question asks how paragraph 34 helps develop the plot of the excerpt.
A. CORRECT. Despite his initial disbelief, the narrator admits in paragraph 34 that he is starting to feel the “same strange hope” the professor feels, which is to find the great auks (paragraph 33).
B. Incorrect. While the narrator does make an effort in paragraphs 11–22 to understand the professor’s thinking, paragraph 34 reveals that the narrator has been affected by the professor’s “strange hope” for the auks and is beginning to share this hope “in spite of” himself.
C. Incorrect. The narrator describes a feeling of hope in paragraph 34 that would not be present if he had simply been overruled by the professor and did not share any of the professor’s belief in the possibility that the auks exist. In addition, it was established before paragraph 34 that the narrator was willing to be overruled (“I drew a chair up beside his desk—there was nothing to do but to obey, and this fool’s errand was none of my conceiving” [paragraph 25]).
D. Incorrect. The narrator does not express a sense of urgency in paragraph 34 to complete the expedition. Instead, he expresses hope that the great auks might really exist.
Question analysis
This plot question on In Search of the Unknown asks how paragraph 34, a single long sentence near the end of the excerpt, helps develop the story of the narrator’s assignment to bring back two great auks. Students must put its formal phrasing into plain words and connect it to the conversation that comes before it.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Explaining how a paragraph moves a plot forward is regular grade 7 work, and paragraph 34 is a single sentence. Its formal wording, such as “in spite of me” and “stir my pulses,” has to be put into plain words first.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Complex sentences minor
- Figurative or literary language minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 9, 1066 words; question and choices: about grade 10, 79 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Put into plain words, the paragraph has the narrator admitting that the professor’s hope is starting to take hold of him, which is the turn the question asks about. The losses come from reading it through earlier scenes: his obedience in paragraph 25 makes giving way to the professor look like the point, and the word “strange” makes puzzlement look likely. The paragraph records a change in what he believes, not in what he does.
Complex sentences minor Understanding the question
Paragraph 34 is one 31-word sentence that turns on “on the contrary” and breaks its main clause with “in spite of me,” so its point, a hope beginning to stir, arrives late. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
Figurative or literary language minor Understanding the question
“To stir my pulses” means to excite, and a student who reads it as a racing heart may take it for haste to leave rather than hope that the birds exist. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Restate paragraph 34 in plain modern words, then test each choice against what this paragraph itself says about the narrator.
Traps
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
B Twists what the text says (King et al., 2004)
Takes “the same strange hope” as the narrator puzzling over the professor’s belief, though the sentence says that hope is now stirring in the narrator himself.
C Wrong part of the text (Kirsch & Mosenthal, 1990)
Brings in paragraph 25, where the narrator draws up a chair because he must obey, but paragraph 34 shows him starting to share the hope, not yielding to an order.
D Reads too much in (Graesser, Singer & Trabasso, 1994)
Reads stirring pulses as eagerness to finish the trip quickly, though the excitement is about the chance that the birds exist, and the paragraph says nothing of speed.
Working it out, step by step
Figure out what the question asks
This asks how paragraph 34 moves the story forward. Read that paragraph closely. Then decide what has changed for the narrator.
Read paragraph 34 closely
Paragraph 34 says “But I was not shocked; on the contrary, I was conscious that the same strange hope that Professor Farrago cherished was beginning, in spite of me, to stir my pulses, too.” On the contrary means the opposite is true. Cherished means held dear. To stir his pulses means to make his heart beat faster with excitement.
Put it in your own words
The professor hopes the great auks are real. Now the narrator feels that same hope starting in himself. “In spite of me” means he did not want to feel it, but he does. Before, he called the letter writer a liar or a fool. Now he is starting to think the birds might really be found.
Check each choice
- A fits. He begins to hope that the birds could be found.
- B does not fit. He is not puzzling over the professor’s belief. He is starting to share it.
- C does not fit. Giving in to the professor came earlier, in paragraph 25: “there was nothing to do but to obey.” Paragraph 34 is about hope, not obeying.
- D does not fit. Nothing in the paragraph is about hurrying.
Watch out: D is tempting because a racing pulse can sound like rushing. But the excitement is about the birds, not about speed.
Choose the answer
Paragraph 34 shows the narrator’s doubt starting to turn into hope. So the answer is A, “It shows that the narrator is beginning to consider the possibility of finding the great auks.”
Why this answer and not the closest wrong one
C is the closest wrong choice. The narrator did agree to obey the professor. But that happened in paragraph 25, and he was not happy about it. In paragraph 34, something new happens. He feels “the same strange hope” as the professor. A names that change.
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The original DOE question

Question 10 of 30
2026 Practice Test B English, question 30Passage Using Fire to Keep a Prairie Healthy
Using Fire to Keep a Prairie Healthy
Inside the 40,000-acre Joseph H. Williams Tallgrass Prairie Preserve in northern Oklahoma, herds of bison roam on the scenic land that is home to hundreds of different species of plants and animals. While one of the greatest threats to the prairie is wildfire, the use of controlled fires is actually an effective way to protect this idyllic landscape.
Fires that are started by lightning or other natural circumstances are inevitable, and the results can be disastrous. However, hundreds of years ago the American Indian people who inhabited the Great Plains area between Minnesota and Texas realized that these fires could also be helpful. The bison in the area seemed to prefer grazing on tender new grass on the recently burned land rather than on grass in the unburned areas. The American Indian people began to deliberately burn areas of land for bison to graze on, which enticed the herds away from the people’s crops.
Today conservationists at the Tallgrass Prairie Preserve and farmers in the Great Plains continue to use controlled burns for land management. Intentionally burning a portion of land can dramatically improve the quality of the vegetation that regrows there. The fires burn away weedy undergrowth and help limit the overcrowding of shrubs and trees in the burn area, creating less competition for water and nutrients. Additionally, the process of burning excess plant matter adds nitrogen, an essential element for plant growth, to the soil.
One common target of controlled burns at the preserve and the surrounding area is the invasive red cedar tree. A single red cedar tree can consume up to 40 gallons of water per day, taking this vital resource away from other plant life. These tall trees also cast shade that prevents sunlight from reaching the plants beneath them. The fast-growing red cedar trees tend to crowd out prairie grasses, the primary food source for wild and domestic animals that make the prairie their home. An imbalance in one component of the prairie’s ecosystem affects the entire web of life. Controlled burns help maintain this ecosystem’s delicate balance.
Of course, these controlled fires are intended to burn only a portion of an area. A total burn, which is a risk with an uncontrolled wildfire, would destroy all wildlife as well as the crops farmers plant for income. The key to using controlled fires is knowing which areas of land to burn and when. Conservation experts at the preserve employ the “patch-burn” approach, meaning they rotate which portion of land is burned each year. They study the land to find out which areas would most benefit from being burned, and then they arrange about a dozen burns over one-third of the land. This patch burning contains the fire within a specific area and allows animals in the burn area to safely relocate. The following year, conservationists will burn a different section of the preserve, while the land burned the previous year regrows healthier than before.
Researchers have tracked and studied the variety of plant species and animals that live on the preserve, and their studies show that the patch-burn approach has restored biodiversity to the area by promoting the growth of species that were at risk of being crowded out. The patch-burn system is so successful that the conservationists at the preserve provide training to prairie farmers about conducting controlled burns on their own land. Burning land to make it healthy may seem counterintuitive, but strategic controlled fires have helped the prairie sustain life for hundreds of years and, with careful management, will continue to do so.

Question
Targeting red cedar trees in controlled burns affects the animals that live on the prairie mostly by
- Aensuring that the animals’ main food source has the conditions needed for it to thrive.
- Bendangering the animals that live near the trees scheduled for removal.
- Cmaking sure that the water supply for the animals is sufficient.
- Dreducing the animals’ natural source of shade and protection from the elements.
Show the answer
Correct answer: A
The question asks how targeting red cedar trees in controlled burns affects the animals that live on the prairie.
A. CORRECT. According to information in paragraph 4, targeting invasive red cedar trees with controlled burns affects animals that live on the prairie by ensuring that these trees do not “crowd out prairie grasses, the primary food source for wild and domestic animals that make the prairie their home.” The paragraph also states that each red cedar tree consumes “up to 40 gallons of water per day, taking this vital resource away from other plant life.” Removing red cedars thus increases the amount of water available to the prairie grasses and helps maintain favorable conditions for the animals’ main source of food.
B. Incorrect. Although the author mentions the potential danger to wildlife from an uncontrolled burn in paragraph 5, the author emphasizes that patch burning “allows animals in the burn area to safely relocate.” Therefore, the animals that live near trees scheduled for removal are not endangered by the controlled burns.
C. Incorrect. In paragraph 4, the author states that “a single red cedar tree can consume up to 40 gallons of water per day, taking this vital resource away from other plant life.” However, the author does not suggest that reducing the number of red cedar trees through controlled burns ensures a sufficient water supply for animals that live on the prairie.
D. Incorrect. In paragraph 4, the author states that “these tall trees also cast shade that prevents sunlight from reaching the plants beneath them.” However, the author does not suggest that using controlled burns to eliminate red cedar trees reduces a natural source of shade for prairie animals. The red cedar trees are invasive; therefore, the author does not consider them a “natural” part of the prairie ecosystem.
Question analysis
This question asks how burning invasive red cedar trees on purpose mostly affects the wild and domestic animals that live on the Oklahoma prairie. Students follow a chain of cause and effect through the paragraph on red cedars, which describes the trees' heavy water use, their shade and their spread, and must pick out the effect that matters most to the animals.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Grade 7 readers routinely trace how one change leads to another in an informational text. This chain stays within one paragraph, but the paragraph names several things the cedars take from the prairie, and the stem's “mostly” asks for the main effect.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Reading between the lines moderate
- Much to keep track of minor
- The right answer is reworded minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 11, 598 words; question and choices: about grade 9, 66 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Paragraph 4 lists three harms the red cedar does, drinking water, casting shade and crowding out grasses, and the wrong choices hand the water and the shade straight to the animals. In the text, all three harms fall on plants, and animals feel them only through the grasses they eat. Students who ask who suffers each harm see that protecting the food supply is the main effect the stem’s “mostly” asks for.
Reading between the lines moderate Working it out
Paragraph 4 never names an effect on animals; students must chain the cedars crowding out “prairie grasses,” the grasses being “the primary food source,” and the burns that remove the cedars. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Much to keep track of minor Working it out
The paragraph names three harms at once, 40 gallons of water a day, shade over the plants below and crowding, and students must track which living things each harm reaches. (Sweller, 1988; Carpenter, Just & Shell, 1990)
The right answer is reworded minor Choosing the answer
The right choice speaks of “conditions needed for it to thrive” without naming grass or cedars, while the wrong ones repeat the paragraph’s vivid details of water and shade. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
Strategy: Reread the paragraph about red cedars and list each way the trees harm the prairie, then ask which of those harms reaches the animals and which would matter to them most.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
The wrong answers, classified
B Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Assumes that fire near animals must endanger them, a common belief, though paragraph 5 says patch burning “allows animals in the burn area to safely relocate.”
C Twists what the text says (King et al., 2004)
Seizes on the 40 gallons a red cedar drinks each day, but the passage says that water is taken from “other plant life,” not from the animals’ supply.
D Twists what the text says (King et al., 2004)
Turns the cedars’ shade, which blocks sunlight from “the plants beneath them,” into shelter for animals, though the passage treats the invasive trees as a harm, never a natural refuge.
Working it out, step by step
Figure out what the question asks
This question asks about cause and effect. People burn red cedar trees on purpose. You need to find how that mostly helps the animals. The word “mostly” means you want the biggest effect, not just any effect.
Find what the red cedars do
Paragraph 4 is about red cedars. It names three harms. First, one tree can drink “up to 40 gallons of water per day, taking this vital resource away from other plant life.” Second, the trees “cast shade that prevents sunlight from reaching the plants beneath them.” Third, they “tend to crowd out prairie grasses, the primary food source for wild and domestic animals.”
Ask who each harm hurts
Look at who loses each time. The water is taken from “other plant life.” The shade blocks light from “the plants beneath them.” The crowding pushes out prairie grasses. So every harm falls on plants. The animals feel it through the grass, because grass is their main food. Primary means main. So burning the cedars mostly helps the animals by protecting their food.
Check each choice
- A is right. The animals’ main food source is prairie grass. With the cedars gone, the grass gets water, sunlight and room to grow.
- B is wrong. Paragraph 5 says patch burning “allows animals in the burn area to safely relocate.” Relocate means move somewhere else.
- C is wrong. The cedars take water from plants. The passage never says the animals run short of water.
- D is wrong. The shade blocks light from plants. The passage never calls it shelter for animals.
Watch out: The 40 gallons of water is a striking fact, so C is tempting. But that water is taken from “other plant life.”
Choose the answer
Burning the cedars keeps the grass healthy, and the grass feeds the animals. Thrive means grow well. So the answer is A: “ensuring that the animals’ main food source has the conditions needed for it to thrive.”
Why this answer and not the closest wrong one
C is the closest wrong answer, because paragraph 4 does talk about water. But it says the cedars take water from plants, not from animals. The grass, the animals’ main food, is what suffers from all three harms. So A fits better.
More questions like this
The original DOE question

The passage “Using Fire to Keep a Prairie Healthy” as printed (page 41)

Question 11 of 30
2026 Practice Test C English, question 27Passage Serpent Mound
Serpent Mound
The Great Serpent Mound, located in Adams County, Ohio, is a human-made mound of earth that researchers believe was created between 300 B.C. and A.D. 1100 by an indigenous culture.
Ohio, 1846
Brush Creek stood low when the museum men came
with their measuring tapes and sketchbooks.
It was winter. Fringed with ice,
the creek doubled back on itself
as if it had forgotten something.
Pa was in Cincinnati, or else on his way home,
so Ma told me to lead the men
into the marshy low grounds. It being winter,
there was little underbrush to speak of—
in the summer there would have been
briars, poison ivy, biting flies. I listened
for the swish of a beaver’s heavy tail,
the chitter of a chickadee, or the cry of a hawk,
but the winter silence of the creek pressed
down on all of us like a weight.
The humps in the ground were all but
invisible until you were right up on them. The figure
was even less obvious: the sinuous body,
the tail coiled three times around,
and at the other end, the mouth wide open.
In the summer the creek bottom was crowded
with so much life that you could trip over
the ridges of earth before you saw
anything at all. In winter you could climb
a tree and get some idea of the whole thing:
the serpent’s body undulating, slithering
silently across the ancient
earth. At the mouth end, there was an oval mound
as if the snake were about to swallow an egg—
as snakes sometimes did in our rickety
henhouse—my Pa always said, or
as if swallowing the sun, one of the museum
men suggested, taking notes with his quill pen,
an old-style inkhorn slung at his side.
I liked that: swallowing the sun,
just the sort of thing a snake might do,
might want to do. When, later, I told my sister Ruth,
she disagreed. It is singing to the sun,
she insisted. That is why its mouth
is wide open. She said, “Sometimes I think
I hear it on summer nights. Not swallowing, singing.”
Question
Which lines reveal how the setting affects the speaker and the men from the museum?
- A“It being winter, / there was little underbrush to speak of—” (lines 8–9)
- B“but the winter silence of the creek pressed / down on all of us like a weight.” (lines 14–15)
- C“The humps in the ground were all but / invisible until you were right up on them.” (lines 16–17)
- D“In the summer the creek bottom was crowded / with so much life that you could trip” (lines 21–22)
Show the answer
Correct answer: B
The question asks which lines reveal how the setting affects the speaker and the men from the museum.
A. Incorrect. The words “being winter” (line 8) work to establish the setting, but lines 8 and 9 do not describe the effect the winter setting has on the speaker and the men.
B. CORRECT. The imagery in lines 14 and 15 describes how the winter silence makes the speaker and the men feel emotional heaviness: it “pressed / down on all of us like a weight.”
C. Incorrect. Although the words “the humps in the ground were all but / invisible” describe how the setting appears to the speaker and the men, lines 16 and 17 do not describe how the setting affects them.
D. Incorrect. Although lines 21 and 22 do describe the setting, the lines do not describe how the setting affects the speaker and the men. The lines describe the setting in the summer, which is before the men from the museum show up.
Question analysis
This evidence question on the poem “Serpent Mound” asks which lines reveal how the setting, a creek in the Ohio winter of 1846, affects the young speaker and the museum men. All four quotations come from the poem’s description of the creek and the land around the mound, in winter and in summer, so the four choices look much alike at first glance.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 A routine grade 7 evidence task: the four quotations are short, numbered and in plain modern language. What takes care is that all of them describe the setting, while the question asks about its effect on particular people.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly evaluate
- What makes it hard
- Every choice must be checked moderate
- Figurative or literary language minor
- Evidence
- Answered from one sentence or line
- Reading level
- Passage: 354 words (a poem; reading level not measured); question and choices: about grade 5, 77 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Every quotation describes the setting, so a student who checks only for setting can defend almost any of them. The question turns on the people: only one quotation says what the place does to them, in the words “on all of us.” The summer lines tempt with someone tripping over the ridges, but they describe another season, not the winter day of the visit.
Every choice must be checked moderate Choosing the answer
All four quotations describe the creek and the land, so each must be asked whether it shows the place acting on the speaker and the men or only tells what the place is like. (Embretson & Wetzel, 1987)
Figurative or literary language minor Understanding the question
The answer is a simile, silence that “pressed / down on all of us like a weight,” and students must read the weight as a mood the winter quiet puts on the group. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Paraphrase each quotation, then ask whether it shows the setting acting on the speaker and the museum men or only tells what the place is like.
Traps
- Supports only part of the claim: In a question about evidence: a line that backs one half of the claim but not the other, or a related point rather than the claim itself.
- True but not the answer: A choice says something accurate about the text that does not answer this question.
The wrong answers, classified
A Supports only part of the claim (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Treats the thin winter underbrush as an effect because it would make the walk easier, but lines 8–9 only describe the ground and say nothing of how anyone feels or acts.
C Supports only part of the claim (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Sees that the humps are hard to spot until “you were right up on them,” which involves a viewer, but the lines report how the land looks, not what it does to the group.
D True but not the answer (King et al., 2004; Embretson & Wetzel, 1987)
Matches “you could trip” to the word “affects,” but the lines describe the creek bottom in summer, not the winter day when the speaker leads the museum men.
Working it out, step by step
Figure out what the question asks
This asks for evidence about setting. Setting is where and when a story or poem takes place. Here it is a creek in Ohio, in winter. You need the lines that show how this place affects the speaker and the museum men. In other words, what does the place do to them or make them feel?
Read the lines that mention people
Lines 14–15 say “but the winter silence of the creek pressed / down on all of us like a weight.” The words “all of us” mean the speaker and the museum men together. This is a simile, a comparison using “like.” The quiet felt like something heavy pressing down on them. So the silent winter creek made the whole group feel heavy and gloomy.
Check each choice
- A does not fit. Lines 8–9 say there was little underbrush, or low bushes. That describes the ground, not how anyone felt.
- B fits. The silence “pressed / down on all of us,” so the place acts on the whole group.
- C does not fit. Lines 16–17 tell how hard the humps are to see. They describe the land, not its effect on the group.
- D does not fit. Lines 21–22 describe the creek in summer. The museum men came in winter.
Watch out: D says “you could trip,” which sounds like an effect on people. But it describes another season, not the day of the visit.
Choose the answer
Only lines 14–15 show the winter creek acting on the speaker and the men. So the answer is B, lines 14–15: “but the winter silence of the creek pressed / down on all of us like a weight.”
Why this answer and not the closest wrong one
C is a close wrong choice, because it has a person in it: the humps stay hidden “until you were right up on them.” But it only reports what the land looks like. B is different. The silence “pressed / down on all of us like a weight.” Only B shows the place changing how the speaker and the men feel.
More questions like this
The original DOE question

The passage “Serpent Mound” as printed (page 40)

Question 12 of 30
2026 Practice Test D English, question 4Passage A Memory Revolution
A Memory Revolution
A high school senior logs on to a computer at the library to double-check the application due date listed on a college admissions website. Nearby, a librarian helps a group of biology students use a database to search for recent studies about mammals. In the past few decades, the Internet has become an integral component of daily life for many people. The seemingly limitless power of search engines made the Internet search extremely common, and today people increasingly rely on the Internet’s vast accumulation of sources to access all types of information. Scientists are beginning to examine how this reliance is modifying the strategies people use to store and prioritize information in their mind.
A Dependable and Valuable Asset
Psychologist Benjamin Storm from the University of California, Santa Cruz, and researchers Sean Stone and Aaron Benjamin devised an experiment to study students’ tendency to depend on the Internet for facts. To begin, the scientists divided sixty participants into multiple groups, including an “Internet” group and a “memory” group, and placed them in front of computers. The Internet group was required to use the search engine Google to answer eight challenging trivia questions. In contrast, participants in the memory group were permitted to use only their personal knowledge to answer the questions. In the second round, the researchers administered notably easier questions. This time, they allowed each group the option of using Google as they answered. Their results showed that 83 percent of the Internet group continued to consult Google in the second round, while only 63 percent of the memory group chose to do so.
People’s growing inclination to rely on the Internet in order to retrieve information, particularly facts and figures, is called cognitive offloading. Canadian researcher Evan F. Risko and British researcher Sam Gilbert, who have written extensively about the topic, say a similar process has been taking place for centuries. In the past, people used resources like encyclopedias to assist their memories; however, today the Internet, serving as a vast extended memory, allows people to digitally access and retrieve much larger volumes of information. Consequently, people’s minds are free for other cognitive feats, such as connecting data, learning new information, or solving problems.
Filing Information Away
The use of the Internet also appears to be modifying the strategies people use to store information in their mind. Researchers Betsy Sparrow from Columbia University, Jenny Liu from the University of Wisconsin-Madison, and Daniel Wegner from Harvard University conducted several studies to discover how people efficiently manage their information intake.
To begin, the researchers examined how people evaluate which information deserves their effort to remember. For this experiment, participants read forty trivia facts, such as “An ostrich’s eye is bigger than its brain,” and typed the statements into a computer file. Half the participants had been previously told the file would be saved, while half believed it would be erased. Next, the participants wrote down every fact they could recall. Those who believed the information would be erased and no longer available could recall 40 percent more facts than those who thought the information would be saved.
In another experiment, the same researchers tested the ability of study participants to remember where to access information. For this trial, participants read and typed trivia statements, which they saved in folders with generic names such as “Facts” and “Items.” After spending ten minutes writing down all the facts they could recall from memory, participants were asked which folder contained a particular fact based on a keyword. For example, “Which folder has the fact about ostriches?” Overall, participants recalled the information’s location more often than the content itself, correctly identifying 49 percent of the folders for specific facts while remembering only 23 percent of the actual trivia. The researchers concluded that our memory is adapting to the Internet age by prioritizing where to locate information even when the specific details are forgotten. According to Sparrow, the Internet has become an important form of transactive memory, an external source of the recollections and associative networks that constitute memory.
As the Internet’s resources continue to expand our “external” memory, some question whether the process may cause people to depend too heavily on technology. However, Steven Pinker, a professor of psychology at Harvard University, says, “Knowledge is increasing exponentially; human brainpower and waking hours are not. Fortunately, the Internet and information technologies are helping us manage, search and retrieve our collective intellectual output at different scales, from Twitter and previews to e-books and online encyclopedias. Far from making us stupid, these technologies are the only things that will keep us smart.”

Question
The study described in paragraph 6 influenced researchers’ ideas about memory in the digital age by
- Ahighlighting instances when organizing detailed information made it easier to remember.
- Bconfirming that keywords can be remembered more easily than large amounts of information.
- Cidentifying a shift in focus from remembering specific information to knowing where to find it.
- Demphasizing that remembering a basic idea is more important than storing detailed information.
Show the answer
Correct answer: C
The question asks how the study described in paragraph 6 influenced researchers’ ideas about memory in the digital age.
A. Incorrect. The study required participants to organize information into folders, but the results suggest that organizing the information did not make the information easier to remember; instead, participants remembered the folder in which to find the information but forgot the information itself.
B. Incorrect. Although the participants in the study were given a keyword, such as “ostrich,” when asked to remember “which folder contained a particular fact,” the study was significant for researchers because it demonstrated that “our memory is adapting to the Internet age by prioritizing where to locate information even when the specific details are forgotten” (paragraph 6). The study confirmed that participants were remembering where the information was stored, because they were able to provide the name of the folder where the information was stored.
C. CORRECT. The study in paragraph 6 demonstrated that participants were better able to recall where to find certain information than to recall the information itself. This influenced researchers’ ideas about memory in the digital age: “Overall, participants recalled the information’s location more often than the content itself, correctly identifying 49 percent of the folders for specific facts while remembering only 23 percent of the actual trivia” (paragraph 6).
D. Incorrect. The study did not examine the relative importance of remembering basic information or storing detailed information. It examined the effect of the Internet on the information that people remember and concluded that human memory “is adapting to the Internet age by prioritizing where to locate information” (paragraph 6).
Question analysis
This development-of-ideas question on “A Memory Revolution” asks how the folder experiment in paragraph 6, where participants saved trivia statements in folders named “Facts” and “Items” and were later quizzed, influenced researchers’ ideas about memory in the digital age. Students must understand what the experiment measured and what the researchers made of it, while the choices echo its keywords, folders and details.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Explaining how a study shaped researchers’ thinking is typical grade 7 work with informational texts. The researchers state their conclusion in paragraph 6, which shortens the search, though the paragraph’s percentages and terms such as “transactive memory” need care.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly understand
- What makes it hard
- A very close wrong answer minor
- Much to keep track of minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 14, 763 words; question and choices: about grade 13, 67 words.
- Corrected from the DOE handbook
- A mislabeled term in the explanation was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The researchers state their conclusion in paragraph 6, that memory is “prioritizing where to locate information even when the specific details are forgotten,” so the question mostly rewards recognizing it in new words. The risk lies in the experiment’s moving parts: a student who mixes up the folder, the fact and the keyword can believe that filing helped recall or that keywords were the finding. The closest wrong choice keeps the downgrading of detail and swaps a basic idea in for location.
A very close wrong answer minor Choosing the answer
The choice about a basic idea mirrors the key’s first half, detailed information losing out; it differs only in what wins, a basic idea instead of knowing where the information is kept. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Much to keep track of minor Working it out
Paragraph 6 juggles three things a participant might recall, the fact, its folder and the keyword cue, plus two percentages, so students must keep straight that 49 percent is folders and 23 percent is trivia. (Sweller, 1988; Carpenter, Just & Shell, 1990)
Strategy: Locate the researchers’ own conclusion in paragraph 6, restate it in plain words, and choose the option that matches it, not one that borrows a word from the description of the experiment.
Traps
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Word match: Repeats striking words or phrases from the text, so it looks supported, but its meaning does not fit the question.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Reads too much in (Graesser, Singer & Trabasso, 1994)
Assumes filing the facts in folders must have helped people remember them, though participants recalled only 23 percent of the trivia while naming the right folder 49 percent of the time.
B Word match (Freedle & Kostin, 1993)
Seizes on “keyword” in paragraph 6, but the keyword was only the cue in the question put to participants; what they remembered best was a folder with a generic name such as “Facts.”
D Twists what the text says (King et al., 2004)
Reads “prioritizing” as a ranking of what matters and turns knowing where a fact is kept into remembering a basic idea, though participants recalled locations, not the gist of the facts.
What was corrected from the DOE handbook, and why
- Explanation: The DOE’s explanation of Option B ends by saying that participants “were able to provide the name of the folder (keyword) where the information was stored.” In paragraph 6 the keyword is the cue the participants were given (the same explanation begins “the participants in the study were given a keyword, such as ‘ostrich’”); the folders had generic names such as “Facts” and “Items.” Calling the folder name a keyword makes the sentence seem to support Option B (“keywords can be remembered more easily”), the option it is rejecting. The site drops “(keyword).”
Working it out, step by step
Figure out what the question asks
This asks what the study in paragraph 6 taught the researchers about memory today. The researchers state their own conclusion in the paragraph. Find it, put it in plain words, and match it to a choice.
Follow the steps of the study
Participants typed trivia facts and saved them in folders. The folders had plain names, such as “Facts” and “Items.” Later each person got a keyword, a hint word, in a question like “Which folder has the fact about ostriches?” The result: “participants recalled the information’s location more often than the content itself, correctly identifying 49 percent of the folders for specific facts while remembering only 23 percent of the actual trivia.”
Read the researchers’ conclusion
Paragraph 6 says “our memory is adapting to the Internet age by prioritizing where to locate information even when the specific details are forgotten.” To prioritize is to put first. So people now put first knowing where a fact is kept. They may forget the fact itself. That is a shift in focus, a change in what memory pays attention to.
Check each choice
- A does not fit. Filing the facts in folders did not help people remember them. They recalled only 23 percent of the facts.
- B does not fit. The keyword, like “ostriches,” was only the hint in the question. What people remembered was the folder, such as “Facts.”
- C fits. Memory shifted from the facts themselves to where to find them.
- D does not fit. People remembered locations, not a basic idea of each fact.
Watch out: D is tempting because “prioritizing” sounds like deciding what matters most. But the study ranked nothing. It found that people recalled where facts were, not what they said.
Choose the answer
The study showed people remembering where facts were kept better than the facts. So the answer is C, “identifying a shift in focus from remembering specific information to knowing where to find it.”
Why this answer and not the closest wrong one
D is the closest wrong choice. Like C, it says detailed facts lose out. But it says a basic idea wins instead. In the study, what won was location: 49 percent of the folders against 23 percent of the facts. C names location, so C matches the researchers’ own conclusion.
More questions like this
The original DOE question

The passage “A Memory Revolution” as printed (pages 3–4)


Question 13 of 30
2026 Practice Test D English, question 20Passage Wolves of the Sea
Wolves of the Sea
The cool and misty landscape of the Great Bear Rainforest can be found along the coast of British Columbia, Canada, and its nearby islands, from Vancouver Island to the Alaskan border. Within this protected area, wolves roam the forests, islands, and beaches. When biologist Chris Darimont began to study these wolves, he wanted to confer with local First Nations groups, as aboriginal Canadians are known, in order to learn what they knew about these wolves. He spoke with Chester Starr, an elder of the Heiltsuk Nation that has occupied the Great Bear Rainforest for thousands of years. What Starr had to say about the wolves changed Darimont’s perception of the animals.
Starr asked Darimont which wolves he and his team were going to study—the timber wolves (mainland wolves) or the coastal wolves on the islands. The question took Darimont by surprise. Biologists had always believed that the wolves that are sometimes spotted swimming between islands and eating salmon are the same wolves that live on the mainland. Darimont was intrigued by Starr’s classification of the wolves as two different groups. At first, he was hesitant to accept the idea. The distances between the mainland and the islands are small, less than a mile. Why would the wolves on the islands be any different from the wolves on the mainland? To find out, Darimont and his research team studied the wolves on the islands and in the densely forested territory of the Great Bear Rainforest for ten years.
Throughout the study, Darimont recorded several significant, observable differences between the “sea wolves,” as they are nicknamed, and the mainland wolves. Compared with the mainland wolves, the sea wolves are smaller in size and are strong swimmers. In 1996 sea wolves were spotted on an island nearly eight miles from any other land formation. While mainland wolves almost exclusively eat meat, such as deer and elk, and teach their young to hunt for land animals, sea wolves get as much as 90 percent of their nutrition from the sea and teach their young to dig for clams and to catch fish. Sea wolves regularly swim between islands and have been known to sneak up on a seal sunning itself on a rock and make a leaping attack from the water. Some salmon-eating mainland wolves come and go from the islands with the fish-spawning season, but the sea wolves are full-time island residents. Darimont suspects that some sea wolves live their entire life on the islands.
The sea wolves displayed not only physical and behavioral differences but also genetic variations from the mainland wolves. After collecting and analyzing the DNA in 800 samples of gray fur and wolf waste, researchers could produce hard biological evidence that sea wolves had genetic markers that made them distinct from the mainland wolves. A genetic marker is a variation in a DNA sequence that can be used to identify individuals or a species because it is passed down to offspring. Darimont hypothesizes that a change in habitat led to the eventual genetic differences between sea wolves and mainland wolves. Many years ago, loss of habitat and food sources forced some mainland wolves out to the islands. They learned to eat everything from kelp and fish eggs to the remains of sea creatures that washed up on the beach. Wolves living on the islands and mainland wolves became more isolated and rarely mated with each other. Over time the two types of wolves became more distinct.
It turned out that Chester Starr was right all along. “It sounded totally bizarre at first,” admits Darimont, “that there could be two versions of the species.” But he now realizes that this skepticism “definitely reflected my ignorance of indigenous knowledge at the time.” Learning to trust the wisdom of the Heiltsuk people opened Darimont up to knowledge accumulated over millennia and positioned him so that he could gather new scientific evidence about one of British Columbia’s most elusive species, the sea wolf.
Question
How did a change in habitat most affect the wolf population of the Great Bear Rainforest over time?
- AIt caused some of the wolves to learn new hunting techniques in order to catch increasingly scarce prey.
- BIt caused the wolves to form smaller packs and eventually separate, establishing distinct territories.
- CIt caused some of the wolves to gradually become a new, genetically distinct species as they adapted behaviorally.
- DIt caused the wolves to adapt their diet as different food sources became available in the area.
Show the answer
Correct answer: C
The question asks how a change in habitat most affected the wolf population of the Great Bear Rainforest over time.
A. Incorrect. Although the island wolves learned new hunting techniques (“dig for clams and to catch fish,” “sneak up on a seal sunning itself on a rock and make a leaping attack from the water” [paragraph 3]), there is no evidence in the passage that these hunting techniques were developed in response to scarcity of prey. The most significant effect of the change in habitat was not an influence on hunting techniques but the behavior differences that evolved because of the isolation of the groups of wolves from each other.
B. Incorrect. The change in habitat did not cause the wolves to form smaller packs but rather served to create distinctive behaviors because of the isolation of one pack from another, eventually causing the groups of wolves to become distinct species.
C. CORRECT. The change in habitat caused the wolves to gradually become two distinct species. Though the “sea wolves regularly swim between islands” and “some salmon-eating mainland wolves come and go from the islands,” the “sea wolves are full-time island residents” (paragraph 3). This behavioral adaptation to their environment caused the sea wolves to become “more isolated” from the mainland wolves; as a result, the two groups “rarely mated with each other,” and “over time the two types of wolves became more distinct” (paragraph 4).
D. Incorrect. Only the sea wolves adapted their diet. They did this not because different food sources became available in the area but because they were in an entirely different area from the mainland wolves.
Question analysis
This cause-and-effect question asks how a change in habitat most affected the wolf population of the Great Bear Rainforest over time, in the article “Wolves of the Sea.” Students must follow the account in paragraphs 3 and 4 of how some wolves came to live on the islands and pick the result the passage treats as the main one, among several that sound possible.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Tracing how one event leads to another is core grade 7 informational reading. The effects here are spread over two paragraphs of science writing, and several choices mix real details with causes the passage never gives, which keeps the demand typical.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Evidence in several places moderate
- Reading between the lines minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 10, 662 words; question and choices: about grade 10, 85 words.
- Corrected from the DOE handbook
- Two grammar slips in the explanation were corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Several effects of the move are real, and the strongest wrong answer names one of them, a change of diet, but gives it the wrong cause by having food appear nearby instead of wolves being forced out to the islands. Students who stop at the first effect they recognize miss that the question asks what happened over time. The key’s “new, genetically distinct species” overstates the passage, which calls the wolves “two versions of the species,” though it is still the only choice that follows the chain to its end.
Evidence in several places moderate Working it out
The chain of effects runs across two paragraphs: the island habits of paragraph 3, then paragraph 4’s loss of habitat, isolation, rare mating and the two types becoming “more distinct” over time. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Reading between the lines minor Working it out
The word “most” and the phrase “over time” point past the first changes, a new diet and new skills, to the end of the chain, genetic difference, which students must rank as the main effect. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Trace the chain of events in paragraphs 3 and 4 from the wolves’ move to the islands onward, then test each choice for who changed, why, and with what result.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Half right: One half of a two-part choice is right and the other is not.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
The wrong answers, classified
A Twists what the text says (King et al., 2004)
Joins paragraph 4’s lost food sources to paragraph 3’s new skills, but the scarcity drove wolves to the islands and a new diet, not to new ways of catching scarce prey.
B Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Supplies familiar facts about wolf packs and territories that the passage never mentions; the groups grew apart because island wolves stayed put and rarely mated with mainland wolves.
D Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Rightly sees that diet changed, but only the island wolves changed it, after lost food forced them out, not because new food appeared in the area.
What was corrected from the DOE handbook, and why
- Explanation: The DOE’s explanation of Option B says “eventually causing the groups of wolves to became distinct species”; the site says “to become.” Its explanation of Option C says the change “caused the sea wolves to ‘became more isolated’ from the mainland wolves,” putting paragraph 4’s past-tense “became” after “to”; the site now reads “caused the sea wolves to become ‘more isolated’ from the mainland wolves.”
Working it out, step by step
Figure out what the question asks
This is a cause-and-effect question. The cause is a change in habitat. A habitat is the place where an animal lives and finds food. You need the biggest effect it had “over time.” So follow the whole chain of events to its end.
Find the cause in paragraph 4
Paragraph 4 says, “Many years ago, loss of habitat and food sources forced some mainland wolves out to the islands.” There, “They learned to eat everything from kelp and fish eggs to the remains of sea creatures that washed up on the beach.” Kelp is a kind of seaweed.
Follow the chain to its end
Next, the two groups “became more isolated and rarely mated with each other.” Isolated means cut off. Then, “Over time the two types of wolves became more distinct.” Distinct means clearly different. Darimont thinks the change in habitat “led to the eventual genetic differences.” Genetic means in the DNA, passed from parents to young. So the chain ends with the two groups becoming different in their DNA.
Check each choice
- A is wrong. Lost food sent wolves to the islands. The passage never says they learned tricks to catch scarce, or hard-to-find, prey.
- B is wrong. The passage never mentions packs or territories.
- C is right. Some wolves changed how they live, then grew apart in their DNA. One caution: C says “species.” The passage is more careful. It speaks of “two versions of the species.”
- D is wrong. Only the island wolves changed their diet. They did not find new food nearby. Lost food forced them to move.
Watch out: D names a real effect, a new diet. But that is only an early step, and D gives the wrong reason for it.
Choose the answer
The biggest effect over time was that the island wolves grew different in their DNA from the mainland wolves. So the answer is C, “It caused some of the wolves to gradually become a new, genetically distinct species as they adapted behaviorally.”
Why this answer and not the closest wrong one
D is the closest wrong answer, because the diet really did change. But D says new food “became available in the area.” The passage says the opposite: lost food forced some wolves out to the islands. A new diet is also only an early step. C follows the chain all the way to the change in their DNA.
More questions like this
The original DOE question

The passage “Wolves of the Sea” as printed (pages 23–24)


Question 14 of 30
2026 Practice Test D English, question 25Passage Ode to Fireworks
Ode to Fireworks
In autumn my mother drove us to the edge of the field
where the fair was set up year after year:
the carousel, the bumper cars, the long, low sheds
filled with prizewinning animals.
We—my sister, my cousin, and I—were ready for bed,
already in our pajamas. This was a treat we waited
all year for. We waited in the darkness
for the first low, dull thwumps, like someone
beating an old, filthy rug hung on a wash line.
Then we counted the seconds between the lightning
and thunder, as we also used to do, until the sky
lit up: red, blue, green, gold. In my mind’s eye
I can still see the straggly, ancient oak whose branches
reached up past the exhibition halls, silhouetted
against the spectrum of stars that cascaded behind it.
It was one thing to look up into the sky
and imagine yourself in it or to make out pictures
among the clouds, which my sister liked to do.
No, I would tell her, that cloud
does not look like an elephant, a hat, an umbrella.
But it was another thing to see
the sky at night written upon
with those jewels. (We lived in the country:
night was night.) All around us, crickets
stridulated in the stubble of what had been
somebody’s cornfield, their song rising and falling.
You could smell winter on the air’s edge.
Now, in the city, when the sky dips into shadow
at New Year’s or on the Fourth of July, I find myself
craning my neck upward at odd moments.
The city sky is always lit up. This is where we live now,
and it is how we live now, awash in light
of every hue. Everything is a constant celebration:
picking up washing at the cleaner’s or stopping by
the corner market for a loaf of heavy bread.
And the music around me is the music of people,
their voices rising and falling in a hundred languages.
But beneath the yellowish glow deep in the sky
of all our city lights pelting out into the universe,
I remember the feel of the pickup truck bumping
across the ridged field, as I kept waiting for those
childhood bursts, watching as they escorted us home.
Question
Read lines 41–42 from the poem.
I kept waiting for those
childhood bursts, watching as they escorted us home.
How does this memory affect the speaker?
- AThe speaker believes it is impossible to ever return to a place in the past.
- BThe speaker is still amused by the impatience felt during fireworks displays.
- CThe speaker now regrets abandoning the rural way of life.
- DThe speaker feels a sense of comfort when reflecting on the past.
Show the answer
Correct answer: D
The question asks how the memory in lines 41–42 affects the speaker.
A. Incorrect. The speaker does not express concern in these lines about the impossibility of returning to childhood or the past. For the speaker, the past and the memories associated with it are a source of comfort and a way to remember simpler times (“I remember the feel of the pickup truck bumping / across the ridged field” [lines 40–41]).
B. Incorrect. While the speaker recalls anticipation before the start of a fireworks display, there is no hint that the speaker is impatient. Particularly in lines 41–42, the speaker is reminded of the expectation of hearing and seeing fireworks and the sense of simple contentment felt in the experience (“I find myself / craning my neck upward at odd moments” [lines 29–30]).
C. Incorrect. The speaker is reflecting on past experiences and pointing out the elements of the city that remind the speaker of these past experiences. The speaker acknowledges the differences between the country and city settings but does not convey regret for leaving the rural area (“This is where we live now, / and it is how we live now, awash in light / of every hue” [lines 31–33]).
D. CORRECT. The memory of watching the fireworks on the way home creates a sense of comfort that stays with the speaker (“escorted us home”). The speaker looks forward to moments when the youthful experience (“childhood bursts”) of being excited by something like a fireworks display can be a source of happiness.
Question analysis
This question quotes the last lines of “Ode to Fireworks,” where the adult speaker, now living in the city, recalls waiting for the “childhood bursts” that “escorted us home,” and asks how this memory affects the speaker. Students must read the feeling in a brief closing image and check each choice against the whole final stanza about city life.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Inferring how an experience affects a speaker is regular grade 7 work. The two quoted lines are plain, but the feeling behind them is implied rather than named, and the choices offer four believable reactions to a memory.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly understand
- What makes it hard
- Reading between the lines moderate
- Evidence in several places minor
- Figurative or literary language minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: 379 words (a poem; reading level not measured); question and choices: about grade 6, 74 words.
- Corrected from the DOE handbook
- The DOE printed this question’s explanation after a different question; the site matches the question with its own explanation.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The memory is warm, but warm memories of a lost place are easy to read as sadness, and the choice about regretting the move to the city draws students who hear nostalgia as complaint. The other wrong choices turn the anticipation of “kept waiting” into impatience or make the past impossible to reach, both stronger than anything the lines say. Students who read the whole sentence from “But beneath the yellowish glow” see a speaker carried home by the memory, not mourning it.
Reading between the lines moderate Working it out
Lines 41–42 name no feeling, so the comfort must be read from fireworks that “escorted us home” and from the grown speaker still waiting for “those / childhood bursts” in the city. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Evidence in several places minor Working it out
Ruling out regret takes the rest of the third stanza, where city life is “a constant celebration” and “This is where we live now” is said without complaint. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Figurative or literary language minor Understanding the question
“Escorted us home” makes the fireworks companions guarding the family’s drive across the field, a personification that carries the sense of safety the question asks about. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Read lines 38–42 as one sentence, starting from “But beneath the yellowish glow,” and ask how the speaker feels about the city and about the memory, using the whole third stanza, before choosing.
Traps
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Too broad or too strong (King et al., 2004)
Turns a speaker who looks back into one mourning a place for good, with the absolute “impossible to ever return,” though the poem never says so and keeps the memory alive.
B Twists what the text says (King et al., 2004)
Turns the eager waiting of “kept waiting for those / childhood bursts” into impatience and adds amusement, though nothing in the lines is treated as funny.
C Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Reads the speaker’s longing for the country as regret for leaving it, though the third stanza calls city life “a constant celebration” and never wishes the move undone.
What was corrected from the DOE handbook, and why
- Explanation: In the DOE’s explanations appendix, the explanation printed after this question belongs to question 24 (“what the purpose is of the repeated words ‘rising and falling’ in lines 26 and 37”) and marks B correct, and this question’s explanation (“how the memory in lines 41–42 affects the speaker”) is printed after question 24, marking D correct. Read page by page, the appendix gives this question the answer B. The site gives the question the explanation that restates it, and the answer follows that explanation: D, because the memory of the fireworks that “escorted us home” is a source of comfort to the speaker.
Working it out, step by step
Figure out what the question asks
This asks how a memory makes the speaker feel. The lines don’t name a feeling. So you have to infer it, which means figure it out from clues.
Read the whole sentence
The sentence starts in line 38: “But beneath the yellowish glow deep in the sky / of all our city lights pelting out into the universe, / I remember the feel of the pickup truck bumping / across the ridged field, as I kept waiting for those / childhood bursts, watching as they escorted us home.” The bursts are the fireworks.
Work out the feeling
To escort is to go along with someone to guide or protect them. So the speaker pictures the fireworks keeping the family company on the way home. That is a safe, warm picture. The memory comes back even under the bright city sky. It works like a favorite old song that still makes you feel good.
Check each choice
- A is wrong. The speaker never says it is “impossible to ever return.” The memory is still alive.
- B is wrong. The waiting was eager, not impatient. Nothing is treated as funny.
- C is wrong. Regret means wishing you had done something else. The speaker never wishes the move undone. The city is “a constant celebration.”
- D is right. The fireworks that “escorted us home” give the speaker a sense of comfort.
Watch out: Missing the past is not the same as regret. C reads a complaint into the poem that is not there.
Choose the answer
The memory of the fireworks bringing the family home warms the speaker. So the answer is D, “The speaker feels a sense of comfort when reflecting on the past.”
Why this answer and not the closest wrong one
C is the closest wrong answer, because the speaker clearly misses the country. But stanza 3 says “This is where we live now” with no complaint. It even calls city life “a constant celebration.” The memory warms the speaker. It does not make the speaker wish to undo the move. That is comfort, choice D.
More questions like this
The original DOE question

The passage “Ode to Fireworks” as printed (page 32)

Question 15 of 30
2025 Practice Test A English, question 18Passage Excerpt from Winter Wheat
Excerpt from Winter Wheat
by Mildred Walker
Ellen, the narrator, is preparing to leave her parents and the family farm for college the next day.
The text of this excerpt is not reproduced here for copyright reasons. Read it as printed on the test under “The original DOE question” on each question’s page.
From WINTER WHEAT by Mildred Walker, published by University of Nebraska Press. Copyright © 1944 by Harcourt, Brace and Company, Inc. Copyright renewed 1971 by Mildred Walker. All rights reserved.
Question
Read this sentence from paragraph 3.
“I’ll be taking the train tomorrow night,” I said aloud, more to hear it myself.
This remark contributes to the conflict in the excerpt by
- Arevealing Dad’s reasons for wanting to drive to the city.
- Bcausing tension between Mom and Dad.
- Cleading Ellen to distance herself from both Mom and Dad.
- Dshowing Mom’s reluctance to plan that far in advance.
Show the answer
Correct answer: B
The question asks how the sentence from paragraph 3 contributes to the conflict in the excerpt.
A. Incorrect. Although Ellen’s father does want to drive to the city, this sentence does not reveal his reasons for wanting to do so. Ellen’s father’s wish to drive to the city is important to the conflict of the excerpt not because of his underlying reasons but because his wish differs from Ellen’s mother’s wish to take Ellen to the train at Gotham—a difference of opinion that introduces tension between the parents.
B. CORRECT. The sentence causes Ellen’s parents to propose competing options for taking her to the train, and the resulting conversation recalls fraught memories of an earlier leave-taking in the family. The disagreement between Ellen’s mother and father over where to take Ellen to catch the train heightens the tension between them. Because the primary conflict of the excerpt is Ellen’s anxiety about the effect her leaving will have on the relationship between her parents, this remark contributes to the conflict by bringing her parents’ disagreement into view.
C. Incorrect. Although Ellen will put physical distance between herself and her parents on the following day, the remark she makes does not lead her to emotionally distance herself from her parents. Moreover, the emotional distance between Ellen and her parents is not the primary source of conflict in the excerpt.
D. Incorrect. While paragraph 1 states that Ellen’s mother “seems to think of nothing farther away than today or perhaps yesterday or tomorrow morning,” the sentence in paragraph 3 does not show any reluctance to plan far in advance. Moreover, planning for the future is not a source of conflict in the excerpt.
Question analysis
This plot question quotes Ellen’s remark in paragraph 3 of the Winter Wheat excerpt, said aloud mostly so she can hear it herself, and asks how it contributes to the excerpt’s conflict. Students must first work out what the conflict is, since the story has no fight or villain, and then follow what the remark leads to.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- At grade 7 Analyzing how a line of dialogue drives a plot matches the grade 8 wording of the standard. The remark is short and plain, though, and what it sets off plays out in the next few paragraphs, which keeps the demand typical.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Reading between the lines moderate
- Evidence in several places moderate
- How, not what minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 6, 80 words; question and choices: about grade 5, 65 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The remark itself is plain, and neither parent raises a voice in reply, so the tension it causes is easy to miss. Students who do not see that the excerpt’s real problem is Ellen’s worry about her parents look for a more visible effect, such as Dad’s wish to drive her or Mom’s habit of thinking no farther than tomorrow. The question rewards reading the remark together with the quiet exchange it starts in paragraphs 4 to 6.
Reading between the lines moderate Working it out
The excerpt never names its conflict; students must infer from paragraph 6 and the closing paragraph that Ellen worries about her very different parents getting along once she leaves. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Evidence in several places moderate Working it out
The remark’s effect unfolds over the next three paragraphs: Dad offers to drive into town, Mom says the Gotham train will do, and Dad puts off the decision. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
How, not what minor Working it out
The question asks what the remark does for the plot, not what it says; a plain statement of travel plans matters only for the disagreement it sets off. (Anderson & Krathwohl, 2001)
Strategy: Name the excerpt’s central problem in your own words first, then reread the remark with the paragraphs right after it and pick the choice that shows how the remark feeds that problem.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
The wrong answers, classified
A Twists what the text says (King et al., 2004)
Sees that the remark prompts Dad’s offer to drive Ellen into town but credits it with revealing his reasons, which neither the remark nor his offer gives; Ellen guesses one later.
C Reads too much in (Graesser, Singer & Trabasso, 1994)
Turns Ellen’s coming departure into an emotional withdrawal, though after speaking she grows no more distant; she worries about her parents and, in the flashback, clings to Mom.
D Wrong part of the text (Kirsch & Mosenthal, 1990)
Recalls paragraph 1’s comment that Mom thinks no farther ahead than tomorrow morning, but the remark shows nothing of the kind: Mom answers it at once with a plan of her own.
Working it out, step by step
Figure out what the question asks
This asks how Ellen’s remark adds to the conflict, the main problem in the story. The remark itself is plain. It just says when she will leave. So look at what happens right after she says it.
Name the story’s conflict
In paragraph 6, Ellen says her going away was hard on both parents. They were very different, and she was part of them both. In paragraph 25, she says she feels a distance between them. She wonders how they will get along without her. So the conflict is Ellen’s worry about her two very different parents once she is gone.
See what the remark sets off
Right after Ellen speaks, her parents disagree. In paragraph 4, Dad offers to drive her into town. In paragraph 5, Mom says there is no need, because Ellen can catch the train at Gotham. In paragraph 6, Dad puts off the choice, though Ellen knows he wants to go to town. Neither parent shouts, but they want different things.
Connect the remark to the conflict
Ellen’s simple remark brings her parents’ differences into the open. Their quiet disagreement shows the tension between them. Tension is a tight, uneasy feeling between people. That tension is just what worries Ellen about leaving. So the remark feeds the conflict by causing tension between Mom and Dad.
Check each choice
- A does not fit. Dad offers to drive, but no one explains why he wants to.
- B fits. The remark leads straight to the parents’ disagreement.
- C does not fit. Ellen doesn’t pull away from her parents. She worries about them.
- D does not fit. Paragraph 1 says Mom doesn’t think far ahead. But here Mom answers at once with a plan of her own.
Watch out: D borrows a detail from paragraph 1. The remark itself shows nothing of the kind.
Choose the answer
The remark starts a quiet disagreement about how Ellen will leave. So the answer is B.
Why this answer and not the closest wrong one
A is the closest wrong choice, because the remark does lead to Dad’s offer to drive. But Dad never gives his reasons. What matters is that Mom wants something else. Their different wishes show the tension between them, and that tension is what Ellen worries about. That is B.
More questions like this
The original DOE question

The passage “Excerpt from Winter Wheat” as shown on the test







Question 16 of 30
2025 Practice Test A English, question 22Uses the passage above: “Excerpt from Winter Wheat”.
Question
The flashback in paragraphs 10–24 affects the plot by
- Ashowing that the departure of one member of the family makes extra work for those left on the farm.
- Bshowing that the bond within the family persists even when its members are apart.
- Cexplaining why Ellen fears that leaving her parents will be too difficult.
- Dillustrating the close connection Ellen has with both of her parents.
Show the answer
Correct answer: D
The question asks how the flashback in paragraphs 10–24 affects the plot of the excerpt.
A. Incorrect. The flashback does not show that Ellen and her mother faced extra work as a result of the father’s trip to Vermont. Although paragraph 19 describes Ellen’s mother making oatmeal for the next day’s breakfast, this task was not extra work.
B. Incorrect. Although the flashback highlights Ellen’s fondness for each of her parents, it describes her father’s initial departure only and does not show what happened to the familial bond while he is away.
C. Incorrect. Although Ellen describes the memory of her father’s departure as something she wanted to avoid thinking about, she does not fear that it will be too difficult to leave her parents. Instead, she is concerned about what will happen to her parents’ relationship when she is no longer there.
D. CORRECT. The flashback illustrates the close connection that Ellen has with her parents by describing her sadness over the departure of her father (“My throat ached all the way” [paragraph 15]) and presenting a moment of comfort and reassurance between Ellen and her mother (“She laid her hand against my face and it felt rough and hard but firm” [paragraph 20]).
Question analysis
This text-structure question asks how the long flashback in paragraphs 10–24 of the Winter Wheat excerpt, Ellen’s memory of the night her father left by train for Vermont, affects the plot. Students must hold fifteen paragraphs in mind, see why the narrator recalls that night just before her own departure, and choose among several believable effects.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 students study how a flashback shapes a story. This one runs through most of the excerpt, so students must sum up a long stretch of narrative and then tell apart choices that are close in meaning, more than typical grade 7 work.
- Estimated difficulty
- Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Evidence in several places major
- A very close wrong answer moderate
- How, not what moderate
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 6, 80 words; question and choices: about grade 7, 64 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The flashback is most of the excerpt, and it carries several things at once: grief at Dad’s leaving, the parents’ stiffness with each other, Mom’s comfort, the mystery of her Russian name. The two strongest wrong choices sound like plot effects, a bond lasting through absence or a fear of leaving, while the key describes a relationship, so students looking for an event to point to may pass it by. Students must sum up the whole memory and test each choice against what it actually shows.
Evidence in several places major Working it out
The support for “both of her parents” lies in two separate stretches of a fifteen-paragraph flashback: Ellen’s aching throat after Dad’s train leaves in paragraph 15, and Mom’s hand on her face in paragraph 20. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
A very close wrong answer moderate Choosing the answer
The choice about the family bond persisting while members are apart shares the right one’s subject, family closeness, and differs in one claim, that the bond lasts through a separation the flashback never follows. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
How, not what moderate Working it out
The stem asks how the flashback affects the plot, yet the keyed effect is about character, so students must accept that the memory works by showing Ellen’s ties to each parent before she leaves. (Anderson & Krathwohl, 2001)
Strategy: Summarize what happens in the flashback and how Ellen feels at each stage, then compare it with the present-day scenes before and after it and decide what the memory adds.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
The wrong answers, classified
A Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Assumes a farmer’s absence must mean more chores, perhaps from Dad’s reminder about the cow and Mom’s “I’ll manage,” though the flashback never shows Ellen and Mom burdened with extra work.
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Sees the warmth between Ellen and her parents and stretches it into a bond that lasts through a long separation, though the memory ends the night Dad leaves.
C Twists what the text says (King et al., 2004)
Ties the flashback to Ellen’s unease about leaving but misplaces the worry: what troubles her is how her parents will manage without her, not whether leaving will be too hard.
Working it out, step by step
Figure out what the question asks
This asks how the flashback in paragraphs 10–24 affects the story. A flashback is a scene from the past that interrupts the present. Here Ellen, about to leave for college, remembers the night Dad left for Vermont years ago. Sum up what the memory shows, then test each choice.
Sum up the flashback
Ellen and Mom see Dad off at the train in the cold dark. On the drive home, Ellen says “My throat ached all the way.” At home, Mom comforts her: “She laid her hand against my face and it felt rough and hard but firm.” Later, Mom laughs warmly about her name, and the house feels right again.
See what the memory shows
An aching throat is the tight, sore feeling you get when you hold back tears. That shows how much Ellen loves her father. Mom’s firm hand and warm laugh show how close Ellen is to her mother. So the flashback shows Ellen’s strong tie to both parents.
Check each choice
- A does not fit. The flashback never shows Ellen and Mom with extra farm work.
- B does not fit. The memory ends the night Dad leaves. It never shows the family while he is away.
- C does not fit. Ellen’s worry is about how her parents will get along without her, not about whether leaving will be too hard.
- D fits. It shows Ellen’s love for Dad and her closeness to Mom.
Watch out: B also talks about family closeness. But it says the bond lasts through time apart, which the flashback never shows.
Choose the answer
The flashback shows how close Ellen is to her father and to her mother. So the answer is D.
Why this answer and not the closest wrong one
B is the closest wrong choice, because it also describes a strong family bond. But B says the bond lasts while family members are apart. The flashback stops on the night Dad leaves, so it never shows that. It does show Ellen grieving for Dad and comforted by Mom. That is D.
More questions like this
The original DOE question

Question 17 of 30
2025 Practice Test A English, question 24Uses the passage above: “Excerpt from Winter Wheat”.
Question
What is Ellen’s primary mood at key points in the excerpt?
Move the correct answer to each box in the table.
| Paragraphs | Ellen’s Primary Mood |
|---|---|
| 1–2 | |
| 7–8 | |
| 9–10 |
On the test you drag tiles into the boxes; here, choose each box’s tile from its menu. Each tile can be used once. The DOE has not published how answers with several parts are scored; this site counts one right only when every part is right.
Show the answer
Correct answer: blank 1: Affectionate; blank 2: Wishful; blank 3: Worried
The question asks for identification of Ellen’s primary mood in key points in the excerpt—paragraphs 1–2, paragraphs 7–8, and paragraphs 9–10.
B. Affectionate: CORRECT. Ellen’s primary mood in paragraphs 1–2 is affectionate. She states in the first sentence of paragraph 1 that she loves her father’s way of talking and then describes with affection her mother’s reassuring certainty and her father’s appreciation of her mother’s cooking.
E. Wishful: CORRECT. Ellen’s primary mood in paragraphs 7–8 is wishful as she pictures the two departure scenarios available to her. She expresses in detail her longing for the “other people and excitement” at the train station in town, along with her wish to have plenty of “time to wave from the platform and then again from your window by your seat,” and her dislike of the idea of leaving from Gotham, where the train “only stops long enough for you to get on and you hardly have time to taste the flavor of going away.”
C. Worried: CORRECT. Ellen’s primary mood in paragraphs 9–10 is worried. Her worry is suggested by the description of her posture in the first sentence of paragraph 9 (“I sat . . . with my arms around my knees”). In the next sentence, she reveals that she “couldn’t keep from thinking,” or worrying, about her concern that her departure will be as tense as the time her father left for a trip to Vermont.
A. Calm: Incorrect. Ellen’s mood is not primarily calm in any of the paragraphs in the table. In paragraphs 1–2, her reflections might seem to focus on calm times, but any mood of calm is shattered by her sudden realization that she’d “be going away” the next day. Similarly, although paragraph 7 describes what might be a calm or routine day of shopping in town, she is imagining the scene in great detail as a way of making a difficult decision about where she would prefer to catch the train. Finally, in paragraphs 9–10, Ellen is far from calm as she forces herself to look “straight at” an upsetting childhood memory of seeing her father off on a long train trip.
D. Jealous: Incorrect. Ellen’s mood is not primarily jealous in any of the paragraphs in the table. In paragraphs 1–2, she admires and enjoys the positive atmosphere created by her father’s praise of her mother, rather than expressing jealousy. The contrast in paragraphs 7–8 between her narration of the two possible departure plans might seem to suggest that Ellen is jealous of the family whom she and her parents once watched depart from the town, but instead, her narration reflects Ellen’s wishful desire to recreate that pleasurable town visit as part of her own departure. In paragraphs 9–10, her flashback memory is focused on the stiffness of her parents’ behavior and includes no indications that she feels jealousy of either parent.
Question analysis
This question on the Winter Wheat excerpt asks students to identify Ellen’s primary mood at three points in the story: paragraphs 1–2, 7–8 and 9–10. On the test students drag mood words from five tiles into a table, and each stretch of the story mixes more than one feeling, so they must judge which feeling dominates each one.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Tracking how a narrator’s feelings change across a story is grade 7 work, and the writing is plain. Placing three tiles with all-or-nothing credit, where each stretch holds mixed feelings, raises the demand only somewhat.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly understand
- What makes it hard
- Reading between the lines moderate
- Much to keep track of moderate
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 6, 80 words; question and choices: about grade 6, 24 words.
- Corrected from the DOE handbook
- The punctuation of an ellipsis in a quotation was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Each stretch of the story holds more than one feeling, so the word “primary” does the work. The quiet evening of paragraphs 1–2 and Ellen sitting still in paragraph 9 both invite Calm, though the first is full of her fondness for her parents and the second shows her forcing herself to face a painful memory. With three placements that must all be right, a student who settles for the setting’s mood in either row loses the question.
Reading between the lines moderate Working it out
No mood is named: affection must be read from “I love Dad’s way of talking,” wishfulness from Ellen picturing waving from the platform, and worry from her arms around her knees. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Much to keep track of moderate Working it out
Three rows, five tiles that cannot be reused, and credit only when all three are right: each stretch must be judged on its own while the two leftover moods are kept out. (Sweller, 1988; Carpenter, Just & Shell, 1990)
Strategy: Reread each stretch of paragraphs by itself and name Ellen’s main feeling in your own words before looking at the tiles, then place the closest tile; two tiles will be left over.
Traps
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
The wrong answers, classified
BEA Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Reads Ellen sitting still and looking “straight at” the memory in paragraph 9 as calm, though she has just failed to stop thinking of Dad’s leaving and is bracing to face it.
AEC Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Puts Calm in the first row because paragraphs 1–2 show a quiet evening of ironing and reading, taking the scene’s mood for Ellen’s, which is warm affection for both parents.
BDC Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Puts Jealous in the middle row, reading envy into Ellen’s memory of seeing another family off from the town station, when she is only wishing for a send-off like theirs.
What was corrected from the DOE handbook, and why
- Explanation: The DOE’s explanation of “Worried” quotes the first sentence of paragraph 9 as “I sat. . . with my arms around my knees,” with the first dot set against “sat,” as if a sentence ended there. The words are left out from the middle of the sentence, so the site spaces the ellipsis as the DOE’s explanations do elsewhere: “I sat . . . with my arms around my knees.”
Working it out, step by step
Figure out what the question asks
This table asks for Ellen’s primary mood, her main feeling, in three parts of the story. Each part may hold more than one feeling, so pick the strongest. On the test you drag a tile into each box. On this site you pick from a menu in each row. Each tile is used once, so two are left over.
Read paragraphs 1–2
Ellen begins by saying she loves the way Dad talks. She likes that he gets excited about the same things she does. She admires how sure Mom is that things will turn out well. She tells how Dad praises Mom’s cooking. These details are warm and loving. Affectionate means showing love and fondness. So the mood is Affectionate.
Read paragraphs 7–8
Ellen pictures leaving from Clark City. The family would shop and eat supper in town. At the station there would be “other people and excitement.” She would have “time to wave from the platform and then again from your window by your seat.” At Gotham, the train “only stops long enough for you to get on.” She longs for the big send-off. So the mood is Wishful.
Read paragraphs 9–10
Paragraph 9 begins “I sat . . . with my arms around my knees.” People often curl up like that when they feel uneasy. Ellen “couldn’t keep from thinking” of the night Dad left on a trip. That parting was sad and tense. She fears her own leaving may be like it. So the mood is Worried.
Rule out the two extra tiles
- Calm does not fit any row. In paragraph 9, Ellen sits still. But she is bracing herself to face a painful memory, not resting. And the quiet evening of paragraphs 1–2 is full of warm feeling for her parents.
- Jealous does not fit any row. Ellen remembers seeing another family off at the town station. She wants a send-off like theirs, but she doesn’t resent them.
Watch out: Sitting still is not the same as feeling calm.
Fill in the table
- Paragraphs 1–2: Affectionate
- Paragraphs 7–8: Wishful
- Paragraphs 9–10: Worried
All three rows must be right to get the point.
Why this answer and not the closest wrong one
Calm is the closest wrong tile, for paragraphs 9–10. Ellen sits still, and that can look calm. But she has just tried and failed to stop thinking about Dad’s leaving. Her arms are wrapped around her knees. She is facing a memory that upsets her, so Worried fits better.
More questions like this
The original DOE question

Question 18 of 30
2024 Test A English, question 24Passage At Dusk
At Dusk
by Natasha Trethewey
At first I think she is calling a child,
my neighbor, leaning through her doorway
at dusk, street lamps just starting to hum
the backdrop of evening. Then I hear
the high-pitched wheedling1 we send out
to animals who know only sound, not
the meanings of our words—here here—
nor how they sometimes fall short.
In another yard, beyond my neighbor’s
sight, the cat lifts her ears, turns first
toward the voice, then back
to the constellation of fireflies flickering
near her head. It’s as if she can’t decide
whether to leap over the low hedge,
the neat row of flowers, and bound
onto the porch, into the steady circle
of light, or stay where she is: luminous
possibility—all that would keep her
away from home—flitting before her.
I listen as my neighbor’s voice trails off.
She’s given up calling for now, left me
to imagine her inside the house waiting,
perhaps in a chair in front of the TV,
or walking around, doing small tasks;
left me to wonder that I too might lift
my voice, sure of someone out there,
send it over the lines stitching here
to there, certain the sounds I make
are enough to call someone home.
“At Dusk” from NATIVE GUARD by Natasha Trethewey, published by Houghton Mifflin Company. Copyright © 2006 by Natasha Trethewey. All rights reserved.
1wheedling: speaking in a flattering manner
Question
How does the setting affect the events of the poem?
- AIt enables the speaker to regularly overhear the neighbor calling for her cat at dusk.
- BIt allows the speaker to observe the neighbor quietly without interacting with her.
- CIt shows how living in close proximity helps the speaker feel connected to the neighbor.
- DIt shows how feeling isolated causes the speaker to imagine interactions with the neighbor.
Show the answer
Correct answer: B
The question asks how the setting affects the events discussed in the poem.
A. Incorrect. In line 2, the speaker refers to the woman calling for her cat as “my neighbor,” which clearly suggests that the speaker lives next door to the woman. However, although the two live next door to each other, line 1 suggests that perhaps the speaker does not regularly overhear the neighbor because the speaker initially thinks that the neighbor is “calling a child” and only later realizes the neighbor is calling to a cat. Although the setting places the speaker and the neighbor in close proximity, the poem does not indicate the frequency or regularity with which the speaker overhears the neighbor.
B. CORRECT. In the first four lines, the speaker observes the actions of the neighbor as the neighbor leans out to call for the cat at dusk. Despite the speaker’s observation of the neighbor, there is no indication that the neighbor notices the speaker. The reader can conclude that because of the time of day and the speaker being in the house next door, the speaker can observe the neighbor without being observed by her or having to interact with her.
C. Incorrect. The setting of the poem is a neighborhood at nightfall, as indicated by “at dusk” in line 3, the reference to “another yard” in line 9, and the flickering fireflies in line 12. However, while the speaker is close enough to the neighbor to overhear her calling to the cat, there is no indication that the speaker feels connected to the neighbor. Instead, the speaker expresses curiosity about the neighbor after the neighbor goes inside, and the speaker is “left . . . / to imagine her inside the house waiting” (lines 21–22). The fact the speaker initially thought that the neighbor was calling a child indicates that the speaker is not familiar with the neighbor and her habits, and there is no indication that the speaker feels connected to the neighbor.
D. Incorrect. In lines 22–24, the speaker imagines what the neighbor may be doing while the neighbor is waiting inside for the cat to return, but the speaker is imagining the neighbor’s solitary experience after the neighbor has momentarily “given up” on calling to the cat (line 21). The speaker does not imagine personally interacting with the neighbor but rather briefly imagines what the neighbor is doing at home while the cat is away.
Question analysis
This reading question asks how the setting of At Dusk, a neighborhood at nightfall where a woman leans from her doorway to call her cat, affects the events of the poem. Because so little happens, students must infer the setting's role from small details, and several choices sound reasonable without being supported by the poem.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 students analyze how setting shapes events, usually in a story with a clear plot. This poem has almost no action, so the student must reason from a handful of details about place and time, which is harder than typical grade 7 work.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- A very close wrong answer major
- Reading between the lines moderate
- Evidence
- Answered from the whole text
- Reading level
- Passage: 236 words (a poem; reading level not measured); question and choices: about grade 8, 67 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Little happens in this poem, so the setting's role must be built from small details: a neighbor at her doorway at dusk, a cat in another yard, a speaker who hears and watches but never speaks. The strongest wrong answer is right about overhearing and wrong only in claiming it happens regularly, which the speaker's first mistaken guess argues against. The other choices supply a feeling of closeness or of isolation that the poem never states.
A very close wrong answer major Choosing the answer
The overhearing choice describes what the setting allows almost as well as the right one and fails on a single word, “regularly,” since the poem records one evening and the speaker first mistakes the call. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Reading between the lines moderate Working it out
The setting's effect is never stated; it has to be inferred from the speaker hearing and watching from nearby while the neighbor, “leaning through her doorway,” never seems to notice anyone. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Picture the scene from the speaker's position, then check each choice word by word against the poem and reject any that claims something the poem never states.
Traps
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Too broad or too strong (King et al., 2004)
Rightly sees that living next door lets the speaker overhear the call, but “regularly” is unsupported, and the first guess about a child suggests the call is unfamiliar.
C Reads too much in (Graesser, Singer & Trabasso, 1994)
Connects living close by with the poem's interest in connection and the speaker's “I too,” but the speaker never claims to feel close to the neighbor.
D Twists what the text says (King et al., 2004)
Notices the speaker picturing the neighbor indoors and calls it imagined interaction, but the speaker pictures her alone, waiting or doing small tasks, and never mentions feeling isolated.
Working it out, step by step
Figure out what the question asks
The setting is where and when a story or poem takes place. You need to see how the setting shapes what happens in the poem.
Picture the setting
It is “dusk” (line 3), the dim time just after sunset. The neighbor is “leaning through her doorway” (line 2). The cat is “In another yard” (line 9). The speaker is close enough to hear and watch it all. But the speaker never speaks to the neighbor. Nothing shows the neighbor notices the speaker.
Work out the effect
Living next door puts the speaker close by. In the fading light, the speaker can watch quietly. So the speaker sees the neighbor and the cat without joining in. The whole poem is what the speaker sees, hears and imagines from there.
Check each choice
- A is wrong. The word “regularly” is the problem. The poem shows one evening.
- B is right. The speaker watches from nearby and never talks with the neighbor.
- C is wrong. The speaker never says they feel close to the neighbor.
- D is wrong. The poem never says the speaker feels lonely. The speaker pictures the neighbor alone inside, not the two of them talking.
Watch out: A is almost right, since living nearby does let the speaker overhear. One word makes it wrong.
Choose the answer
The setting lets the speaker watch quietly from close by. So the answer is B.
Why this answer and not the closest wrong one
A is the closest wrong answer. Living next door does let the speaker hear the call. But nothing says it happens often. The poem tells about one evening. At first the speaker even thinks a child is being called. B fits what the poem shows: the speaker watches without ever talking to the neighbor.
More questions like this
The original DOE question

The passage “At Dusk” as printed (page 48)

Question 19 of 30
2024 Test A English, question 46Passage Excerpt from The Highest Tide
Excerpt from The Highest Tide
by Jim Lynch
The narrator’s summer job is collecting marine specimens in Puget Sound, Washington. In this excerpt, he is looking for specimens in the mudflats before daybreak. Mudflats, or flats, are coastal landforms created when sediment and silt from tides are deposited as the tides recede.
I rounded the oyster beds, to the far side. . . . It was low tide by then, and I saw the water hesitating at its apex, neither leaving nor returning, patiently waiting for the gravitational gears to shift. Dozens of anxious clams started squirting in unison like they did whenever vibrating grains of sand warned them predators were approaching. I stopped and waited with them, to actually see the moment when the tide started returning with its invisible buffet of plankton for the clams, oysters, mussels and other filter feeders. It was right then, ankle deep in the Sound, feet numbing, eyes relaxed, that I saw the nudibranch.1
In all my time on the flats I’d never seen one before. I’d read about them, sure. I’d handled them at aquariums but never in the wild, and I’d never even seen a photo of one this stunning. It was just three inches long but with dozens of fluorescent, orange-tipped hornlike plumes jutting from the back of its see-through body that appeared to be lit from within.
Nudibranchs are often called the butterflies of the sea, but even that understates their dazzle. Almost everything else in the northern Pacific is dressed to blend with pale surroundings. Nudibranchs don’t bother, in part because they taste so lousy they don’t need camouflage to survive. But also, I decided right then, because their beauty is so startling it earns them a free pass, the same way everyday life brakes for peacocks, parade floats. . . .
The dark mudflats loomed like wet, flattened dunes stretching deep into Skookumchuck Bay in front of our house. From a distance, they looked too barren to support sea life. Up close, they still did, unless you knew where to find the hearty clams, worms and tiny creatures that flourish in mud. . . . I’m not sure why I decided to take a look. It was still an hour before sunrise, and I knew exactly what the bars2 looked like in the moonlight, but for some reason, I couldn’t resist.
I heard it long before I saw it. It was an exhale, a release of sorts, and I instantly wondered if a whale was stranded again. We had a young minke3 stuck out there two summers prior, and it made similar noises until the tide rose high enough for rescuers to help free it. . . . I looked for a hulking silhouette but couldn’t find one. I waited, but there were no more sounds. Still, I went toward what I thought I’d heard, avoiding stepping into the mud until I had to. I knew the flats well enough to know I could get stuck just about anywhere. The general rule was you didn’t venture out past the shells and gravel with an incoming tide. I sank up to my knees twice, and numbing water filled my boots.
. . . I kept stepping toward the one sound I’d heard, a growing part of me hoping I’d find nothing at all. When I stopped to rest and yank up my socks, my headlamp crossed it. My first thought? A giant octopus.
Puget Sound has some of the biggest octopi in the world. They often balloon to a hundred pounds. Even the great Jacques Cousteau4 himself came to study them. But when I saw the long tubular shape of its upper body and the tangle of tentacles below it, I knew it was more than an octopus. I came closer, within fifty feet, close enough to see its large cylindrical siphon5 quiver. I couldn’t tell if it was making any sounds at that point, because it was impossible to hear anything over the blood in my ears. . . .
The creature’s body came to a triangular point above narrow fins that lay flat on the mud like wings, but it was hard to be sure exactly where it all began or ended, or how long its tentacles truly were, because I was afraid to pry my eyes off its jumble of arms for more than half a second. I didn’t know whether I was within reach, and its arms were as big around as my ankle and lined with suckers the size of half-dollars. If they even twitched I would have run. So, I was looking at it and not looking at it while my heart spangled my vision. I saw fragments, pieces, and tried to fuse them in my mind but couldn’t be certain of the whole. I knew what it had to be, but I wouldn’t allow myself to even think the two words. Then I gradually realized the dark shiny disc in the middle of the rubbery mass was too perfectly round to be mud or a reflection.
It was too late to smother my scream. Its eye was the size of a hubcap.6
From THE HIGHEST TIDE by Jim Lynch. Copyright © 2005 by Jim Lynch. Used by permission of Bloomsbury USA. All rights reserved.
1nudibranch: type of sea slug
2bars: sandbars
3minke: species of small whale
4Jacques Cousteau: renowned French oceanographer
5siphon: tube-like organ that is used for drawing in or removing fluids
6hubcap: removable cap over the end of a wheel axle
Question
How does the setting affect the plot of the excerpt?
- AThe darkness of the mudflats before sunrise causes the narrator to pay close attention to his surroundings.
- BThe rugged terrain of the mudflats makes it more difficult for the narrator to do his job.
- CThe slow return of the tide along the mudflats forces the narrator to be patient during his journey.
- DThe barren appearance of the mudflats creates a sense of mystery that unsettles the narrator.
Show the answer
Correct answer: A
The question asks how the setting affects the plot of the excerpt.
A. CORRECT. In paragraph 4, the narrator says that it is an hour before sunrise. It is difficult to see because the mudflats are dark, so the narrator, while familiar with the terrain of the mudflats, is cautious.
B. Incorrect. While the terrain of the mudflats is challenging because of the “wet, flattened dunes” (paragraph 4), the narrator is familiar with the terrain and moves carefully. In addition, the excerpt focuses on the narrator’s curiosity and enjoyment as he explores the mudflats, not on his work collecting specimens.
C. Incorrect. In paragraph 1, the narrator watches the water “hesitating at its apex” and “patiently waiting for the gravitational gears to shift.” This illustrates that the narrator is already familiar with the changes in his surroundings, that the tide is slow to move in, and that he can move carefully through the mudflats without the threat of rising water.
D. Incorrect. While the narrator is on the mudflats for the entire excerpt, the phrase “eyes relaxed” in paragraph 1 indicates that the narrator feels comfortable there. The narrator does not show fear until paragraph 6, when a growing fear about the unknown creature arises.
Question analysis
Set on the mudflats of Puget Sound before daybreak, this excerpt from the novel The Highest Tide is the basis for a question about how setting affects plot. Students must link features of the place and time to what the narrator does across the whole excerpt, and each choice pairs a real feature of the setting with an effect that may or may not be in the text.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Analyzing how setting shapes plot is a grade 7 literary standard, but the excerpt never states the link: the effect must be inferred from scattered details, and every choice names a genuine feature of the flats, which is beyond typical work.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Reading between the lines major
- The right answer is reworded moderate
- Evidence in several places moderate
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 6, 902 words; question and choices: about grade 8, 77 words.
- Corrected from the DOE handbook
- A statement in the explanation that contradicted the excerpt’s introduction was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Every choice names a real feature of the mudflats, so the question turns on which feature the excerpt actually shows shaping events. The darkness never gets a sentence of its own; it is felt in a sound heard before anything is seen, a silhouette that cannot be found and a headlamp beam. The barren look of the flats is the strongest pull, because the scene is eerie, but the narrator knows life hides in the mud and his unease comes from the creature.
Reading between the lines major Working it out
The excerpt never says the darkness changes anything; the effect must be assembled from the hour before sunrise, the sound heard “long before I saw it”, the missing silhouette and the headlamp that finally finds the creature. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
The right answer is reworded moderate Choosing the answer
The right choice uses no words from the text, while the wrong ones echo it: the “barren” look of the flats, the water “patiently waiting”, the narrator's summer job. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
Evidence in several places moderate Working it out
The darkness is established in paragraph 4 and felt in paragraphs 5, 6 and 8, so no single passage shows the setting at work. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Strategy: Collect the details of time, place and conditions across the excerpt, then for each choice ask whether the text shows that feature of the setting actually changing what the narrator does.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
The wrong answers, classified
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Combines the introduction's specimen job with his sinking to his knees to infer a harder workday, though the excerpt follows a strange sound and never shows his work suffering.
C Twists what the text says (King et al., 2004)
Borrows paragraph 1's water “patiently waiting” at low tide and has the tide force the narrator to wait, when he chose to stop and watch it turn.
D Twists what the text says (King et al., 2004)
Joins the flats' barren look from a distance to his later fear, but he knows life hides in the mud, and what unsettles him is the creature, not the landscape.
What was corrected from the DOE handbook, and why
- Explanation: In rejecting choice B, the handbook says “the excerpt shows that the narrator explores the mudflats for curiosity and enjoyment, not work.” But the introduction says the narrator’s summer job is collecting marine specimens and that “in this excerpt, he is looking for specimens in the mudflats before daybreak.” The explanation now says the excerpt focuses on his curiosity and enjoyment as he explores the mudflats, not on his work collecting specimens. That keeps the handbook’s point (the excerpt is not about the terrain making his job harder) without contradicting the introduction.
Working it out, step by step
Know what setting and plot mean
The setting is where and when a story happens. The plot is the chain of events. This asks which part of the setting changes what happens or what the narrator does.
Find the time of day
Paragraph 4 says, “It was still an hour before sunrise.” The narrator is out on the mudflats in the dark. The only light comes from the moon and his headlamp.
See how the dark shapes events
Because it is dark, he must rely on sounds and small clues. He says, “I heard it long before I saw it.” He looks for “a hulking silhouette,” a dark outline, but can’t find one. He spots the creature only when “my headlamp crossed it.” Then he stares hard, trying to make out its shape. The darkness keeps him alert and watching closely.
Check each choice
- A fits: the dark makes him pay close attention to everything around him.
- B is wrong because the excerpt follows a strange sound and never shows the ground making his job harder.
- C is wrong because in paragraph 1 he chooses to stop and watch the tide, and nothing forces him.
- D is wrong because he knows life hides in the mud, and what scares him is the creature.
Watch out: D feels right because the scene is eerie. But the flats’ empty look never troubles him.
Choose the answer
The darkness before sunrise is what keeps the narrator listening and looking so carefully. So the answer is A.
Why this answer and not the closest wrong one
D comes closest, because the dark flats do feel spooky. But the narrator says they only look “too barren to support sea life” from far away, and he knows better. His fear comes from the creature. The darkness, though, shapes every step: he hears before he sees and must watch closely.
More questions like this
The original DOE question

The passage “Excerpt from The Highest Tide” as printed (pages 64–65)


Question 20 of 30
2024 Test A English, question 56Passage Excerpt from “It’s Time to Stop Thinking That All Non-Native Species Are Evil”
Excerpt from “It’s Time to Stop Thinking That All Non-Native Species Are Evil”
by Emma Marris
The author of this opinion article attended a symposium, or conference, in Missoula, Montana, at which biologists and other scientists discussed species of plants and animals that are not native to the areas in which they live.
Invasive species are scary. It was ecologist Charles Elton, back in the 1950s, who introduced the militaristic “invasion” metaphor to describe exotic plants and animals—but there’s no question some can be extremely destructive.
The brown tree snake has eaten a dozen kinds of forest birds in Guam to extinction; zebra mussels clog pipes around the Great Lakes; the common house cat turns out to be, in Australia, a mercilessly effective killer of cute, fluffy marsupials like the bilby and the numbat.
As scientists have sounded the alarm about these pests, the public has gotten the message. Citizen groups rip out non-native plants. Native gardens have become increasingly popular, both as ways to celebrate the unique flora of each region and as tiny hot spots of diversity. Native trees provide food for native bugs, which feed native birds. Food chains developed over thousands of years of co-evolution unfold in our backyards. . . .
So we’ve learned, scientists and laypeople alike, that native species are good and non-natives are bad.
Julian Olden, a biologist at the University of Washington, Seattle, who co-organized the symposium, recently polled nearly 2,000 ecologists. Among his findings: a substantial number of them said they would immediately eradicate a hypothetical non-native forest plant, even if it were shown to have no effect on the forest. Olden calls this the “guilty even when proven innocent” approach.
That kind of approach is not very useful on a rapidly changing planet.
Exotics Are Everywhere
Climate change is making it harder even to decide who the invaders are.
How, scientists at the symposium wondered, do you define “native” on a warming planet, when plants and animals are already moving toward the poles or up mountainsides in search of climate conditions they can tolerate? Should we consider them “invasive” in their new homes? Regardless of what we label them, conservationists will be reluctant to remove them from their new environs—to do so would stymie1 their chances of adapting to the warmer future we’re creating.
And then there are the non-natives that we actually like. Most domestic crops are exotic in most of the places they’re grown, but there are even wild exotics that “do good,” forming useful relationships with native species.
Edwin Grosholz of the University of California, Davis, told the recent symposium about one such relationship. On beaches in his state, non-native spartina grass has become important habitat for the endangered California clapper rail, a plump shorebird with a downward curving bill more at home on land than in the air. A project to rip out and poison the spartina—which grows in dense swaths that exclude many other shorebirds—saw clapper rail numbers go tumbling downward.
There are other examples like that. The endangered southwestern willow flycatcher nests in “invasive” tamarisk shrubs. Many native (and beautiful) Hawaiian flowers are now pollinated by the Japanese white-eye bird—because the native pollinators have been driven extinct by other non-native species.
Should we impose further risk on already endangered natives by severing these relationships? Or should we admire the resilience of nature and let such “well-behaved” exotics stay? . . .
Leave them alone, more and more conservationists are arguing, and stop focusing obsessively on categorizing species as native or non-native. Mark Davis, an ecologist at Macalester College in St. Paul, Minnesota, once considered himself an “invasion biologist”—but not anymore. “I am actively trying to get the field to retire the invader narrative,” he said in Missoula.
A Good Thing, Not the Only Thing
After all, nativeness is just one environmental value, and arguably not as important as preventing extinctions and preserving biodiversity. In some cases we can best serve biodiversity by leaving the non-natives alone or even—brace yourself, now—introducing them on purpose.
This is the thinking behind, for example, installing the Aldabra tortoise on the islands of Mauritius. The islands lost their own large tortoises, and the fruiting plants that formerly had their seeds moved around by these fruit-loving reptiles have been on the decline. A tortoise that’s related to the island’s large tortoises—a non-native from the Seychelles in the Indian Ocean that was intentionally introduced in 2004—is now handling some of that work.
Most of the time, for the time being, conserving species still means focusing on supporting them in their historical habitats, planting natives and removing non-natives. We can and should do that in places where it is feasible and important to us.
From “It’s Time to Stop Thinking That All Non-Native Species Are Evil” by Emma Marris from NATIONAL GEOGRAPHIC MAGAZINE, July 24, 2014. Copyright © 2014 by National Geographic Society.

1stymie: hinder or interfere with
Question
Climate change has affected efforts to manage invasive species mainly by causing ecologists to
- Acall upon the public to be more tolerant of the presence of non-native species.
- Badmit that past attempts to eliminate non-native species have damaged the environment.
- Cfind ways of ensuring that native species are not harmed by the arrival of new species.
- Dacknowledge that it is not realistic for some species to remain in their native habitats.
Show the answer
Correct answer: D
This question asks how climate change has mainly affected efforts to manage invasive species.
A. Incorrect. While ecologists are now arguing for some non-native species to be left alone (paragraph 13), they are arguing specifically on behalf of “well-behaved” non-native species (paragraph 12), not non-native species in general.
B. Incorrect. While paragraph 10 describes how removing a non-native species negatively affected a native species, the excerpt never discusses the idea that attempts to eliminate non-native species might have damaged the environment.
C. Incorrect. While the excerpt refers to climate change causing plants and animals to move to more tolerable environments (paragraph 8), it does not specifically discuss ways to ensure that the arrival of these non-native species does not harm native species.
D. CORRECT. As paragraph 8 says, “plants and animals are already moving toward the poles” because of climate change, and ecologists recognize that those species need to do so to adapt “to the warmer future we’re creating.”
Question analysis
This question asks how climate change has mainly affected efforts to manage invasive species, according to an article arguing that not all non-native species are harmful. Students must locate the article's brief discussion of a warming planet and recognize its point when it is restated in different words.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- At grade 7 Tracing how one factor shapes an idea is grade 7 work. The relevant discussion is a single paragraph, but it is built from long questions rather than statements, and the choices restate it abstractly, so the item sits at a typical grade 7 level.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly understand
- What makes it hard
- The right answer is reworded moderate
- Complex sentences minor
- Reading between the lines minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 11, 815 words; question and choices: about grade 10, 71 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Climate change is discussed in only one paragraph, and that paragraph mostly asks questions, so the student has to work out what the scientists concluded from what they wondered. The wrong choices borrow ideas from later in the article, leaving well-behaved exotics alone and the spartina project, or bring in a common conservation goal, and none of them is tied to a warming planet. Finding paragraph 8 first makes the rest straightforward.
The right answer is reworded moderate Choosing the answer
The right choice's “not realistic for some species to remain in their native habitats” shares no words with paragraph 8, which speaks of plants and animals “moving toward the poles or up mountainsides”. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
Complex sentences minor Understanding the question
Paragraph 8 makes its point through questions, the first broken by “scientists at the symposium wondered”, so what ecologists accept has to be pulled out of what they ask. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
Reading between the lines minor Working it out
The acknowledgment is implied: reluctance to remove species that would otherwise lose their chance of “adapting to the warmer future” shows that staying put is no longer an option. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Find where the article actually discusses a warming planet and what the scientists there are wondering about, then match a choice to that discussion.
Traps
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
The wrong answers, classified
A Wrong part of the text (Kirsch & Mosenthal, 1990)
Borrows paragraph 13's plea to leave non-natives alone, which concerns well-behaved exotics and is made within the field, not to the public, and has no link to climate.
B Too broad or too strong (King et al., 2004)
Stretches one failed removal, the spartina project of paragraph 10, into ecologists admitting that past removals harmed the environment, and that example has nothing to do with climate.
C Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Assumes the rule the article questions, that newcomers threaten natives, so protecting natives seems the obvious response, but paragraph 8 talks of letting moving species adapt.
Working it out, step by step
Know what the question asks
This asks how climate change has changed the way scientists handle non-native species. First find the part of the article that talks about climate. Then see what the scientists there accept.
Find the climate paragraph
Paragraphs 7 and 8 are about climate change. Paragraph 8 says that on “a warming planet,” plants and animals “are already moving toward the poles or up mountainsides.” They are looking for “climate conditions they can tolerate,” which means weather they can survive.
See what the scientists accept
Paragraph 8 says conservationists “will be reluctant to remove them.” Reluctant means unwilling. Removing them “would stymie” their “chances of adapting to the warmer future.” The footnote says stymie means to hinder, or hold back. In other words, scientists accept that these species can’t stay where they were. To survive, they have to move.
Check each choice
- D fits: ecologists admit that some species can’t realistically stay in their native homes.
- A is wrong because the call to leave non-natives alone in paragraphs 12 and 13 is about “well-behaved” ones, not climate.
- B is wrong because the one failed removal in paragraph 10 has nothing to do with climate.
- C is wrong because paragraph 8 talks about letting moving species adapt, not shielding natives from newcomers.
Watch out: A sounds close because it is also about putting up with non-natives. But it comes from a part of the article that never mentions climate.
Choose the answer
Climate change has made ecologists accept that some species must leave their old homes. So the answer is D.
Why this answer and not the closest wrong one
A comes closest, because the article does argue for leaving some non-natives alone. But that argument is about helpful newcomers, and it never mentions climate. Paragraphs 7 and 8 are where climate change comes up. There, scientists accept that many species must leave their old homes to survive, which is D.
More questions like this
The original DOE question

The passage “Excerpt from “It’s Time to Stop Thinking That All Non-Native Species Are Evil”” as printed (pages 68–70)



Question 21 of 30
2024 Test B English, question 24Passage Excerpt from Do Them No Harm!
Excerpt from Do Them No Harm!
by Zoa L. Swayne
This narrative is about the Nez Perce, an American Indian tribe, in what is now northern Idaho. The tribe is preparing for a gathering before the coming winter.
In the moon of Ta-Yum, the hottest days of summer, when salmon spawn in the little streams and huckleberries ripen in the high mountains, people from many villages of the Chopunnish Nation gathered in the Oyaip Prairie for the work and festivities of their annual camas1 harvest.
From far and near The People came. . . .
Should a stranger enter their homeland and ask, “Where are you from?” the reply was always, “We are Nee-mee-poo, The People who live here in this place.”
It was a time of Lawtiwa-mah-ton—a time of being friends together—when The People came for this last chance to enjoy being together before the Cold Moons kept them close to their fires. The visiting and trading, the foot racing and horse racing, and the gambling and stick games would be remembered and talked about long after they had forgotten the drudgery of digging and roasting camas, picking berries, or drying meat and fish. Lawtiwa-mah-ton! It was good to be friends together.
As was their custom since wahk-kee-ma, a time far back beyond the memory of man, they set up their camps in the same locations their parents and grandparents had occupied before them. Red Bear’s people, from Kamiah, made their camp near the trail that came out of the mountains. Their neighbors in Kamiah Valley, The People from Tee-e-lap-a-lo, had their camp close by. Across the wide meadow, by the great roasting pits, the camps of the Te-wap-poo and Ask-kah-poo were located. The tepees and ish-nash, brush shelters, of other groups nestled in their accustomed areas in and among the pines in such numbers that they encircled the entire meadow land.
Red Bear’s people had traveled all summer with neighboring bands, gathering and preparing roots, picking and drying berries, drying and smoking meat and fish for their winter food supply. Now they were at the Oyaip camp. The women worked hard to dig and cure as many bags of roots as they could during the warm, sunny days, for the sharp night air brought warnings that WARM was going and COLD was coming.
Everyone helped in some way. Most of the men fished or hunted for meat. While many of the women dug and roasted camas, other women and older children picked and dried berries.
And the younger children played. They played at hunting. They played with the babies. They played with their horses and puppies. They learned how to live through their play.
This sun, happiness, peace, and quiet blessed the Red Bear camp. All were busy with their daily tasks, until sudden cries came from the children playing by the trail.
“People coming! People coming! People coming on the trail from the high mountains!” they called as they ran to their elders, who looked sharply at the figures of approaching horsemen.
Were they friends or enemies? Did they bring good news or bad?
“Who can it be? What brings them here?” were the questions in every mind.
“Could they be the four hunters who had gone to Buffalo Country two summers past? Would they have news of the families who had gone long ago to Buffalo Country and never returned?”
It was customary for a hunting party to be gone for more than one season.
“Looks like hunters,” the older men agreed. “Looks like they had good hunting. Maybe our four hunters. [They have] been gone many moons.”
“Looks like five people—not four,” others observed.
Excitement grew as the riders came close enough to be recognized.
“A-a-a-a-a, they are our four hunters! But who is the fifth person?” they asked.
“Looks like a woman. Who is she?”
The hunters rode up to the welcoming crowd, proud to show off the loads of meat, hides, and other trophies of their hunt. They paraded around the encampment for all to see how strong their Hunting Power had been—what great hunters they, themselves, were.
Red Bear’s people rejoiced at their hunters’ success. Good hunters brought good to everybody. The meat meant plenty of food and the hides meant soft-tanned robes to give comfort through the Cold Moons. But it was the sight of the frail figure of the woman that aroused their curiosity. Who was she? Where had she come from? . . .
“Belongs to Red Bear people. Gone then come back,” the hunters said, as they dismounted and unloaded their packs. . . .
Now they could see! She was the daughter of the family gone so long ago! The girl-child who had left came back now—a grown woman.
“Wat-ku-ese!” the women cried. “Gone-from-Home-then-Come-Back. Wat-ku-ese!” And Wat-ku-ese was her name from that time on.
Gentle arms lifted Wat-ku-ese from her horse. The women brought her food and made a place for her to rest. For many suns they cared for her until she became stronger.
One evening Wat-ku-ese told her story for all to hear.
From DO THEM NO HARM!: Lewis and Clark Among the Nez Perce by Zoa L. Swayne. Published by Caxton Press. Copyright © 1990 by Zoa L. Swayne. Orofino, Idaho and Legacy House, Inc. Orofino, Idaho. All rights reserved.
1camas: a wild, edible plant
Question
In paragraphs 4 and 6, the beginning of the change in seasons affects the characters mainly by
- Acausing them to collect their bounty and feel eager to celebrate before it becomes cold.
- Bmaking them want to rest and relax before the challenging work of the harvest begins.
- Cforcing them to give up leisure time to prepare their camp for the coming winter.
- Dallowing them to trade the goods they have prepared during the warm months.
Show the answer
Correct answer: A
The question asks how the beginning of the change of seasons mainly affects the characters.
A. CORRECT. Paragraph 4 describes the time as the last chance for The People to be together “before the Cold Moons kept them close to their fires.” Paragraph 6 tells about how the women were working hard to dig and cure roots, because “WARM was going and COLD was coming.” These paragraphs describe both celebration and preparation before the winter comes.
B. Incorrect. Paragraphs 4 and 6 describe the characters working hard, but there is no discussion of them wanting to rest and relax.
C. Incorrect. While both paragraphs describe some of the work involved in the harvest, paragraph 4 also lists a number of leisure activities, such as visiting, foot racing, horse racing, gambling, and stick games. The characters are still taking the time to relax.
D. Incorrect. While paragraph 4 mentions trading in a list of activities that the characters are doing, this is just one of many activities. Allowing the characters to trade goods is not the way the change in seasons mainly affects them.
Question analysis
This question on how setting shapes characters asks how the first signs of winter mainly affect The People in paragraphs 4 and 6 of Do Them No Harm!, a narrative about a Nez Perce harvest gathering. Students must draw on two separate paragraphs and pick the effect both support, among choices that each borrow real activities from the story.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Explaining how setting shapes what characters do is typical grade 7 work on story elements. Students combine details from two separate paragraphs, a step beyond reading one, but the language is plain and the details concrete.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- A very close wrong answer moderate
- Evidence in several places minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 5, 885 words; question and choices: about grade 7, 73 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Each paragraph shows a different response to the coming winter, play in paragraph 4 and hard work in paragraph 6, and only one choice keeps both. Students who read paragraph 6 alone see work under pressure and decide the cold costs The People their free time, though paragraph 4 lists races and games. The question rewards checking each choice against both paragraphs, not just the one read last.
A very close wrong answer moderate Choosing the answer
The right choice and the one about giving up leisure both have The People preparing before the cold; they differ only in whether the season brings celebration or takes it away. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Evidence in several places minor Working it out
The answer must fit both paragraphs: paragraph 4’s racing, gambling and stick games before “the Cold Moons” and paragraph 6’s women digging roots because “COLD was coming.” (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Strategy: Find what paragraphs 4 and 6 each say about the approaching cold, then note what The People do because of it, and choose the effect that fits both paragraphs.
Traps
- Half right: One half of a two-part choice is right and the other is not.
- Too narrow: A single detail offered as the central idea or a summary, or a summary that keeps minor details and leaves out an essential part.
- Reversed relationship: Cause and effect, or the order of events, turned around.
The wrong answers, classified
B Reversed relationship (King et al., 2004)
Puts rest before work, though the harvest is already under way at the Oyaip camp, and nothing shows The People wanting to relax before it begins.
C Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Sees the hard work of digging and curing roots before winter but misses paragraph 4’s racing, games and visiting, so the loss of leisure is invented.
D Too narrow (King et al., 2004)
Seizes on trading, one item in paragraph 4’s list of activities, and treats that single detail as the main effect of the coming cold.
Working it out, step by step
Figure out what the question asks
Summer is ending and winter is coming. This asks how that change mainly affects the characters in paragraphs 4 and 6. Your answer has to fit both paragraphs, not just one.
Read paragraph 4
Paragraph 4 calls this time “this last chance to enjoy being together before the Cold Moons kept them close to their fires.” The Cold Moons are the winter months. The People enjoy “the foot racing and horse racing, and the gambling and stick games.” So, before winter, they celebrate together.
Read paragraph 6
Paragraph 6 says “The women worked hard to dig and cure as many bags of roots as they could during the warm, sunny days.” To cure food means to dry it so it keeps. Why rush? Because “the sharp night air brought warnings that WARM was going and COLD was coming.” So, before winter, they also gather and store food.
Check each choice
- A fits both: they collect their bounty and celebrate before the cold. Bounty means a large supply of good things, like food.
- B: no one wants to rest before the work. The harvest work is already going on.
- C: they don’t give up leisure, which is free time for fun. Paragraph 4 is full of races and games.
- D: trading is only one item in paragraph 4’s list. It is not the main effect.
Pick the answer
Watch out: C is tempting if you read only paragraph 6, which is all hard work. But paragraph 4 shows play. Only one choice fits both paragraphs. So the answer is A.
Why this answer and not the closest wrong one
C is the closest wrong answer. Like A, it has The People getting ready for winter. But C says they give up their free time. Paragraph 4 says the opposite: races, games and visiting fill this “last chance to enjoy being together.” A keeps both the work and the fun.
More questions like this
The original DOE question

The passage “Excerpt from Do Them No Harm!” as printed (pages 177–178)


Question 22 of 30
2024 Test B English, question 27Uses the passage above: “Excerpt from Do Them No Harm!”.
Question
How do paragraphs 11–13 affect the plot of the excerpt?
- AThey establish a feeling of mystery by presenting different points of view about the arriving people.
- BThey contribute to the rising action by developing the idea that the arriving people could present a problem.
- CThey lead to a turning point by describing the moment that the crowd realizes why the strangers have come.
- DThey explain the cause of the main conflict by providing background information about the strangers.
Show the answer
Correct answer: B
The question asks how paragraphs 11–13 affect the plot of the excerpt.
A. Incorrect. The paragraphs contain questions about the arriving people. They do not present differing points of view.
B. CORRECT. The paragraphs ask questions in which the characters wonder whether the arriving people are friends or enemies, or whether they might be bringing good news or bad news. By suggesting that the arriving people could present problems such as these, the paragraphs contribute to the rising action.
C. Incorrect. The paragraphs do not lead to a turning point. Instead, they lead to the climax—the moment the characters discover who the visitors are. This means the paragraphs contribute to the rising action.
D. Incorrect. Paragraphs 11–13 ask questions. They do not provide background information about the strangers; instead, they ask for it.
Question analysis
This plot question asks how paragraphs 11–13, a series of questions the villagers ask as riders approach their camp, affect the plot of the Nez Perce narrative. Students must know terms such as rising action and turning point and apply them precisely, since several choices describe these paragraphs in ways that sound right but place them wrongly in the story.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 plot questions usually ask what one event causes. Here students apply terms such as rising action and turning point to three short paragraphs of questions, which matches the grade 8 focus on how parts of a story propel the action.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- A very close wrong answer major
- How, not what moderate
- Something you must already know minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 5, 885 words; question and choices: about grade 9, 77 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Paragraphs 11–13 contain nothing but questions, so the answer depends on what questions do in a plot. Friends or enemies, good news or bad, they raise the chance of trouble and build toward the arrival. The trap is that they also create mystery, and the choice that says so fails only on one phrase about differing viewpoints. A second risk is jumping ahead: at this point no one even knows who the riders are, let alone why they came.
A very close wrong answer major Choosing the answer
The right choice and the one about mystery both see the questions building uncertainty about the riders; only the claim of “different points of view,” when the questions are “in every mind,” separates them. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
How, not what moderate Working it out
The stem asks what paragraphs 11–13 do for the plot, so students must place a run of unanswered questions in the story’s shape rather than retell them. (Anderson & Krathwohl, 2001)
Something you must already know minor Working it out
The choices rely on plot terms the excerpt never explains, rising action, turning point and main conflict, and judging them means knowing what each one names. (Anderson & Krathwohl, 2001)
Strategy: Note what the villagers know and do not yet know in paragraphs 11–13, then compare that with what happens later in the excerpt to place these paragraphs in the plot.
Traps
- Half right: One half of a two-part choice is right and the other is not.
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
- Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.
The wrong answers, classified
A Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Rightly feels the mystery in the villagers’ questions but adds “different points of view,” though the whole camp shares the same questions.
C Wrong part of the text (Kirsch & Mosenthal, 1990)
Jumps ahead to the recognition in paragraphs 17–23; in paragraphs 11–13 the crowd does not yet know who the riders are, let alone why they came.
D Wrong purpose or structure (Anderson & Krathwohl, 2001)
Notices the hunters gone two summers and the families who never returned, but those details arrive as questions, and the excerpt has no conflict they explain.
Working it out, step by step
Figure out what the question asks
This asks how paragraphs 11–13 move the story along. You need some plot words. The plot is the order of events in a story. The rising action is the part where tension builds. Tension is the feeling that something big may happen. A turning point is the moment when things change.
Read paragraphs 11 to 13
These paragraphs are all questions. Paragraph 11 asks: “Were they friends or enemies? Did they bring good news or bad?” In paragraph 12, “Who can it be?” is one of “the questions in every mind.” Paragraph 13 asks if the riders are the hunters who left “two summers past.”
Decide what the questions do
The words “enemies” and “bad” news show the camp is worried. The riders might bring trouble. No one knows yet. So the questions build tension as the riders get closer. That is rising action. The answers come later. The crowd knows the hunters in paragraph 18. They learn who the woman is in paragraphs 22 and 23.
Check each choice
- B fits. The questions raise the chance of a problem and build tension.
- A: there is mystery, but not “different points of view.” Everyone asks the same questions.
- C: in these paragraphs, no one knows who the riders are yet, let alone why they came. So nothing here is the moment the crowd realizes anything.
- D: the paragraphs ask about the strangers. They give no background facts about them.
Pick the answer
Watch out: A is very close. The questions do create mystery. But one wrong phrase, “different points of view,” rules it out. So the answer is B.
Why this answer and not the closest wrong one
A is the closest wrong answer, because the questions do make the scene mysterious. But the questions are “in every mind,” so there are no different points of view. B names what the questions do for the plot: they hint that the riders could bring trouble, and they build tension.
More questions like this
The original DOE question

Question 23 of 30
2024 Test B English, question 30Uses the passage above: “Excerpt from Do Them No Harm!”.
Question
Read these sentences from paragraph 22.
“Belongs to Red Bear people. Gone then come back.”
How does this statement affect the villagers in the excerpt?
- AIt increases their concern about why the woman is in their camp.
- BIt makes them hopeful that more lost members will return before the winter.
- CIt causes shock, leading them to grieve for the loss of the woman and her family.
- DIt inspires amazement, making them want to reconnect with their returned family member.
Show the answer
Correct answer: D
The question asks how the statement from paragraph 22 affects the villagers in the excerpt.
A. Incorrect. In paragraph 21, the villagers question who the woman is and from where she has come, but they are merely curious about her and not necessarily concerned, as there is no indication in paragraph 22 that she might be a threat.
B. Incorrect. This statement reveals that the woman is a member of the Red Bear people who has returned, and in paragraph 15 there is a reference to four hunters who have been gone a long time. However, this statement serves only to satisfy the villagers’ curiosity about who this woman is; it does not make the villagers hopeful that other people will also return.
C. Incorrect. Though paragraph 23 reveals that the villagers are somewhat surprised because the girl has grown into a woman, paragraph 24 suggests they are excited to receive her. There is no reason given in paragraph 22 for them to grieve for her loss, since she has returned.
D. CORRECT. The hunters’ words from paragraph 22 amaze the villagers, who do not at first recognize the woman. Once they know she is one of their own, they are eager to interact with her, as revealed in paragraphs 24 and 25, where they give her a new name and care for her.
Question analysis
This question quotes the hunters’ brief words about the frail woman who rides into camp with them, “Belongs to Red Bear people. Gone then come back,” and asks how the statement affects the villagers. Students must follow the scene that comes next and judge the villagers’ feelings from what they shout and do, since the excerpt never names those feelings directly.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Explaining how a line of dialogue affects characters is grade 7 story analysis. The hunters’ words are short and the response follows at once, so the main demand is inferring the villagers’ state of mind, a routine grade 7 step.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Reading between the lines moderate
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 5, 885 words; question and choices: about grade 6, 78 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The hunters’ words answer the question the crowd has been asking, who the woman is, and what follows is recognition and welcome. Students who carry over an earlier mood, worry about strangers or sadness at a long absence, misread the moment. The hopeful-sounding choice about more members returning goes one step past the text, which shows joy over this return and nothing about others.
Reading between the lines moderate Working it out
The villagers’ reaction is never named; it is shown in paragraphs 23–25, where “Now they could see!”, the women cry out her new name and gentle arms lift her from her horse. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Read the paragraphs right after the hunters speak and note what the villagers say and do. Then choose the reaction those words and actions show.
Traps
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
The wrong answers, classified
A Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Carries over the worry of paragraph 11, friends or enemies, though by now the hunters vouch for the woman and the statement removes any reason for concern.
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Connects the return to paragraph 13’s wish for news of families who never came back, then assumes hope that others will follow, which the excerpt never shows.
C Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Rightly senses surprise but reads it as grief, prompted by the woman’s frail figure and long absence, though the women cry out her new name and care for her.
Working it out, step by step
Figure out what the question asks
The hunters say: “Belongs to Red Bear people. Gone then come back.” This asks how those words affect the villagers. The story doesn’t name their feelings. So look at what they say and do next.
See what happens next
- Paragraph 23: “Now they could see! She was the daughter of the family gone so long ago!”
- Paragraph 24: the women cry out “Wat-ku-ese!” This becomes her new name.
- Paragraph 25: “Gentle arms lifted Wat-ku-ese from her horse.” The women bring her food and care for her.
Name the feelings
The exclamation points in paragraph 23 show surprise and wonder. A little girl has come back as a grown woman, and they can hardly believe it. That is amazement. Then they give her a name, feed her and care for her. They want to bring her back into the family. That is reconnecting, or becoming close again.
Check each choice
- D fits: amazement, then wanting to reconnect.
- A: the hunters say she belongs to the Red Bear people. That ends any worry.
- B: nothing says they hope others will return before winter.
- C: they are surprised, but they don’t grieve, or feel deep sadness. They cheer and care for her.
Watch out: C is tempting because she is frail and was gone a long time. But the women’s actions are happy and gentle.
Pick the answer
The villagers are amazed, and they rush to welcome her back home. So the answer is D.
Why this answer and not the closest wrong one
C is the closest wrong answer, because the news is a shock and the woman is frail. But nobody mourns. The women shout her new name, and “Gentle arms lifted Wat-ku-ese from her horse.” Those are signs of joy and care. That matches D, amazement and a wish to reconnect.
More questions like this
The original DOE question

Question 24 of 30
2018 Test A English, question 23Passage Champion of the Channel
Champion of the Channel
In 1926 an editor at the London Daily News predicted that Gertrude Ederle, an American swimmer with eighteen world records and three Olympic medals, would fail in her attempt to swim across the English Channel. He claimed that “even the most uncompromising champion of the rights and capacities of women must admit that in contests of physical skill, speed and endurance they must remain forever the weaker sex.” Yet, at only nineteen years old, Ederle not only became the first woman to accomplish this feat, she also broke the men’s record by two hours. Gertrude Ederle’s triumphant swim across the English Channel was a testimony to her determination, innovative spirit, and passion for swimming.
Crossing the English Channel is a daunting task for any swimmer. At its narrowest point, the channel measures twenty-one miles across. Its icy waters hover around sixty degrees Fahrenheit, and its unruly tides and currents toss swimmers about like bobbing corks. Stinging jellyfish, seaweed, and floating debris from shipwrecks and lost cargoes present added hazards.
For decades the channel’s perils have defeated countless swimmers. Ederle, too, failed in her first attempt to cross the channel in 1925. Just six miles short of finishing, she became ill, and her coach had to haul her out of the water. Undeterred, Ederle decided to try again. Ederle knew that if she did not complete the challenge this time, she might never get the opportunity to set this record, because a rival female swimmer was preparing to make her second attempt at the crossing as well.
To prepare for the marathon swim, Ederle found ways to improve her equipment. She and her sister Meg discovered that melted candle wax perfectly sealed goggle edges, effectively waterproofing Ederle’s goggles against hammering waves. The sisters also designed a two-piece silk swimsuit for Ederle. During her first channel-crossing attempt she had worn a standard one-piece swimsuit that, after the lengthy hours of swimming across the channel, had stretched out, filling with water and creating drag, making an already challenging task almost insurmountable. Unlike the cumbersome typical bathing suit, this silk invention weighed little and allowed for easy movement.
On August 6, 1926, Ederle waded into the channel near Cape Gris-Nez, France. At first she shivered in the bone-chilling water even though she had covered her body in eight layers of grease for insulation. Her limbs felt stiff. Her strokes were irregular. Driving forward, she fought to clear her mind and find what she called her “sphere,” a place where the sea became her only companion and the shrieks of gulls and the humming of boat engines faded away. Using a new overhand stroke called the American crawl, Ederle eventually settled into a steady pace, briskly breaking through waves.
Throughout Ederle’s swim, two tugboats accompanied her. One carried newspaper reporters who wired dispatches of her progress to shore. The other, displaying a sign that read “This way, ole kid!” with an arrow pointing forward, transported her coach, family, and friends. Her coach played songs, such as “Yes, We Have No Bananas,” on a phonograph so that Ederle could time her strokes to the rhythm. Using a net, her coach also passed her baby bottles of broth for nourishment.
For hours Ederle swam, dodging debris with an amused smile. However, as she neared the English shore, a sudden fierce storm erupted. The tides and waves forced Ederle backward, and she fought the stubborn swells for several hours. The salty water caused her tongue to swell and inflamed her ears. Yet Ederle felt indescribably happy as she churned through the sea. Finally, as she neared the English shore, the storm abated, and the tide turned. No longer fighting against her, the sea pushed her toward the shore and victory.
After fourteen hours and thirty-one minutes, Ederle, on wobbly legs, stepped onto the English shore. The waiting crowd roared, honked their automobile horns, blasted their tugboat whistles, and set off flares that flashed in the sky. Ederle had swum into history.
When Ederle returned to New York, she received a parade, where thousands of people shouted “Trudy!” Not only were everyday American citizens proud of Ederle, but she also inspired them to be more active. Over the next few years, more than 60,000 people credited her with motivating them to earn their American Red Cross swimming certificates. Gertrude Ederle’s accomplishment proved to the world that with determination and passion, it was possible for a person to achieve his or her goals.
SOLO SWIMS ACROSS THE ENGLISH CHANNEL
|
Earliest Speed Records |
||
| Year | Swimmer | Time |
| 1875 | Matthew Webb (M) | 21 hours, 45 minutes |
| 1923 | Enrico Tiraboschi (M) | 16 hours, 33 minutes |
| 1926 | Gertrude Ederle (F) | 14 hours, 31 minutes |
| 1926 | Arnst Vierkotter (M) | 12 hours, 38 minutes |
| Current Speed Records | ||
| Year | Swimmer | Time |
| 2012 | Trent Grimsey (M) | 6 hours, 55 minutes |
| 2006 | Yvetta Hlavacova (F) | 7 hours, 25 minutes |
Question
Ederle’s victorious swim across the English Channel influenced American attitudes mainly by
- Asparking interest in physical activity and in seeking swimming certification.
- Bencouraging other swimmers to seek out and achieve challenging feats.
- Cdemonstrating that women could achieve and even surpass feats accomplished by men.
- Dshowing that determination and perseverance are necessary to overcome previous failures.
Show the answer
Correct answer: A
The answer is (A)
The question asks for an explanation of how Ederle’s successful swim across the channel affected American attitudes.
Option A is correct because the passage indicates that there was a large increase in the number of American men and women who became physically active and who obtained swimming certificates shortly after Ederle’s swim (paragraph 9: “Over the next few years, more than 60,000 people credited her with motivating them to earn their American Red Cross swimming certificates.”).
Option B is incorrect because, although there was an increase in the number of people learning to swim, the passage does not provide details about people who were inspired by Ederle to take on extreme challenges such as swimming across the channel.
Option C is incorrect because, although Ederle did, in fact, surpass the men’s time for the swim by two hours, the passage does not provide information about how this achievement affected the American people’s perception of the capabilities of men and women.
Option D is incorrect because, although the passage does explain how Ederle’s determination and perseverance led to her eventual success, it does not demonstrate how this affected American attitudes toward overcoming failures.
Question analysis
This reading question asks how Gertrude Ederle's record-setting English Channel swim mainly influenced American attitudes, according to the final paragraph of the passage. Students must stick to what the passage actually reports about Americans' reactions, since several choices sound plausible for such a famous swim.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Explaining how a person influenced others is typical grade 7 reading. The evidence sits in one paragraph near the end, and the main demand is matching each choice to what that paragraph actually says.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly understand
- What makes it hard
- A very close wrong answer moderate
- The right answer is reworded minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 9, 790 words; question and choices: about grade 13, 55 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The answer is reported plainly in the last paragraph, but the passage's opening primes a different expectation. Because the editor dismissed women and Ederle then beat the men's record, many students expect her swim to have changed how Americans saw women, an effect the passage never reports. The question rewards sticking to what the text says Americans actually did afterward.
A very close wrong answer moderate Choosing the answer
The right choice and the one about encouraging other swimmers both say Ederle moved people to take up swimming, and differ only in scale: earning swimming certificates or chasing “challenging feats”. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
The right answer is reworded minor Choosing the answer
The answer recasts paragraph 9's “inspired them to be more active” and “swimming certificates” in new words, while one wrong choice echoes the closing word “determination”. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
Strategy: Go to the paragraph about her return to New York and note exactly what it says Americans did or felt afterward, then match that report to a choice.
Traps
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
B Too broad or too strong (King et al., 2004)
Stretches the 60,000 people she motivated to earn swimming certificates into swimmers chasing “challenging feats”, a bigger claim than the passage makes about anyone.
C Reads too much in (Graesser, Singer & Trabasso, 1994)
Combines the editor's “weaker sex” remark with her beating the men's record and concludes Americans changed their views of women, an effect the passage never describes.
D Twists what the text says (King et al., 2004)
Echoes the closing line about determination but changes “it was possible” to “necessary” and adds overcoming failure, a lesson the passage gives the world, not American habits.
Working it out, step by step
Figure out what the question asks
This asks how Ederle’s swim changed the way Americans thought or acted. You need the effect the passage actually reports. So look at what happened after she came home.
Find the effect in paragraph 9
Paragraph 9 says: “Not only were everyday American citizens proud of Ederle, but she also inspired them to be more active.” It goes on: “Over the next few years, more than 60,000 people credited her with motivating them to earn their American Red Cross swimming certificates.”
Put it in plain words
To credit someone means to say they were the reason for something. A swimming certificate is a paper that shows you passed a swimming course. So Americans got more active. Many worked to earn swimming certificates because of her.
Check each choice
- A: “sparking interest in physical activity and in seeking swimming certification.” This matches both parts of paragraph 9.
- B says swimmers went after “challenging feats.” The passage talks about certificates, not big feats.
- C: Ederle did beat the men’s record. But the passage never says this changed what Americans thought about women.
- D echoes the last sentence about determination. But that sentence is about what she proved “to the world,” and it says “possible,” not “necessary.”
Watch out: C feels right because of the editor in paragraph 1. But the passage never reports a change in how Americans saw women.
Pick the answer
Paragraph 9 reports that Americans became more active and earned swimming certificates. So the answer is A.
Why this answer and not the closest wrong one
B is close because it also says people were moved to swim. But it says they chased “challenging feats,” like crossing the channel. The passage only says people got more active and earned swimming certificates. A matches that exactly.
More questions like this
The original DOE question

The passage “Champion of the Channel” as printed (pages 56–57)


Question 25 of 30
2018 Test A English, question 35Passage Excerpt from A Tramp Abroad
Excerpt from A Tramp Abroad
by Mark Twain
Now and then, while we rested, we watched the laborious ant at his work. I found nothing new in him—certainly nothing to change my opinion of him. It seems to me that in the matter of intellect the ant must be a strangely overrated bird. During many summers now I have watched him, when I ought to have been in better business, and I have not yet come across a living ant that seemed to have any more sense than a dead one. I refer to the ordinary ant, of course; I have had no experience of those wonderful Swiss and African ones which vote, keep drilled armies, . . . and dispute about religion. Those particular ants may be all that the naturalist paints them, but I am persuaded that the average ant is a sham.
I admit his industry, of course; he is the hardest working creature in the world—when anybody is looking—but his leather-headedness is the point I make against him. He goes out foraging, he makes a capture, and then what does he do? Go home? No; he goes anywhere but home. He doesn’t know where home is. His home may be only three feet away; no matter, he can’t find it. He makes his capture, as I have said; it is generally something which can be of no sort of use to himself or anybody else; it is usually seven times bigger than it ought to be; he hunts out the awkwardest place to take hold of it; he lifts it bodily up in the air by main force, and starts—not toward home, but in the opposite direction; not calmly and wisely, but with a frantic haste which is wasteful of his strength; he fetches up against a pebble, and, instead of going around it, he climbs over it backwards, dragging his booty after him, tumbles down on the other side, jumps up in a passion, kicks the dust off his clothes, moistens his hands, grabs his property viciously, yanks it this way, then that, shoves it ahead of him a moment, turns tail and lugs it after him another moment, gets madder and madder, then presently hoists it into the air and goes tearing away in an entirely new direction; comes to a weed; it never occurs to him to go around it. No; he must climb it, and he does climb it, dragging his worthless property to the top—which is as bright a thing to do as it would be for me to carry a sack of flour from Heidelberg to Paris by way of Strasburg steeple; when he gets up there he finds that that is not the place; takes a cursory glance at the scenery, and either climbs down again or tumbles down, and starts off once more—as usual, in a new direction. At the end of half an hour he fetches up within six inches of the place he started from, and lays his burden down. Meantime, he has been over all the ground for two yards around, and climbed all the weeds and pebbles he came across. Now he wipes the sweat from his brow, strokes his limbs, and then marches aimlessly off, in as violent a hurry as ever. He traverses a good deal of zig-zag country, and by and by stumbles on his same booty again. He does not remember to have ever seen it before; he looks around to see which is not the way home, grabs his bundle, and starts. He goes through the same adventures he had before; finally stops to rest, and a friend comes along.
Evidently the friend remarks that a last year’s grasshopper leg is a very noble acquisition, and inquires where he got it. Evidently the proprietor does not remember exactly where he did get it, but thinks he got it “around here somewhere.” Evidently the friend contracts to help him freight it home. Then, with a judgment peculiarly antic (pun not intentional), they take hold of opposite ends of that grasshopper leg and begin to tug with all their might in opposite directions. Presently they take a rest, and confer together. They decide that something is wrong, they can’t make out what. Then they go at it again, just as before. Same result. Mutual recriminations follow. Evidently each accuses the other of being an obstructionist. They warm up, and the dispute ends in a fight. They lock themselves together and chew each other’s jaws for a while; then they roll and tumble on the ground till one loses a horn or a leg and has to haul off for repairs. They make up and go to work again in the same old insane way, but the crippled ant is at a disadvantage; tug as he may, the other one drags off the booty and him at the end of it. Instead of giving up, he hangs on, and gets his shins bruised against every obstruction that comes in the way. By and by, when that grasshopper leg has been dragged all over the same old ground once more, it is finally dumped at about the spot where it originally lay. The two perspiring ants inspect it thoughtfully and decide that dried grasshopper legs are a poor sort of property after all, and then each starts off in a different direction to see if he can’t find an old nail or something else that is heavy enough to afford entertainment and at the same time valueless enough to make an ant want to own it. . . .
Science has recently discovered that the ant does not lay up anything for winter use. . . . He does not work, except when people are looking, and only then when the observer has a green, naturalistic look, and seems to be taking notes. This amounts to deception, and will injure him for the Sunday schools. He has not judgment enough to know what is good to eat from what isn’t. This amounts to ignorance, and will impair the world’s respect for him. . . . He cannot stroll around a stump and find his way home again. This amounts to idiocy, and once the damaging fact is established, thoughtful people will cease to look up to him. It is strange beyond comprehension that so manifest a humbug as the ant has been able to fool so many nations and keep it up so many ages without being found out.
we: the author and his fictional travel companion
From A TRAMP ABROAD by Mark Twain—Public Domain
Question
How does the presence of the friend in paragraph 3 influence the first ant’s behavior?
- AThe friend distracts the ant from finding the correct path home.
- BThe friend inspires the ant to consider a new approach to the situation.
- CThe friend encourages the ant to continue his worthless efforts.
- DThe friend tries to prevent the ant from finishing his task.
Show the answer
Correct answer: C
The answer is (C)
The question asks how the second ant, a friend, influences the first ant.
Option C is correct because the friend’s complimentary remark about the grasshopper leg serves to encourage the first ant to continue his efforts to drag the useless object home (paragraph 3: “Evidently the friend remarks that a last year’s grasshopper leg is a very noble acquisition”).
Option A is incorrect because the first ant does not know where his home is (paragraph 2: “He doesn’t know where home is. His home may be only three feet away; no matter, he can’t find it”).
Option B is incorrect because, while the friend offers to help the first ant (paragraph 3: “Evidently the friend contracts to help him freight it home”), he does not inspire a new approach to resolving the situation.
Option D is incorrect because, while the friend does make it difficult for the first ant to transport the grasshopper leg, the friend is not intentionally trying to prevent the first ant from reaching home (paragraph 3: “Then, with a judgment peculiarly antic [pun not intentional], they take hold of opposite ends of that grasshopper leg and begin to tug with all their might in opposite directions”).
Question analysis
This question asks how a second ant, the “friend” who arrives in paragraph 3 of Mark Twain's excerpt, affects the first ant's behavior. Students must follow cause and effect through a tug-of-war in which the two ants pull a grasshopper leg in opposite directions.
- NYS standards
- 7R3 plot elements and ideas
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Explaining how one character affects another is everyday grade 7 work, and the interaction here unfolds within a single paragraph. Reading the friend's remark about the grasshopper leg in context is the only subtle step.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Reading between the lines moderate
- Hard words minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 9, 1099 words; question and choices: about grade 6, 59 words.
- Corrected from the DOE handbook
- A wrong paragraph number in the explanation was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The paragraph is chaotic, with tugging, a fight and a lost leg, and that chaos makes the friend look like an obstacle. What the question rewards is seeing that every move the friend makes, praising the leg and offering to help carry it, keeps the first ant hauling a worthless object. Students who judge the friend by the results of the tug-of-war, rather than by what he says and intends, are drawn away from the key.
Reading between the lines moderate Working it out
The effect is never stated: students must infer from the friend calling the leg “a very noble acquisition” and offering to “freight it home” that he spurs the first ant on. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Hard words minor Understanding the question
Mock-formal words such as “proprietor,” “contracts,” “recriminations” and “obstructionist” narrate the ants' exchange, and a student who stumbles on them loses track of who helps whom. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Trace what the first ant does before the friend arrives and what he does after; then ask how the friend's remark and offer change, or fail to change, that pattern.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
The wrong answers, classified
A Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Assumes the familiar idea that a chatty friend distracts you from your route, but paragraph 2 says the ant never knew “where home is” to begin with.
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Takes the friend's offer to help as a fresh strategy, though the two ants go back to work “in the same old insane way.”
D Twists what the text says (King et al., 2004)
Turns the accidental tug in opposite directions, and the charge of being “an obstructionist,” into deliberate sabotage, though the friend set out to help carry the leg home.
What was corrected from the DOE handbook, and why
- Explanation: The handbook places “Evidently the friend remarks that a last year’s grasshopper leg is a very noble acquisition” in paragraph 2. The sentence opens paragraph 3, the paragraph the question asks about, so the explanation now reads “(paragraph 3: …)”.
Working it out, step by step
Figure out what the question asks
This question asks how one character affects another. You need to see how the friend changes, or doesn’t change, what the first ant does.
See what the ant does first
At the end of paragraph 2, the first ant has dragged the grasshopper leg around for a long time. He has gotten nowhere. He “finally stops to rest, and a friend comes along.” This rest is the moment he might have quit.
See what the friend says and does
In paragraph 3, the friend says the leg “is a very noble acquisition.” An acquisition is something you got. Noble means fine and grand. So the friend praises a worthless leg.
Then he “contracts to help him freight it home.” Contracts means agrees, and freight means carry. With this praise and help, the first ant goes right back to hauling the leg.
Check each choice
- A The ant was never on the right path, so the friend can’t pull him off it: “He doesn’t know where home is.”
- B No new plan appears. They work “in the same old insane way.”
- C fits. The friend’s praise and help keep the ant going at his useless task.
- D The tug in opposite directions is an accident. The friend meant to help, not to stop him.
Choose the answer
The friend cheers the ant on and helps him keep hauling junk. So the answer is C.
Why this answer and not the closest wrong one
D is the closest trap, because the friend does get in the way. Each ant even calls the other an obstructionist (someone who blocks things). But that happens by accident. What the friend chooses to do is praise the leg and help carry it. That pushes the ant to keep going, so C fits better.
More questions like this
The original DOE question

The passage “Excerpt from A Tramp Abroad” as printed (pages 62–63)


Question 26 of 30
2018 Test A English, question 37Passage Ruins of a Fabled City
Ruins of a Fabled City
The African country of Zimbabwe took its name from the Shona word meaning “stone enclosures” or “venerated houses.” In fact, today dozens of stone ruins are scattered throughout Zimbabwe and other areas in southeastern Africa. One of these ruins, known as Great Zimbabwe, was once a fabled city that inspired tales that circulated throughout Europe. Where was this remarkable city, and who had built it? For centuries the mystery occupied the minds of explorers and treasure seekers.
The first reports to Europeans of Great Zimbabwe were spread a thousand years ago by Arab traders sailing between the Middle East and the east coast of Africa. The traders told of the fabulous wealth of a mysterious stone city in the African interior. In the trader’s tales, that city became associated with the Europeans’ understanding of Middle Eastern history—the Queen of Sheba, King Solomon and his legendary gold mines, long since lost to the world. By the sixteenth century, Portuguese explorers regularly visited East Africa, searching for King Solomon’s gold, but they never found Great Zimbabwe. In 1552, a Portuguese historian, João de Barros, recorded a story told by Arabs about a city with a “square fortress of masonry within and without, built of stones of marvelous size, and there appears to be no mortar joining them.”
In fact, Great Zimbabwe was a marvel. In one area a massive wall more than thirty feet high and twenty feet thick created a great enclosure. Another area contained a fortress-like series of walls, corridors, and steps built into the bluff that overlooks the ruins. Throughout the city, each stone was precisely fitted to the others without the use of mortar.
In the 1870s Karl Mauch, a German geologist, was the first European to see Great Zimbabwe, by then in ruins. Mauch realized that he had “rediscovered” the fabled city from de Barros’s story. He jumped to the conclusion that Great Zimbabwe had been built by the Queen of Sheba. British authorities sent a British journalist, Richard Hall, to Great Zimbabwe to investigate Mauch’s report. Archaeology was still in its infancy, and Hall, convinced that the structures had been built by ancient people from the Middle East, dug up and discarded archaeological deposits that would have revealed much about the true history of Great Zimbabwe. Later European excavations destroyed even more valuable evidence.
In the twentieth century, after excavating areas that had not been disturbed, David Randall-MacIver, a Scottish Egyptologist, and Gertrude Caton-Thompson, an English archaeologist, concluded that the ruins were unmistakably African in origin. Great Zimbabwe was most likely built during the fourteenth or fifteenth century by the ancestors of the present-day Shona people. Recent carbon-14 dating supports their conclusion. Great Zimbabwe was once home to an estimated 20,000 people, the center of a great Shona kingdom. Wealthy Shona kings traded their ivory and gold in coastal towns for other goods, thus accounting for the discovery of beads and other foreign wares in the ruins.
One mystery of Great Zimbabwe had been solved. Another mystery remains: why was the settlement at Great Zimbabwe abandoned, leaving the magnificent stone architecture to fall into ruins?
Question
What was the main way that Karl Mauch’s conclusions about Great Zimbabwe in paragraph 4 affected later archaeological investigations?
- AArchaeologists from all over Europe became interested in excavating the area.
- BArchaeologists made assumptions about the history of the ruins before excavating.
- CArchaeologists started to believe that many of the past accounts recorded about the ruins were true.
- DArchaeologists realized it was unlikely that an ancient culture could build such grand structures.
Show the answer
Correct answer: B
The answer is (B)
The question asks for an explanation of how Mauch’s conclusions influenced later investigations.
Option B is the best option because Mauch’s conclusion that Great Zimbabwe “had been built by the Queen of Sheba” (paragraph 4) affected later investigations of the ruins by causing archaeologists to destroy evidence without examining it, as they assumed that Mauch’s conclusions were accurate (paragraph 4).
Option A is incorrect because, while archaeologists were interested in the area, this was not the main effect of Mauch’s conclusions, as described in the passage.
Option C is incorrect because people searched for Great Zimbabwe because they already believed the stories told by Arab traders and historians like de Barros (paragraph 2), not because of Mauch’s conclusions.
Option D is incorrect because, although the city was considered impressive (paragraph 3), Mauch’s conclusions did not influence whether people believed an ancient culture could have built the city.
Question analysis
This cause-and-effect question asks how Karl Mauch's 1870s conclusions about Great Zimbabwe shaped the investigations that came after him. Students must trace the effect through paragraph 4, where later visitors dug at the site, while keeping the older traders' tales and Portuguese searches in their proper order.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Grade 7 informational reading asks how events and ideas influence one another, which is exactly this task. The effect is implied rather than stated, but it sits in one paragraph, keeping the demand typical for grade 7.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Reading between the lines moderate
- A very close wrong answer moderate
- Much to keep track of minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 11, 524 words; question and choices: about grade 11, 70 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The cause and effect is implied across two sentences of paragraph 4, so students must connect Mauch's leap to the Queen of Sheba with Hall's conviction and the evidence he threw away. The passage's long run of legends makes the older accounts feel like a consequence of Mauch, when they came first. The key rewards reading for what investigators did differently because of him, not what anyone believed at some point.
Reading between the lines moderate Working it out
The passage never says Mauch's conclusion caused anything; the link comes from Hall being sent “to investigate Mauch's report” and arriving “convinced” of Middle Eastern builders. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
A very close wrong answer moderate Choosing the answer
B and C both say later investigators took beliefs about the ruins' history for granted; C differs in one detail, since trust in the old accounts began centuries before Mauch rather than because of him. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Much to keep track of minor Working it out
Students must keep the order of believers straight: Arab traders, Portuguese explorers, de Barros in 1552, Mauch in the 1870s, then Hall and later European diggers. (Sweller, 1988; Carpenter, Just & Shell, 1990)
Strategy: Find what Mauch concluded, then read the sentences about the next people to dig at the site and ask how his conclusion shows up in what they did.
Traps
- Reversed relationship: Cause and effect, or the order of events, turned around.
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
The wrong answers, classified
A Too broad or too strong (King et al., 2004)
Inflates the British inquiry and the “later European excavations” into archaeologists from all over Europe, and treats their interest as Mauch's main effect.
C Reversed relationship (King et al., 2004)
Flips the order: trust in the traders' tales and de Barros's account came long before Mauch and shaped his conclusion, not the other way round.
D Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Echoes the real colonial-era doubt that Africans built the city, but in the passage Hall credits ancient Middle Eastern builders, so investigators did think an ancient culture built it.
Working it out, step by step
Figure out what the question asks
This is a cause-and-effect question. It asks how Karl Mauch’s ideas changed what later people did at the ruins.
Find the evidence in paragraph 4
Mauch “jumped to the conclusion that Great Zimbabwe had been built by the Queen of Sheba.” Then Richard Hall was sent “to investigate Mauch’s report.”
Hall arrived “convinced that the structures had been built by ancient people from the Middle East.” So he “dug up and discarded archaeological deposits.” Later digs “destroyed even more valuable evidence.”
Work out the effect
To jump to a conclusion is to decide something before you have proof. Mauch did that. Hall came to check Mauch’s report, already sure of a story like Mauch’s. He decided the answer before he dug. So he threw away clues. “Deposits” here means layers of old things in the ground. They could have shown the true history.
Check each choice
- A The passage never says people from all over Europe became interested.
- B fits. The diggers made assumptions (beliefs taken as true without proof) before they dug.
- C People trusted the old tales centuries before Mauch, so he did not cause that.
- D Hall still thought an ancient people built the city, just not Africans.
Choose the answer
Mauch’s guess led later diggers to decide the city’s history before they dug. So the answer is B.
Why this answer and not the closest wrong one
C is the closest trap. It also says people trusted ideas about the ruins. But trust in the old tales began with Arab traders, and de Barros wrote his story down in 1552. Mauch came in the 1870s. C gets the order backward. B names what changed after Mauch.
More questions like this
The original DOE question

The passage “Ruins of a Fabled City” as printed (page 68)

Question 27 of 30
2018 Test B English, question 18Passage Excerpt from A Voice in the Wilderness
Excerpt from A Voice in the Wilderness
by Grace Livingston Hill
With a lurch the train came to a dead stop and Margaret Earle, hastily gathering up her belongings, hurried down the aisle and got out into the night.
It occurred to her, as she swung her heavy suit-case down the rather long step to the ground, and then carefully swung herself after it, that it was strange that neither conductor, brakeman, nor porter had come to help her off the train, when all three had taken the trouble to tell her that hers was the next station; but she could hear voices up ahead. Perhaps something was the matter with the engine that detained them and they had forgotten her for the moment.
The ground was rough where she stood, and there seemed no sign of a platform. Did they not have platforms in this wild Western land, or was the train so long that her car had stopped before reaching it?
She strained her eyes into the darkness, and tried to make out things from the two or three specks of light that danced about like fireflies in the distance. She could dimly see moving figures away up near the engine, and each one evidently carried a lantern. The train was tremendously long. A sudden feeling of isolation took possession of her. Perhaps she ought not to have got out until some one came to help her. Perhaps the train had not pulled into the station yet and she ought to get back on it and wait. Yet if the train started before she found the conductor she might be carried on somewhere and he justly blame her for a fool.
There did not seem to be any building on that side of the track. It was probably on the other, but she was standing too near the cars to see over. She tried to move back to look, but the ground sloped and she slipped and fell in the cinders, bruising her knee and cutting her wrist.
In sudden panic she arose. She would get back into the train, no matter what the consequences. They had no right to put her out here, away off from the station, at night, in a strange country. If the train started before she could find the conductor she would tell him that he must back it up again and let her off. He certainly could not expect her to get out like this.
She lifted the heavy suit-case up the high step that was even farther from the ground than it had been when she came down, because her fall had loosened some of the earth and caused it to slide away from the track. Then, reaching to the rail of the step, she tried to pull herself up, but as she did so the engine gave a long snort and the whole train, as if it were in league against her, lurched forward crazily, shaking off her hold. She slipped to her knees again, the suit-case, toppled from the lower step, descending upon her, and together they slid and rolled down the short bank, while the train . . . ran giddily off into the night.
The horror of being deserted helped the girl to rise in spite of bruises and shock. She lifted imploring hands to the unresponsive cars as they hurried by her—one, two, three, with bright windows, each showing a passenger, comfortable and safe inside, unconscious of her need.
A moment of useless screaming, running, trying to attract some one’s attention, a sickening sense of terror and failure, and the last car slatted itself past with a mocking clatter, as if it enjoyed her discomfort.
Margaret stood dazed, reaching out helpless hands, then dropped them at her sides and gazed after the fast-retreating train, the light on its last car swinging tauntingly, blinking now and then with a leer in its eye, rapidly vanishing from her sight into the depth of the night.
She gasped and looked about her for the station that but a short moment before had been so real to her mind; and, lo! on this side and on that there was none!
The night was wide like a great floor shut in by a low, vast dome of curving blue set with the largest, most wonderful stars she had ever seen. Heavy shadows of purple-green, smoke-like, hovered over earth darker and more intense than the unfathomable blue of the night sky. It seemed like the secret nesting-place of mysteries wherein no human foot might dare intrude. It was incredible that such could be but common sage-brush, sand, and greasewood wrapped about with the beauty of the lonely night.
No building broke the inky outlines of the plain, nor friendly light streamed out to cheer her heart. Not even a tree was in sight, except on the far horizon, where a heavy line of deeper darkness might mean a forest. Nothing, absolutely nothing, in the blue, deep, starry dome above and the bluer darkness of the earth below save one sharp shaft ahead like a black mast throwing out a dark arm across the track.
As soon as she sighted it she picked up her baggage and made her painful way toward it, for her knees and wrist were bruised and her baggage was heavy.
A soft drip, drip greeted her as she drew nearer; something plashing down among the cinders by the track. Then she saw the tall column with its arm outstretched, and looming darker among the sage-brush the outlines of a water-tank. It was so she recognized the engine’s drinking-tank, and knew that she had mistaken a pause to water the engine for a regular stop at a station.
cinders: track bed made from the residue of burnt coal
From A VOICE IN THE WILDERNESS by Grace Livingston Hill—Public Domain
Question
Read this sentence from paragraph 4.
Yet if the train started before she found the conductor she might be carried on somewhere and he justly blame her for a fool.
How does the sentence contribute to the development of the plot?
- AIt shows how Margaret’s reliance on the guidance of others leads to the external conflict she faces.
- BIt reveals how Margaret’s concern about the opinions of others causes the external conflict she faces.
- CIt highlights how Margaret’s indecision results in the external conflict being prolonged.
- DIt illustrates how Margaret’s confusion makes it difficult for her to fully understand the external conflict.
Show the answer
Correct answer: D
The question asks which sentence correctly explains the connection between the sentence from paragraph 4 and the overall plot of the excerpt. The train’s need to stop for water is not evident to Margaret, which causes the external conflict. The sentence from paragraph 4 reveals how Margaret’s confusion over her best course of action prevents her from recognizing the nature of the external conflict; therefore, Option D is correct.
Option A is incorrect because Margaret’s reliance on others is not demonstrated in the sentence, and her reliance on others does not contribute to the external conflict.
Option B is incorrect because her concern for the opinion of others is not the main cause for her external conflict.
Option C is incorrect because Margaret’s indecision has no effect on the cause of the conflict.
Question analysis
This plot-development question quotes one sentence from A Voice in the Wilderness in which Margaret worries the train will carry her off and the conductor will think her a fool. Students explain how that sentence connects her state of mind to the story’s external conflict. Every choice links a believable trait to the conflict, which makes this one of the trickier questions on the excerpt.
- NYS standards
- 7R3 plot elements and ideas
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 plot questions usually link one event to its result. This one asks how a single sentence of Margaret’s private worry bears on the external conflict, which students must first pin down using the whole excerpt.
- Estimated difficulty
- Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Every choice must be checked major
- A very close wrong answer moderate
- Complex sentences moderate
- Evidence in several places moderate
- Hard words minor
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 8, 981 words; question and choices: about grade 9, 101 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
This is one of the hardest questions on the excerpt because every choice is half plausible: Margaret does want the conductor, does fear being called a fool, and does waver. The decisive half is the second one, what the trait does to the conflict, and judging it requires knowing the conflict is a water stop she mistook for a station. Students who check only the first half will usually choose the worry about others’ opinions.
Every choice must be checked major Choosing the answer
Every choice pairs a trait, reliance, worry about opinion, indecision or confusion, with an effect on the conflict, so each must be tested twice: is the trait in the sentence, and does it do that? (Embretson & Wetzel, 1987)
A very close wrong answer moderate Choosing the answer
The indecision choice is nearly the right one: “indecision” and “confusion” name almost the same state in paragraph 4, so only the effect, prolonging the conflict versus making it hard to understand, separates them. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Complex sentences moderate Understanding the question
The sentence is old-fashioned and elliptical: “he justly blame her for a fool” silently shares the “might” of “she might be carried on,” which makes its meaning hard to parse. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
Evidence in several places moderate Working it out
The nature of the external conflict, a stop to water the engine rather than a station, is revealed only in the excerpt’s last paragraph, far from paragraph 4. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Hard words minor Understanding the question
The choices rely on the literary term “external conflict,” and students unsure what it means cannot judge how a thought in Margaret’s head relates to it. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Check each choice in two halves: is the trait really shown in this sentence, and does that trait truly cause or change the trouble Margaret ends up in?
Traps
- Half right: One half of a two-part choice is right and the other is not.
The wrong answers, classified
A Reads too much in (Graesser, Singer & Trabasso, 1994)
Reads her wish to find the conductor as dependence on others, but the sentence shows her weighing a risk, and nothing makes reliance the cause of her being stranded.
B Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Gets the first half right, since she fears the conductor will think her “a fool,” but that worry does not cause the conflict; the train leaves after a water stop.
C Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Spots her wavering in paragraph 4, with its two “Perhaps” sentences and a “Yet,” but the indecision does not stretch out the conflict, which arrives when the train pulls away.
Working it out, step by step
Figure out what the question asks
This asks how one sentence helps build the plot, the events of the story. The choices use the term external conflict: a problem between a character and something outside her. Margaret’s problem is that she got off where there is no station, and the train leaves her behind.
Read the sentence in plain words
The sentence is: “Yet if the train started before she found the conductor she might be carried on somewhere and he justly blame her for a fool.” In plain words: If the train leaves with me still on it, I might miss my stop. Then the conductor could rightly call me foolish.
See where it fits in paragraph 4
Just before, she thinks “Perhaps she ought not to have got out” and “Perhaps the train had not pulled into the station yet.” Her thoughts go back and forth. She cannot tell whether she is at her station or not. She is confused.
Learn what is really happening
At the end of the excerpt, she learns the truth. She “had mistaken a pause to water the engine for a regular stop at a station.” Because she is confused, she worries about the wrong danger. She fears being carried too far. The real danger is being left behind.
Check each choice
- A is wrong. The sentence doesn’t show her depending on others, and that is not what strands her.
- B is wrong. She does worry about being called a fool. But that worry doesn’t cause her problem. The water stop does.
- C is wrong. Her back-and-forth doesn’t make the problem last longer. The trouble comes when the train pulls away.
- D is right. Her confusion keeps her from seeing what is really going on.
Watch out: B is half right, since she fears looking foolish. But the question asks what that does to the conflict, and her worry does not cause it.
Choose the answer
The sentence shows Margaret’s mixed-up thinking about a problem she does not understand yet. So the answer is D.
Why this answer and not the closest wrong one
B is the closest wrong answer. Its first half is true: Margaret worries the conductor will think she is a fool. But B says this worry causes her problem. It doesn’t. The train stopped for water, and she got off. D fits better, because the sentence shows how confused she is.
More questions like this
The original DOE question

The passage “Excerpt from A Voice in the Wilderness” as printed (pages 128–129)


Question 28 of 30
2018 Test B English, question 23Uses the passage above: “Excerpt from A Voice in the Wilderness”.
Question
How does paragraph 11 contribute to the plot of the excerpt?
- AIt reveals that the reality of the situation is different from Margaret’s assumptions.
- BIt illustrates that Margaret’s main problem is her own imagination.
- CIt shows that Margaret is surprised by the unexpected adventure she is about to undertake.
- DIt provides additional insight into how Margaret reacts to stressful situations.
Show the answer
Correct answer: A
The question asks how paragraph 11 helps shape the overall plot of the excerpt. In paragraph 5, Margaret assumes there is a station, “It was probably on the other [side], but she was standing too near the cars to see,” but in paragraph 11, the station that had been “so real” in Margaret’s mind actually does not exist, supporting Option A as the correct response.
Option B is incorrect because Margaret’s main problem is not that she has imagined the station on the other side of the train but that it actually isn’t there.
Option C is incorrect because, while Margaret seems somewhat in awe of her surroundings in paragraph 12 and she “gasped” in paragraph 11, her exclamation is one of shock at the discovery, not surprise over an unexpected adventure.
Option D is incorrect because the paragraph mainly describes what Margaret does in the particular situation she is currently in but does not explain or provide details that give insight to Margaret’s personality in general.
Question analysis
This plot question asks what paragraph 11 of the Grace Livingston Hill story, a single exclaiming sentence, adds after the train has gone. Students explain the paragraph’s role in the plot, linking it to earlier moments in the excerpt. Its old-fashioned phrasing, including the word “lo,” can make the meaning hard to pin down.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Explaining how one short paragraph moves a plot forward appears in the grade 6 structure standard and carries into grade 7 plot analysis. It is typical work, but students must connect this one-sentence moment to what came before and after it.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- A very close wrong answer moderate
- Evidence in several places moderate
- Hard words minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 8, 981 words; question and choices: about grade 10, 59 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Paragraph 11 is one short exclaiming sentence, and its job is to overturn what Margaret, and the reader, had assumed since paragraph 3. Students who connect it to those earlier guesses see the reversal at once; students who read it alone fasten on her gasp or on “so real to her mind.” The question rewards reading the paragraph as a turning point in the plot rather than a window into her character.
A very close wrong answer moderate Choosing the answer
The imagination choice and the right one both describe a gap between what Margaret pictured and what is there; the separating detail is where the trouble lies, in her mind or in the missing station. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Evidence in several places moderate Working it out
The assumption the paragraph overturns was set up earlier: in paragraph 3 she looked for a platform, and in paragraph 5 she decided the building “was probably on the other” side. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
Hard words minor Understanding the question
The archaic “lo!” and “on this side and on that there was none” are how the paragraph announces its reversal, and students unused to such phrasing may miss it. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Reread paragraph 11 with the paragraphs just before it, ask what new fact it gives Margaret, and judge each choice by whether the paragraph itself shows it.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
The wrong answers, classified
B Twists what the text says (King et al., 2004)
Twists “so real to her mind” into a claim that her imagination is the problem, when the station she pictured is simply not there and the danger is real.
C Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Rightly hears surprise in her gasp and “lo!” but reads it as excitement about an adventure ahead, when it is shock at finding no station at all.
D Too broad or too strong (King et al., 2004)
Offers a general claim about how she handles stress, which could fit almost any paragraph, though this one reports a single discovery that moves the plot.
Working it out, step by step
Figure out what the question asks
This asks how paragraph 11 moves the plot forward. What new thing does Margaret learn there?
Read paragraph 11
Paragraph 11 says: “She gasped and looked about her for the station that but a short moment before had been so real to her mind; and, lo! on this side and on that there was none!”
Put it in plain words
“Lo!” is an old word that means Look! The words “on this side and on that there was none” mean there was no station on either side of the track. Earlier, in paragraph 5, she guessed the station “was probably on the other” side. She was sure it was there. Now she sees that it does not exist.
Check each choice
- A is right. What she believed (a station) is different from what is real (no station).
- B is wrong. Her imagination is not the problem. The missing station is a real problem.
- C is wrong. Her gasp is shock, not excitement about an adventure.
- D is wrong. The paragraph shows one discovery. It says nothing about how she handles stress in general.
Watch out: B uses the idea that the station was “so real to her mind.” But her trouble is real, not imagined: she truly is stranded.
Choose the answer
Paragraph 11 shows that the station she counted on is not there. So the answer is A.
Why this answer and not the closest wrong one
B is the closest wrong answer, because both A and B notice a gap between what Margaret pictured and what is there. But B blames her imagination. The real problem is outside her head: there is no station, and the train is gone. A says this correctly.
More questions like this
The original DOE question

Question 29 of 30
2018 Test B English, question 29Passage Excerpt from “Niagara Falls”
Excerpt from “Niagara Falls”
by Rupert Brooke
The real secret of the beauty and terror of the Falls is not their height or width, but the feeling of colossal power and of unintelligible disaster caused by the plunge of that vast body of water. If that were taken away, there would be little visible change, but the heart would be gone.
The American Falls do not inspire this feeling in the same way as the Canadian. It is because they are less in volume, and because the water does not fall so much into one place. By comparison their beauty is almost delicate and fragile. They are extraordinarily level, one long curtain of lacework and woven foam. Seen from opposite, when the sun is on them, they are blindingly white, and the clouds of spray show dark against them. With both Falls the colour of the water is the ever-altering wonder. Greens and blues, purples and whites, melt into one another, fade, and come again, and change with the changing sun. Sometimes they are as richly diaphanous as a precious stone, and glow from within with a deep, inexplicable light. Sometimes the white intricacies of dropping foam become opaque and creamy. And always there are the rainbows. If you come suddenly upon the Falls from above, a great double rainbow, very vivid, spanning the extent of spray from top to bottom, is the first thing you see. If you wander along the cliff opposite, a bow springs into being in the American Falls, accompanies you courteously on your walk, dwindles and dies as the mist ends, and awakens again as you reach the Canadian tumult. And the bold traveller who attempts the trip under the American Falls sees, when he dare open his eyes to anything, tiny baby rainbows, some four or five yards in span, leaping from rock to rock among the foam, and gambolling beside him, barely out of hand’s reach, as he goes. One I saw in that place was a complete circle, such as I have never seen before, and so near that I could put my foot on it. It is a terrifying journey, beneath and behind the Falls. The senses are battered and bewildered by the thunder of the water and the assault of wind and spray; or rather, the sound is not of falling water, but merely of falling; a noise of unspecified ruin. So, if you are close behind the endless clamour, the sight cannot recognise liquid in the masses that hurl past. You are dimly and pitifully aware that sheets of light and darkness are falling in great curves in front of you. Dull omnipresent foam washes the face. Farther away, in the roar and hissing, clouds of spray seem literally to slide down some invisible plane of air.
Beyond the foot of the Falls the river is like a slipping floor of marble, green with veins of dirty white, made by the scum that was foam. It slides very quietly and slowly down for a mile or two, sullenly exhausted. Then it turns to a dull sage green, and hurries more swiftly, smooth and ominous. As the walls of the ravine close in, trouble stirs, and the waters boil and eddy. These are the lower rapids, a sight more terrifying than the Falls, because less intelligible. Close in its bands of rock the river surges tumultuously forward, writhing and leaping as if inspired by a demon. It is pressed by the straits into a visibly convex form. Great planes of water slide past. Sometimes it is thrown up into a pinnacle of foam higher than a house, or leaps with incredible speed from the crest of one vast wave to another, along the shining curve between, like the spring of a wild beast. Its motion continually suggests muscular action. The power manifest in these rapids moves one with a different sense of awe and terror from that of the Falls. Here the inhuman life and strength are spontaneous, active, almost resolute. . . . A place of fear.
One is drawn back, strangely, to a contemplation of the Falls, at every hour, and especially by night, when the cloud of spray becomes an immense visible ghost, straining and wavering high above the river, white and pathetic and translucent. The Victorian lies very close below the surface in every man. There one can sit and let great cloudy thoughts of destiny and the passage of empires drift through the mind; for such dreams are at home by Niagara. I could not get out of my mind the thought of a friend, who said that the rainbows over the Falls were like the arts and beauty and goodness, with regard to the stream of life—caused by it, thrown upon its spray, but unable to stay or direct or affect it, and ceasing when it ceased. In all comparisons that rise in the heart, the river, with its multitudinous waves and its single current, likens itself to a life, whether of an individual or of a community. A man’s life is of many flashing moments, and yet one stream; a nation’s flows through all its citizens, and yet is more than they. In such places, one is aware, with an almost insupportable and yet comforting certitude, that both men and nations are hurried onwards to their ruin or ending as inevitably as this dark flood. Some go down to it unreluctant, and meet it, like the river, not without nobility. And as incessant, as inevitable, and as unavailing as the spray that hangs over the Falls, is the white cloud of human crying. . . . With some such thoughts does the platitudinous heart win from the confusion and thunder of a Niagara peace that the quietest plains or most stable hills can never give.
From LETTERS FROM AMERICA by Rupert Brooke—Public Domain
diaphanous: sheer, translucent
platitudinous: clichéd, common
Question
Read this sentence from paragraph 4.
There one can sit and let great cloudy thoughts of destiny and the passage of empires drift through the mind; for such dreams are at home by Niagara.
The sentence most contributes to the development of ideas in the excerpt by
- Asuggesting that viewing the Falls can be a life-changing experience.
- Bshowing that the cliffs of the Falls are a good place for self-examination.
- Cemphasizing that the grandeur of the Falls seems impossible to grasp.
- Dhighlighting the type of reflection that is inspired by a visit to the Falls.
Show the answer
Correct answer: D
The question asks how the sentence from paragraph 4 contributes to the development of ideas in the excerpt.
The description of “cloudy thoughts of destiny and the passage of empires” in the sentence refers to the types of thoughts a person might have while observing the Falls, as stated in Option D.
Option A is incorrect because the sentence focuses on the idea that the Falls are a place of great contemplation but does not clarify that these thoughts are life-changing.
Option B is incorrect because the sentence does not describe focused thoughts of a personal nature; the grand, sweeping nature of the Falls inspires thoughts of the same caliber as “the passage of empires.”
Option C is incorrect because the sentence is about how the Falls inspire great thoughts but is not about how difficult it is to grasp the grandeur of the Falls.
Question analysis
This question asks how a sentence near the end of Rupert Brooke’s “Niagara Falls” contributes to the development of ideas in the excerpt. Students must make sense of abstract phrases such as “cloudy thoughts of destiny” and “the passage of empires” and then decide exactly what the sentence adds, since several choices sound close.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- At grade 7 Explaining how a sentence develops ideas is a grade 7 skill, and this sentence is quoted in full. The challenge is its abstract, old-fashioned wording, which a grade 7 reader must translate before comparing the choices.
- Estimated difficulty
- Moderate: several steps, or a close reading with one strong distractor.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- A very close wrong answer moderate
- Figurative or literary language moderate
- Hard words minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 9, 987 words; question and choices: about grade 7, 94 words.
- Corrected from the DOE handbook
- A grammar slip in the explanation was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The sentence is about thinking, and most of the choices describe thinking too, so the difference lies in what kind of thought and how much the sentence claims. Students lose the point by inflating daydreams into a life-changing experience or by turning thoughts about empires into self-examination. Paraphrasing the sentence before reading the choices, people sit by the Falls and think about destiny and history, keeps the right one in view.
A very close wrong answer moderate Choosing the answer
The self-examination choice and the right one both say the Falls prompt reflection; they differ in one detail, what the thoughts are about, and the sentence’s “destiny and the passage of empires” is not the self. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Figurative or literary language moderate Understanding the question
“Great cloudy thoughts” drifting through the mind borrow the image of the Falls’ spray, and “such dreams are at home by Niagara” treats the Falls as the natural home of this kind of daydream. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Hard words minor Understanding the question
“The passage of empires” and “destiny” are abstract, and students who cannot pin them down may not see that the thoughts concern history, not the thinker. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Paraphrase the sentence in plain words first, then test each choice against your paraphrase, rejecting any that adds a claim the sentence does not make.
Traps
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
The wrong answers, classified
A Too broad or too strong (King et al., 2004)
Inflates the sentence’s daydreaming into a life-changing experience, though the author says only that great thoughts drift through the mind, not that they change anyone.
B Twists what the text says (King et al., 2004)
Turns the reflection inward, but the thoughts named are of “destiny and the passage of empires,” history on a grand scale, and the sentence says nothing about cliffs.
C Wrong part of the text (Kirsch & Mosenthal, 1990)
Borrows the earlier idea that the Falls and rapids are hard to understand, from paragraphs 1 and 3, but this sentence is about the thoughts they inspire.
What was corrected from the DOE handbook, and why
- Explanation: The handbook writes “the grand, sweeping nature of the falls inspire thoughts.” The subject “nature” takes “inspires,” and the passage always capitalizes “the Falls,” so the site now reads “the grand, sweeping nature of the Falls inspires thoughts.”
Working it out, step by step
Figure out what the question asks
This asks what one sentence adds to the essay’s ideas. Put the sentence in plain words first, then test each choice against it.
Read the sentence closely
The sentence says: “There one can sit and let great cloudy thoughts of destiny and the passage of empires drift through the mind; for such dreams are at home by Niagara.”
Put it in plain words
“Destiny” means what is meant to happen in the future. “The passage of empires” means great nations rising and falling over time. “At home by Niagara” means these dreams fit naturally at the Falls. So sitting by the Falls makes you think big thoughts about fate and history. The sentence names the kind of reflection, or deep thinking, the Falls bring on.
Check each choice
- A is wrong. Thoughts drift by, but nothing says they change a person’s life.
- B is wrong. The thoughts are about history and fate, not about yourself. The sentence doesn’t mention cliffs.
- C is wrong. This sentence is about the thoughts the Falls inspire, not about how hard they are to grasp.
- D is right. It names the type of thinking a visit to the Falls brings on.
Watch out: B is close, since both B and D are about reflection. Check what the thoughts are about: empires, not yourself.
Choose the answer
The sentence shows what kind of thoughts the Falls inspire. So the answer is D.
Why this answer and not the closest wrong one
B is the closest wrong answer, because both B and D say the Falls make people reflect. The difference is the topic. Self-examination means thinking about yourself. The sentence names “thoughts of destiny and the passage of empires.” Those are big ideas about history, not about the self.
More questions like this
The original DOE question

The passage “Excerpt from “Niagara Falls”” as printed (pages 134–135)


Question 30 of 30
2018 Test B English, question 48Passage Invention of the Telegraph
Samuel Morse, an American inventor, is credited with creating the electronic telegraph, a communication device that allows users to send messages using a system of short and long pulses that represent letters, numbers, and punctuation. In 1843 the United States Congress passed the Telegraph Bill, which provided Morse with the funds to build an electric telegraph system.
Invention of the Telegraph
Earlier Signal Systems
Long before Samuel F. B. Morse electrically transmitted his famous message “What hath God wrought?” from Washington to Baltimore on May 24, 1844, there were signaling systems that enabled people to communicate over distances. Most were visual or “semaphore” systems using flags or lights. In the eighteenth century, such systems used an observer who would decipher a signal from a high tower on a distant hill and then send it on to the next station. The young American republic wanted just such a system along its entire Atlantic coast and offered a prize of $30,000 for a workable proposal. The framers of this legislation had no way of knowing that when they used the word “telegraph” to refer to this visual semaphore system, they would be offered an entirely new and revolutionary means of communication—electricity.
The Growth of an Idea
The idea of using electricity to communicate over distance is said to have occurred to Morse during a conversation aboard ship when he was returning from Europe in 1832. Michael Faraday’s recently invented electromagnet was much discussed by the ship’s passengers, and when Morse came to understand how it worked, he speculated that it might be possible to send a coded message over a wire. While a student at Yale College years before, he had written his parents a letter about how interesting he found the lectures on electricity. Despite what he had learned at Yale, Morse found when he began to develop his idea that he had little real understanding of the nature of electricity, and after sporadic attempts to work with batteries, magnets, and wires, he finally turned for help to a colleague at the University of the City of New York, Leonard D. Gale.
Gale was a professor of chemistry and familiar with the electrical work of Princeton’s Joseph Henry, a true pioneer in the new field. Well before Morse had his shipboard idea about a telegraph, Henry rang a bell at a distance by opening and closing an electric circuit. In 1831, he had published an article, of which Morse was unaware, that contained details suggesting the idea of an electric telegraph. Gale’s help and his knowledge of this article proved crucial to Morse’s telegraph system because Gale not only pointed out flaws in the system but showed Morse how he could regularly boost the strength of a signal and overcome the distance problems he had encountered by using a relay system Henry had invented. Henry’s experiments, Gale’s assistance, and, soon after, hiring the young technician Alfred Vail were keys to Morse’s success.
Obstacles and Opportunities
By December 1837, Morse had enough confidence in his new system to apply for the federal government’s appropriation, and during the next year he conducted demonstrations of his telegraph both in New York and Washington.
However, when the economic disaster known as the Panic of 1837 took hold of the nation and caused a long depression, Morse was forced to wait for better times. It was during this period that Morse visited Europe again and tried not only to secure patent protection overseas but to examine competing telegraph systems in England. . . .
By 1843, the country was beginning to recover economically, and Morse again asked Congress for the $30,000 that would allow him to build a telegraph line from Washington to Baltimore, forty miles away. The House of Representatives eventually passed the bill containing the Morse appropriation, and the Senate approved it in the final hours of that Congress’s last session. With President Tyler’s signature, Morse received the cash he needed and began to carry out plans for an underground telegraph line.
Realizing a Great Invention
Morse had hired the ingenious construction engineer Ezra Cornell to lay the pipe carrying the wire, and although Cornell did his job superbly, one of Morse’s partners, Congressman F. O. J. Smith, had purchased wire with defective insulation. Too much time had been wasted laying bad wire, and with the project on a rigid deadline, something had to be done quickly. Cornell suggested that the fastest and cheapest way of connecting Washington and Baltimore was to string wires overhead on trees and poles. The desperate Morse gave the go-ahead, and the line was completed in time for the dramatic and spectacularly successful link between the Supreme Court chamber of the Capitol building and the railroad station in Baltimore.
Soon, as overhead wires connected cities up and down the Atlantic coast, the dots-and-dashes method that recorded messages on a long moving strip of paper was replaced by the operator’s ability to interpret the code in real time. . . . Telegraph lines soon extended westward, and within Morse’s own lifetime they connected the continents of Europe and America.
“Invention of the Telegraph”—Public Domain/Library of Congress
legislation: Telegraph Bill
dots-and-dashes method: the short and long pulses of Morse code that are sent and received by telegraph operators

The first transatlantic electric telegraph message was sent in 1858, and by 1902 the British All-Red Line connected most of the world.

Source: U.S. Bureau of the Census. Historical Statistics of the United States, Colonial Times to 1970, Bicentennial Edition, Part 2. Washington, D.C., 1975.
Question
Which statement describes how the author’s use of problem-solution in paragraph 2 contributes to the development of ideas in the passage?
- AMorse’s discussion on a ship about Faraday’s electromagnet reminded him of the Yale College lectures on electricity, which he had enjoyed but had not fully understood, inspiring him to learn more about electricity from his colleague Gale.
- BMorse’s discouragement over his lack of knowledge of electricity prompted him to experiment with batteries, magnets, and wires, which led to the development of a new long-distance communication system.
- CMorse’s difficulty in understanding how Faraday’s electromagnet worked was frustrating, and it pushed him to create a system for sending signals over wires.
- DMorse’s longtime fascination was not enough to make up for his lack of knowledge about electricity, so he eventually sought help from Gale.
Show the answer
Correct answer: D
The question asks for the best explanation of how the use of problem-solution in paragraph 2 helps develop the ideas in the passage. Option D is correct because it explains that Morse realized his problem was that he was not knowledgeable enough to continue his experimentation without help, so the solution was to seek help from a colleague.
Option A is incorrect because, while the discussion on the ship fascinated Morse and reminded him of the lectures he had attended at Yale College, it was his failed attempts with electricity that caused him to reach out to Gale for help.
Option B is incorrect because, while “Morse found when he began to develop his idea that he had little real understanding of the nature of electricity” (paragraph 2), the paragraph does not state that he was discouraged; it was his failed experimentation that resulted in him first realizing that he needed help.
Option C is incorrect because the paragraph states that “Morse came to understand how [Faraday’s electromagnet] worked,” and that understanding is what caused him to think about sending messages over a wire. Also, Morse’s difficulty was in understanding the properties of electricity in general once he began his experimentation.
Question analysis
In this text structure question about “Invention of the Telegraph,” students explain how the problem-and-solution pattern in paragraph 2 develops ideas about Samuel Morse. All four choices are long sentences built from real details about the ship, Yale and Gale, so students must check each one’s account of what led to what.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Identifying problem and solution is familiar from earlier grades, but these choices are long, detail-packed chains in which a single misplaced cause makes an option wrong, which demands closer checking than typical grade 7 items.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Every choice must be checked major
- A very close wrong answer moderate
- The right answer is reworded moderate
- A lot to read moderate
- How, not what minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 11, 910 words; question and choices: about grade 16, 132 words.
- Corrected from the DOE handbook
- A wrong paragraph number in the explanation was corrected.
- A misspelled name in the explanation was corrected.
- A punctuation slip in the explanation was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Every choice is assembled from things the paragraph really mentions, so recognition is useless and only the order of causes decides. The most tempting wrong choice ends with Gale, the right solution, but invents a reminder of the Yale lectures to get there; others turn the failed experiments into the solution or reverse what Morse understood. The question rewards reading each long choice clause by clause, which costs time.
Every choice must be checked major Choosing the answer
Each choice is a chain of two or three causes built from real details, the ship, Faraday, Yale, the batteries and wires, Gale, so every link has to be checked against paragraph 2’s order of events. (Embretson & Wetzel, 1987)
A very close wrong answer moderate Choosing the answer
The Yale-reminder choice and the key both join Morse’s enjoyment of electricity, his weak grasp of it and his turn to Gale; they part on one detail, the claim that the shipboard talk “reminded him” of Yale, which the paragraph never makes. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
The right answer is reworded moderate Choosing the answer
The key turns the Yale letter and the shipboard speculation into “longtime fascination,” a phrase the passage never uses, while the wrong choices repeat its names and phrases and so look better supported. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
A lot to read moderate Understanding the question
The four choices run to about 110 words, the longest 37, and paragraph 2 itself packs a voyage, a college letter, failed experiments and a colleague into four sentences. (Kintsch, 1998; Gorin & Embretson, 2006; Freedle & Kostin, 1993)
How, not what minor Working it out
Students must name the paragraph’s problem, too little understanding of electricity, and its solution, Gale, before judging which account of the pattern is accurate. (Anderson & Krathwohl, 2001)
Strategy: Name the problem and the solution in paragraph 2 in a few words each, then choose the option whose sequence of events matches the paragraph exactly.
Traps
- Reversed relationship: Cause and effect, or the order of events, turned around.
- Half right: One half of a two-part choice is right and the other is not.
The wrong answers, classified
A Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Ends correctly with Morse learning from Gale, but invents its cause: the paragraph never says the shipboard talk reminded Morse of Yale, and it skips the failed experiments that sent him to Gale.
B Reversed relationship (King et al., 2004)
Reverses cause and effect: the “sporadic attempts” with batteries, magnets and wires exposed Morse’s weak grasp of electricity and sent him to Gale, rather than flowing from discouragement and producing the system.
C Twists what the text says (King et al., 2004)
Says Morse struggled to understand Faraday’s electromagnet, but the paragraph states that he “came to understand how it worked,” and that understanding is what gave him the idea.
What was corrected from the DOE handbook, and why
- Explanation: The handbook places the sentence “Morse found when he began to develop his idea that he had little real understanding of the nature of electricity” in paragraph 3. It is in paragraph 2, the paragraph the question is about, so the site now says “(paragraph 2).”
- Explanation: The handbook spells Leonard Gale’s name “Gail.” The passage spells it “Gale,” and so does the site now.
- Explanation: The handbook capitalizes “Also” after a semicolon (“over a wire; Also, Morse’s difficulty…”). The site starts a new sentence instead: “over a wire. Also, Morse’s difficulty…”
Working it out, step by step
Figure out what the question asks
This asks about problem-solution in paragraph 2. Problem-solution is a way to organize writing. First you learn about a problem, then how someone solved it. Find the problem and the solution. Then pick the choice that tells them in the right order.
Find the problem in paragraph 2
Paragraph 2 starts with “The idea of using electricity to communicate over distance.” It says Morse had enjoyed the electricity lectures at Yale. But then comes the problem: “Morse found when he began to develop his idea that he had little real understanding of the nature of electricity.”
Find the solution
The same sentence goes on: “after sporadic attempts to work with batteries, magnets, and wires, he finally turned for help to a colleague.” “Sporadic” means now and then, not steady. A colleague is a coworker. So Morse was interested in the subject, tried on his own, and did not succeed. His interest was not enough. His solution was to ask Gale for help.
Check each choice
- A is wrong. It ends with Gale, but the paragraph never says the ship talk “reminded him” of Yale. It also skips the failed tries.
- B is wrong. It has the order backward. The experiments showed the problem. They did not build the system.
- C is wrong. The paragraph says Morse “came to understand how it worked,” meaning the electromagnet.
- D fits. Long interest was not enough, so he got help from Gale.
Choose the answer
The problem was Morse’s weak grasp of electricity, and the solution was Gale. So the answer is D, “Morse’s longtime fascination was not enough to make up for his lack of knowledge about electricity, so he eventually sought help from Gale.”
Why this answer and not the closest wrong one
A is the closest trap. Like D, it mentions Yale, Morse’s weak grasp of electricity and Gale. But it adds a link the paragraph never makes, that the ship talk reminded him of Yale. With long choices, check every part. One made-up link makes the whole choice wrong.
More questions like this
The original DOE question

The passage “Invention of the Telegraph” as printed (pages 146–148)


