Also in 2021 Test A English, question 24; 2023 Test A English, question 50.
Passage Excerpt from Winter Wheat
Excerpt from Winter Wheat
by Mildred Walker
Ellen, the narrator, is preparing to leave her parents and the family farm for college the next day.
I love Dad’s way of talking that makes him seem different from other ranchers. He’s lived here twenty-three years, but he still says “back East where I come from.” He’s the one who gets excited when I do about spring coming or a serial running in the magazine we’re both reading, but it’s what Mom says that I depend on. When Mom used to say “Don’t worry” about my pet chicken or dog or new calf, it always got well. Dad is always talking of going some place, not now, but next year, maybe. Mom seems to think of nothing farther away than today or perhaps yesterday or tomorrow morning.
Mom folded the ironing board and put it inside their bedroom that was just off the kitchen. She carried in the freshly ironed clothes. Dad went back to his paper. When Mom came back she took beans from the cupboard to soak for tomorrow. Dad always said Mom could make all the dishes he’d had back in Vermont as well as though she were a New Englander herself, instead of a Russian. All of a sudden, I realized that tomorrow when those beans would be ready to eat I’d be going away. It gave me a funny feeling.
“I’ll be taking the train tomorrow night,” I said aloud, more to hear it myself.
“We can drive you into town in the afternoon,” Dad said, dropping his paper on the floor.
“There’s no need to go to town; she can catch the train at Gotham just as well. We haven’t nothing to take us into town for,” Mom said.
“Well, we don’t have to decide tonight,” Dad said, but I knew he wanted to go into Clark City. It wouldn’t be so flat as just seeing me go off on the train from Gotham. My going away was hard on both of them; they were so different—and I was part of them both. It made me uncomfortable to think of leaving them.
While I was getting ready for bed in my room that’s off the front room, I saw how it would be if I left from town. We’d go in right after dinner and go around to the stores, Dad going one way and Mom and I another. Dad would probably have his hair cut at the barbershop and stop in the bank and meet someone he knew to talk to. Then we’d meet at the big store on the corner and go to the cafeteria for supper. The train stops ten minutes or so at the station in town and there are other people and excitement and you have time to wave from the platform and then again from your window by your seat. We went to the station in Clark City to see the Goodals off when they went back to Iowa.
If I left from Gotham, we’d just drive down in the truck and wait till the train came. It only stops long enough for you to get on and you hardly have time to taste the flavor of going away.
I sat on the bed in my pyjamas with my arms around my knees. I couldn’t keep from thinking of that time Dad went back East. I tried to, and then I just sat still and looked straight at it. Sometimes that’s better than working so hard to keep from looking at what’s in your mind.
Dad went all the way back to Vermont. . . . It was in November and it was already dark when the train came through Gotham. Even now, I could feel how cold and dark it was. I held Mom’s hand. Dad was so dressed-up he seemed strange. . . . We stood there without saying anything until Dad told Mom to remember to call Mr. Bardich, our neighbor, if the cow didn’t calve tomorrow.
“I’ll manage,” Mom snapped back.
“I wish you could go, Anna,” Dad said to Mom, “and we could take Ellen.” . . .
“Good-by, Anna Petrovna,” he said, looking at Mom. I had never heard him call her by two names before.
“Good-by,” Mom said, standing still, without smiling.
Then he was gone and the crossroads were darker than ever. The train light shone on the high window in the top of the grain elevator for a moment and then that too was dark. We got into our old Ford and Mom drove back to the house. My throat ached all the way. The name Dad had called Mom kept saying itself in my ears: “Anna Petrovna, Anna Petrovna.” . . .
Our house seemed lonely when we came back to it. It seemed to be hiding under the coulee. I went with Mom to put the truck in the barn that was bigger than the house. I think Mom was prouder of our barn than the house, anyway. We walked back to look at the cow that was going to calve. She was just a big light blob in the dark, waiting. I had thought she was exciting this morning, but now she seemed sad, too.
The wind blew when we walked across the open space to the house and I couldn’t help shivering with the cold. Inside the house it was warm, but empty.
“Bring your nightgown in here and I heat you some milk,” Mom said.
I drank the milk sitting on a stool in front of the stove. It tasted good, but the lonely ache in my throat was still there. I picked up my clothes and hung them neatly behind the stove and put my cup on the sink board. Mom was fixing oatmeal for tomorrow morning.
“Good night, Mom,” I said almost timidly, standing beside her. She seemed wrapped around in a kind of strangeness. Then she turned around and drew me to her. The front of her dress was warm from the stove. I felt the comfortable heat through my gown. She laid her hand against my face and it felt rough and hard but firm. I dared ask her something I wanted to know.
“Mom, was that really your name—what Dad called you?”
Her voice sounded surprised. “Why, Yeléna, you know that; Anna Petrovna. You know I am born in Russia, in Seletskoe.”
“Yes, but I didn’t know your other name,” I said.
“Anna Petrovna Webb.” She pronounced it slowly. “Once I think what a funny name Ben Webb is!” She laughed. Her laugh was warm and low like our kitchen, and comfortable. The house seemed natural and right again. . . .
But now that I am grown, I feel the wall of strangeness between them, more than when I was a child. I wondered how they would get along without me.
From WINTER WHEAT by Mildred Walker, published by University of Nebraska Press. Copyright © 1944 by Harcourt, Brace and Company, Inc. Copyright renewed 1971 by Mildred Walker. All rights reserved.
serial: story published in short segments at regular intervals
coulee: small gulch or ravine
Question
The flashback in paragraphs 10–24 affects the plot by
- Ashowing that the departure of one member of the family makes extra work for those left on the farm.
- Bshowing that the bond within the family persists even when its members are apart.
- Cexplaining why Ellen fears that leaving her parents will be too difficult.
- Dillustrating the close connection Ellen has with both of her parents.
Show the answer
Correct answer: D
The question asks how the flashback in paragraphs 10–24 affects the plot of the excerpt.
A. Incorrect. The flashback does not show that Ellen and her mother faced extra work as a result of the father’s trip to Vermont. Although paragraph 19 describes Ellen’s mother making oatmeal for the next day’s breakfast, this task was not extra work.
B. Incorrect. Although the flashback highlights Ellen’s fondness for each of her parents, it describes her father’s initial departure only and does not show what happened to the familial bond while he is away.
C. Incorrect. Although Ellen describes the memory of her father’s departure as something she wanted to avoid thinking about, she does not fear that it will be too difficult to leave her parents. Instead, she is concerned about what will happen to her parents’ relationship when she is no longer there.
D. CORRECT. The flashback illustrates the close connection that Ellen has with her parents by describing her sadness over the departure of her father (“My throat ached all the way” [paragraph 15]) and presenting a moment of comfort and reassurance between Ellen and her mother (“She laid her hand against my face and it felt rough and hard but firm” [paragraph 20]).
Question analysis
This text-structure question asks how the long flashback in paragraphs 10–24 of the Winter Wheat excerpt, Ellen’s memory of the night her father left by train for Vermont, affects the plot. Students must hold fifteen paragraphs in mind, see why the narrator recalls that night just before her own departure, and choose among several believable effects.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 students study how a flashback shapes a story. This one runs through most of the excerpt, so students must sum up a long stretch of narrative and then tell apart choices that are close in meaning, more than typical grade 7 work.
- Estimated difficulty
- Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Evidence in several places major
- A very close wrong answer moderate
- How, not what moderate
- Evidence
- Answered from the whole text
- Reading level
- Passage: about grade 4, 1179 words; question and choices: about grade 7, 64 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The flashback is most of the excerpt, and it carries several things at once: grief at Dad’s leaving, the parents’ stiffness with each other, Mom’s comfort, the mystery of her Russian name. The two strongest wrong choices sound like plot effects, a bond lasting through absence or a fear of leaving, while the key describes a relationship, so students looking for an event to point to may pass it by. Students must sum up the whole memory and test each choice against what it actually shows.
Evidence in several places major Working it out
The support for “both of her parents” lies in two separate stretches of a fifteen-paragraph flashback: Ellen’s aching throat after Dad’s train leaves in paragraph 15, and Mom’s hand on her face in paragraph 20. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
A very close wrong answer moderate Choosing the answer
The choice about the family bond persisting while members are apart shares the right one’s subject, family closeness, and differs in one claim, that the bond lasts through a separation the flashback never follows. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
How, not what moderate Working it out
The stem asks how the flashback affects the plot, yet the keyed effect is about character, so students must accept that the memory works by showing Ellen’s ties to each parent before she leaves. (Anderson & Krathwohl, 2001)
Strategy: Summarize what happens in the flashback and how Ellen feels at each stage, then compare it with the present-day scenes before and after it and decide what the memory adds.
Traps
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Outside knowledge: A choice is plausible in the real world but not supported by this text.
The wrong answers, classified
A Outside knowledge (King et al., 2004; Recht & Leslie, 1988)
Assumes a farmer’s absence must mean more chores, perhaps from Dad’s reminder about the cow and Mom’s “I’ll manage,” though the flashback never shows Ellen and Mom burdened with extra work.
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Sees the warmth between Ellen and her parents and stretches it into a bond that lasts through a long separation, though the memory ends the night Dad leaves.
C Twists what the text says (King et al., 2004)
Ties the flashback to Ellen’s unease about leaving but misplaces the worry: what troubles her is how her parents will manage without her, not whether leaving will be too hard.
Working it out, step by step
Figure out what the question asks
This asks how the flashback in paragraphs 10–24 affects the story. A flashback is a scene from the past that interrupts the present. Here Ellen, about to leave for college, remembers the night Dad left for Vermont years ago. Sum up what the memory shows, then test each choice.
Sum up the flashback
Ellen and Mom see Dad off at the train in the cold dark. On the drive home, Ellen says “My throat ached all the way.” At home, Mom comforts her: “She laid her hand against my face and it felt rough and hard but firm.” Later, Mom laughs warmly about her name, and the house feels right again.
See what the memory shows
An aching throat is the tight, sore feeling you get when you hold back tears. That shows how much Ellen loves her father. Mom’s firm hand and warm laugh show how close Ellen is to her mother. So the flashback shows Ellen’s strong tie to both parents.
Check each choice
- A does not fit. The flashback never shows Ellen and Mom with extra farm work.
- B does not fit. The memory ends the night Dad leaves. It never shows the family while he is away.
- C does not fit. Ellen’s worry is about how her parents will get along without her, not about whether leaving will be too hard.
- D fits. It shows Ellen’s love for Dad and her closeness to Mom.
Watch out: B also talks about family closeness. But it says the bond lasts through time apart, which the flashback never shows.
Choose the answer
The flashback shows how close Ellen is to her father and to her mother. So the answer is D.
Why this answer and not the closest wrong one
B is the closest wrong choice, because it also describes a strong family bond. But B says the bond lasts while family members are apart. The flashback stops on the night Dad leaves, so it never shows that. It does show Ellen grieving for Dad and comforted by Mom. That is D.
More questions like this
The original DOE question
The passage “Excerpt from Winter Wheat” as shown on the test
