Six SHSAT Questions

3 English and 3 math

Here are 6 random questions to try. Takers earning below 75% are unlikely to receive an offer. You have 1 minute 48 seconds per question on the real exam.

Question 1 of 6

2026 Practice Test A English, question 17
Passage Excerpt from A Voice in the Wilderness

Excerpt from A Voice in the Wilderness

by Grace Livingston Hill

With a lurch the train came to a dead stop and Margaret Earle, hastily gathering up her belongings, hurried down the aisle and got out into the night.

It occurred to her, as she swung her heavy suit-case down the rather long step to the ground, and then carefully swung herself after it, that it was strange that neither conductor, brakeman, nor porter had come to help her off the train, when all three had taken the trouble to tell her that hers was the next station; but she could hear voices up ahead. Perhaps something was the matter with the engine that detained them and they had forgotten her for the moment.

The ground was rough where she stood, and there seemed no sign of a platform. Did they not have platforms in this wild Western land, or was the train so long that her car had stopped before reaching it?

She strained her eyes into the darkness, and tried to make out things from the two or three specks of light that danced about like fireflies in the distance. She could dimly see moving figures away up near the engine, and each one evidently carried a lantern. The train was tremendously long. A sudden feeling of isolation took possession of her. Perhaps she ought not to have got out until some one came to help her. Perhaps the train had not pulled into the station yet and she ought to get back on it and wait. Yet if the train started before she found the conductor she might be carried on somewhere and he justly blame her for a fool.

There did not seem to be any building on that side of the track. It was probably on the other, but she was standing too near the cars to see over. She tried to move back to look, but the ground sloped and she slipped and fell in the cinders1^1, bruising her knee and cutting her wrist.

In sudden panic she arose. She would get back into the train, no matter what the consequences. They had no right to put her out here, away off from the station, at night, in a strange country. If the train started before she could find the conductor she would tell him that he must back it up again and let her off. He certainly could not expect her to get out like this.

She lifted the heavy suit-case up the high step that was even farther from the ground than it had been when she came down, because her fall had loosened some of the earth and caused it to slide away from the track. Then, reaching to the rail of the step, she tried to pull herself up, but as she did so the engine gave a long snort and the whole train, as if it were in league against her, lurched forward crazily, shaking off her hold. She slipped to her knees again, the suit-case, toppled from the lower step, descending upon her, and together they slid and rolled down the short bank, while the train . . . ran giddily off into the night.

The horror of being deserted helped the girl to rise in spite of bruises and shock. She lifted imploring hands to the unresponsive cars as they hurried by her—one, two, three, with bright windows, each showing a passenger, comfortable and safe inside, unconscious of her need.

A moment of useless screaming, running, trying to attract some one’s attention, a sickening sense of terror and failure, and the last car slatted itself past with a mocking clatter, as if it enjoyed her discomfort.

Margaret stood dazed, reaching out helpless hands, then dropped them at her sides and gazed after the fast-retreating train, the light on its last car swinging tauntingly, blinking now and then with a leer in its eye, rapidly vanishing from her sight into the depth of the night.

She gasped and looked about her for the station that but a short moment before had been so real to her mind; and, lo! on this side and on that there was none!

The night was wide like a great floor shut in by a low, vast dome of curving blue set with the largest, most wonderful stars she had ever seen. Heavy shadows of purple-green, smoke-like, hovered over earth darker and more intense than the unfathomable blue of the night sky. It seemed like the secret nesting-place of mysteries wherein no human foot might dare intrude. It was incredible that such could be but common sage-brush, sand, and greasewood wrapped about with the beauty of the lonely night.

No building broke the inky outlines of the plain, nor friendly light streamed out to cheer her heart. Not even a tree was in sight, except on the far horizon, where a heavy line of deeper darkness might mean a forest. Nothing, absolutely nothing, in the blue, deep, starry dome above and the bluer darkness of the earth below save one sharp shaft ahead like a black mast throwing out a dark arm across the track.

As soon as she sighted it she picked up her baggage and made her painful way toward it, for her knees and wrist were bruised and her baggage was heavy.

A soft drip, drip greeted her as she drew nearer; something plashing down among the cinders by the track. Then she saw the tall column with its arm outstretched, and looming darker among the sage-brush the outlines of a water-tank. It was so she recognized the engine’s drinking-tank, and knew that she had mistaken a pause to water the engine for a regular stop at a station.

1^1cinders: track bed made from the residue of burnt coal

From A VOICE IN THE WILDERNESS by Grace Livingston Hill—Public Domain

Question

How do Margaret’s earlier interactions with the conductor, brakeman, and porter affect the plot?

  • AThey prompt Margaret to get off the train without further assistance.
  • BThey cause Margaret to think that she knows what to do once she gets off the train.
  • CThey compel Margaret to wonder whether the train has not pulled all the way into the station.
  • DThey lead Margaret to believe that train stations in rural areas lack platforms.
Show the answer

Correct answer: A

The question asks how Margaret’s earlier interactions with the conductor, brakeman, and porter affect the plot.

A. CORRECT. Because the conductor, brakeman, and porter have all “taken the trouble to tell her that hers was the next station” (paragraph 2), Margaret assumes that the next time the train stops, she will have reached her station. This assumption causes Margaret to get off the train at the next stop without waiting for help or confirmation, but the stop turns out to be just “a pause to water the engine” (paragraph 15). This mistaken assumption creates the main problem that Margaret confronts in the passage.

B. Incorrect. Although Margaret’s earlier interactions with the three railroad employees cause her to think that she knows when to get off the train, it is clear from paragraph 4 that Margaret is deeply confused and does not know what to do once she has exited the train car. She muses uneasily, “Perhaps she ought not to have got out until some one came to help her. Perhaps the train had not pulled into the station yet and she ought to get back on it and wait” (paragraph 4).

C. Incorrect. Margaret wonders in paragraph 3 whether the train is “so long that her car had stopped before reaching [the station]” and speculates in paragraph 4 that “the train had not pulled into the station yet.” These thoughts reflect her assumption (based on her interactions with the three railroad employees) that the next stop is her station. However, Margaret’s speculation that the train has not fully pulled into the station does not significantly affect the plot.

D. Incorrect. Margaret wonders in paragraph 3 whether they “have platforms in this wild Western land” and is expecting to see a platform because her interactions with the three railroad employees have led her to believe that she has reached a station. However, it is unclear whether Margaret really believes that rural stations all lack platforms, and her speculation on this point is not further developed in the passage and does not affect the plot.

Question analysis

This plot question on A Voice in the Wilderness asks how Margaret’s earlier dealings with the conductor, brakeman and porter, mentioned only in passing in paragraph 2, affect what happens to her. Students must connect that brief remark to later events in the excerpt. Several choices describe things that do happen, so students must judge which one those conversations truly cause.

NYS standards
  • 7R3 plot elements and ideas
  • 7R1 textual evidence and inferences
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 plot questions ask how story elements affect one another, usually through an event and its result. Here the cause is a clause inside a long sentence of century-old prose, and students must trace its effect across the excerpt rather than within one paragraph.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from the whole text
Reading level
Passage: about grade 8, 981 words; question and choices: about grade 7, 72 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The talks with the trainmen are mentioned once, in the middle of a long sentence, and the question asks students to see them as the start of the whole plot. Several choices describe thoughts Margaret really has right after she steps down, which makes them feel connected, but those thoughts change nothing. The point goes to students who trace cause to consequence: told her stop was next, she gets off alone at a water tank.

  1. Evidence in several places moderate Working it out

    The cause sits in paragraph 2, where all three men had told her “hers was the next station,” and the effect shows only in paragraph 15, when the stop proves to be a water tank. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  2. Reading between the lines moderate Working it out

    The excerpt never says the men’s words made her step off; students must infer that their assurance is why she left the train at the first stop without waiting for anyone. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  3. Complex sentences minor Understanding the question

    The interactions appear in a 66-word sentence in paragraph 2, tucked into a “when” clause after a run of commas, so they read as a passing detail rather than a cause. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)

Strategy: Reread paragraph 2 to find what the three men told Margaret, then trace how that information shapes the events that follow, and choose the effect that matters most to the plot.

Traps

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks how something from earlier affects the plot. The plot is the chain of events in a story. What did the three train workers tell Margaret, and what did that cause?

  2. Find what the workers told her

    Paragraph 2 says it was strange that “neither conductor, brakeman, nor porter had come to help her off the train, when all three had taken the trouble to tell her that hers was the next station.” A conductor, a brakeman and a porter are all people who work on a train.

  3. Trace what happened because of it

    Three workers told her that her stop was next. So when the train stopped, she was sure she had arrived. She got off alone, without waiting for anyone to help. But in paragraph 15 she learns it was only “a pause to water the engine.” Their words set off the whole problem: she is left alone in the dark.

  4. Check each choice

    • A fits. Their words led her to get off by herself.
    • B does not fit. They told her when to get off, not what to do next. In paragraph 4 she is lost: “Perhaps she ought not to have got out until some one came to help her.”
    • C does not fit. She does wonder this, but the thought changes nothing in the story.
    • D does not fit. She only asks a question about platforms. She never decides anything about country stations.
  5. Choose the answer

    The workers’ words made Margaret step off the train on her own at the wrong stop. So the answer is A.

Why this answer and not the closest wrong one

C is the closest wrong choice. The workers’ words do make her guess that the train has not reached the station yet. But that guess goes nowhere. What changes the story is that she gets off alone at a stop that is not a station. That is A.

The original DOE question
Question 17 as shown on the DOE’s digital test, page 25 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test A English, page 25, question 17.
The passage “Excerpt from A Voice in the Wilderness” as printed (pages 128–129)The passage “Excerpt from A Voice in the Wilderness” as printed on page 128 of the DOE handbook.The passage “Excerpt from A Voice in the Wilderness” as printed on page 129 of the DOE handbook.

Question 2 of 6

2026 Practice Test B English, question 17
Passage Excerpt from In Search of the Unknown

Excerpt from In Search of the Unknown

by Robert W. Chambers

It was at that time the policy of the trustees and officers of the Zoological Gardens neither to employ collectors nor to send out expeditions in search of specimens. The society decided to depend upon voluntary contributions, and I was always busy, part of the day, in dictating answers to correspondents who wrote offering their services as hunters of big game, collectors of all sorts of fauna, trappers, snarers, and also to those who offered specimens for sale, usually at exorbitant rates.

To the proprietors of . . . mangy lynxes, moth-eaten coyotes, and dancing bears I returned courteous but uncompromising refusals—of course, first submitting all such letters, together with my replies, to Professor Farrago.

One day towards the end of May, however, just as I was leaving Bronx Park to return to town, Professor Lesard, of the reptilian department, called out to me that Professor Farrago wanted to see me a moment; so I . . . retraced my steps to the temporary, wooden building occupied by Professor Farrago, general superintendent of the Zoological Gardens. The professor, who was sitting at his desk before a pile of letters and replies submitted for approval by me, pushed his glasses down and looked over them at me with a whimsical smile that suggested amusement, impatience, annoyance, and perhaps a faint trace of apology.

“Now, here’s a letter,” he said, with a deliberate gesture towards a sheet of paper impaled on a file—“a letter that I suppose you remember.” He disengaged the sheet of paper and handed it to me.

“Oh yes,” I replied, with a shrug; “of course the man is mistaken—or—”

“Or what?” demanded Professor Farrago, tranquilly, wiping his glasses.

“—Or a liar,” I replied.

After a silence he leaned back in his chair and bade me read the letter to him again, and I did so with a contemptuous tolerance for the writer, who must have been either a very innocent victim or a very stupid swindler. I said as much to Professor Farrago, but, to my surprise, he appeared to waver.

“I suppose,” he said, with his near-sighted, embarrassed smile, “that nine hundred and ninety-nine men in a thousand would throw that letter aside and condemn the writer as a liar or a fool?”

“In my opinion,” said I, “he’s one or the other.”

“He isn’t—in mine,” said the professor, placidly.

“What!” I exclaimed. “Here is a man living all alone on a strip of rock and sand between the wilderness and the sea, who wants you to send somebody to take charge of a bird that doesn’t exist!”

“How do you know,” asked Professor Farrago, “that the bird in question does not exist?”

“It is generally accepted,” I replied, sarcastically, “that the great auk has been extinct for years. Therefore I may be pardoned for doubting that our correspondent possesses a pair of them alive.”

“Oh, you young fellows,” said the professor, smiling wearily, “you embark on a theory for destinations that don’t exist.”

He leaned back in his chair, his amused eyes searching space for the imagery that made him smile.

“Like swimming squirrels, you navigate with the help of Heaven and a stiff breeze, but you never land where you hope to—do you?”

Rather red in the face, I said: “Don’t you believe the great auk to be extinct?”

“Audubon saw the great auk.”

“Who has seen a single specimen since?”

“Nobody—except our correspondent here,” he replied, laughing.

I laughed, too, considering the interview at an end, but the professor went on, coolly:

“Whatever it is that our correspondent has—and I am daring to believe that it is the great auk itself—I want you to secure it for the society.”

When my astonishment subsided my first conscious sentiment was one of pity. Clearly, Professor Farrago was on the verge of dotage—ah, what a loss to the world!

I believe now that Professor Farrago perfectly interpreted my thoughts, but he betrayed neither resentment nor impatience. I drew a chair up beside his desk—there was nothing to do but to obey, and this fool’s errand was none of my conceiving.

Together we made out a list of articles necessary for me and itemized the expenses I might incur, and I set a date for my return, allowing no margin for a successful termination to the expedition.

“Never mind that,” said the professor. “What I want you to do is to get those birds here safely. Now, how many men will you take?”

“None,” I replied, bluntly; “it’s a useless expense, unless there is something to bring back. If there is I’ll wire you, you may be sure.”

“Very well,” said Professor Farrago, good-humoredly, “you shall have all the assistance you may require. Can you leave to-night?”

The old gentleman was certainly prompt. I nodded, half-sulkily, aware of his amusement.

“So,” I said, picking up my hat, “I am to start north to find a place called Black Harbor, where there is a man named Halyard who possesses, among other household utensils, two extinct great auks—”

We were both laughing by this time. I asked him why on earth he credited the assertion of a man he had never before heard of.

“I suppose,” he replied, with the same half-apologetic, half-humorous smile, “it is instinct. I feel, somehow, that this man Halyard has got an auk—perhaps two. I can’t get away from the idea that we are on the eve of acquiring the rarest of living creatures. It’s odd for a scientist to talk as I do; doubtless you’re shocked—admit it, now!”

But I was not shocked; on the contrary, I was conscious that the same strange hope that Professor Farrago cherished was beginning, in spite of me, to stir my pulses, too.

“If he has—” I began, then stopped.

The professor and I looked hard at each other in silence.

“Go on,” he said, encouragingly.

But I had nothing more to say, for the prospect of beholding with my own eyes a living specimen of the great auk produced a series of conflicting emotions within me which rendered speech profanely superfluous.

From IN SEARCH OF THE UNKNOWN by Robert W. Chambers—Public Domain

Audubon: John James Audubon, an ornithologist and artist who created scientific illustrations of birds
dotage: a loss of reasoning brought about by old age

Question

The professor’s observations in paragraphs 15–17 create tension in the excerpt by causing the narrator to feel

  • Aflustered by the professor’s criticism of his logic.
  • Bannoyed by the professor’s sarcasm about his inexperience.
  • Cconfused by the professor’s lack of respect for his opinion.
  • Dfrustrated by the professor’s lack of interest in his theory.
Show the answer

Correct answer: A

The question asks how the professor’s observations in paragraphs 15–17 create tension in the excerpt.

A. CORRECT. The professor criticizes “ ‘you young fellows’ ” (paragraph 15), suggesting that the ideas of young scientists like the narrator are unsupported (“ ‘like swimming squirrels’ ” [paragraph 17]) and inaccurate (“ ‘but you never land where you hope to—do you?’ ” [paragraph 17] and “ ‘you embark on a theory for destinations that don’t exist’ ” [paragraph 15]). The narrator then becomes “red in the face” (paragraph 18), indicating that the narrator is upset by the professor’s criticism, and asks the professor about the great auk in an attempt to defend himself.

B. Incorrect. While the narrator does experience a negative reaction to the professor’s words, the professor is being genuine, not sarcastic. In fact, the sarcasm comes from the narrator in paragraph 14 (“ ‘It is generally accepted,’ I replied, sarcastically, ‘that the great auk has been extinct for years. Therefore I may be pardoned for doubting that our correspondent possesses a pair of them alive’ ”), not from the professor.

C. Incorrect. The professor’s observations cause the narrator to blush with embarrassment (“rather red in the face” [paragraph 18]), but the narrator understands the point that the professor is making about the narrator’s acceptance of the idea that great auks do not exist. The narrator recognizes that the professor is criticizing his youthful ideas, not his opinion.

D. Incorrect. The professor shows amusement with the narrator’s perspective. The narrator is embarrassed and upset by the professor’s words, but the narrator does not display frustration with the professor’s lack of interest in a commonly held view of the existence of a certain species of bird.

Question analysis

In this question on In Search of the Unknown, Professor Farrago makes remarks about “you young fellows,” comparing them to swimming squirrels that never land where they hope. Students must decide how these remarks in paragraphs 15–17 make the narrator feel and so create tension. The comparison is odd and old-fashioned, and the four choices name similar negative feelings with different causes.

NYS standards
  • 7R3 plot elements and ideas
  • 7R4 word meaning and choice
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 students infer feelings from a character’s reactions, usually from plainly stated emotions. Here the cause is a puzzling figurative jab about “swimming squirrels,” the reaction is shown only through a physical sign, and the choices offer four close negative feelings.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 9, 1066 words; question and choices: about grade 9, 52 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The professor’s two images are odd, and students must decode them as a comment on how the narrator reasons before they can say why he blushes. Every choice names an unpleasant feeling, so the decision rests on its cause. “You young fellows” makes sarcasm about inexperience the natural guess, but the sarcasm in this scene is the narrator’s own, and the professor smiles “wearily” and speaks in earnest. The narrator’s pointed reply shows he followed the criticism, not that it confused him.

  1. Figurative or literary language major Understanding the question

    The criticism comes in images: young men who “embark on a theory for destinations that don’t exist” and who, like swimming squirrels, “never land where you hope to,” a picture of reasoning that goes astray. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. A very close wrong answer moderate Choosing the answer

    The choice about annoyance at sarcasm and the right one both name a bad reaction to the professor’s remarks; they part on the cause, sincere criticism of his logic or mockery of his youth. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  3. Reading between the lines moderate Working it out

    The narrator never names his feeling; it shows only in “Rather red in the face” and in the defensive question that follows about whether the great auk is extinct. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

Strategy: Paraphrase what the professor says about “you young fellows” in paragraphs 15–17, find how the narrator reacts in paragraph 18, and choose the feeling and the cause that both fit.

Traps

  • Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
  • Word match: Repeats striking words or phrases from the text, so it looks supported, but its meaning does not fit the question.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    This asks how the professor’s words in paragraphs 15–17 make the narrator feel. Tension is a feeling of strain between characters. Each choice names a feeling and a cause. Both parts must be right.

  2. Read what the professor says

    In paragraph 15 he says, “Oh, you young fellows,” and “you embark on a theory for destinations that don’t exist.” To embark means to set out on a trip. He means young men set out with an idea toward places that are not there. Their reasoning leads them to wrong answers. In paragraph 17 he adds, “Like swimming squirrels, you navigate with the help of Heaven and a stiff breeze, but you never land where you hope to—do you?”

  3. Understand the picture

    A swimming squirrel can’t really steer. It drifts with luck and the wind. The professor is saying the narrator’s thinking drifts the same way and misses the truth. That is a criticism of his logic, or reasoning. In paragraph 18, the narrator is “Rather red in the face.” He is flustered, which means embarrassed and upset.

  4. Check each choice

    • A fits. He turns red after the professor criticizes his reasoning.
    • B does not fit. Sarcasm is saying the opposite of what you mean in order to mock. The professor means what he says. The sarcastic one is the narrator, in paragraph 14.
    • C does not fit. He is not confused. He fires back a sharp question right away.
    • D does not fit. The professor answers the narrator’s idea closely, so he is interested in it.

    Watch out: B is tempting because “you young fellows” points to the narrator’s youth. But the professor is sincere, not sarcastic.

  5. Choose the answer

    The professor says the narrator’s reasoning goes astray, and the narrator turns red. So the answer is A, “flustered by the professor’s criticism of his logic.”

Why this answer and not the closest wrong one

B is the closest wrong choice. Both A and B say the narrator feels bad. But B blames sarcasm. Paragraph 14 says the narrator “replied, sarcastically,” so the sarcasm is his own. The professor means his words seriously. A names the real cause: criticism of the narrator’s thinking.

The original DOE question
Question 17 as shown on the DOE’s digital test, page 25 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test B English, page 25, question 17.
The passage “Excerpt from In Search of the Unknown” as printed (page 21)The passage “Excerpt from In Search of the Unknown” as printed on page 21 of the DOE handbook.

Question 3 of 6

2024 Test A English, question 40
Passage 5 Reasons Physical Books Might Be Better Than E-Books

5 Reasons Physical Books Might Be Better Than E-Books

by Shaunacy Ferro

Though e-book1 readers have become a more common sight around town, traditional books still have their evangelists.2 According to The New York Times, e-book sales have been falling in 2015. Print definitely isn’t dead. In fact, according to some research, it may actually be a better choice for some readers. While scientists are still trying to tease out exactly how digital reading affects us differently, here are five ways e-books might be inferior to their dead-tree cousins.

E-books can reduce reading comprehension.

In a study of middle schoolers, West Chester University researchers found that students who read on iPads3 had lower reading comprehension than when they read traditional printed books. They discovered that the kids sometimes skipped text in favor of interactive features in the e-books, suggesting that certain multimedia in children’s e-books can be detrimental to the practice of reading itself. However, the researchers noted that some interactive features in e-books are designed to enhance comprehension, and that those might be more helpful than game-type interactive graphics.

Young kids can get distracted by e-books.

Similar results were found by a small study by the Joan Ganz Cooney Center that consisted of 32 kids reading e-books and print books with their parents. It found that “enhanced” e-books might be distracting. Kids who read enhanced e-books—ones with interactive, multimedia experiences—were more engaged with them physically, but in the end they remembered fewer narrative details than those who read print books or basic e-books.

You remember less about a book’s timeline.

Another study of adults also found that e-books can be hard to absorb. The researchers asked 25 people to read a 28-page story on a Kindle4 and 25 to read the story in paperback, then asked the readers to put 14 events from the story in chronological order. Those who read the story on a Kindle performed worse on the chronology test than the book readers, though they performed about the same as print readers in other tests. Earlier research by the same scholars, from Stavanger University in Norway, found that Norwegian 10th graders also remembered more about texts if they read them in print rather than on a computer screen.

They’re not great as textbooks.

While e-book textbooks are often cheaper (and easier to carry) than traditional door-stop5 textbooks, college students often don’t prefer them. In some surveys of college kids, the majority of students have reported preferring print books. However, a 2012 study from the UK’s National Literacy Trust of kids ages 8 to 16 found that more than 50 percent of children reported preferring screen reading.

They’re tiring.

Staring at a lit screen can be tiring for the eyes and the brain. A 2005 study from Sweden found that reading digitally required a higher cognitive workload than reading on paper. Furthermore, staring at LED6 screens at night can disrupt sleep patterns. A 2014 Harvard study found that people who used e-readers with LED screens at night slept worse and were more tired the next day. So, if you’re going to go for an e-book, go for one without the backlight.

The take-away message? If you’re really trying to absorb material, you might want to go for a physical book. And if you’re going to be up all night studying, turn off the backlight.

However, all this may not mean that reading on a Kindle is really going to melt your brain. For instance, reading an e-book on a computer is a much different experience than reading on a Kindle, which is specifically designed for consuming books. So, too, is playing with an interactive e-book on an iPad, compared to using a simpler e-book device that only presents the text, with no opportunities to click away into digital distractions.

And some studies have found that part of the difference between the way people absorb information from e-books versus paper might be due to approaching e-books differently—in one test, participants didn’t regulate their study time with digital books like they did with paper texts, leading to worse performances. It’s possible that our expectations of e-book reading—as well as the different designs of the digital reading experience on a computer or iPad or Kindle—might affect how we approach the text and how much effort we put into studying them. As generations of e-book readers evolve, and people become more accustomed to the idea of sitting down with a digital textbook, these factors could change—for better or for worse.

“5 Reasons Physical Books Might Be Better Than E-Books” by Shaunacy Ferro from MENTAL FLOSS, October 2, 2015. Copyright © 2015 Mental Floss, Inc.

1e-book: an electronic book, a publication made available digitally for reading on a computer or other device

2evangelists: advocates or supporters

3iPads: tablet computers

4Kindle: device for reading e-books

5door-stop: a reference to the idea that some textbooks are large and heavy enough to hold a door open

6LED: Light-emitting diode; LEDs are often used as a backlight for electronic devices such as smart phones and tablets.

Question

The studies described in paragraph 6 are important to the author’s observations in paragraphs 7 and 8 because the findings

  • Ashow that the author has personal opinions to share beyond the ideas included in the studies.
  • Bgive the author the opportunity to reach practical conclusions about reading that are based on scientific evidence.
  • Chighlight the author’s statement that digital reading experiences vary based on the individual and the device.
  • Dsupport the author’s inference that more studies on more types of devices are needed.
Show the answer

Correct answer: B

The question asks how the findings from the studies described in paragraph 6 are important to the author’s observations in paragraphs 7 and 8.

A. Incorrect. The evidence from the studies mentioned in paragraph 6 is not substantially supported by the personal opinions the author shares in paragraph 7 (“And if you’re going to be up all night studying, turn off the backlight”) or in paragraph 8 (“melt your brain” and “digital distractions”).

B. CORRECT. In paragraph 6, the author cites studies from 2005 and 2014 that found that LED screens can “disrupt sleep patterns” and that “people who used e-readers with LED screens at night slept worse and were more tired the next day.” Then, in paragraph 7, the author suggests that “if you’re going to be up all night studying, turn off the backlight,” and in paragraph 8, the author explains some differences between reading e-books on various devices. This information is not based on a personal opinion; instead, it is based on practical conclusions drawn from scientific evidence.

C. Incorrect. In paragraph 6, the author cites a 2005 study in which researchers found that “reading digitally required a higher cognitive workload than reading on paper.” Then, in paragraph 8, the author concludes that “reading an e-book on a computer is a much different experience than reading on a Kindle, which is specifically designed for consuming books.” Although the findings in paragraph 6 are important, they do not highlight the information presented by the author that digital reading experiences vary based on the reader and the device.

D. Incorrect. The author states in paragraph 8 that “reading an e-book on a computer is a much different experience than reading on a Kindle” and mentions how the same thing is true for “an interactive e-book on an iPad” compared with an e-book on “a simpler e-book device.” Readers may conclude that this statement is meant to indicate the author’s belief that more studies on more types of devices are needed. However, the author does not state or imply this belief in the passage.

Question analysis

This question asks why the studies on screen fatigue and sleep in paragraph 6 of an article about e-books matter to the observations the author makes in the next two paragraphs. Students must trace the connection between the research and the later paragraphs, and each choice describes that link in abstract terms that are easy to confuse.

NYS standards
  • 7R5 structure and genre features
  • 7R8 evaluating arguments and claims
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Tracing how evidence leads to an author's conclusions is grade 7 argument work, but this item spans three paragraphs, and the four explanations of the link are abstract and close in wording, more demanding than typical grade 7 work.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from several paragraphs or stanzas
Reading level
Passage: about grade 10, 829 words; question and choices: about grade 11, 80 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Every choice describes a link between evidence and commentary, so the student has to know both what paragraph 6 found and what paragraphs 7 and 8 do with it. The tempting wrong answer borrows paragraph 8's real point that devices differ and wrongly credits the sleep and workload studies with it. Seeing that the backlight advice comes straight from the Harvard study is what makes the general wording of the right choice convincing.

  1. How, not what major Working it out

    The question asks how paragraph 6's findings function for the paragraphs after them, a relationship between evidence and conclusion, so knowing what the sleep and workload studies found is only the first step. (Anderson & Krathwohl, 2001)

  2. Evidence in several places moderate Working it out

    The links run across three paragraphs: the Harvard backlight finding becomes “turn off the backlight” in paragraph 7, and the tired brain returns as “melt your brain” in paragraph 8. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  3. The right answer is reworded minor Choosing the answer

    The right choice names no study, screen or device, speaking only of “practical conclusions” and “scientific evidence”, while two wrong choices echo paragraph 8's talk of devices. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)

Strategy: Note what the paragraph 6 studies found, then find the sentences in paragraphs 7 and 8 that draw on those findings and describe what the author does with them.

Traps

  • Half right: One half of a two-part choice is right and the other is not.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
  • Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Understand the link asked about

    This asks how evidence connects to the author’s comments. First see what the studies in paragraph 6 found. Then see what the author does with those findings in paragraphs 7 and 8.

  2. Read the studies in paragraph 6

    A 2005 study found that “reading digitally required a higher cognitive workload.” Cognitive workload means how hard your brain has to work. A 2014 study found that people who read on lit screens at night “slept worse and were more tired the next day.”

  3. See how the author uses them

    In paragraph 7 the author advises, “if you’re going to be up all night studying, turn off the backlight.” That tip comes straight from the sleep study. Paragraph 8 then warns you not to take the findings too far. It says they “may not mean that reading on a Kindle is really going to melt your brain.” Both are practical, real-life conclusions drawn from science.

  4. Check each choice

    • B fits: the studies let the author reach “practical conclusions” based on “scientific evidence.”
    • A is wrong because the advice in paragraphs 7 and 8 grows out of the studies, not out of opinions beyond them.
    • C is wrong because nothing says reading changes from person to person, and the studies compare screens with paper.
    • D is wrong because the author never says more studies are needed.

    Watch out: C is half right. Paragraph 8 does say devices differ, but the part about each person is never stated.

  5. Choose the answer

    The findings in paragraph 6 lead straight to the author’s practical advice. So the answer is B.

Why this answer and not the closest wrong one

C comes closest, because paragraph 8 does say a computer and a Kindle feel different. But the studies in paragraph 6 compare screens with paper, and no one says reading changes from person to person. B fits the clear link: a sleep study turned into the advice to turn off the backlight.

The original DOE question
Question 40 as printed on page 61 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 61, question 40. Open page 61 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).
The passage “5 Reasons Physical Books Might Be Better Than E-Books” as printed (pages 58–59)The passage “5 Reasons Physical Books Might Be Better Than E-Books” as printed on page 58 of the DOE handbook.The passage “5 Reasons Physical Books Might Be Better Than E-Books” as printed on page 59 of the DOE handbook.

Question 4 of 6

2024 Test A Math, question 5

Question

RESULTS FROM SURVEY OF 110 FAMILIES

Number of Children in the Family Number of Families
0 45
1 32
2 19
3 8
4 6

The table above shows the number of children in each of 110 families. What is the median number of children in these families?

Grid-in question: work out the answer and enter it as a number.

Show the answer

Correct answer: 1

Since 110 families were surveyed, the median will have 55 values less than or equal to it, and 55 values greater than or equal to it.

If the values in the table were listed in order, they would look like this:

0,…,0⏞45,1,…,1⏞32,2,…,2⏞19,3,…,3⏞8,4,…,4⏞6\overbrace{0,\ldots,0}^{45},\overbrace{1,\ldots,1}^{32},\overbrace{2,\ldots,2}^{19},\overbrace{3,\ldots,3}^{8},\overbrace{4,\ldots,4}^{6}

The first row of the table indicates that 45 families had 0 children.

The second row of the table indicates that 32 families had 1 child.

So 77 families had either 0 children or 1 child, and 45 families had 0 children.

Since 55 is between 45 and 77, the median must be a value in the second row of the table.

So the median is 1.

Question analysis

This statistics grid-in gives a frequency table from a survey of 110 families, showing how many families have each number of children from none to four. Students find the median number of children per family. The table lists counts rather than the 110 data values themselves, so locating the middle value takes a running total of the families.

NYS standards
  • 6.SP.5c range, center, and overall pattern
  • 6.SP.5a number of observations
Grade level
Grade 6 content, by NYS standard
Compared with grade 7
Above grade 7 Grade 7 median problems usually list a dozen or so values. Here 110 values are hidden in a frequency table, so students must reason about positions with a running count, a less familiar and more error-prone task.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Solution
3 steps
Reading level
Question and choices: about grade 7, 35 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Students know a median as the middle of a list, but here the list is never written out. Treating the table's columns as the data gives quick, confident answers, 2 from the middle of the children column or 19 from the middle of the family counts, and neither can be checked against choices. The question rewards counting positions: 45 families have no children, so the 55th and 56th families both fall among the 32 with one child.

  1. Reading a figure, table or graph major Understanding the question

    The table hides 110 data values in five rows: the 0 to 4 column lists the possible values, and 45, 32, 19, 8 and 6 say how many families have each. (Lesh, Post & Behr, 1987; Kirsch & Mosenthal, 1990)

  2. No obvious method moderate Working it out

    The median of 110 values lies between the 55th and 56th; finding them takes a running count of families, 45 and then 77, a method seldom practiced with tables. (Schoenfeld, 1985)

  3. An answer in an unexpected form minor Choosing the answer

    As a grid-in there are no choices to compare, so a student who takes the middle row's 2 has nothing on the page to suggest it is wrong. (Enright, Morley & Sheehan, 2002)

Strategy: With 110 values the median sits between the 55th and 56th; add the family counts row by row until the running total passes 55, and read that row's number of children.

Traps

  • Misunderstands the concept: A wrong belief about a concept: that percents can be added, that area grows like length, that averages can be averaged, that a bigger denominator means a bigger fraction.
  • Answers a different question: A choice is right for another quantity: the other unknown, the rest instead of the part, the part instead of the whole.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Worked solution, step by step

Formulas used

Spot of the median
middle spot=n+12\text{middle spot} = \frac{n + 1}{2}
The median is the middle value when all the values are put in order. n is how many values there are. This gives the spot of the middle value, with the same number of values before and after it. If it ends in a half, the median is halfway between the two values on either side.
  1. Sort out the table

    The table covers 110 families. The left column is a number of children. The right column says how many families have that many children. For example, 45 families have 0 children. You need the median number of children. The median is the middle value when all the values are in order.

  2. Picture the values in order

    Think of a list with one number for each family: how many children it has. The list has 45 zeros, then 32 ones, then 19 twos, then 8 threes, then 6 fours. It is already in order, from least to most.

    45+32+19+8+6=11045 + 32 + 19 + 8 + 6 = 110

    There are 110 values. Watch out: the median is not the middle row, 2. Each row stands for a different number of families.

  3. Find the middle spot

    Use the median rule with n = 110.

    middle spot=n+12\text{middle spot} = \frac{n + 1}{2}

    110+12=55.5\frac{110 + 1}{2} = 55.5

    The middle is halfway between the 55th and 56th values. So you need those two values in the list.

  4. Count down the list

    Keep a running total of families, row by row. The zeros fill spots 1 to 45. Now add the 32 families with 1 child.

    45+32=7745 + 32 = 77

    So the ones fill spots 46 to 77. Spot 55 and spot 56 are both in that range. So both values are 1.

  5. Give the median

    The 55th and 56th values are both 1. Halfway between 1 and 1 is 1. So the median is 1 child. Watch out: the median is a number of children, not of families. Gridding 19, from the families column, is wrong. So is the mean, or average, which is about 1.07. So you would grid 1.

Check your answer

Half of 110 is 55. Families with 0 children: 45, which is less than half. So the median is not 0. Families with 0 or 1 child: 77, which is more than half. So the median is not more than 1. It must be 1.

The original DOE question
Question 62 as printed on page 76 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 76, question 62. Open page 76 of the handbook (PDF)

Question 5 of 6

2018 Test A Math, question 5

Question

The sum of two consecutive integers is −15. If 1 is added to the smaller integer and 2 is subtracted from the larger integer, what is the product of the two resulting integers?

Grid-in question: work out the answer and enter it as a number.

Show the answer

Correct answer: 63

If x is the smaller consecutive integer, then

x+1x+1

is the larger consecutive integer. Use their sum (−15) to find x:

x+(x+1)=−15x+(x+1)=-15

2x+1=−152x+1=-15

2x=−162x=-16

x=−8x=-8

The two consecutive integers are −8 and −7. One is added to the smaller integer:

−8+1=−7-8+1=-7

and 2 is subtracted from the larger integer:

−7−2=−9-7-2=-9

Find the product:

(−7)(−9)=63(-7)(-9)=63

Question analysis

A grid-in problem about two consecutive integers whose sum is −15. Students find the two integers, add 1 to the smaller and subtract 2 from the larger, then multiply the results. Deciding which negative integer is the smaller one, and keeping signs straight through every step, are what make it tricky.

NYS standards
Grade level
Grade 7 content, by NYS standard
Compared with grade 7
Above grade 7 A typical grade 7 task solves one two-step equation or multiplies signed numbers. This links both: set up a consecutive-integer equation, solve it with negatives, adjust each integer, and multiply, with no choices to check against.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
What makes it hard
Solution
4 steps
Reading level
Question and choices: about grade 9, 30 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Every step is routine, yet the question collects most of the ways students lose points with negatives. The crucial judgment is which of −8 and −7 is the smaller; a student who picks −7 still produces a tidy, wrong product. Gridding the product of the original pair, or giving a negative product, are the other usual losses. Writing each intermediate pair down, rather than holding them in mind, protects against all three.

  1. Error-prone arithmetic moderate Working it out

    Every number in play is negative: −8 and −7, then −7 and −9, and a product of two negatives that must come out positive. (Brown & Burton, 1978; Junker & Sijtsma, 2001)

  2. Turning words into math moderate Understanding the question

    "1 is added to the smaller integer and 2 is subtracted from the larger" depends on knowing that −8, not −7, is the smaller, since it lies farther below zero. (Hegarty, Mayer & Monk, 1995; Koedinger & Nathan, 2004)

  3. Many steps moderate Working it out

    Four linked steps: set up x + (x + 1) = −15, solve for x, adjust each integer, then multiply; an error early in the chain carries through to the product. (Daniel & Embretson, 2010; Enright, Morley & Sheehan, 2002)

Strategy: Halve the sum to see which two integers sit on either side of it, remember that the smaller negative is farther from zero, then adjust each and multiply.

Traps

  • Negatives and direction: Arithmetic with negative numbers, the order of a subtraction, or direction on a number line. (Moving a term across the equals sign without changing its sign is a faulty procedure.)
  • Misreads the question: Misses or misreads a condition or a word in the question: "at least", "each", "remaining", "not".

The wrong answers, classified

How the questions are analyzed, and the research behind it

Worked solution, step by step

Formulas used

Consecutive integers
n,n+1n, \; n + 1
Integers are whole numbers and their opposites, like −2, −1, 0, 1 and 2. Consecutive integers come one right after another. If n is the smaller one, the next one is n + 1, because each step up the number line adds 1.
Multiplying two negative numbers
(−a)×(−b)=a×b(-a) \times (-b) = a \times b
a and b are positive numbers, so −a and −b are negative. When you multiply two negative numbers, the answer is positive. The two minus signs cancel out.
  1. Sort out the question

    Two consecutive integers add up to −15. Integers are whole numbers and their negatives. Consecutive means one comes right after the other, like 4 and 5. You need to do three things:

    1. Find the two integers.
    2. Add 1 to the smaller one. Subtract 2 from the larger one.
    3. Find the product of the two new numbers. The product is the answer when you multiply.
  2. Find the two integers

    Call the smaller integer n. Then the larger one is n + 1. Their sum is −15.

    n+(n+1)=−15n + (n + 1) = -15

    2n+1=−152n + 1 = -15

    Subtract 1 from both sides. Then divide both sides by 2.

    2n=−162n = -16

    n=−8n = -8

    So the integers are −8 and −7.

  3. Decide which one is smaller

    On a number line, −8 is to the left of −7. Numbers to the left are smaller. So −8 is the smaller integer, and −7 is the larger one. Watch out: 8 is bigger than 7, but −8 is smaller than −7. Mixing them up gives −6 and −10, and the wrong answer 60.

  4. Change each integer

    Add 1 to the smaller integer.

    −8+1=−7-8 + 1 = -7

    Subtract 2 from the larger integer.

    −7−2=−9-7 - 2 = -9

    The two new numbers are −7 and −9.

  5. Multiply the new numbers

    Both numbers are negative, so their product is positive.

    (−7)×(−9)=63(-7) \times (-9) = 63

    Watch out: the answer is not −63, because two negatives make a positive. Also, don’t multiply the first pair, −8 and −7. That gives 56 and skips the changes. So you would grid 63.

Check your answer

Check the pair: −8+(−7)=−15-8 + (-7) = -15, and they are one apart. Half of −15 is −7.5, and −8 and −7 sit on either side of it. Then 7×9=637 \times 9 = 63, and the sign is positive.

The original DOE question
Question 62 as printed on page 81 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 81, question 62. Open page 81 of the handbook (PDF)

Question 6 of 6

2018 Test B Math, question 8

Question

M=3N=P4=Q+5=R7>0M=3N=\frac{P}{4}=Q+5=\frac{R}{7}> 0

Based on the statement above, which variable has the greatest value?

  • AMM
  • BNN
  • CPP
  • DRR
Show the answer

Correct answer: D

Break the equations apart to each equal MM:

M=3NM=3N

M=P4M=\frac{P}{4}

M=Q+5M=Q+5

M=R7M=\frac{R}{7}

Pick a number to substitute into the equations, and solve the equations to find the values of MM, NN, PP, QQ, and RR.

Let M=2M=2. Since all the equations are equal to 2, substitute 2 to find each variable.

M=3NM=3N

2=3N2=3N

23=N\frac{2}{3}=N

M=P4M=\frac{P}{4}

2=P42=\frac{P}{4}

8=P8=P

M=Q+5M=Q+5

2=Q+52=Q+5

−3=Q-3=Q

M=R7M=\frac{R}{7}

2=R72=\frac{R}{7}

14=R14=R

Variable RR has the greatest value.

Question analysis

This algebra question sets five expressions equal to one another and to a positive number, then asks which variable has the greatest value. It tests whether students can rewrite each variable in terms of one shared value and compare them. What makes it tricky is that there are no numbers to compute, so each variable's size has to be reasoned out.

NYS standards
  • 7.EE.2 rewriting expressions to show relationships
  • 6.EE.7 one-step equations
Grade level
Grade 7 content, by NYS standard
Compared with grade 7
Above grade 7 Grade 7 students rewrite expressions to see how quantities relate, usually one equation at a time. This chain of five linked expressions, with no numbers to compute and a positivity condition to use, is a reasoning task beyond routine grade 7 work.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Solution
3 steps
Reading level
Question and choices: about grade 10, 16 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The question rewards a strategy, not a calculation: once the shared value is named, each variable follows in one line and R is clearly largest. Without that step, students judge by how the expressions look, and the look is backwards, since the 3 in 3N makes N small and the 7 under R makes R large. The positivity condition at the end is easy to skip but is what fixes the order.

  1. Variables instead of numbers major Understanding the question

    There are no numbers to compute: five variables are tied together in the one chain M = 3N = P/4 = Q + 5 = R/7, and each must be compared through the shared value. (Koedinger & Nathan, 2004; Enright, Morley & Sheehan, 2002)

  2. No obvious method moderate Working it out

    Nothing says how to compare; the efficient move is to name the common value, or pick one such as 12, and rewrite each variable, which students must think of themselves. (Schoenfeld, 1985)

  3. Much to keep track of minor Working it out

    Five relations and the condition > 0 must be held at once; the condition matters, since with a negative common value the order of M, N, P and R would reverse. (Sweller, 1988; Carpenter, Just & Shell, 1990)

Strategy: Call the shared value k, a positive number, and rewrite each variable as an expression in k; or substitute a convenient positive value such as 12 and compare the results.

Traps

  • Equation written backwards: Writes a comparison the wrong way round, word for word: "six times as many students as professors" as 6S = P. The bigger quantity gets the bigger number.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Worked solution, step by step

Formulas used

Undoing division
ab=c means a=b×c\frac{a}{b} = c \text{ means } a = b \times c
a is the top of the fraction, b is the bottom, and c is the result. Multiplying undoes dividing. So if a divided by b is c, then a is b times c.
Undoing multiplication
b×a=c means a=c÷bb \times a = c \text{ means } a = c \div b
b is the number multiplied by a, and c is the result. Dividing undoes multiplying. So to get a alone, divide c by b.
  1. Understand the chain

    The statement is a chain of equal signs. It says five expressions all have the same value. The last part says that value is greater than 0, so it is positive.

    You need to find which letter has the largest value.

  2. Pick a value to test

    All five expressions are equal, so give them one shared value. Pick a positive number that 3 divides evenly. That way N will be a whole number.

    Let the shared value be 12. Then M=12M = 12, and each of the other four expressions also equals 12.

  3. Solve for each letter

    Undo each operation to find each letter. Divide to undo times. Multiply to undo divide. Subtract to undo plus.

    3N=12, so N=12÷3=43N = 12 \text{, so } N = 12 \div 3 = 4

    P4=12, so P=12×4=48\frac{P}{4} = 12 \text{, so } P = 12 \times 4 = 48

    Q+5=12, so Q=12−5=7Q + 5 = 12 \text{, so } Q = 12 - 5 = 7

    R7=12, so R=12×7=84\frac{R}{7} = 12 \text{, so } R = 12 \times 7 = 84

  4. Compare the values

    The values are M = 12, N = 4, P = 48, Q = 7 and R = 84. R is the largest.

    Watch out: 3N does not make N big. It means 3 times N equals M, so N is only one third of M. That trap points to choice B. Also, P is big, but R is bigger. Check every letter before you pick choice C.

    So the answer is D, R.

Check your answer

Think without numbers. R divided by 7 is M, so R is 7 times M. P is only 4 times M. N is a third of M, and Q is 5 less than M. Since M is positive, 7 times M is the biggest.

The original DOE question
Question 65 as printed on page 154 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 154, question 65. Open page 154 of the handbook (PDF)

Sample #535973