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Question 1 of 6
2026 Practice Test C English, question 8Passage Excerpt from “Niagara Falls”
Excerpt from “Niagara Falls”
by Rupert Brooke
The real secret of the beauty and terror of the Falls is not their height or width, but the feeling of colossal power and of unintelligible disaster caused by the plunge of that vast body of water. If that were taken away, there would be little visible change, but the heart would be gone.
The American Falls do not inspire this feeling in the same way as the Canadian. It is because they are less in volume, and because the water does not fall so much into one place. By comparison their beauty is almost delicate and fragile. They are extraordinarily level, one long curtain of lacework and woven foam. Seen from opposite, when the sun is on them, they are blindingly white, and the clouds of spray show dark against them. With both Falls the colour of the water is the ever-altering wonder. Greens and blues, purples and whites, melt into one another, fade, and come again, and change with the changing sun. Sometimes they are as richly diaphanous as a precious stone, and glow from within with a deep, inexplicable light. Sometimes the white intricacies of dropping foam become opaque and creamy. And always there are the rainbows. If you come suddenly upon the Falls from above, a great double rainbow, very vivid, spanning the extent of spray from top to bottom, is the first thing you see. If you wander along the cliff opposite, a bow springs into being in the American Falls, accompanies you courteously on your walk, dwindles and dies as the mist ends, and awakens again as you reach the Canadian tumult. And the bold traveller who attempts the trip under the American Falls sees, when he dare open his eyes to anything, tiny baby rainbows, some four or five yards in span, leaping from rock to rock among the foam, and gambolling beside him, barely out of hand’s reach, as he goes. One I saw in that place was a complete circle, such as I have never seen before, and so near that I could put my foot on it. It is a terrifying journey, beneath and behind the Falls. The senses are battered and bewildered by the thunder of the water and the assault of wind and spray; or rather, the sound is not of falling water, but merely of falling; a noise of unspecified ruin. So, if you are close behind the endless clamour, the sight cannot recognise liquid in the masses that hurl past. You are dimly and pitifully aware that sheets of light and darkness are falling in great curves in front of you. Dull omnipresent foam washes the face. Farther away, in the roar and hissing, clouds of spray seem literally to slide down some invisible plane of air.
Beyond the foot of the Falls the river is like a slipping floor of marble, green with veins of dirty white, made by the scum that was foam. It slides very quietly and slowly down for a mile or two, sullenly exhausted. Then it turns to a dull sage green, and hurries more swiftly, smooth and ominous. As the walls of the ravine close in, trouble stirs, and the waters boil and eddy. These are the lower rapids, a sight more terrifying than the Falls, because less intelligible. Close in its bands of rock the river surges tumultuously forward, writhing and leaping as if inspired by a demon. It is pressed by the straits into a visibly convex form. Great planes of water slide past. Sometimes it is thrown up into a pinnacle of foam higher than a house, or leaps with incredible speed from the crest of one vast wave to another, along the shining curve between, like the spring of a wild beast. Its motion continually suggests muscular action. The power manifest in these rapids moves one with a different sense of awe and terror from that of the Falls. Here the inhuman life and strength are spontaneous, active, almost resolute. . . . A place of fear.
One is drawn back, strangely, to a contemplation of the Falls, at every hour, and especially by night, when the cloud of spray becomes an immense visible ghost, straining and wavering high above the river, white and pathetic and translucent. The Victorian lies very close below the surface in every man. There one can sit and let great cloudy thoughts of destiny and the passage of empires drift through the mind; for such dreams are at home by Niagara. I could not get out of my mind the thought of a friend, who said that the rainbows over the Falls were like the arts and beauty and goodness, with regard to the stream of life—caused by it, thrown upon its spray, but unable to stay or direct or affect it, and ceasing when it ceased. In all comparisons that rise in the heart, the river, with its multitudinous waves and its single current, likens itself to a life, whether of an individual or of a community. A man’s life is of many flashing moments, and yet one stream; a nation’s flows through all its citizens, and yet is more than they. In such places, one is aware, with an almost insupportable and yet comforting certitude, that both men and nations are hurried onwards to their ruin or ending as inevitably as this dark flood. Some go down to it unreluctant, and meet it, like the river, not without nobility. And as incessant, as inevitable, and as unavailing as the spray that hangs over the Falls, is the white cloud of human crying. . . . With some such thoughts does the platitudinous heart win from the confusion and thunder of a Niagara peace that the quietest plains or most stable hills can never give.
From LETTERS FROM AMERICA by Rupert Brooke—Public Domain
diaphanous: sheer, translucent
platitudinous: clichéd, common
Question
Read this sentence from paragraph 3.
These are the lower rapids, a sight more terrifying than the Falls, because less intelligible.
Which statement best describes how the sentence fits into the overall structure of the excerpt?
- AIt signals a change from the positive aspects of the Falls to the negative aspects.
- BIt indicates a progression from the literal description of the water to a discussion of timeless truths.
- CIt reinforces a shift from the qualities of the Falls to the qualities of the river.
- DIt introduces a contrast between the obvious and the hidden features of the rapids.
Show the answer
Correct answer: C
The question asks for the statement that best describes how the sentence from paragraph 3 fits into the overall structure of the excerpt.
A. Incorrect. Although in paragraph 2 the author describes the beauty of the Falls as both an “ever-altering wonder” and an “assault of wind and spray,” in paragraph 3 the author does not signal a change from the positive aspects of the Falls to the negative aspects. Instead, the author provides a description of the river and the rapids below the Falls.
B. Incorrect. While the author compares the water of the river to “a slipping floor of marble, green with veins of dirty white, made by the scum that was foam” in paragraph 3, the statement that the lower rapids are “more terrifying than the Falls, because less intelligible” does not indicate a progression from the literal description of the water to a discussion of timeless truths. Instead, the author is merely describing all aspects of the rapids, both literally and figuratively.
C. CORRECT. The first sentence of paragraph 3 moves the description “beyond the foot of the Falls” to “the river” and then the paragraph begins to describe this location in further detail (“a dull sage green,” “hurries more swiftly,” “smooth and ominous,” “waters boil and eddy”) before reinforcing this shift by confirming it again with the words “These are the lower rapids, a sight more terrifying than the Falls.”
D. Incorrect. Although the author states that the waters of the rapids “boil and eddy” and suggests that the rapids are “less intelligible,” these statements do not introduce a contrast between the obvious and the hidden features of the rapids. They merely describe a feature and the sight of the lower rapids.
Question analysis
This text structure question quotes a sentence from paragraph 3 of Rupert Brooke’s “Niagara Falls,” in which the lower rapids are called “more terrifying than the Falls,” and asks how it fits the excerpt’s overall organization. It rewords a question from the 2018 handbook’s Test B. Every choice describes a turn the essay could plausibly take, so students need a clear picture of what each paragraph covers.
- NYS standards
- 7R5 structure and genre features
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 A typical grade 7 structure question asks what one paragraph adds. This one asks where a sentence from the middle of paragraph 3 fits in the whole essay, which means summing up four long paragraphs of century-old prose.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- How, not what major
- Much to keep track of moderate
- Hard words moderate
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 9, 987 words; question and choices: about grade 8, 97 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
A sentence that compares the rapids with the Falls is easy to misplace, because both of its subjects appear elsewhere in the excerpt. The strongest pull is a real turn in the essay, from describing water to musing on destiny, that comes a paragraph later, while “more terrifying” draws students who forget that terror runs through the excerpt from its first sentence. The 2026 verb “reinforces” rewards those who saw that paragraph 3 had already left the Falls with “Beyond the foot of the Falls the river.”
How, not what major Working it out
The task is to place one sentence in the essay’s plan, and the sentence pulls the wrong way: it mentions “the Falls” and “more terrifying,” though its job is to confirm that paragraph 3 has already moved downstream to the rapids. (Anderson & Krathwohl, 2001)
Much to keep track of moderate Working it out
Placing the sentence takes a summary of all four long paragraphs at once: the Falls’ power, the two Falls’ beauty and the trip behind them, the river below, and the night thoughts on destiny. (Sweller, 1988; Carpenter, Just & Shell, 1990)
Hard words moderate Understanding the question
“Less intelligible” means harder to make sense of; a student who takes it as harder to see is led toward a contrast between obvious and hidden features of the rapids. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Sum up each of the four paragraphs in a few words, find where this sentence sits in that outline, and choose the description of the essay’s movement at exactly that point.
Traps
- Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
The wrong answers, classified
A Twists what the text says (King et al., 2004)
Takes “more terrifying” as the essay’s first turn from the Falls’ beauty to their dangers, but this sentence is about the rapids, and paragraph 1 already speaks of “unintelligible disaster.”
B Wrong part of the text (Kirsch & Mosenthal, 1990)
Names a turn the excerpt really makes, from describing the water to “thoughts of destiny and the passage of empires,” but that turn comes in paragraph 4, not at the rapids.
D Wrong purpose or structure (Anderson & Krathwohl, 2001)
Reads “less intelligible” as less visible and finds a contrast between obvious and hidden features, though rapids that “boil and eddy” and leap like “a wild beast” are in plain view.
Working it out, step by step
Figure out what the question asks
This is a text structure question. Structure is the plan of a piece of writing: what each part does and how the parts connect. You get one sentence from paragraph 3. You must decide what job it does in the plan of the whole excerpt. So first sum up what each of the four paragraphs is about.
Sum up the four paragraphs
- Paragraph 1: the real secret of the Falls is “the feeling of colossal power.” Colossal means huge.
- Paragraph 2: the two Falls, their colors, the rainbows, and the scary trip behind the water.
- Paragraph 3: the river below the Falls and its wild rapids.
- Paragraph 4: the author goes back to the Falls at night and thinks about life and destiny, or what happens in the end.
See where paragraph 3 begins
Paragraph 3 opens with “Beyond the foot of the Falls the river is like a slipping floor of marble.” Beyond the foot means past the bottom. So the author has already left the Falls. He follows the river as it “hurries more swiftly” and the waters “boil and eddy,” or swirl. Then comes the sentence: “These are the lower rapids, a sight more terrifying than the Falls, because less intelligible.” Rapids are a stretch of fast, rough water. Less intelligible means harder to make sense of.
Decide what the sentence does
The sentence names the new place: the lower rapids. It also sets the rapids against the Falls. That tells you again that the essay has moved from the Falls to the river below them. To reinforce something is to make it stronger. The sentence reinforces a shift, or change of subject, that the paragraph’s first sentence began.
Check each choice
- A does not fit. Terror is not new here. Paragraph 1 already speaks of “unintelligible disaster,” and paragraph 2 calls the trip behind the Falls “a terrifying journey.”
- B does not fit. The essay does turn to big, timeless ideas, but in paragraph 4, not here.
- C fits. The sentence confirms the move from the Falls to the river.
- D does not fit. The rapids are in plain sight. “Less intelligible” means harder to understand, not hidden.
Watch out: B names a real turn in the essay. But it comes one paragraph later, with “thoughts of destiny and the passage of empires.”
Choose the answer
The sentence names the rapids and compares them with the Falls. That confirms the essay has moved downstream. So the answer is C, “It reinforces a shift from the qualities of the Falls to the qualities of the river.”
Why this answer and not the closest wrong one
B is the closest wrong choice, because the essay really does move from describing water to big ideas about life. But that move comes in paragraph 4, at night. The sentence in paragraph 3 is still describing water. Its job is to name the rapids and confirm that the essay has left the Falls for the river.
More questions like this
The original DOE question

The passage “Excerpt from “Niagara Falls”” as printed (pages 134–135)


Question 2 of 6
2026 Practice Test C English, question 43Passage Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming”
Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming”
by Melanie Canales
The author, Melanie Canales, is a first-generation Peruvian American farmer and beekeeper based in Virginia’s Shenandoah Valley, on lands of the indigenous Monacan and Manahoac tribes. Her work focuses on creating healthy relationships between people and their surrounding ecosystems.
Unburdened by the constraints of gravity, red and green peppers jut out at 45-degree angles inside the Advanced Plant Habitat (APH), a sort of space terrarium not much larger than a microwave. Four chile pepper plants stand effortlessly upright, despite the dozens of glossy fruits weighing them down. These plants have lived entirely in space; their leaves have never been chewed on by insects or rustled by a summer breeze, [and] their stems are unfamiliar with bending toward the sun’s arc across the sky. Scissors glint under the tank’s white and blue lights as astronaut Mark Vande Hei and his team snip the stems of those that are ready for harvest. The peppers whirl around their heads until the astronauts catch them and tape them against a board to photograph.
Back on Earth, the Plant Habitat-04 team of engineers and plant scientists are observing and conferring with the astronauts. Of the 26 peppers in this batch, only the 14 finest will stay on the International Space Station [ISS] for consumption. The rest will be wrapped in foil, sealed in a Ziploc bag, then frozen at a brisk −80 degrees, until they can come roaring back to Earth in the next cargo capsule to be studied later. Now, after a 137-day growth cycle, the astronauts remove the plants from the module and trash them. Project Plant Habitat-04 is complete. It’s taco night on the ISS.
Since 2014, NASA1 has experimented with growing lettuces, brassicas,2 and zinnias3 in space, an endeavor that relies on highly specialized technology over 50 years in the making. [Fall 2021’s] two successful pepper harvests . . . will provide data on the nutritional and psychological benefits of growing vegetables on-craft, as well as a crop’s ability to reliably produce long-term in microgravity. While controlled environmental agriculture is not new, the APH experiment represents an evolution in specialized growth habitats. It doesn’t aim to re-create Earth’s conditions, but to perfect each isolated variable of plant growth in the clinical environment of a spaceship.
“The Advanced Plant Habitat is the most complex plant growth system on orbit today,” says Lashelle Spencer, a plant scientist at NASA’s Kennedy Space Center. Its more than 180 sensors control and monitor temperature, humidity, and carbon dioxide. The astronauts can adjust the color and intensity of the light, and how much moisture the plants’ roots are getting. It waters itself.
It’s the day after Thanksgiving, and Spencer has been at Kennedy since 5 a.m. to facilitate the peppers’ final harvest. As part of the project team, she played a crucial role in preparing the seeds that were sent hurtling into space in June and guiding the astronauts through maintaining the plants in orbit. . . . Though astronauts can spend upwards of 100 days in space, their on-mission meals come dehydrated and pre-packaged; their vitamins and minerals are isolated in supplements, which lose nutritional value the longer they’re stored. Spencer’s goal is to create the conditions necessary for cultivating healthy plants in space, so those plants can sustain healthy astronauts on long-term missions. Astronaut food is great, she says—“especially the shrimp cocktail. But you’re missing that crunch. You’re missing that fresh pop of flavor, the green flavor that’s not there in that packaged food.”
The sensory experience of growing productive crops can also help mitigate4 the psychological effects of long-term space travel. . . . Spencer says the team cracked open the door of the APH every day to observe their vegetable companions with all the tenderness of home gardeners. When harvest day came, they batted their bounty around the ISS, taking selfies and delighting in watching the fruits pirouetting around the spacecraft. . . .
“We were thinking no heat, so that [the peppers] wouldn’t be dangerous, but maybe the astronauts need a little spice in their life,” says Paul Bosland, who along with his colleagues at the Chile Pepper Institute genetically engineered5 the NuMex Española Improved chile pepper seeds grown in Plant Habitat-04. . . .
Working with NASA, Bosland cultivated a variety that could accommodate both the nutritional needs of astronauts as well as the logistics of growing a plant in space. . . .
. . . The experiment is helping gather the data necessary to determine the nutritional content of crops grown in space, and therefore how many people they can feed, and for how long. Though much is still unknown, Spencer is certain of one thing that future astronauts will need to do: “I think in an optimal world, a scientist like me would say that they would be growing plants from day one. From the day they left to the day they came back, they would be growing them.”
From “Growing Peppers on the ISS Is Just the Start of Space Farming” by Melanie Canales from WIRED, December 21, 2021. Copyright © 2021 Condé Nast. All rights reserved.
1NASA: National Aeronautics and Space Administration
2brassicas: a large genus of herbs, such as broccoli and cabbage
3zinnias: a genus of herbs and low shrubs that have flowers at their heads
4mitigate: to make something less severe or harmful
5genetically engineered: combined parts of DNA from different plants to produce a new plant
Question
With which statement would the author most likely agree?
- ASome plants are better adapted for growing in space than on Earth, and focus should be placed on them.
- BAttempting to grow plants in space the same way they are grown on Earth would not result in success.
- CPlants grown in space provide better nutritional value than plants grown on Earth.
- DSuccessfully growing plants in space is a challenge, so more research must first be completed on plants grown on Earth.
Show the answer
Correct answer: B
The question asks which statement the author would most likely agree with.
A. Incorrect. Although paragraphs 7 and 8 discuss plants that have been genetically engineered to “accommodate . . . the logistics of growing a plant in space,” the passage does not indicate that the plants are better adapted for growing in space rather than on Earth. Thus, the author is not likely to agree with this statement.
B. CORRECT. In paragraph 3, the author points out that growing plants in space “relies on highly specialized technology over 50 years in the making,” and in paragraph 4, the author explains that the Advanced Plant Habitat requires specialized controls and adaptations for light, moisture, and temperature. The author’s acknowledgment of the special conditions required to grow plants in space indicates that she would agree that growing methods used on Earth are unlikely to succeed in space.
C. Incorrect. Although paragraph 8 mentions that pepper plants were genetically engineered to meet “the nutritional needs of astronauts,” the passage gives no indication that astronauts have greater nutritional needs in space than they do on Earth or that plants grown in space are engineered to provide better nutrition than their counterparts on Earth. Thus, the author would not be likely to agree with this sentence.
D. Incorrect. Although the discussion in paragraph 4 of the rigorously controlled conditions indicates that growing plants in space is, indeed, challenging, the article indicates in paragraph 3 that NASA has been experimenting with growing plants in space “since 2014.” Because plant-growing experiments have already been under way in space for a number of years, it is unlikely that NASA or the author would agree that additional experiments on earth are necessary.
Question analysis
This inference question asks which statement the author of the space-farming excerpt, a Virginia farmer writing for WIRED about NASA’s pepper experiment, would most likely agree with. The author never states her view outright, so students must infer it from the way she reports the experiment, and every choice touches on a topic the article raises.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Inferring which statement an author would accept is regular grade 7 work, but this author mostly reports facts and quotes scientists, so her own view has to be pieced together from several paragraphs of technical description, more than grade 7 usually asks.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 3, strategic thinking · mainly analyze
- What makes it hard
- Reading between the lines major
- Evidence in several places moderate
- The right answer is reworded minor
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 10, 890 words; question and choices: about grade 6, 80 words.
- Corrected from the DOE handbook
- A misquotation of the excerpt in the explanation was corrected.
- A grammatical error in the explanation was corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Because the article reports facts and quotes scientists, students must build the author’s view from her descriptions, and the key is a prediction she never makes outright. The half-right choice is the main trap: it begins with a view she does hold, that space farming is hard, then adds a demand for research on Earth that ignores NASA’s work in orbit since 2014. The other two turn the engineered variety and the nutrition theme into comparisons the article never draws.
Reading between the lines major Working it out
The author never states an opinion; her view must be drawn from how she describes the work, a habitat that “doesn’t aim to re-create Earth’s conditions” and technology “over 50 years in the making.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Evidence in several places moderate Working it out
The support is in paragraph 3’s description of the habitat and paragraph 4’s sensors and controls, while the wrong choices draw on paragraph 8’s engineered variety and paragraph 5’s supplements. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)
The right answer is reworded minor Choosing the answer
The key’s “the same way they are grown on Earth would not result in success” restates paragraph 3 in new words, while wrong choices reuse “nutritional” and growing “in space.” (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)
Strategy: Find the sentences where the author speaks in her own voice rather than quoting a scientist, then choose the statement those sentences support most directly, without adding claims the article never makes.
Traps
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Half right: One half of a two-part choice is right and the other is not.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Reads too much in (Graesser, Singer & Trabasso, 1994)
Takes paragraph 8’s variety, bred to suit the logistics of growing in space, and paragraph 1’s upright plants as proof that some plants grow better in space than on Earth.
C Twists what the text says (King et al., 2004)
Turns the contrast between fresh crops and supplements that lose value into a claim that space-grown plants beat Earth-grown ones, though the excerpt never compares the two.
D Half right (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Agrees that the complex habitat shows space farming is hard, then adds a need for more research on Earth first, though NASA has grown plants in space since 2014.
What was corrected from the DOE handbook, and why
- Explanation: The handbook’s explanation of Option A says the plants were genetically engineered “to accommodate the logistics of growing a plant in space.” Paragraph 8 says Bosland “cultivated a variety that could accommodate both the nutritional needs of astronauts as well as the logistics of growing a plant in space”: “to” is not in the excerpt, and eight words are left out without an ellipsis. The site now says genetically engineered to “accommodate . . . the logistics of growing a plant in space.”
- Explanation: The handbook’s explanation of Option B says “The author’s acknowledgment of the special conditions required to grow plants in space indicate that she would agree.” The subject is “acknowledgment,” so the site now says “indicates.”
Working it out, step by step
Figure out what the question asks
You need to figure out the author’s view. She never states it outright. She mostly reports facts and quotes scientists. So look at how she describes the work. Then pick the statement her own words support best, without adding ideas she never gives.
Find the author’s own words
In paragraph 3, the author says growing plants in space “relies on highly specialized technology over 50 years in the making.” She also says the habitat “doesn’t aim to re-create Earth’s conditions, but to perfect each isolated variable of plant growth in the clinical environment of a spaceship.” In paragraph 4, she adds that its “more than 180 sensors control and monitor temperature, humidity, and carbon dioxide.”
Explain what she means
Specialized means made for one special job. To re-create means to copy. A variable is one thing that can change, like light or heat. Clinical means very clean and controlled, like a hospital. So she is saying that space is not like a garden on Earth. Plants there need special tools that control every condition, one by one. Simply copying Earth’s way of growing would not be enough.
Check each choice
- A is wrong. Paragraphs 7 and 8 show a pepper bred to “accommodate” growing in space. But nothing says some plants grow better in space than on Earth.
- B is right. She stresses special technology and says the habitat doesn’t copy Earth. So Earth’s usual methods alone would fail.
- C is wrong. She never says space plants are healthier than Earth plants.
- D is wrong. She does show that growing in space is hard. But NASA has grown plants in space “since 2014.” Nothing says Earth research must come first.
Watch out: D starts with an idea she holds, that space farming is hard. Then it adds a demand she never makes.
Choose the answer
The author shows that space farming needs special tools, not Earth’s usual ways. So the answer is B, “Attempting to grow plants in space the same way they are grown on Earth would not result in success.”
Why this answer and not the closest wrong one
D is the closest wrong answer. Its first half fits the author: growing plants in space takes complex tools. But its second half says more research on Earth must come first. The article shows the opposite: NASA has grown plants in space for years. B sticks to what her words show.
More questions like this
The original DOE question

The passage “Excerpt from “Growing Peppers on the ISS Is Just the Start of Space Farming”” as printed (pages 50–51)


Question 3 of 6
2018 Test B English, question 16Passage Excerpt from A Voice in the Wilderness
Excerpt from A Voice in the Wilderness
by Grace Livingston Hill
With a lurch the train came to a dead stop and Margaret Earle, hastily gathering up her belongings, hurried down the aisle and got out into the night.
It occurred to her, as she swung her heavy suit-case down the rather long step to the ground, and then carefully swung herself after it, that it was strange that neither conductor, brakeman, nor porter had come to help her off the train, when all three had taken the trouble to tell her that hers was the next station; but she could hear voices up ahead. Perhaps something was the matter with the engine that detained them and they had forgotten her for the moment.
The ground was rough where she stood, and there seemed no sign of a platform. Did they not have platforms in this wild Western land, or was the train so long that her car had stopped before reaching it?
She strained her eyes into the darkness, and tried to make out things from the two or three specks of light that danced about like fireflies in the distance. She could dimly see moving figures away up near the engine, and each one evidently carried a lantern. The train was tremendously long. A sudden feeling of isolation took possession of her. Perhaps she ought not to have got out until some one came to help her. Perhaps the train had not pulled into the station yet and she ought to get back on it and wait. Yet if the train started before she found the conductor she might be carried on somewhere and he justly blame her for a fool.
There did not seem to be any building on that side of the track. It was probably on the other, but she was standing too near the cars to see over. She tried to move back to look, but the ground sloped and she slipped and fell in the cinders, bruising her knee and cutting her wrist.
In sudden panic she arose. She would get back into the train, no matter what the consequences. They had no right to put her out here, away off from the station, at night, in a strange country. If the train started before she could find the conductor she would tell him that he must back it up again and let her off. He certainly could not expect her to get out like this.
She lifted the heavy suit-case up the high step that was even farther from the ground than it had been when she came down, because her fall had loosened some of the earth and caused it to slide away from the track. Then, reaching to the rail of the step, she tried to pull herself up, but as she did so the engine gave a long snort and the whole train, as if it were in league against her, lurched forward crazily, shaking off her hold. She slipped to her knees again, the suit-case, toppled from the lower step, descending upon her, and together they slid and rolled down the short bank, while the train . . . ran giddily off into the night.
The horror of being deserted helped the girl to rise in spite of bruises and shock. She lifted imploring hands to the unresponsive cars as they hurried by her—one, two, three, with bright windows, each showing a passenger, comfortable and safe inside, unconscious of her need.
A moment of useless screaming, running, trying to attract some one’s attention, a sickening sense of terror and failure, and the last car slatted itself past with a mocking clatter, as if it enjoyed her discomfort.
Margaret stood dazed, reaching out helpless hands, then dropped them at her sides and gazed after the fast-retreating train, the light on its last car swinging tauntingly, blinking now and then with a leer in its eye, rapidly vanishing from her sight into the depth of the night.
She gasped and looked about her for the station that but a short moment before had been so real to her mind; and, lo! on this side and on that there was none!
The night was wide like a great floor shut in by a low, vast dome of curving blue set with the largest, most wonderful stars she had ever seen. Heavy shadows of purple-green, smoke-like, hovered over earth darker and more intense than the unfathomable blue of the night sky. It seemed like the secret nesting-place of mysteries wherein no human foot might dare intrude. It was incredible that such could be but common sage-brush, sand, and greasewood wrapped about with the beauty of the lonely night.
No building broke the inky outlines of the plain, nor friendly light streamed out to cheer her heart. Not even a tree was in sight, except on the far horizon, where a heavy line of deeper darkness might mean a forest. Nothing, absolutely nothing, in the blue, deep, starry dome above and the bluer darkness of the earth below save one sharp shaft ahead like a black mast throwing out a dark arm across the track.
As soon as she sighted it she picked up her baggage and made her painful way toward it, for her knees and wrist were bruised and her baggage was heavy.
A soft drip, drip greeted her as she drew nearer; something plashing down among the cinders by the track. Then she saw the tall column with its arm outstretched, and looming darker among the sage-brush the outlines of a water-tank. It was so she recognized the engine’s drinking-tank, and knew that she had mistaken a pause to water the engine for a regular stop at a station.
cinders: track bed made from the residue of burnt coal
From A VOICE IN THE WILDERNESS by Grace Livingston Hill—Public Domain
Question
In paragraph 2, how does the phrase “when all three had taken the trouble to tell her” affect the tone in the first part of the excerpt?
- AIt creates an accusatory tone by suggesting that Margaret believes that others are responsible for her problem.
- BIt introduces a defiant tone by suggesting that Margaret left the train early to prove a point.
- CIt suggests a frustrated tone by showing that Margaret feels confused by the inconsistent help offered by the railroad employees.
- DIt establishes an appreciative tone by showing that Margaret feels cared for by the railroad employees.
Show the answer
Correct answer: C
The question asks how the phrase affects the tone in the first part of the excerpt. The phrase includes the words “all three” and “taken the trouble,” emphasizing Margaret’s early frustration as she recalls with some confused irritation that the men thought she needed an abundance of help earlier, but none of them is around to help when the train stops, as indicated in Option C.
Option A is incorrect because when Margaret recalls the interaction, there is no indication that she blames the men for her current problem.
Option B is incorrect because, while the description of how Margaret “hastily [gathers] up her belongings” and “[hurries] down the aisle” (paragraph 1) gives the appearance of being defiant, there is no evidence that she intentionally put herself in this vulnerable position just to make a point.
Option D is incorrect because when Margaret recalls the interaction, there is no evidence that she appreciates the care shown to her, but rather she seems a bit offended that the men do not think she could take care of herself, as shown by the author’s description of the forceful way she exits the train without assistance when it stops.
Question analysis
This tone question looks at a phrase from the opening of Grace Livingston Hill’s novel A Voice in the Wilderness, as Margaret Earle steps off a train at night. Students decide what attitude the phrase about the three railroad men creates. The wording is low-key and old-fashioned, which makes the attitude behind it easy to misjudge.
- Grade level
- Grade 8 reading and task
- Compared with grade 7
- Above grade 7 Grade 7 tone questions usually rest on clearly charged words; this one hinges on an understated phrase in century-old prose. Students must read how Margaret feels about the trainmen from context, without help from any strongly worded clue.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- A very close wrong answer major
- Complex sentences moderate
- Reading between the lines moderate
- Hard words minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 8, 981 words; question and choices: about grade 10, 96 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The phrase is understated, and old-fashioned wording hides how Margaret feels. Students who sense criticism of the trainmen often push it too far into blame, which she does not reach until paragraph 6, while those who take “taken the trouble” at face value hear gratitude. The question rewards reading the whole sentence: “it was strange” and her quick excuse about engine trouble show puzzlement and mild irritation, not accusation.
A very close wrong answer major Choosing the answer
The accusatory choice and the frustrated choice both find a negative attitude toward the railroad employees; only the degree separates them, since Margaret calls their absence “strange” and excuses it rather than blaming them. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)
Complex sentences moderate Understanding the question
The phrase sits deep inside a 66-word sentence that opens with her swinging the suit-case down and closes with voices up ahead, so its contrast is easy to lose. (Abedi & Lord, 2001; Freedle & Kostin, 1993; Messick, 1989)
Reading between the lines moderate Working it out
Margaret never says she is annoyed; the feeling comes from the contrast between “all three had taken the trouble to tell her” and none of them coming to help. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Hard words minor Understanding the question
Each choice turns on a tone word, “accusatory,” “defiant,” “frustrated,” “appreciative,” and students unsure of these labels cannot match them to the scene. (Perfetti, 2007; Freedle & Kostin, 1993)
Strategy: Reread the full sentence the phrase sits in, ask how Margaret feels about the three men at this moment, and match both the feeling and its reason to a choice.
Traps
- Too broad or too strong: A choice overstates, generalizes, or uses absolute words the text does not support.
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
The wrong answers, classified
A Too broad or too strong (King et al., 2004)
Rightly hears criticism of the three trainmen but inflates puzzlement into blame; she even excuses them with possible engine trouble, and only in paragraph 6 thinks “They had no right.”
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Builds a story of defiance from her hasty exit in paragraph 1, though nothing suggests she left the train early to prove anything to anyone.
D Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Takes “taken the trouble” as gratitude for the men’s care, reading the phrase on its own and missing the sentence’s point that none of them came to help.
Working it out, step by step
Figure out what the question asks
This asks about tone: the feeling or attitude that the words give. What does one phrase show about how Margaret feels toward the train workers?
Read the whole sentence
In paragraph 2, Margaret thinks “it was strange that neither conductor, brakeman, nor porter had come to help her off the train, when all three had taken the trouble to tell her that hers was the next station.”
Work out the feeling
A conductor, a brakeman and a porter are train workers. To take the trouble means to make an effort. All three made an effort to tell her about her stop. But now none of them comes to help. That doesn’t add up, and she calls it “strange.” She feels puzzled and a bit annoyed. That is frustration.
She even makes excuses for them: “Perhaps something was the matter with the engine.” So she is not blaming them.
Check each choice
- A is wrong. “Accusatory” means blaming. Margaret makes excuses for the workers instead.
- B is wrong. “Defiant” means boldly refusing to obey. Nothing shows she left the train to prove a point.
- C is right. The workers were helpful at first and then vanished. She is confused and frustrated.
- D is wrong. “Appreciative” means thankful. The point is that nobody came to help.
Watch out: A is tempting because she does find the workers’ absence odd. But odd is not the same as their fault.
Choose the answer
The phrase shows Margaret puzzled by help that came and then disappeared. So the answer is C.
Why this answer and not the closest wrong one
A is the closest wrong answer, because both A and C find something negative in her thoughts. But A goes too far. Margaret does not blame the workers. She guesses they “had forgotten her for the moment.” She is puzzled, not accusing, as C says.
More questions like this
The original DOE question

The passage “Excerpt from A Voice in the Wilderness” as printed (pages 128–129)


Question 4 of 6
2018 Test A Math, question 1Question

In the figure above, PQRS is a parallelogram. What is the value of ?
Grid-in question: work out the answer and enter it as a number.
Show the answer
Correct answer: 162
First, find the measure of angle PQR. The measure of angle PQR is equal to the measure of angle PSR.
m∠PSR = 180 − 72 = 108.
So, the measure of angle PQR is also 108.
108 + 90 + x = 360
198 + x = 360
x = 162
Question analysis
A grid-in geometry question about angles around a parallelogram PQRS. A 72° angle sits outside corner S on the extended base, and at corner Q a right angle and the unknown angle x complete the turn around the point. Students chain three angle facts, and the angle asked for lies outside the shape, not inside it.
- NYS standards
- Grade level
- Grade 8 content, by NYS standard
- Compared with grade 7
- Above grade 7 Grade 7 angle work usually applies one or two facts, such as supplementary or vertical angles, to find an angle. This chains three, and needs the equal opposite angles of a parallelogram, which rest on grade 8 parallel-line facts.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly apply
- What makes it hard
- Reading a figure, table or graph major
- Combines ideas moderate
- An answer in an unexpected form minor
- Solution
- 3 steps
- Reading level
- Question and choices: about grade 7, 14 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The arithmetic is two subtractions; the difficulty is seeing which angles the marks refer to. Students lose points by treating the 72° as the parallelogram's own angle at S, or by stopping at angle PQR, the most natural number to grid. The question rewards tracing a route from S to Q before computing anything, and checking at the end that x is the angle outside the shape that the arc marks.
Reading a figure, table or graph major Understanding the question
The 72° is marked outside the parallelogram, between side SR and the base extended past S, and x sits outside corner Q, between QP and a vertical ray that meets QR at a right-angle mark. (Lesh, Post & Behr, 1987; Kirsch & Mosenthal, 1990)
Combines ideas moderate Working it out
Three angle facts have to be chained: a straight line gives the angle inside S, opposite angles of a parallelogram carry it to Q, and the angles around Q make a full 360° turn. (Embretson, 1998; Daniel & Embretson, 2010)
An answer in an unexpected form minor Choosing the answer
As a grid-in there are no choices to check against, so a student who stops at angle PQR, inside the parallelogram, gets no signal that the job is unfinished. (Enright, Morley & Sheehan, 2002)
Strategy: Use the straight line at S to find the parallelogram's angle there, carry it to the opposite corner Q, then take that angle and the right angle away from 360.
Traps
- Stops one step early: A choice is a number from partway through the solution.
The wrong answers, classified
108 Stops one step early (King et al., 2004; Gierl et al., 2017)
Finds angle PSR = 180 − 72 = 108 and carries it to angle PQR, then grids that interior angle instead of the angle x outside it.
198 Misreads the figure (Lesh, Post & Behr, 1987; Kirsch & Mosenthal, 1990)
Reads the 72° as the parallelogram's interior angle at S, so takes angle PQR as 72 and grids 360 − 90 − 72 = 198.
252 Misreads the figure (Lesh, Post & Behr, 1987; Kirsch & Mosenthal, 1990)
Overlooks the right-angle mark at Q and subtracts only the 108° angle PQR from 360, giving 252.
Worked solution, step by step
Formulas used
- Angles on a straight line
- a and b are two angles side by side on a straight line. Together they make a half turn, so they always add up to 180 degrees. Use it when an angle you need shares a straight line with an angle you know.
- Opposite angles of a parallelogram
- The symbol ∠ means angle. ∠PQR is the angle at corner Q, between sides QP and QR. ∠PSR is the angle at the opposite corner, S. In a parallelogram, opposite corners always have equal angles, because the shape leans the same way at both.
- Angles around a point
- a, b and c are angles that fit around one point with no gaps and no overlaps. Going all the way around is a full turn, which is 360 degrees. So the angles add up to 360.
Sort out what the figure shows
PQRS is a parallelogram. That is a four-sided shape whose opposite sides are parallel, which means they never meet. You need the value of x, in degrees.
Look closely at the marks. The 72° angle is outside the shape, at S. It sits between side SR and the base line, which keeps going past S. At Q, a vertical line meets side QR. The small square means a right angle, 90°. The angle x is outside the shape too. It runs from that vertical line around to side QP.
Find the angle inside corner S
Angle PSR is the shape’s own angle at S. It sits right next to the 72° angle, on the same straight base line. So the two angles add up to 180°.
So angle PSR is 108°. Watch out: 72° is not the inside angle at S. Using 72 as the inside angle leads to the wrong answer 198.
Carry the angle over to Q
Corners Q and S are opposite each other. In a parallelogram, opposite angles are equal. So angle PQR matches angle PSR.
So angle PQR is 108°. Watch out: this is not x. Angle PQR is inside the shape, and x is outside it. Stopping here and gridding 108 is the most common mistake.
Add the angles around Q
Three angles fill the space all the way around point Q. They are the right angle (90°), angle PQR (108°) and x. Together they make a full turn.
Watch out: don’t skip the right angle at Q. Leaving out the 90 gives 252.
Solve for x
Subtract 198 from 360 to find what is left for x.
So x is 162°. So you would grid 162.
Check your answer
Add the three angles at Q: . That is a full turn. Also, the arc for x is wider than a right angle but not as wide as a straight line. So x should be between 90° and 180°, and 162° is.
More questions like this
The original DOE question

Question 5 of 6
2024 Test B Math, question 49Question
Suppose that w, x, y, and z are integers, none of which are zero. Under which set of conditions would the product always be positive?
- Ax is positive and w is positive.
- Bx is negative and w is negative.
- Cy is negative and z is negative.
- Dx and y are negative, and z and w are positive.
Show the answer
Correct answer: C
First, analyze the role of each variable in the expression .
will always be a positive number.
y can be a positive or a negative number.
can be a positive or a negative number.
will always be a positive number.
The expressions and will always be positive. Therefore, making the values of y and z negative would result in the expression being positive, since a negative multiplied by a negative is positive. Thus the given product would always be positive.
Question analysis
Four nonzero integers appear in a product that includes a square, a cube and an absolute value. Students choose the set of conditions that makes the product positive every time. It tests the sign rules for multiplication together with exponents and absolute value, and the trap is judging the sign by counting negative variables without looking at what is done to each.
- NYS standards
- Grade level
- Grade 7 content, by NYS standard
- Compared with grade 7
- Above grade 7 Grade 7 students learn sign rules for products of signed numbers. Here they must reason about four unknown integers under an even power, an odd power and an absolute value, and decide what is always true, which is more abstract than typical grade 7 work.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly analyze
- What makes it hard
- Variables instead of numbers moderate
- Every choice must be checked moderate
- Something you must already know minor
- Solution
- 3 steps
- Reading level
- Question and choices: about grade 6, 58 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
One insight decides the question: x² and |w| are positive whatever x and w are, so only the signs of y and z³ matter. Students who count negative letters instead of negative factors pick conditions that look balanced but leave y as the only negative factor. Students who test a single set of values can be fooled by a choice that leaves y and z unspecified.
Variables instead of numbers moderate Understanding the question
There are four variables and no numbers, and always positive must hold for every allowed value, so one test case can rule a choice out but never confirm it. (Koedinger & Nathan, 2004; Enright, Morley & Sheehan, 2002)
Every choice must be checked moderate Choosing the answer
Each set of conditions has to be checked against all four factors; the first two fix only x and w and leave y and z free to make the product negative. (Embretson & Wetzel, 1987)
Something you must already know minor Working it out
Students must know that a nonzero square and an absolute value are always positive, while an odd power such as z³ keeps the sign of z. (Anderson & Krathwohl, 2001)
Strategy: Work out, factor by factor, which signs each part of the product can take, then test each set of conditions against every factor rather than counting negatives.
Traps
- Negatives and direction: Arithmetic with negative numbers, the order of a subtraction, or direction on a number line. (Moving a term across the equals sign without changing its sign is a faulty procedure.)
- Misunderstands the concept: A wrong belief about a concept: that percents can be added, that area grows like length, that averages can be averaged, that a bigger denominator means a bigger fraction.
The wrong answers, classified
A Checks only one number (Schoenfeld, 1985)
Tests the choice with every variable positive, so the product is positive and it seems to work; y = −1 with z = 1 would make it negative.
B Misunderstands the concept (Smith, diSessa & Roschelle, 1993; De Bock et al., 1998; Ni & Zhou, 2005)
Pairs the negatives x and w as if they must cancel, not seeing that x² and |w| are positive anyway, so y and z still decide.
D Negatives and direction (Brown & Burton, 1978)
Counts two negative letters, x and y, as an even number of negatives, but x² is positive, so y is the only negative factor.
Worked solution, step by step
Formulas used
- Signs in multiplication
- a and b are positive numbers, so −a and −b are negative. A negative times a negative is positive. A negative times a positive is negative. So a product is positive when it has an even number of negative factors.
Sort out the question
w, x, y and z are integers, meaning whole numbers or their negatives. None of them is 0. The product means .
You need the conditions that make the product positive every time, for every number that fits them.
Look at x squared and |w|
means x × x. Two positives or two negatives multiply to a positive. So is always positive.
is the absolute value of w, its distance from 0. It is always positive, since w is not 0.
So x and w never change the sign of the product. Their signs do not matter.
Look at y and z cubed
y can be positive or negative. means z × z × z, and it has the same sign as z. For example, .
So the sign of the whole product is the sign of . It depends only on y and z.
Test each choice
- A and B say nothing about y and z. If y = −1 and z = 1, the product is negative. So they do not always work.
- C: y is negative, and is negative. A negative times a negative is positive. This always works.
- D: y is negative and z is positive. So the product is always negative.
Watch out: D has two negative letters, x and y. But is positive anyway, so y is the only negative factor.
So the answer is C, y is negative and z is negative.
Check your answer
Try numbers for C. Let x = −2, y = −3, z = −1 and w = −5. Then , which is positive. Even with x and w negative, the product stays positive.
More questions like this
The original DOE question

Question 6 of 6
2018 Test A Math, question 44Question
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On the number line above, points , , , and are integers, and . What is the value of ?
- A8
- B11
- C12
- D18
Show the answer
Correct answer: C
Convert the ratios into fractions of . Use the sum of the ratios for the denominator.
The part of that is is the sum of those fractions:
Find the length of :
The value of is .
Question analysis
This number line question places integer points W, X, Y and Z on a line and gives the ratio of the segments WX, XY and YZ as 4 to 2 to 3. Students find the whole length from W to Z, split it by the ratio, and add the parts that make up WY. Mixing up a part with the whole is the main risk.
- Grade level
- Grade 7 content, by NYS standard
- Compared with grade 7
- Above grade 7 Grade 7 students find distances on a number line and use part-to-whole ratios, usually separately. This item joins them: a negative endpoint, a three-term ratio and a choice of which segments to combine.
- Estimated difficulty
- Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly apply
- What makes it hard
- Combines ideas moderate
- Reading a figure, table or graph moderate
- Many steps minor
- Solution
- 3 steps
- Reading level
- Question and choices: about grade 10, 21 words.
- Corrected from the DOE handbook
- Equations in the explanation that mixed up a fraction of a length with the length itself were corrected.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Each step is routine, but the question keeps asking for a different piece of the line: the whole WZ, the part WX, and finally WY, which is two parts added together. Two of the wrong choices are exactly those other pieces. Students who mark the actual positions, X at −2 and Y at 2, can check the ratio before answering.
Combines ideas moderate Working it out
A three-part ratio, 4:2:3, must be applied to a length found from a negative endpoint, 8 − (−10) = 18, joining ratio and number-line distance. (Embretson, 1998; Daniel & Embretson, 2010)
Reading a figure, table or graph moderate Understanding the question
Only W at −10 and Z at 8 are labeled, and the drawing is not to scale: Y is drawn nearer 5 than 2, so reading WY from the picture fails. (Lesh, Post & Behr, 1987; Kirsch & Mosenthal, 1990)
Many steps minor Working it out
Find WZ, split it into 9 equal parts of 2, then add the 4 parts of WX and the 2 parts of XY. (Daniel & Embretson, 2010; Enright, Morley & Sheehan, 2002)
Strategy: Find the length WZ from the endpoints on the number line, divide it by the total number of ratio parts, and multiply by the parts from W to Y.
Traps
- Stops one step early: A choice is a number from partway through the solution.
- Answers a different question: A choice is right for another quantity: the other unknown, the rest instead of the part, the part instead of the whole.
- Counting the ends: Inclusive or exclusive ends, fence posts, consecutive numbers: an answer that is one too many or too few, or an endpoint drawn open where it belongs closed (or the reverse).
The wrong answers, classified
A Stops one step early (King et al., 2004; Gierl et al., 2017)
Finds WX, 4/9 of 18 = 8, and stops without adding XY's 4 to reach Y; 8 also matches Z's label.
B Counting the ends (Brown & Burton, 1978)
Places Y at 2 but counts the integers strictly between −10 and 2, which are −9 through 1, getting 11 instead of the distance 12.
D Answers a different question (King et al., 2004; Hegarty, Mayer & Monk, 1995)
Gives the whole length WZ, 8 − (−10) = 18, instead of the part from W to Y.
What was corrected from the DOE handbook, and why
- Explanation: The handbook writes WX = 4/9, XY = 2/9 and WY = 2/3, and then says “The value of WY is 2/3(18) = 12”. Those fractions are parts of WZ, not the lengths themselves (WX is 8 and WY is 12), so WY cannot be both 2/3 and 12. The lines now read WX = 4/9 WZ, XY = 2/9 WZ and WY = 2/3 WZ. The method and the answer are unchanged.
Worked solution, step by step
Formulas used
- Distance on a number line
- d is the distance between two points. b is the point on the right and a is the point on the left. Subtracting left from right always gives a positive distance. It works even when a is negative.
- Size of one part of a ratio
- u is the size of one part. L is the whole length being shared. p is the total number of parts, found by adding the numbers in the ratio. Every part is the same size, so you share the length equally.
Sort out what you know
W is at −10 and Z is at 8. X and Y are between them. The ratio 4:2:3 means WX is 4 parts, XY is 2 parts and YZ is 3 parts. All the parts are the same size.
You need the length WY, from W to Y. The drawing is not exact, so use the numbers, not the picture.
Find the whole length WZ
WZ is 18 units long. Subtracting a negative number is the same as adding.
Find the size of one part
Add the ratio numbers to get the number of parts:
Share the 18 units equally among 9 parts:
Each part is 2 units long.
Find WY
WY is WX and XY together, so it has 4 + 2 = 6 parts:
Watch out: WX alone is 4 × 2 = 8, which is choice A. And 18 is the whole line, choice D. So the answer is C, 12.
Check your answer
Place the points. W is at −10. X is 8 units to the right, at −2. Y is 4 more, at 2. Z is 6 more, at 8, which matches its label. And the distance from −10 to 2 is 2 − (−10) = 12.
More questions like this
The original DOE question
