SHSAT Sunset

Six SHSAT Questions

3 English and 3 math

Here are 6 random questions to try. Takers earning below 75% are unlikely to receive an offer. You have 1 minute 48 seconds per question on the real exam.

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Question 1 of 6

2024 Test A English, question 20
Passage At Dusk

At Dusk

by Natasha Trethewey

At first I think she is calling a child,
my neighbor, leaning through her doorway
at dusk, street lamps just starting to hum
the backdrop of evening. Then I hear
the high-pitched wheedling1 we send out
to animals who know only sound, not
the meanings of our words—here here—
nor how they sometimes fall short.
In another yard, beyond my neighbor’s
sight, the cat lifts her ears, turns first
toward the voice, then back
to the constellation of fireflies flickering
near her head. It’s as if she can’t decide
whether to leap over the low hedge,
the neat row of flowers, and bound
onto the porch, into the steady circle
of light, or stay where she is: luminous
possibility—all that would keep her
away from home—flitting before her.
I listen as my neighbor’s voice trails off.
She’s given up calling for now, left me
to imagine her inside the house waiting,
perhaps in a chair in front of the TV,
or walking around, doing small tasks;
left me to wonder that I too might lift
my voice, sure of someone out there,
send it over the lines stitching here
to there, certain the sounds I make
are enough to call someone home.

“At Dusk” from NATIVE GUARD by Natasha Trethewey, published by Houghton Mifflin Company. Copyright © 2006 by Natasha Trethewey. All rights reserved.

1wheedling: speaking in a flattering manner

Question

The isolation of the words “—here here—” in line 7 contributes to the meaning of the poem mainly by

  • Ademonstrating how people try to communicate in familiar ways but are still sometimes misunderstood.
  • Bshowing how people can feel desperate to connect with others but give up quickly when their first attempts are ignored.
  • Cusing the unspoken bond between the neighbor and her cat to highlight the understanding people have with their pets.
  • Dillustrating the use of a simple expression to call home those who are loved and missed.
Show the answer

Correct answer: D

The question asks how the isolation of the words “—here here—” in line 7 mainly contributes to the meaning of the poem.

A. Incorrect. The words “—here here—” do interrupt the speaker’s observation in lines 7–8 that “our words . . . / . . . sometimes fall short.” However, in lines 5–7, the speaker observes that the neighbor accompanies her words with a “high-pitched wheedling” that people “send out” because they are aware that animals “know only sound, not / the meanings of our words,” indicating that the neighbor does not actually expect her words to be understood. The description of the cat’s response in lines 10–11 (“the cat lifts her ears, turns first / toward the voice, then back”) does not suggest that the neighbor’s message is misunderstood but rather suggests that the cat prefers not to respond to it.

B. Incorrect. In lines 20–21, the “neighbor’s voice trails off,” and she does give up calling the cat. However, rather than any desperation to connect, the neighbor’s use of a “high-pitched wheedling” (line 5) simply indicates her understanding that the cat, like other animals, understands “only sound, not / the meanings of our words” (lines 6–7) such as “here here.” Furthermore, the neighbor does not give up quickly. In lines 21–22, the speaker says the neighbor has “given up calling for now” but is still “waiting” for the cat.

C. Incorrect. In lines 4–7, the speaker describes the neighbor calling to the cat with a “high-pitched wheedling.” The sound may indicate a bond between the neighbor and the cat because the neighbor does understand that animals “know only sound, not / the meanings of our words” (lines 6–7). However, the use of the words “here here” in line 7 does not indicate that bond, because they are used as an example of the type of words that animals do not understand.

D. CORRECT. The speaker’s initial thought in line 1 that the neighbor is calling a child, rather than a cat, suggests that the neighbor loves and misses the cat. Lines 4–7 then present the speaker’s observation that the neighbor uses a “high-pitched wheedling,” to emphasize the simple words of her call, “—here here—.” The idea that the words are an example of a simple expression used to call home a missed loved one is reinforced in lines 25–29, when the speaker is “left . . . to wonder” whether the speaker, too, “might lift / [his or her] voice” and be able “to call someone home.”

Question analysis

This reading question asks how setting off the words here here with dashes in line 7 adds to the meaning of At Dusk, Natasha Trethewey's poem about a neighbor calling her cat at nightfall. Students must work out what two plain, isolated words contribute to the whole poem, choosing among four readings about how people and animals communicate and connect.

NYS standards
  • 7R5 structure and genre features
  • 7R4 word meaning and choice
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 students explain how a line adds to a poem, but here the feature is a tiny typographic choice, and its meaning has to be built from the whole poem rather than nearby lines, which goes beyond typical grade 7 work.
Estimated difficulty
Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
Evidence
Answered from the whole text
Reading level
Passage: 236 words (a poem; reading level not measured); question and choices: about grade 9, 87 words.
Corrected from the DOE handbook
  • A grammar slip in the explanation was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The words sit inside a sentence about animals not knowing the meanings of our words and about words that “sometimes fall short,” so the nearest lines point toward miscommunication. The poem's frame points elsewhere: it opens with a call that sounds like a parent's, ends with the speaker hoping a voice can “call someone home,” and even repeats “here” in line 27. Students who read only around line 7 choose the misunderstanding; those who connect the isolated call to the first and last lines see what it is for.

  1. A very close wrong answer major Choosing the answer

    The misunderstanding choice and the right one agree that “here here” is a familiar way of calling; they part only on what it shows, failed communication or a call home to someone missed. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. Evidence in several places moderate Working it out

    The right reading rests on lines far from line 7: the speaker's first guess that a child is being called, and the last line's wish “to call someone home.” (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  3. How, not what moderate Working it out

    The question asks what setting two words apart with dashes and italics does for the poem, a typographic choice whose purpose the poem never explains. (Anderson & Krathwohl, 2001)

Strategy: Ask what the two words are meant to do and whom they are aimed at, then keep the choice that the poem's other lines confirm.

Traps

  • Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: In rejecting choice C, the handbook reads “the use of the words “here here” in line 7 do not indicate that bond.” It now reads “does not,” to agree with “use.”

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    In line 7 the words here here are set apart by dashes and slanted letters (italics). The question asks what this does for the poem’s meaning. Think about what the words are for and who they are aimed at.

  2. Look at line 7

    Line 7 reads “the meanings of our words—here here—.” These are the words the neighbor calls to her cat. Setting them apart lets you hear them, as if spoken aloud. They are simple words that mean “come here.” Lines 6–7 say animals know “only sound, not / the meanings of our words.”

  3. Connect to the start and end

    In line 1 the speaker first thinks the neighbor “is calling a child.” So the call sounds like a parent calling someone they love. The poem ends with the hope that a voice can be “enough to call someone home” (line 29). So here here is a simple call to bring a loved one home.

  4. Check each choice

    • A is wrong. The cat isn’t confused. She “lifts her ears” and turns “toward the voice.” She just doesn’t come yet.
    • B is wrong. The neighbor isn’t shown as desperate. She stops only “for now,” and the speaker pictures her waiting inside.
    • C is wrong. Here here is spoken out loud. The poem treats it as words animals don’t understand, not a silent bond.
    • D is right. It is a simple call to someone loved and missed.

    Watch out: Line 8 says words “sometimes fall short,” which points toward A. But read the first and last lines too.

  5. Choose the answer

    The two words stand for the simple call people use to bring loved ones home. So the answer is D.

Why this answer and not the closest wrong one

A is the closest wrong answer, because line 8 says our words “sometimes fall short.” But the cat does hear the call and turn toward it. And the poem ends by hoping the sounds “are enough to call someone home.” D links the two words to that wish, and to the first guess that a child is being called.

More questions like this

The original DOE question
Question 20 as printed on page 49 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 49, question 20. Open page 49 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D). This is the DOE’s version, before the corrections listed in the analysis.
The passage “At Dusk” as printed (page 48)The passage “At Dusk” as printed on page 48 of the DOE handbook.

Question 2 of 6

2024 Test A English, question 38
Passage 5 Reasons Physical Books Might Be Better Than E-Books

5 Reasons Physical Books Might Be Better Than E-Books

by Shaunacy Ferro

Though e-book1 readers have become a more common sight around town, traditional books still have their evangelists.2 According to The New York Times, e-book sales have been falling in 2015. Print definitely isn’t dead. In fact, according to some research, it may actually be a better choice for some readers. While scientists are still trying to tease out exactly how digital reading affects us differently, here are five ways e-books might be inferior to their dead-tree cousins.

E-books can reduce reading comprehension.

In a study of middle schoolers, West Chester University researchers found that students who read on iPads3 had lower reading comprehension than when they read traditional printed books. They discovered that the kids sometimes skipped text in favor of interactive features in the e-books, suggesting that certain multimedia in children’s e-books can be detrimental to the practice of reading itself. However, the researchers noted that some interactive features in e-books are designed to enhance comprehension, and that those might be more helpful than game-type interactive graphics.

Young kids can get distracted by e-books.

Similar results were found by a small study by the Joan Ganz Cooney Center that consisted of 32 kids reading e-books and print books with their parents. It found that “enhanced” e-books might be distracting. Kids who read enhanced e-books—ones with interactive, multimedia experiences—were more engaged with them physically, but in the end they remembered fewer narrative details than those who read print books or basic e-books.

You remember less about a book’s timeline.

Another study of adults also found that e-books can be hard to absorb. The researchers asked 25 people to read a 28-page story on a Kindle4 and 25 to read the story in paperback, then asked the readers to put 14 events from the story in chronological order. Those who read the story on a Kindle performed worse on the chronology test than the book readers, though they performed about the same as print readers in other tests. Earlier research by the same scholars, from Stavanger University in Norway, found that Norwegian 10th graders also remembered more about texts if they read them in print rather than on a computer screen.

They’re not great as textbooks.

While e-book textbooks are often cheaper (and easier to carry) than traditional door-stop5 textbooks, college students often don’t prefer them. In some surveys of college kids, the majority of students have reported preferring print books. However, a 2012 study from the UK’s National Literacy Trust of kids ages 8 to 16 found that more than 50 percent of children reported preferring screen reading.

They’re tiring.

Staring at a lit screen can be tiring for the eyes and the brain. A 2005 study from Sweden found that reading digitally required a higher cognitive workload than reading on paper. Furthermore, staring at LED6 screens at night can disrupt sleep patterns. A 2014 Harvard study found that people who used e-readers with LED screens at night slept worse and were more tired the next day. So, if you’re going to go for an e-book, go for one without the backlight.

The take-away message? If you’re really trying to absorb material, you might want to go for a physical book. And if you’re going to be up all night studying, turn off the backlight.

However, all this may not mean that reading on a Kindle is really going to melt your brain. For instance, reading an e-book on a computer is a much different experience than reading on a Kindle, which is specifically designed for consuming books. So, too, is playing with an interactive e-book on an iPad, compared to using a simpler e-book device that only presents the text, with no opportunities to click away into digital distractions.

And some studies have found that part of the difference between the way people absorb information from e-books versus paper might be due to approaching e-books differently—in one test, participants didn’t regulate their study time with digital books like they did with paper texts, leading to worse performances. It’s possible that our expectations of e-book reading—as well as the different designs of the digital reading experience on a computer or iPad or Kindle—might affect how we approach the text and how much effort we put into studying them. As generations of e-book readers evolve, and people become more accustomed to the idea of sitting down with a digital textbook, these factors could change—for better or for worse.

“5 Reasons Physical Books Might Be Better Than E-Books” by Shaunacy Ferro from MENTAL FLOSS, October 2, 2015. Copyright © 2015 Mental Floss, Inc.

1e-book: an electronic book, a publication made available digitally for reading on a computer or other device

2evangelists: advocates or supporters

3iPads: tablet computers

4Kindle: device for reading e-books

5door-stop: a reference to the idea that some textbooks are large and heavy enough to hold a door open

6LED: Light-emitting diode; LEDs are often used as a backlight for electronic devices such as smart phones and tablets.

Question

How does paragraph 7 fit into the overall structure of the passage?

  • AIt indicates where the author changes the purpose of the writing.
  • BIt introduces the author’s opinion on the issue.
  • CIt signals a shift in the position of the author.
  • DIt begins the author’s commentary on the preceding information.
Show the answer

Correct answer: D

The question asks for an explanation of the role of paragraph 7 in the overall structure of the passage.

A. Incorrect. The purpose of paragraphs 2–6 is to present reasons physical books might be better than e-books, and paragraph 7 offers summarizing “take-away” advice based on those reasons. As a result, it may seem as though the author’s purpose for writing the entire passage has shifted. However, the author’s advice in paragraph 7, that readers who want to learn from reading “might want to go for a physical book,” makes it clear that paragraph 7, like paragraphs 2–6, continues to serve the same purpose for the passage that the writer expresses in paragraph 1: to inform readers that printed books “may actually be a better choice for some readers” than e-books.

B. Incorrect. In paragraph 7, the author does offer the advice that readers who want to absorb material “might want to go for a physical book” rather than an e-book. Even though the author makes the statement favoring physical books for those who want to learn from their reading, the author is not sharing a personal opinion. Instead, the author offers the advice as a summary of the information presented in paragraphs 2–6, which explore various studies about the advantages of physical books over e-books. Furthermore, the idea that physical books are sometimes a better option is not introduced for the first time in paragraph 7. Instead, it is introduced early in the passage, when the author states in paragraph 1 that physical books “may actually be a better choice for some readers.”

C. Incorrect. Paragraph 7 presents a clear shift in style and content from paragraphs 2–6. Paragraphs 2–6 are each preceded by a heading stating a reason physical books might be a better choice than e-books, and each paragraph provides research evidence. Paragraph 7 shifts to stating a “take-away message”—the author’s advice—which is based on the reasons in paragraphs 2–6. Paragraph 7’s different style and content do not, however, signal a change in the author’s position. Instead, the author’s advice in paragraph 7 (“if you’re really trying to absorb material, you might want to go for a physical book”) actually reinforces the position first introduced in paragraph 1 that physical books “may actually be a better choice for some readers.”

D. CORRECT. The author uses paragraphs 2–6 to present “five ways e-books might be inferior” (paragraph 1) to physical books. Each of paragraphs 2–6 presents one reason for the inferiority of e-books, based on a scientific study. Paragraph 7 indicates a shift because it describes neither a reason e-books might be inferior nor a scientific study. Instead, it presents personal commentary: the “take-away,” or conclusion, the author draws from the studies and evidence presented in paragraphs 2–6. That commentary consists of the author’s own practical advice to readers who want to retain information that they read (“you might want to go for a physical book”) and to those who are “going to be up all night studying” (“turn off the backlight”).

Question analysis

This text-structure question asks how paragraph 7, a two-sentence paragraph that follows the five research sections, fits into the overall structure of an article arguing that printed books might be better than e-books. Students must compare it with the opening claim and the paragraphs around it, and the four choices use similar abstract wording about the author's purpose, opinion and position.

NYS standards
  • 7R5 structure and genre features
  • 7R6 point of view and author position
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 students analyze how sections contribute to a text, but here all four choices are abstract statements about the author's purpose and position, and telling them apart means tracking the argument from the first paragraph to the last.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from the whole text
Reading level
Passage: about grade 10, 829 words; question and choices: about grade 8, 49 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

All four choices are abstract claims about the author's purpose and position, so none can be checked against a single sentence. Paragraph 7 does feel like a turn, from studies to advice, which makes the choices about a changed purpose or position tempting, but the advice repeats the view the first paragraph set out. The real hedge comes one paragraph later, and the closest call is whether paragraph 7 introduces a view or comments on evidence already given.

  1. A very close wrong answer major Choosing the answer

    The right choice and the one saying paragraph 7 introduces the author's opinion both find the author's own voice there; they part on whether that view is new, and paragraph 1 already said print “may actually be a better choice”. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. How, not what moderate Working it out

    The question asks what paragraph 7 does in the article, a short take-away after five research sections, so its advice about physical books and backlights matters only for its role. (Anderson & Krathwohl, 2001)

  3. Evidence in several places minor Working it out

    Judging the claims of a shift or a change needs both ends of the article, the stance of paragraph 1 and the “However” that opens paragraph 8. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

Strategy: Compare what paragraph 7 does with what paragraphs 1–6 do: where was the author's view first stated, and what is new in paragraph 7? Then match that role to a choice.

Traps

  • Wrong part of the text: A choice is true of another paragraph, stanza or speaker than the one asked about.
  • Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Know what the question asks

    This asks about the structure of the passage, which means how its parts fit together. You need to name the job paragraph 7 does compared with the paragraphs around it.

  2. Map the passage first

    Paragraph 1 states the author’s view: print “may actually be a better choice for some readers.” Paragraphs 2 through 6 each sit under a bold heading. Each one reports research on one way e-books might be worse than print.

  3. Read paragraph 7

    It begins, “The take-away message?” A take-away is the lesson you carry away. Then the author advises, “If you’re really trying to absorb material, you might want to go for a physical book.” The author also says to “turn off the backlight” when studying late. Both tips come from the studies just before. So paragraph 7 is the author commenting on that evidence.

  4. Check each choice

    • D fits: it “begins the author’s commentary on the preceding information,” and preceding means coming before.
    • A is wrong because the purpose doesn’t change, since the advice still shows print may be better.
    • B is wrong because the author’s opinion first appears in paragraph 1, not paragraph 7.
    • C is wrong because the author softens the view only later, in paragraph 8, with “all this may not mean.”

    Watch out: B is tempting because paragraph 7 really is the author’s own voice. But it is not the first time you hear it.

  5. Choose the answer

    Paragraph 7 turns the research in the five sections into advice, which is commentary on what came before. So the answer is D.

Why this answer and not the closest wrong one

B comes closest, since paragraph 7 really is the author speaking. But the author’s view already appeared in paragraph 1. Paragraph 7 doesn’t introduce it. It sums up the research before it and turns that research into advice. That is commentary on the preceding information, as D says.

More questions like this

The original DOE question
Question 38 as printed on page 61 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 61, question 38. Open page 61 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D).
The passage “5 Reasons Physical Books Might Be Better Than E-Books” as printed (pages 58–59)The passage “5 Reasons Physical Books Might Be Better Than E-Books” as printed on page 58 of the DOE handbook.The passage “5 Reasons Physical Books Might Be Better Than E-Books” as printed on page 59 of the DOE handbook.

Question 3 of 6

2024 Test A English, question 46
Passage Excerpt from The Highest Tide

Excerpt from The Highest Tide

by Jim Lynch

The narrator’s summer job is collecting marine specimens in Puget Sound, Washington. In this excerpt, he is looking for specimens in the mudflats before daybreak. Mudflats, or flats, are coastal landforms created when sediment and silt from tides are deposited as the tides recede.

I rounded the oyster beds, to the far side. . . . It was low tide by then, and I saw the water hesitating at its apex, neither leaving nor returning, patiently waiting for the gravitational gears to shift. Dozens of anxious clams started squirting in unison like they did whenever vibrating grains of sand warned them predators were approaching. I stopped and waited with them, to actually see the moment when the tide started returning with its invisible buffet of plankton for the clams, oysters, mussels and other filter feeders. It was right then, ankle deep in the Sound, feet numbing, eyes relaxed, that I saw the nudibranch.1

In all my time on the flats I’d never seen one before. I’d read about them, sure. I’d handled them at aquariums but never in the wild, and I’d never even seen a photo of one this stunning. It was just three inches long but with dozens of fluorescent, orange-tipped hornlike plumes jutting from the back of its see-through body that appeared to be lit from within.

Nudibranchs are often called the butterflies of the sea, but even that understates their dazzle. Almost everything else in the northern Pacific is dressed to blend with pale surroundings. Nudibranchs don’t bother, in part because they taste so lousy they don’t need camouflage to survive. But also, I decided right then, because their beauty is so startling it earns them a free pass, the same way everyday life brakes for peacocks, parade floats. . . .

The dark mudflats loomed like wet, flattened dunes stretching deep into Skookumchuck Bay in front of our house. From a distance, they looked too barren to support sea life. Up close, they still did, unless you knew where to find the hearty clams, worms and tiny creatures that flourish in mud. . . . I’m not sure why I decided to take a look. It was still an hour before sunrise, and I knew exactly what the bars2 looked like in the moonlight, but for some reason, I couldn’t resist.

I heard it long before I saw it. It was an exhale, a release of sorts, and I instantly wondered if a whale was stranded again. We had a young minke3 stuck out there two summers prior, and it made similar noises until the tide rose high enough for rescuers to help free it. . . . I looked for a hulking silhouette but couldn’t find one. I waited, but there were no more sounds. Still, I went toward what I thought I’d heard, avoiding stepping into the mud until I had to. I knew the flats well enough to know I could get stuck just about anywhere. The general rule was you didn’t venture out past the shells and gravel with an incoming tide. I sank up to my knees twice, and numbing water filled my boots.

. . . I kept stepping toward the one sound I’d heard, a growing part of me hoping I’d find nothing at all. When I stopped to rest and yank up my socks, my headlamp crossed it. My first thought? A giant octopus.

Puget Sound has some of the biggest octopi in the world. They often balloon to a hundred pounds. Even the great Jacques Cousteau4 himself came to study them. But when I saw the long tubular shape of its upper body and the tangle of tentacles below it, I knew it was more than an octopus. I came closer, within fifty feet, close enough to see its large cylindrical siphon5 quiver. I couldn’t tell if it was making any sounds at that point, because it was impossible to hear anything over the blood in my ears. . . .

The creature’s body came to a triangular point above narrow fins that lay flat on the mud like wings, but it was hard to be sure exactly where it all began or ended, or how long its tentacles truly were, because I was afraid to pry my eyes off its jumble of arms for more than half a second. I didn’t know whether I was within reach, and its arms were as big around as my ankle and lined with suckers the size of half-dollars. If they even twitched I would have run. So, I was looking at it and not looking at it while my heart spangled my vision. I saw fragments, pieces, and tried to fuse them in my mind but couldn’t be certain of the whole. I knew what it had to be, but I wouldn’t allow myself to even think the two words. Then I gradually realized the dark shiny disc in the middle of the rubbery mass was too perfectly round to be mud or a reflection.

It was too late to smother my scream. Its eye was the size of a hubcap.6

From THE HIGHEST TIDE by Jim Lynch. Copyright © 2005 by Jim Lynch. Used by permission of Bloomsbury USA. All rights reserved.

1nudibranch: type of sea slug

2bars: sandbars

3minke: species of small whale

4Jacques Cousteau: renowned French oceanographer

5siphon: tube-like organ that is used for drawing in or removing fluids

6hubcap: removable cap over the end of a wheel axle

Question

How does the setting affect the plot of the excerpt?

  • AThe darkness of the mudflats before sunrise causes the narrator to pay close attention to his surroundings.
  • BThe rugged terrain of the mudflats makes it more difficult for the narrator to do his job.
  • CThe slow return of the tide along the mudflats forces the narrator to be patient during his journey.
  • DThe barren appearance of the mudflats creates a sense of mystery that unsettles the narrator.
Show the answer

Correct answer: A

The question asks how the setting affects the plot of the excerpt.

A. CORRECT. In paragraph 4, the narrator says that it is an hour before sunrise. It is difficult to see because the mudflats are dark, so the narrator, while familiar with the terrain of the mudflats, is cautious.

B. Incorrect. While the terrain of the mudflats is challenging because of the “wet, flattened dunes” (paragraph 4), the narrator is familiar with the terrain and moves carefully. In addition, the excerpt focuses on the narrator’s curiosity and enjoyment as he explores the mudflats, not on his work collecting specimens.

C. Incorrect. In paragraph 1, the narrator watches the water “hesitating at its apex” and “patiently waiting for the gravitational gears to shift.” This illustrates that the narrator is already familiar with the changes in his surroundings, that the tide is slow to move in, and that he can move carefully through the mudflats without the threat of rising water.

D. Incorrect. While the narrator is on the mudflats for the entire excerpt, the phrase “eyes relaxed” in paragraph 1 indicates that the narrator feels comfortable there. The narrator does not show fear until paragraph 6, when a growing fear about the unknown creature arises.

Question analysis

Set on the mudflats of Puget Sound before daybreak, this excerpt from the novel The Highest Tide is the basis for a question about how setting affects plot. Students must link features of the place and time to what the narrator does across the whole excerpt, and each choice pairs a real feature of the setting with an effect that may or may not be in the text.

NYS standards
  • 7R3 plot elements and ideas
  • 7R1 textual evidence and inferences
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Analyzing how setting shapes plot is a grade 7 literary standard, but the excerpt never states the link: the effect must be inferred from scattered details, and every choice names a genuine feature of the flats, which is beyond typical work.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Evidence
Answered from the whole text
Reading level
Passage: about grade 6, 902 words; question and choices: about grade 8, 77 words.
Corrected from the DOE handbook
  • A statement in the explanation that contradicted the excerpt’s introduction was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Every choice names a real feature of the mudflats, so the question turns on which feature the excerpt actually shows shaping events. The darkness never gets a sentence of its own; it is felt in a sound heard before anything is seen, a silhouette that cannot be found and a headlamp beam. The barren look of the flats is the strongest pull, because the scene is eerie, but the narrator knows life hides in the mud and his unease comes from the creature.

  1. Reading between the lines major Working it out

    The excerpt never says the darkness changes anything; the effect must be assembled from the hour before sunrise, the sound heard “long before I saw it”, the missing silhouette and the headlamp that finally finds the creature. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)

  2. The right answer is reworded moderate Choosing the answer

    The right choice uses no words from the text, while the wrong ones echo it: the “barren” look of the flats, the water “patiently waiting”, the narrator's summer job. (Freedle & Kostin, 1993; Kirsch & Mosenthal, 1990)

  3. Evidence in several places moderate Working it out

    The darkness is established in paragraph 4 and felt in paragraphs 5, 6 and 8, so no single passage shows the setting at work. (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

Strategy: Collect the details of time, place and conditions across the excerpt, then for each choice ask whether the text shows that feature of the setting actually changing what the narrator does.

Traps

  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: In rejecting choice B, the handbook says “the excerpt shows that the narrator explores the mudflats for curiosity and enjoyment, not work.” But the introduction says the narrator’s summer job is collecting marine specimens and that “in this excerpt, he is looking for specimens in the mudflats before daybreak.” The explanation now says the excerpt focuses on his curiosity and enjoyment as he explores the mudflats, not on his work collecting specimens. That keeps the handbook’s point (the excerpt is not about the terrain making his job harder) without contradicting the introduction.

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Know what setting and plot mean

    The setting is where and when a story happens. The plot is the chain of events. This asks which part of the setting changes what happens or what the narrator does.

  2. Find the time of day

    Paragraph 4 says, “It was still an hour before sunrise.” The narrator is out on the mudflats in the dark. The only light comes from the moon and his headlamp.

  3. See how the dark shapes events

    Because it is dark, he must rely on sounds and small clues. He says, “I heard it long before I saw it.” He looks for “a hulking silhouette,” a dark outline, but can’t find one. He spots the creature only when “my headlamp crossed it.” Then he stares hard, trying to make out its shape. The darkness keeps him alert and watching closely.

  4. Check each choice

    • A fits: the dark makes him pay close attention to everything around him.
    • B is wrong because the excerpt follows a strange sound and never shows the ground making his job harder.
    • C is wrong because in paragraph 1 he chooses to stop and watch the tide, and nothing forces him.
    • D is wrong because he knows life hides in the mud, and what scares him is the creature.

    Watch out: D feels right because the scene is eerie. But the flats’ empty look never troubles him.

  5. Choose the answer

    The darkness before sunrise is what keeps the narrator listening and looking so carefully. So the answer is A.

Why this answer and not the closest wrong one

D comes closest, because the dark flats do feel spooky. But the narrator says they only look “too barren to support sea life” from far away, and he knows better. His fear comes from the creature. The darkness, though, shapes every step: he hears before he sees and must watch closely.

More questions like this

The original DOE question
Question 46 as printed on page 66 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 66, question 46. Open page 66 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D). This is the DOE’s version, before the corrections listed in the analysis.
The passage “Excerpt from The Highest Tide” as printed (pages 64–65)The passage “Excerpt from The Highest Tide” as printed on page 64 of the DOE handbook.The passage “Excerpt from The Highest Tide” as printed on page 65 of the DOE handbook.

Question 4 of 6

2026 Practice Test C Math, question 35

Question

If 4(a+2b)=28b+2a4(a + 2b) = 28b + 2a, what is the value of a in terms of b?

Enter your answer in the space provided. Enter only your answer.

On the test you build the answer on an on-screen keypad; here, type it. Use ^ for a power, sqrt( ) or √ for a root, pi for π, and <= or >= for ≤ and ≥.

Show the answer

Correct answer: a = 10b

To find the value of a in terms of b, solve 4(a+2b)=28b+2a4(a + 2b) = 28b + 2a for a. Begin by distributing 4 on the left side of the equation:

(4×a)+(4×2b)=28b+2a(4 \times a) + (4 \times 2b) = 28b + 2a

4a+8b=28b+2a4a + 8b = 28b + 2a

Then, get the a terms on one side and the b terms on the other:

4a−2a=28b−8b4a - 2a = 28b - 8b

Solve for the value of a in terms of b by combining like terms and then dividing each side by 2:

2a=20b2a = 20b

a=10ba = 10b

Question analysis

An algebra question gives an equation with a and b on both sides, one side written as 4 times a sum in parentheses, and students type a in terms of b after a printed "a =". It tests the distributive property and solving linear equations. The answer is typed, so a slip in distributing or moving terms is not caught by any choices.

NYS standards
  • 8.EE.7b linear equations with rational coefficients
  • 7.EE.1 linear expressions with rational coefficients
Grade level
Grade 8 content, by NYS standard
Compared with grade 7
Above grade 7 Grade 7 students solve equations like 4(x + 2) = 28 with numbers. This one has letters on both sides, needs the distributive property and like terms, and asks for a in terms of b, which is grade 8 algebra.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Solution
3 steps
Reading level
Question and choices: about grade 4, 23 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

Every step is routine, yet there are four of them, each with a classic slip, and the typed answer catches none. Multiplying the 4 into only the a, or carrying 8b across without changing its sign, gives another whole multiple of b that looks finished. Testing b = 1, where 4(a + 2) and 28 + 2a must come out equal, confirms an entry quickly.

  1. Variables instead of numbers moderate Understanding the question

    Both letters appear on both sides, and the answer must stay a multiple of b, so there is no number to check an entry against unless students invent one. (Koedinger & Nathan, 2004; Enright, Morley & Sheehan, 2002)

  2. Many steps moderate Working it out

    Four moves run in a chain, distributing the 4, gathering the a terms, gathering the b terms and dividing by 2, and an error at any one carries into the typed result. (Daniel & Embretson, 2010; Enright, Morley & Sheehan, 2002)

  3. An answer in an unexpected form minor Choosing the answer

    The answer is typed after a printed “a =”, with no choices, so 20b, the line before dividing by 2, can be entered without anything on screen questioning it. (Enright, Morley & Sheehan, 2002)

Strategy: Distribute the 4 to both terms in the parentheses, gather the a terms on one side and the b terms on the other, then divide by the coefficient of a.

Traps

  • A faulty procedure: A systematic but wrong procedure: adding fractions straight across, applying an exponent to each term of a sum, dropping a sign when moving a term.
  • Stops one step early: A choice is a number from partway through the solution.

The wrong answers, classified

How the questions are analyzed, and the research behind it

Worked solution, step by step

Formulas used

Distributive property
k(x+y)=kx+kyk(x + y) = kx + ky
k is the number outside the parentheses. x and y are the terms inside. The number outside multiplies every term inside, not just the first one. It works because 4 groups of (x + y) hold 4 x’s and 4 y’s.
Doing the same thing to both sides
if A=B, then A−C=B−C and A2=B2\text{if } A = B, \text{ then } A - C = B - C \text{ and } \frac{A}{2} = \frac{B}{2}
A and B are the two equal sides of an equation. C is any amount. Taking the same amount from both sides, or dividing both by the same number, keeps them equal, like a balanced scale.

  1. Sort out the question

    The equation is 4(a+2b)=28b+2a4(a + 2b) = 28b + 2a. You need a in terms of b. That means a alone on one side, with only b and numbers on the other.

    The answer box already shows a =, so you type only what comes after it.

  2. Multiply out the parentheses

    Use the distributive property. The 4 multiplies both terms inside:

    4×a+4×2b=28b+2a4 \times a + 4 \times 2b = 28b + 2a

    4a+8b=28b+2a4a + 8b = 28b + 2a

    Watch out: multiplying only the a by 4 gives 4a + 2b. That leads to the wrong answer 13b.

  3. Gather the a terms

    Like terms are terms with the same letter, such as 4a and 2a. Put the a terms on the left. Subtract 2a from both sides:

    4a−2a+8b=28b4a - 2a + 8b = 28b

    2a+8b=28b2a + 8b = 28b

  4. Gather the b terms

    Now subtract 8b from both sides:

    2a=28b−8b2a = 28b - 8b

    2a=20b2a = 20b

    Watch out: moving 8b without changing its sign gives 28b+8b=36b28b + 8b = 36b. That leads to 18b, which is wrong.

  5. Divide both sides by 2

    2a means 2 times a. Divide both sides by 2 to get a alone:

    a=20b2=10ba = \frac{20b}{2} = 10b

    Watch out: 20b is equal to 2a, not a. Do not stop there.

  6. Enter it after the printed a =

    On the test, the box already shows a =. Press 1, then 0, then the b key. You do not need a times sign. Do not type a = again. On this site, type 10b in the box.

    So you would enter 10b, which makes a = 10b.

Check your answer

Pick b = 1, so a = 10. The left side is 4(10+2)=4×12=484(10 + 2) = 4 \times 12 = 48. The right side is 28+2×10=4828 + 2 \times 10 = 48. The sides match, so 10b works.

More questions like this

The original DOE question
Question 35 as shown on the DOE’s digital test, page 108 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test C Math, page 108, question 35.

Question 5 of 6

2018 Test A Math, question 40

Question

In the set of consecutive integers from 12 to 30, inclusive, there are four integers that are multiples of both 2 and 3. How many integers in this set are multiples of neither 2 nor 3?

  • A5
  • B6
  • C13
  • D15
Show the answer

Correct answer: B

The question asks for integers from 12 to 30 that are not divisible by 2 or 3. The set of consecutive integers is

{12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30}

Since all even numbers are divisible by 2, eliminate all even numbers, leaving the odd numbers in the set:

{13, 15, 17, 19, 21, 23, 25, 27, 29}

Eliminate those integers that are multiples of 3 (15, 21, and 27). The remaining integers are:

{13, 17, 19, 23, 25, 29}

Therefore, there are 6 numbers in the set that are multiples of neither 2 nor 3.

Question analysis

This number properties question takes the integers from 12 to 30, inclusive, and asks how many are multiples of neither 2 nor 3. Students must count the whole set, remove multiples of 2 and of 3 without removing any number twice, and count what remains. Inclusive endpoints and the overlap make it easy to miscount.

NYS standards
  • 6.NS.4 common factors and multiples
Grade level
Grade 6 content, by NYS standard
Compared with grade 7
Above grade 7 Multiples are sixth-grade content, but grade 7 problems rarely ask students to count a set under two overlapping conditions. The inclusive range and the numbers that are multiples of both make this longer and trickier than usual.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
What makes it hard
Solution
3 steps
Reading level
Question and choices: about grade 9, 30 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The question gives the overlap, four multiples of both 2 and 3, which invites a subtraction method with three places to go wrong: the count of the set, the overlap, and the final complement. Each of those errors has its own choice. Listing the 19 numbers and crossing out evens and then odd multiples of 3 is slower to describe but faster and safer to do.

  1. Much to keep track of moderate Working it out

    Each of the 19 integers must be checked against two conditions, and the four multiples of 6 meet both, so they must be removed once, not twice. (Sweller, 1988; Carpenter, Just & Shell, 1990)

  2. A very close wrong answer moderate Choosing the answer

    The choices 5 and 6 differ by one, the result of counting 30 − 12 = 18 integers instead of 19, so only counting the inclusive set exactly separates them. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

Strategy: Cross out every even number first, then cross out the odd multiples of 3 that remain, and count the survivors; listing all nineteen numbers is quick enough.

Traps

  • Answers a different question: A choice is right for another quantity: the other unknown, the rest instead of the part, the part instead of the whole.
  • Counting the ends: Inclusive or exclusive ends, fence posts, consecutive numbers: an answer that is one too many or too few, or an endpoint drawn open where it belongs closed (or the reverse).

The wrong answers, classified

How the questions are analyzed, and the research behind it

Worked solution, step by step

Formulas used

Counting whole numbers in a list
n=b−a+1n = b - a + 1
a is the first number and b is the last. n is how many whole numbers there are, counting both ends. You add 1 because subtracting counts the gaps, and there is one more number than gaps.

  1. Sort out the question

    The set is every integer (whole number) from 12 to 30. “Inclusive” means 12 and 30 are both in.

    A multiple of 2 is an even number. A multiple of 3 is a number in the 3 times table. You need the numbers that are neither: not even, and not in the 3 times table.

  2. Count the numbers in the set

    n=30−12+1=19n = 30 - 12 + 1 = 19

    There are 19 integers. Watch out: 30 − 12 = 18 forgets one end. That slip leads to choice A, 5.

  3. Cross out the even numbers

    Every even number is a multiple of 2, so remove them all. The odd numbers are left:

    13, 15, 17, 19, 21, 23, 25, 27, 29

    That is 9 numbers.

  4. Cross out the multiples of 3

    Check each odd number for 3. A quick test: add its digits. If the sum is in the 3 times table, so is the number. That removes 15, 21 and 27. These are left:

    13, 17, 19, 23, 25, 29

    Watch out: only 12, 18, 24 and 30 are multiples of both. Removing just those gives 19 − 4 = 15, choice D. “Neither” means you remove every multiple of 2 and every multiple of 3.

  5. Count what is left

    Six numbers are left. Watch out: 13 is how many you crossed out, choice C. The question asks for the ones left. So the answer is B, 6.

Check your answer

Count another way. Of the 19 numbers, 10 are even. Of the 9 odd ones, 3 are multiples of 3. So 10 + 3 = 13 are crossed out, and 19 − 13 = 6 are left. Same answer.

More questions like this

The original DOE question
Question 97 as printed on page 88 of the DOE handbook.
As printed in the DOE’s Specialized High Schools Student Handbook 2018–2019, page 88, question 97. Open page 88 of the handbook (PDF)

Question 6 of 6

2026 Practice Test D Math, question 35

Question

XYZ Corporation hired 6 people as summer workers. Of these 6 people, 3 will be hired as permanent employees in the fall. If 2 of the 6 people are male, how many of the possible groups of 3 people hired in the fall will include only 1 male?

  • A4
  • B6
  • C12
  • D24
Show the answer

Correct answer: C

An organized list can be used to determine the number of groups of 3 people that include only 1 male.

Let the letters A, B, C, and D represent the females, and let the numbers 1 and 2 represent the males.

Then, create a list of all possible combinations of 3 people with only 1 male.

AB1, AB2, AC1, AC2, AD1, AD2

BC1, BC2, BD1, BD2

CD1, CD2

There are 12 possible groups with only 1 male.

Question analysis

A company hired 6 summer workers, 2 of them male, and will keep 3 as permanent employees in the fall. This counting question asks how many possible groups of 3 include only 1 male. Students count combinations where order does not matter, and the bold word only, with two kinds of workers to combine, makes careful listing essential.

NYS standards
  • 7.SP.8b sample spaces for compound events
Grade level
Grade 7 content, by NYS standard
Compared with grade 7
Above grade 7 Grade 7 students list outcomes with organized lists and tree diagrams, usually ordered ones. Counting unordered groups of three under an "only one" condition, built from two kinds of people, goes beyond that typical work.
Estimated difficulty
Hard: combines ideas, needs a plan, and has more than one tempting wrong answer.
Solution
3 steps
Reading level
Question and choices: about grade 7, 41 words.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The question hides a two-stage count in a hiring story. Students tend to get one stage right and forget the other: they count the pairs of women and stop, or they count ordered picks and so find every group twice. Naming the women A to D and the men 1 and 2, then listing the pairs of women alphabetically with each man attached, makes every group visible and checkable.

  1. Combines ideas moderate Working it out

    Two counts are joined: the 6 ways to pick 2 of the 4 women, then the 2 ways to pick the man, and the total is their product. (Embretson, 1998; Daniel & Embretson, 2010)

  2. Something you must already know minor Working it out

    Students must already know that a group is the same whichever order its members are named, so picking one woman and then another repeats the reverse pick. (Anderson & Krathwohl, 2001)

  3. Turning words into math minor Understanding the question

    The bold word only means exactly one man, so the other two places in each group of 3 must go to two of the 4 women, a step the stem leaves unsaid. (Hegarty, Mayer & Monk, 1995; Koedinger & Nathan, 2004)

Strategy: Name the women A to D and the men 1 and 2, list every pair of women without repeats, then attach each man to each pair and count the groups.

Traps

The wrong answers, classified

How the questions are analyzed, and the research behind it

Worked solution, step by step

Formulas used

Counting with two choices
number of groups=ways to pick the man×ways to pick the women\text{number of groups} = \text{ways to pick the man} \times \text{ways to pick the women}
Each way of picking the man can go with each way of picking the two women. So you multiply the two counts. It is like outfits: 2 shirts with 6 pairs of pants make 12 outfits.

  1. Sort out the question

    Six people work for the summer. Two are male, so the other 4 are female. Three will be hired in the fall.

    You need the number of groups of 3 with only 1 male. That means exactly 1 man and 2 women. In a group, order does not matter. Ann, Bea and Carl is the same group as Carl, Ann and Bea.

  2. Give each person a name

    Call the women A, B, C and D. Call the men 1 and 2. Every group you want has 2 letters and 1 number, like AB1.

  3. List the pairs of women

    List each pair once. Start with A, then pair B only with letters after it, and so on:

    • AB, AC, AD
    • BC, BD
    • CD

    That is 6 pairs. BA is not new, since it is the same pair as AB.

    Watch out: counting the order gives 4×3=124 \times 3 = 12 pairs, each one twice. Then doubling for the men gives 24, choice D.

  4. Add a man to each pair

    Each pair of women can go with man 1 or man 2. Use the counting rule:

    6×2=126 \times 2 = 12

    Watch out: stopping at the 6 pairs of women leaves out the men. That gives 6, choice B.

    So the answer is C, 12.

Check your answer

Write out every group. With man 1: AB1, AC1, AD1, BC1, BD1, CD1. With man 2: AB2, AC2, AD2, BC2, BD2, CD2. Each list has 6 groups, and 6+6=126 + 6 = 12. No group repeats, and each has just one man.

More questions like this

The original DOE question
Question 35 as shown on the DOE’s digital test, page 108 of its printable version.
As printed in the DOE’s printable version of 2026 Practice Test D Math, page 108, question 35.

Sample #220450