At Dusk

2024 Handbook

2024 Test A English · Question 20 of 57

Also in 2025 Practice Test B English, question 26.

Passage At Dusk

At Dusk

by Natasha Trethewey

At first I think she is calling a child,
my neighbor, leaning through her doorway
at dusk, street lamps just starting to hum
the backdrop of evening. Then I hear
the high-pitched wheedling1 we send out
to animals who know only sound, not
the meanings of our words—here here—
nor how they sometimes fall short.
In another yard, beyond my neighbor’s
sight, the cat lifts her ears, turns first
toward the voice, then back
to the constellation of fireflies flickering
near her head. It’s as if she can’t decide
whether to leap over the low hedge,
the neat row of flowers, and bound
onto the porch, into the steady circle
of light, or stay where she is: luminous
possibility—all that would keep her
away from home—flitting before her.
I listen as my neighbor’s voice trails off.
She’s given up calling for now, left me
to imagine her inside the house waiting,
perhaps in a chair in front of the TV,
or walking around, doing small tasks;
left me to wonder that I too might lift
my voice, sure of someone out there,
send it over the lines stitching here
to there, certain the sounds I make
are enough to call someone home.

“At Dusk” from NATIVE GUARD by Natasha Trethewey, published by Houghton Mifflin Company. Copyright © 2006 by Natasha Trethewey. All rights reserved.

1wheedling: speaking in a flattering manner

Question

The isolation of the words “—here here—” in line 7 contributes to the meaning of the poem mainly by

  • Ademonstrating how people try to communicate in familiar ways but are still sometimes misunderstood.
  • Bshowing how people can feel desperate to connect with others but give up quickly when their first attempts are ignored.
  • Cusing the unspoken bond between the neighbor and her cat to highlight the understanding people have with their pets.
  • Dillustrating the use of a simple expression to call home those who are loved and missed.
Show the answer

Correct answer: D

The question asks how the isolation of the words “—here here—” in line 7 mainly contributes to the meaning of the poem.

A. Incorrect. The words “—here here—” do interrupt the speaker’s observation in lines 7–8 that “our words . . . / . . . sometimes fall short.” However, in lines 5–7, the speaker observes that the neighbor accompanies her words with a “high-pitched wheedling” that people “send out” because they are aware that animals “know only sound, not / the meanings of our words,” indicating that the neighbor does not actually expect her words to be understood. The description of the cat’s response in lines 10–11 (“the cat lifts her ears, turns first / toward the voice, then back”) does not suggest that the neighbor’s message is misunderstood but rather suggests that the cat prefers not to respond to it.

B. Incorrect. In lines 20–21, the “neighbor’s voice trails off,” and she does give up calling the cat. However, rather than any desperation to connect, the neighbor’s use of a “high-pitched wheedling” (line 5) simply indicates her understanding that the cat, like other animals, understands “only sound, not / the meanings of our words” (lines 6–7) such as “here here.” Furthermore, the neighbor does not give up quickly. In lines 21–22, the speaker says the neighbor has “given up calling for now” but is still “waiting” for the cat.

C. Incorrect. In lines 4–7, the speaker describes the neighbor calling to the cat with a “high-pitched wheedling.” The sound may indicate a bond between the neighbor and the cat because the neighbor does understand that animals “know only sound, not / the meanings of our words” (lines 6–7). However, the use of the words “here here” in line 7 does not indicate that bond, because they are used as an example of the type of words that animals do not understand.

D. CORRECT. The speaker’s initial thought in line 1 that the neighbor is calling a child, rather than a cat, suggests that the neighbor loves and misses the cat. Lines 4–7 then present the speaker’s observation that the neighbor uses a “high-pitched wheedling,” to emphasize the simple words of her call, “—here here—.” The idea that the words are an example of a simple expression used to call home a missed loved one is reinforced in lines 25–29, when the speaker is “left . . . to wonder” whether the speaker, too, “might lift / [his or her] voice” and be able “to call someone home.”

Question analysis

This reading question asks how setting off the words here here with dashes in line 7 adds to the meaning of At Dusk, Natasha Trethewey's poem about a neighbor calling her cat at nightfall. Students must work out what two plain, isolated words contribute to the whole poem, choosing among four readings about how people and animals communicate and connect.

NYS standards
  • 7R5 structure and genre features
  • 7R4 word meaning and choice
Grade level
Grade 8 reading and task
Compared with grade 7
Above grade 7 Grade 7 students explain how a line adds to a poem, but here the feature is a tiny typographic choice, and its meaning has to be built from the whole poem rather than nearby lines, which goes beyond typical grade 7 work.
Estimated difficulty
Among the hardest on the SHSAT: a non-obvious approach, heavy reading, or a well-hidden trap.
Evidence
Answered from the whole text
Reading level
Passage: 236 words (a poem; reading level not measured); question and choices: about grade 9, 87 words.
Corrected from the DOE handbook
  • A grammar slip in the explanation was corrected.
Students, last 30 days
Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)

Why it is hard

The words sit inside a sentence about animals not knowing the meanings of our words and about words that “sometimes fall short,” so the nearest lines point toward miscommunication. The poem's frame points elsewhere: it opens with a call that sounds like a parent's, ends with the speaker hoping a voice can “call someone home,” and even repeats “here” in line 27. Students who read only around line 7 choose the misunderstanding; those who connect the isolated call to the first and last lines see what it is for.

  1. A very close wrong answer major Choosing the answer

    The misunderstanding choice and the right one agree that “here here” is a familiar way of calling; they part only on what it shows, failed communication or a call home to someone missed. (Embretson & Wetzel, 1987; Gorin & Embretson, 2006; Ascalon et al., 2007)

  2. Evidence in several places moderate Working it out

    The right reading rests on lines far from line 7: the speaker's first guess that a child is being called, and the last line's wish “to call someone home.” (Kirsch & Mosenthal, 1990; Gorin & Embretson, 2006)

  3. How, not what moderate Working it out

    The question asks what setting two words apart with dashes and italics does for the poem, a typographic choice whose purpose the poem never explains. (Anderson & Krathwohl, 2001)

Strategy: Ask what the two words are meant to do and whom they are aimed at, then keep the choice that the poem's other lines confirm.

Traps

  • Wrong purpose or structure: Names a purpose, structure or effect that the part does not serve, or describes what a part says when the question asks what it does.
  • Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
  • Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.

The wrong answers, classified

What was corrected from the DOE handbook, and why

  • Explanation: In rejecting choice C, the handbook reads “the use of the words “here here” in line 7 do not indicate that bond.” It now reads “does not,” to agree with “use.”

How the questions are analyzed, and the research behind it

Working it out, step by step

  1. Figure out what the question asks

    In line 7 the words here here are set apart by dashes and slanted letters (italics). The question asks what this does for the poem’s meaning. Think about what the words are for and who they are aimed at.

  2. Look at line 7

    Line 7 reads “the meanings of our words—here here—.” These are the words the neighbor calls to her cat. Setting them apart lets you hear them, as if spoken aloud. They are simple words that mean “come here.” Lines 6–7 say animals know “only sound, not / the meanings of our words.”

  3. Connect to the start and end

    In line 1 the speaker first thinks the neighbor “is calling a child.” So the call sounds like a parent calling someone they love. The poem ends with the hope that a voice can be “enough to call someone home” (line 29). So here here is a simple call to bring a loved one home.

  4. Check each choice

    • A is wrong. The cat isn’t confused. She “lifts her ears” and turns “toward the voice.” She just doesn’t come yet.
    • B is wrong. The neighbor isn’t shown as desperate. She stops only “for now,” and the speaker pictures her waiting inside.
    • C is wrong. Here here is spoken out loud. The poem treats it as words animals don’t understand, not a silent bond.
    • D is right. It is a simple call to someone loved and missed.

    Watch out: Line 8 says words “sometimes fall short,” which points toward A. But read the first and last lines too.

  5. Choose the answer

    The two words stand for the simple call people use to bring loved ones home. So the answer is D.

Why this answer and not the closest wrong one

A is the closest wrong answer, because line 8 says our words “sometimes fall short.” But the cat does hear the call and turn toward it. And the poem ends by hoping the sounds “are enough to call someone home.” D links the two words to that wish, and to the first guess that a child is being called.

The original DOE question

Question 20 as printed on page 49 of the DOE handbook.
As printed in the DOE’s NYC Guide to the Specialized High Schools Admissions Test (SHSAT) for 2025 Admissions, page 49, question 20. Open page 49 of the handbook (PDF) The handbook letters this question’s choices E–H; here they are A–D (E = A, F = B, G = C, H = D). This is the DOE’s version, before the corrections listed in the analysis.
The passage “At Dusk” as printed (page 48)The passage “At Dusk” as printed on page 48 of the DOE handbook.