Passage Excerpt from Winter Wheat
Excerpt from Winter Wheat
by Mildred Walker
Ellen, the narrator, is preparing to leave her parents and the family farm for college the next day.
I love Dad’s way of talking that makes him seem different from other ranchers. He’s lived here twenty-three years, but he still says “back East where I come from.” He’s the one who gets excited when I do about spring coming or a serial running in the magazine we’re both reading, but it’s what Mom says that I depend on. When Mom used to say “Don’t worry” about my pet chicken or dog or new calf, it always got well. Dad is always talking of going some place, not now, but next year, maybe. Mom seems to think of nothing farther away than today or perhaps yesterday or tomorrow morning.
Mom folded the ironing board and put it inside their bedroom that was just off the kitchen. She carried in the freshly ironed clothes. Dad went back to his paper. When Mom came back she took beans from the cupboard to soak for tomorrow. Dad always said Mom could make all the dishes he’d had back in Vermont as well as though she were a New Englander herself, instead of a Russian. All of a sudden, I realized that tomorrow when those beans would be ready to eat I’d be going away. It gave me a funny feeling.
“I’ll be taking the train tomorrow night,” I said aloud, more to hear it myself.
“We can drive you into town in the afternoon,” Dad said, dropping his paper on the floor.
“There’s no need to go to town; she can catch the train at Gotham just as well. We haven’t nothing to take us into town for,” Mom said.
“Well, we don’t have to decide tonight,” Dad said, but I knew he wanted to go into Clark City. It wouldn’t be so flat as just seeing me go off on the train from Gotham. My going away was hard on both of them; they were so different—and I was part of them both. It made me uncomfortable to think of leaving them.
While I was getting ready for bed in my room that’s off the front room, I saw how it would be if I left from town. We’d go in right after dinner and go around to the stores, Dad going one way and Mom and I another. Dad would probably have his hair cut at the barbershop and stop in the bank and meet someone he knew to talk to. Then we’d meet at the big store on the corner and go to the cafeteria for supper. The train stops ten minutes or so at the station in town and there are other people and excitement and you have time to wave from the platform and then again from your window by your seat. We went to the station in Clark City to see the Goodals off when they went back to Iowa.
If I left from Gotham, we’d just drive down in the truck and wait till the train came. It only stops long enough for you to get on and you hardly have time to taste the flavor of going away.
I sat on the bed in my pyjamas with my arms around my knees. I couldn’t keep from thinking of that time Dad went back East. I tried to, and then I just sat still and looked straight at it. Sometimes that’s better than working so hard to keep from looking at what’s in your mind.
Dad went all the way back to Vermont. . . . It was in November and it was already dark when the train came through Gotham. Even now, I could feel how cold and dark it was. I held Mom’s hand. Dad was so dressed-up he seemed strange. . . . We stood there without saying anything until Dad told Mom to remember to call Mr. Bardich, our neighbor, if the cow didn’t calve tomorrow.
“I’ll manage,” Mom snapped back.
“I wish you could go, Anna,” Dad said to Mom, “and we could take Ellen.” . . .
“Good-by, Anna Petrovna,” he said, looking at Mom. I had never heard him call her by two names before.
“Good-by,” Mom said, standing still, without smiling.
Then he was gone and the crossroads were darker than ever. The train light shone on the high window in the top of the grain elevator for a moment and then that too was dark. We got into our old Ford and Mom drove back to the house. My throat ached all the way. The name Dad had called Mom kept saying itself in my ears: “Anna Petrovna, Anna Petrovna.” . . .
Our house seemed lonely when we came back to it. It seemed to be hiding under the coulee. I went with Mom to put the truck in the barn that was bigger than the house. I think Mom was prouder of our barn than the house, anyway. We walked back to look at the cow that was going to calve. She was just a big light blob in the dark, waiting. I had thought she was exciting this morning, but now she seemed sad, too.
The wind blew when we walked across the open space to the house and I couldn’t help shivering with the cold. Inside the house it was warm, but empty.
“Bring your nightgown in here and I heat you some milk,” Mom said.
I drank the milk sitting on a stool in front of the stove. It tasted good, but the lonely ache in my throat was still there. I picked up my clothes and hung them neatly behind the stove and put my cup on the sink board. Mom was fixing oatmeal for tomorrow morning.
“Good night, Mom,” I said almost timidly, standing beside her. She seemed wrapped around in a kind of strangeness. Then she turned around and drew me to her. The front of her dress was warm from the stove. I felt the comfortable heat through my gown. She laid her hand against my face and it felt rough and hard but firm. I dared ask her something I wanted to know.
“Mom, was that really your name—what Dad called you?”
Her voice sounded surprised. “Why, Yeléna, you know that; Anna Petrovna. You know I am born in Russia, in Seletskoe.”
“Yes, but I didn’t know your other name,” I said.
“Anna Petrovna Webb.” She pronounced it slowly. “Once I think what a funny name Ben Webb is!” She laughed. Her laugh was warm and low like our kitchen, and comfortable. The house seemed natural and right again. . . .
But now that I am grown, I feel the wall of strangeness between them, more than when I was a child. I wondered how they would get along without me.
From WINTER WHEAT by Mildred Walker, published by University of Nebraska Press. Copyright © 1944 by Harcourt, Brace and Company, Inc. Copyright renewed 1971 by Mildred Walker. All rights reserved.
serial: story published in short segments at regular intervals
coulee: small gulch or ravine
Question
Which sentence from the excerpt provides evidence that Ellen has a lot in common with her father?
- A“He’s the one who gets excited when I do about spring coming or a serial running in the magazine we’re both reading. . . .” (paragraph 1)
- B“ ‘We can drive you into town in the afternoon,’ Dad said, dropping his paper on the floor.” (paragraph 4)
- C“ ‘Well, we don’t have to decide tonight,’ Dad said, but I knew he wanted to go into Clark City.” (paragraph 6)
- D“I wondered how they would get along without me.” (paragraph 25)
Show the answer
Correct answer: A
The question asks which sentence from the excerpt provides evidence that Ellen has a lot in common with her father.
A. CORRECT. This sentence from paragraph 1 shows that Ellen and her father both get excited about the coming of spring and share an interest in reading magazine serials (stories published in serial installments). The sentence implies that Ellen and her father have shared likes and interests, and therefore, it provides clear evidence that they have a lot in common.
B. Incorrect. While this sentence from paragraph 4 highlights the warm relationship between Ellen and her father and shows that he would like to take her to the train station in town, it does not provide clear evidence that they share a lot in common.
C. Incorrect. Although this sentence from paragraph 6 implies that Ellen understands her father well enough to intuit his preference to go to the train station in town (“but I knew he wanted to go into Clark City”), their closeness is not clear evidence that Ellen and her father have a lot in common.
D. Incorrect. While this sentence from paragraph 25 shows Ellen’s concern about the effect that her leaving the farm will have on her parents, it does not provide clear evidence that Ellen and her father have a lot in common.
Question analysis
This evidence question on an excerpt from Mildred Walker’s novel Winter Wheat, in which Ellen gets ready to leave her parents’ farm for college, asks which sentence shows that Ellen has a lot in common with her father. The four quotations, from paragraphs 1, 4, 6 and 25, all involve Ellen and her family, so each must be checked for what it really shows.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Finding the sentence that supports an idea about a character is standard grade 7 evidence work. The novel’s language is plain and the idea concrete, but every quotation involves Ellen’s family, so each must be read in its paragraph before it is judged.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly evaluate
- What makes it hard
- Evidence
- Answered from several paragraphs or stanzas
- Reading level
- Passage: about grade 6, 80 words; question and choices: about grade 7, 88 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
The question asks for likeness, not affection, and three of the quotations show Ellen’s ties to her family in other ways: her father offers to drive her into town, she knows a wish he does not voice, and she wonders how her parents will manage once she is gone. Only one sentence shows father and daughter reacting the same way to the same things, the coming of spring and a magazine story. Students who read “a lot in common” as “close” are drawn to the line where Ellen reads his mind.
Every choice must be checked minor Choosing the answer
Every quotation involves Ellen and her parents, and three show a bond of another kind, an offer of a ride, a guessed wish, a worry about leaving, so each must be tested for shared tastes rather than care. (Embretson & Wetzel, 1987)
Reading between the lines minor Working it out
The right sentence neither names Dad nor says “in common”: students must trace “He’s” back to Dad earlier in paragraph 1 and hear shared interests in “when I do” and “we’re both reading.” (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Strategy: Decide what having a lot in common would mean for two people, then reread each quotation in its paragraph and ask whether it shows that or some other side of how Ellen and her father relate.
Traps
- Reads too much in: A reasonable-sounding conclusion that goes further than the text allows.
- Supports only part of the claim: In a question about evidence: a line that backs one half of the claim but not the other, or a related point rather than the claim itself.
- True but not the answer: A choice says something accurate about the text that does not answer this question.
The wrong answers, classified
B Reads too much in (Graesser, Singer & Trabasso, 1994)
Takes Dad’s quick offer to drive Ellen into town, made as he drops his paper, as a sign that the two are alike, but it shows his care for her, not tastes they share.
C Supports only part of the claim (King et al., 2004; Thissen, Steinberg & Fitzpatrick, 1989)
Sees Ellen reading Dad’s unspoken wish to go into Clark City, a send-off she also prefers, but one shared preference shows that she understands him, not that they have a lot in common.
D True but not the answer (King et al., 2004; Embretson & Wetzel, 1987)
Picks Ellen’s closing worry about how her parents will manage without her, a true picture of her concern, but it covers both parents and shows nothing she shares with Dad.
Working it out, step by step
Figure out what the question asks
This is an evidence question. You need the sentence that shows Ellen has “a lot in common” with her father. Two people have a lot in common when they like the same things and share the same interests. Being close, or caring about each other, is not the same thing. Keep that difference in mind.
Look at the sentence in paragraph 1
In paragraph 1, Ellen is telling about her dad, so “He’s” means Dad. She says he “gets excited when I do about spring coming or a serial running in the magazine we’re both reading.” A serial is a story printed in parts, with a new part in each issue of a magazine.
Work out what it means
The words “when I do” mean Dad gets excited at the same times Ellen does. They both look forward to spring. They both read the same magazine story and enjoy it. Those are two interests they share. In the same paragraph, Ellen compares her parents. Dad is the one who shares her excitement. Mom is the one whose words she counts on.
Check each choice
- A is right. It names two things that excite both of them: spring and a magazine story.
- B is wrong. In paragraph 4, Dad quickly offers to drive Ellen into town for her train. That shows he cares, not that they like the same things.
- C is wrong. In paragraph 6, Ellen says, “but I knew he wanted to go into Clark City.” She understands him well. But knowing what someone wants is not sharing his interests.
- D is wrong. In paragraph 25, “they” means Mom and Dad. Ellen worries about both. That is not something she shares with Dad.
Watch out: C is tempting because it shows Ellen and Dad are close. But being close is not having a lot in common.
Choose the answer
Only A shows Ellen and her dad getting excited about the same things: spring and a story they both read. So the answer is A.
Why this answer and not the closest wrong one
C is the closest wrong answer. It shows that Ellen can tell what her dad wants without his saying it. That proves they are close. But the question asks what they have in common. A names two shared interests: spring coming and a serial “we’re both reading.”
More questions like this
The original DOE question
The passage “Excerpt from Winter Wheat” as shown on the test
