Also in 2026 Practice Test D English, question 29.
Passage Excerpt from The Highest Tide
Excerpt from The Highest Tide
by Jim Lynch
The narrator’s summer job is collecting marine specimens in Puget Sound, Washington. In this excerpt, he is looking for specimens in the mudflats before daybreak. Mudflats, or flats, are coastal landforms created when sediment and silt from tides are deposited as the tides recede.
I rounded the oyster beds, to the far side. . . . It was low tide by then, and I saw the water hesitating at its apex, neither leaving nor returning, patiently waiting for the gravitational gears to shift. Dozens of anxious clams started squirting in unison like they did whenever vibrating grains of sand warned them predators were approaching. I stopped and waited with them, to actually see the moment when the tide started returning with its invisible buffet of plankton for the clams, oysters, mussels and other filter feeders. It was right then, ankle deep in the Sound, feet numbing, eyes relaxed, that I saw the nudibranch.1
In all my time on the flats I’d never seen one before. I’d read about them, sure. I’d handled them at aquariums but never in the wild, and I’d never even seen a photo of one this stunning. It was just three inches long but with dozens of fluorescent, orange-tipped hornlike plumes jutting from the back of its see-through body that appeared to be lit from within.
Nudibranchs are often called the butterflies of the sea, but even that understates their dazzle. Almost everything else in the northern Pacific is dressed to blend with pale surroundings. Nudibranchs don’t bother, in part because they taste so lousy they don’t need camouflage to survive. But also, I decided right then, because their beauty is so startling it earns them a free pass, the same way everyday life brakes for peacocks, parade floats. . . .
The dark mudflats loomed like wet, flattened dunes stretching deep into Skookumchuck Bay in front of our house. From a distance, they looked too barren to support sea life. Up close, they still did, unless you knew where to find the hearty clams, worms and tiny creatures that flourish in mud. . . . I’m not sure why I decided to take a look. It was still an hour before sunrise, and I knew exactly what the bars2 looked like in the moonlight, but for some reason, I couldn’t resist.
I heard it long before I saw it. It was an exhale, a release of sorts, and I instantly wondered if a whale was stranded again. We had a young minke3 stuck out there two summers prior, and it made similar noises until the tide rose high enough for rescuers to help free it. . . . I looked for a hulking silhouette but couldn’t find one. I waited, but there were no more sounds. Still, I went toward what I thought I’d heard, avoiding stepping into the mud until I had to. I knew the flats well enough to know I could get stuck just about anywhere. The general rule was you didn’t venture out past the shells and gravel with an incoming tide. I sank up to my knees twice, and numbing water filled my boots.
. . . I kept stepping toward the one sound I’d heard, a growing part of me hoping I’d find nothing at all. When I stopped to rest and yank up my socks, my headlamp crossed it. My first thought? A giant octopus.
Puget Sound has some of the biggest octopi in the world. They often balloon to a hundred pounds. Even the great Jacques Cousteau4 himself came to study them. But when I saw the long tubular shape of its upper body and the tangle of tentacles below it, I knew it was more than an octopus. I came closer, within fifty feet, close enough to see its large cylindrical siphon5 quiver. I couldn’t tell if it was making any sounds at that point, because it was impossible to hear anything over the blood in my ears. . . .
The creature’s body came to a triangular point above narrow fins that lay flat on the mud like wings, but it was hard to be sure exactly where it all began or ended, or how long its tentacles truly were, because I was afraid to pry my eyes off its jumble of arms for more than half a second. I didn’t know whether I was within reach, and its arms were as big around as my ankle and lined with suckers the size of half-dollars. If they even twitched I would have run. So, I was looking at it and not looking at it while my heart spangled my vision. I saw fragments, pieces, and tried to fuse them in my mind but couldn’t be certain of the whole. I knew what it had to be, but I wouldn’t allow myself to even think the two words. Then I gradually realized the dark shiny disc in the middle of the rubbery mass was too perfectly round to be mud or a reflection.
It was too late to smother my scream. Its eye was the size of a hubcap.6
From THE HIGHEST TIDE by Jim Lynch. Copyright © 2005 by Jim Lynch. Used by permission of Bloomsbury USA. All rights reserved.
1nudibranch: type of sea slug
2bars: sandbars
3minke: species of small whale
4Jacques Cousteau: renowned French oceanographer
5siphon: tube-like organ that is used for drawing in or removing fluids
6hubcap: removable cap over the end of a wheel axle
Question
The narrator’s actions in paragraph 5 reveal that he is
- Aexpecting to see the familiar sight of a stranded minke.
- Bconfident about exploring farther into the mudflats.
- Cunconcerned about becoming stuck in the mudflats.
- Ddetermined to discover the source of the sound.
Show the answer
Correct answer: D
The question asks what the narrator’s actions in paragraph 5 reveal about him.
A. Incorrect. The paragraph begins with the narrator wondering “if a whale was stranded again” because of one that had gotten stuck before and had “made similar noises.” However, the narrator explains that he “looked for a hulking silhouette but couldn’t find one” before he “went toward what [he] thought [he’d] heard,” so readers can conclude that he continues to walk through the dangerous mudflats not because he expects to find a whale but because he is curious to find out what made the noise.
B. Incorrect. The fact that the narrator knows about a whale that was stranded on the mudflats “two summers prior” indicates that he is familiar with the area, and he does mention that he has some knowledge of the mudflats. However, in the paragraph, he reveals that his knowledge is of the dangers there: “I knew the flats well enough to know I could get stuck just about anywhere.” He also explains that as he moves, he avoids “stepping into the mud until [he] had to.” The fact that he acknowledges the danger and tries to avoid it indicates that he is cautious rather than confident.
C. Incorrect. In the paragraph, the narrator’s recollection that even though he could not see the silhouette of a whale, “still, [he] went toward what [he] thought [he’d] heard” might make him seem unconcerned about getting stuck. However, even as he continues, he moves carefully, avoiding “stepping into the mud until [he] had to” because he knows the mudflats “well enough to know [he] could get stuck just about anywhere.”
D. CORRECT. In the paragraph, the narrator describes the dangers of walking on the mudflats by stating that he “knew the flats well enough to know [he] could get stuck just about anywhere,” but he continues walking toward the sound. Despite knowing the dangers, he still “went toward what [he] thought [he’d] heard,” and this shows that he is determined to find out what made the sound.
Question analysis
This inference question asks what the narrator's actions reveal about him when he hears a strange sound on the mudflats before dawn and sets off toward it. Students must read what he does alongside what he says he knows about the flats, and several choices fit one detail of the paragraph but not the whole of it.
- Grade level
- Grade 7 reading and task
- Compared with grade 7
- At grade 7 Inferring a character's trait from actions is core grade 7 literary reading. The evidence sits in one paragraph and the actions are concrete, so the item is typical, though the long paragraph mixes memory, rules and movement.
- Estimated difficulty
- Straightforward: two steps or one careful reading.
- Thinking it demands
- Depth of knowledge 2, skills and concepts · mainly understand
- What makes it hard
- Reading between the lines moderate
- Much to keep track of minor
- Evidence
- Answered from one paragraph or stanza
- Reading level
- Passage: about grade 6, 902 words; question and choices: about grade 8, 41 words.
- Students, last 30 days
- Not enough answers yet to show (it takes 10).
Why it is hard, traps and wrong answers (shows the answer)
Why it is hard
Paragraph 5 shows two things at once, a narrator who knows exactly how dangerous the flats are and one who keeps walking toward a sound anyway. Choices that see only the walking call him confident or unconcerned, and the one that sees only his first thought has him expecting a whale. The word “Still”, after his search for a silhouette comes up empty, is the hinge that shows determination.
Reading between the lines moderate Working it out
The trait is never named; it must be drawn from what he does, especially “Still, I went toward what I thought I'd heard” after seeing nothing and hearing nothing more. (Graesser, Singer & Trabasso, 1994; Kintsch, 1998)
Much to keep track of minor Working it out
The paragraph mixes a memory of the stranded minke, a rule about incoming tides and his own steps, and the student must keep his caution and his persistence in view together. (Sweller, 1988; Carpenter, Just & Shell, 1990)
Strategy: List what the narrator does in paragraph 5, step by step, and note what he knows while doing it; then ask what those actions, taken together, say about him.
Traps
- Wrong tone or attitude: Misjudges the tone, attitude or point of view, such as reading admiration as criticism, or taking a character's or subject's feelings for the author's.
- Twists what the text says: Uses the text's topic and ideas but changes what it says: who did it, how much, when, or why.
The wrong answers, classified
A Twists what the text says (King et al., 2004)
Builds on his first thought that a whale was stranded again, but he finds no silhouette and keeps going, and one stranding two summers before hardly makes it a familiar sight.
B Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Reads “I knew the flats well” as confidence, but he knew them well enough to know he could get stuck anywhere, which is wariness, not confidence.
C Wrong tone or attitude (Graesser, Singer & Trabasso, 1994)
Takes his pressing on as indifference, ignoring that he avoids stepping into the mud until he has to because he knows how easily he could sink.
Working it out, step by step
Know what the question asks
This asks you to make an inference about a character. You judge what the narrator is like from what he does. The text never names the trait, so look closely at his actions.
List his actions in paragraph 5
He hears a sound and wonders if a whale is stranded. He “looked for a hulking silhouette but couldn’t find one.” He waits, but hears nothing more. Then he says, “Still, I went toward what I thought I’d heard.” He sinks to his knees twice, and cold water fills his boots.
Notice what he knows
He knows the danger. He says, “I knew the flats well enough to know I could get stuck just about anywhere.” The word “Still” matters here. It means even so. Even with no whale in sight and no more sounds, he keeps heading toward the noise.
Check each choice
- D fits: he keeps going toward the sound despite the danger, so he is determined to find its source.
- A is wrong because he finds no whale and keeps going, and one stranding two summers ago is not a familiar sight.
- B is wrong because knowing he could get stuck anywhere makes him careful, not confident.
- C is wrong because he avoids “stepping into the mud until I had to,” so he does worry about getting stuck.
Watch out: B and C notice only that he keeps walking. They miss how carefully he moves.
Choose the answer
He presses on toward the sound even though he knows the mud is dangerous. So the answer is D.
Why this answer and not the closest wrong one
B comes closest, because he says he knows the flats well. But what he knows is how easily he could get stuck, so he is careful, not confident. Pressing on anyway, after seeing nothing and hearing nothing more, shows determination.
More questions like this
The original DOE question
The passage “Excerpt from The Highest Tide” as printed (pages 64–65)
